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Lot 390
A vintage Yugin & Sons tailors dummy or mannequin. Female in form, stencilled number 12 and with Yugin bow logo, raised on an adjustable metal stand marked for Philip Harris & Co. Ltd. Birmingham. Dummy 91cm. Wear to the torso, cloth holed. Some slight damage to the foam core. The stand has no way of fixing separate heights and is associated to the dummy so some work required.
Lot 59
AN EARLY 20TH CENTURY LINEN COVERED MANNEQUIN on a tripod base with turned support and stamped 'Buste Girard of Paris', and also 'R D Franks Sole Agent for UK 6 Oxford Mansion London', 34cm wide x 165cm high overall At present, there is no condition report prepared for this lot This in no way indicates a good condition Please contact the saleroom for a full condition report
Lot 17
(See English version below)Curt Ehrhardt (Ziesar 1895 – 1972 Schwarz/Hessen). „Der Bantuneger“. 1920Assemblage: Holz-Objektkasten, Karton, Ölfarbe, Puppe, Fell, Schnüre, Nägel, Draht, Papier. Kasten: 31,5 × 24,3 × 12,4 cm ( 12 ⅜ × 9 ⅝ × 4 ⅞ in.). Rückseitig auf einem Aufkleber mit Tuschfeder betitelt, signiert und datiert: Der Bantuneger C. Ehrhardt 1920 Brandenburg a./H. Darüber ein Etikett der Ausstellung Berlin 1920 (s.u.).[3604] Provenienz: Ehemals Peter Hopf, BerlinWir berechnen auf den Hammerpreis 30% Aufgeld.Curt Ehrhardt (Ziesar 1895 – 1972 Schwarz, Hesse). ”Der Bantuneger”. 1920Assemblage: Wooden object case, cardboard, oil paint, mannequin, fur, string, nails, wire, paper. Box: 31,5 × 24,3 × 12,4 cm ( 12 ⅜ × 9 ⅝ × 4 ⅞ in.). On the reverse on a label titled, signed and dated with pen and India ink: Der Bantuneger C. Ehrhardt 1920 Brandenburg a./H. Above this a label of the 1920 Berlin exhibition (see below).[3604] Provenance: Formerly Peter Hopf, BerlinWe charge 30% premium on the hammerprice.
Lot 184
A MINIATURE MAIL ARMOUR FOR MAN AND HORSE, 20TH CENTURY comprising copper mail coif of butted links, open at the face and covering the neck, iron shirt of butted links, extending to the wrist and thigh and vented front and rear, and a pair of full arm leg defences en suite, mounted on an articulated cloth-covered wooden mannequin, complete with shield, sword and lance and mounted on a well modelled horse, armoured in mail en suite, over a gold-trimmed red fabric caparison, and with shaffron and saddle in 16th century style 38.5 cm; 15 1/8 in
Lot 90
**A GERMAN CAP-A PIE FIELD ARMOUR FOR A CHILD IN GERMAN EARLY 17TH CENTURY STYLE, LATE 19TH/EARLY 20TH CENTURY comprising close helmet with rounded skull joined along the crest of a high medial comb, fitted at its nape with a tubular brass plume-holder chased with a bouquet of flowers, and to either side of it with four brass eyelets to accommodate laces, and at the front with visor, upper bevor and bevor attached by common pivots having domed fluted heads, the visor formed with a prominent step and centrally divided vision-slit, secured to the upper bevor by a spring-catch at the right side and with a leather pull for opening, upper bevor pierced at the right with six slipped circular ventilation-holes and secured at the right side by a wing-headed screw, lower bevor secured by a swivel-hook and fitted with pivoted prop for the upper bevor, and the neck formed with an internally hollowed rim to fit over the collar; collar of three lames front and rear, the lowest in each case deeper than the rest; breastplate formed of a medially ridged main plate flanged outwards at its lower edge to receive a fauld of one lame carrying a pair of tassets each of five lames, the lowest of which is deeper than the rest and descends to a convex edge; backplate formed of a main plate fitted at its lower edge with a waist-lame flanged outwards at its lower edge to receive a broad culet of four lames; a pair of large symmetrical pauldrons each formed of six lames of which the lowest three extend inwards only as far as the armpit and are connected in each case by a turner to a fully articulated tubular vambrace with a winged bracelet couter of three lames, a pair of tubular lower canons; a pair of gauntlets each formed of a short, flaring, pointed cuff fitted at its inside with a hinged separate plate, five metacarpal-plates, two knuckle-plates, four scaled finger-defences and a matching laterally-hinged thumb-defence; a pair of cuisses each formed of a short gutter-shaped main plate with two upper extension-plates and fitted at its lower edge with a winged poleyn of five lames; and a pair of greaves each of full-length tubular form fitted at the front with an integral broad-toed sabaton of nine lames; the main edges of the armour formed with plain inward turns; all mounted on a finely modelled and articulated gesso-covered wooden mannequin with well modelled head 48.5 cm; 58 ½ in high Provenance George F. Harding Jr., Chicago Transferred to the Art Institute of Chicago, 1982, Acc. 1982.2414, the helmet 1982.2431 The mannequin, the Berlin Zeughaus The helmet is perhaps based on those of the well known group of armours made for Christian I, Elector of Saxony (1560-91).
Lot 124
Blade's (Wesley Snipes) final battle costume from David S. Goyer's action-horror sequel Blade: Trinity. Variations of Blade's signature costume were worn throughout the film, and he donned his red-top attire for his final confrontation with the vampire patriarch Drake (Dominic Purcell) during the film's climactic scenes.The costume comprises a full-length faux-leather coat; a padded tactical vest featuring an engraved chest buckle fastener and a metal belt buckle at the waist (labelled "Wesley"); a red long-sleeved leotard decorated with printed tribal designs; a pair of neoprene gloves with faux-silver painted stud detailing; a pair of black trousers with a metal stake adhered in the left leg pocket (labelled "Wesley"); and a pair of thick-soled lace-up boots. Handwritten text inside the coat reads "Padded fit, sprayed for water repellency". A sword scabbard is adhered to the back of the vest and there is an intentional hole at the back of the coat, which allows the sword to be inserted. The costume exhibits minor wear from production use, with light marks on the coat and glue remnants around the waist buckle. The costume is displayed on a custom-made mannequin featuring Snipes' likeness. Dimensions (displayed): 32 cm x 70 cm x 190 cm (12 1/2" x 27 1/2" x 74 3/4")Special shipping required: see special shipping notice in the Buyer's Guide.Estimate: £6,000 - 8,000 M
Lot 191
Adonis Creed's (Michael B. Jordan) ringside costume display from Ryan Coogler's sports drama Creed. Creed wore his costume while entering the ring for his climactic fight with "Pretty" Ricky Conlan (Tony Bellew).This costume consists of a white satin blend sleeveless hooded robe with red and blue trim, a blue and white star interior around the hood, a "FRONT STREET GYM" graphic on the front, and "CREED" emblazoned on the back; a pair of red, white, and blue leather and cotton boxing gloves with Velcro® closures; a pair of satin blend red and white striped boxing trunks featuring a blue elastic and satin waistband with "CREED" emblazoned on the front and blue details with white stars on the legs; and a pair of white and red cotton, rubber, and leather boxing trainers. It is in excellent overall condition with minor signs of wear on all items and is displayed on a black fibreglass mannequin. Dimensions (displayed): 185.5 cm x 71 cm x 48.25 cm (73" x 28" x 19") Special shipping required; see notice in the Buyer's GuideEstimate: £6,000 - 8,000 US
Lot 330
The Kurgan's (Clancy Brown) costume display from Russell Mulcahy's fantasy adventure Highlander. The immortal barbarian known only as The Kurgan wore his armour while in battle with a group of Scottish warriors including Connor MacLeod (Christopher Lambert) in 1536. The costume consists of body armour, shoulder guards, a right leg greave, a leather belt, a black faux-fur sporran and completed with a replica helmet, Each armour piece has been cast in fibreglass and resin and styled to resemble animal bones. The replica helmet is made from the original production mould and features a brown and black faux fur plume styled to match the sporran with a buckled leather chinstrap. Formed as a bony muscled torso, the body armour fastens with six brown leather straps and features a high cowl inlaid with black faux fur. The shoulder guards both feature leather straps and chain mail. Made to match the armour, the leg greave fastens with three leather straps. The leather belt is inlaid with plastic plates styled to look like metal, while the sporran features long, black faux-fur tails. It is in good overall condition with signs of wear deliberately added by production as well as some cracking and missing pieces on the shoulder guards and helmet and signs of aging on the faux fur. The costume is mounted on a custom mannequin display with a light-up base featuring the Highlander logo and artificial rock detail. Dimensions (displayed): 73.75 cm x 44.5 cm x 185.5 cm (29" x 17" x 73") Special shipping required; see special shipping notice in the Buyer's Guide.Contains electronics; see electronics notice in the Buyer's Guide.Estimate: £10,000 - 15,000 US
Lot 411
James Bond's (Daniel Craig) MI6 training suit from Sam Mendes' Bond film Skyfall. Bond wore his training suit when he returned to MI6 after being shot in the line of duty, and undertook a series of physical, psychological and combat tasks to prove he was fit for service. The costume consists of a tracksuit jacket and trousers, with a T-shirt and a pair of trainers. The blue Puma® tracksuit has the MI6 insignia stitched onto the left breast pocket with silver thread, as does the blue muscle-fit T-shirt. The tracksuit trousers have a zipped pocket on each hip. A production tag describes the costume as "Hero" and was used for "Day (7) Sc44 - Sc 49". The costume has some wear from production use, including a small stain on the front of the T-shirt, and is presented on a custom-built mannequin with an illuminating display base. The blue Adidas® trainers have a hole drilled into each sole for display purposes. The lot comes with a certificate of authenticity from EON. Dimensions (displayed): 28 cm x 60 cm x 178 cm (11" x 23 1/2" x 70") Contains electronics; see electronics notice in the Buyer's Guide.Special shipping required; see special shipping notice in the Buyer's Guide.Estimate: £15,000 - 20,000 †Δ
Lot 470
Miranda North's (Rebecca Ferguson) IVA suit from Daniel Espinosa's sci-fi horror Life. Miranda wore her suit as she and David (Jake Gyllenhaal) entered the two remaining escape pods, with her pod being damaged by debris and sent hurtling away from Earth.The costume consists of a helmet, a brown leather skullcap with beige panelling, a beige cotton utility jumpsuit, a pair of beige boots, and a backpack. The helmet features metal banding, strips of boning at the back with visible stitching, a transparent plastic visor and a black throat microphone positioned near the skullcap's chinstrap. Two zips run down the front of the suit, which features embroidered, Velcro®-adhered mission patches. Various components are adhered to the front, including buckled straps, blue strips on the arms and a plastic gauge on the left sleeve. A grey utility strap runs across the chest, with a name strip embroidered in blue English and Russian text. The backpack features mesh panels, two straps and a zip.A strip of cotton tape in the skullcap displays the text "North" and a costume label in the front of the suit reads "Production - Life; Character - North; Name - Rebecca (1)". The costume is presented on a custom-made mannequin display with the base featuring the film's title. Dimensions (displayed): 43 cm x 50 cm x 180 cm (17" x 19 3/4" x 71")Special shipping required: see special shipping notice in the Buyer's GuideEstimate: £5,000 - 7,000 †Δ
Lot 486
Melissa Lewis' (Jessica Chastain) EVA suit from Ridley Scott's sci-fi survival drama The Martian. Lewis wore her extra-vehicular activity (EVA) suit when operating the Manned Maneuvering Unit during the Hermes mission to rescue Mark Watney (Matt Damon) from Mars. The EVA costume was based on a version of a NASA suit used for moving outside the International Space Station, and created by costume designer Janty Yates, Scott's long-time collaborator. Yates and Scott have worked together on a number of sci-fi films, including Prometheus and Alien: Covenant.The suit is constructed primarily from a white synthetic material and comprises a helmet; a black-and-white skull cap; a torso with a backpack and GoPro camera housing attached; a pair of trousers; a set of gloves with rubber fingertip and palm detailing; and a pair of boots with rubber-sole crampons.The helmet is made of white metal and features a clear plastic front, a functioning faux-gold sun visor, and lights on either side. The helmet is labelled "7" within. A chest pack is adhered to the torso and has a metal rig secured to the bottom. Orange-and-white "Lewis" insignia Velcro strips are attached across the suit. The skull cap displays a label on the inside reading "Ladies Stunt".Fitted to the helmet and chest pack are electronic components that allow them to illuminate with LEDs. The helmet is powered by a 12V lithium-polymer battery (not included) inserted into the backpack, and would have been activated by an external remote control. A 9V battery (not included) can be fitted into the chest to light up the blue LED digits on the front. The space suit shows minor distressing from use on production and is mounted to a custom-made display mannequin. Dimensions (displayed): 50 cm x 72 cm x 190 cm (19 3/4" x 28 1/4" x 74 3/4")Contains electronics; see electronics notice in the Buyer's Guide.Special shipping required; see special shipping notice in the Buyer's Guide.Estimate: £12,000 - 16,000 †Δ
Lot 491
Neo's (Keanu Reeves) complete costume from The Wachowskis' sci-fi action sequel The Matrix Reloaded. "The One" wore his costume in scenes set within the simulated Matrix universe as he embarked on a quest to save the human race from extinction. Neo sported the same costume in the next installment, The Matrix Revolutions.One of the main factors costume designer Kym Barrett had to take into consideration was the practicality of the outfits and how they would withstand the complex stunt sequences. Several versions of Neo's costume were produced, using different fabrics suitable for the action during particular scenes, from straightforward conversation to flying and fist-fighting with Agent Smith (Hugo Weaving) in the storm-ridden City.The black costume consists of a pair of micro sunglasses featuring green-tinted lenses; a full-length ecclesiastical-style textured woollen coat (labelled "Keanu Reeves., #1 Hero Coat-Matt Wool"); a cotton shirt which displays a mandarin collar (labelled "Neo"); a set of cufflinks; a Zimmerli T-shirt (labelled "KR" and size M); a pair of Trafalgar elasticated braces; a pair of trousers (labelled "KR 32"); and a pair of Andre #1 patent lace-up boots with Kevlar heels (labelled "KR*"). Covered buttons run down the front of the coat and four popper fastenings are adhered inside the collar, with pleat detailing adorning the coat's rear. Intentional slits have been created underneath the sleeves to allow a harness and wires to be attached to Reeves.The costume is displayed on a custom-made mannequin mounted to a glass base, with a metal rod entering the heel of the right boot. Minor wear from production use includes make-up remnants on the inside of the coat collar and light scratches on the shoes, while some stitching has become loose within the coat. The costume is accompanied by a Warner Bros. certificate of authenticity and two production wardrobe tags stating that it was used for "Change #2".Special shipping required; see special shipping notice in the Buyer's GuideEstimate: £40,000 - 60,000 †Δ
Lot 497
A White Ranger (Jason David Frank) costume from Bryan Spicer's big screen adaptation of the hit children's television series Mighty Morphin' Power Rangers: The Movie. The White Ranger wore his battle costume when he joined with his fellow Power Rangers to protect Earth from Ivan Ooze (Paul Freeman).This costume consists of a white spandex blend zip-up jumpsuit accented with a layer of latex paint and affixed with black, white, and gold-coloured urethane rubber armour pieces on the chest, back, thighs, and shoulders; white leatherette accents on the forearms, shoulders, chest, and knees; a pair of white leather gloves with gold-coloured details on the wrists marked "JASON" on the interior; a pair of white leather boots with gold-coloured details; a pair of black and gold-coloured foam rubber shoulder pads; and a white leather belt. The original "Morpher" belt buckle and goldtone chest emblem were missing so replicas cast from original moulds have been fitted for display. Completing the ensemble is the nicest costume component--a black, white, and gold-coloured fibreglass helmet marked "HERO WORKING SET" (an additional note for "Dark Visor" is present but crossed out) with a foam-padded interior. The front and back plates of the helmet are connected by elastic and close with fabric and velcro straps on the interior. The helmet includes a smoked visor and a fabric mouthpiece that differs to the primary mouthpieces seen in the film; this mouthpiece may have been added later for display. The white bodysuit and armour became discoloured over the years and were recently re-sprayed for a more presentable appearance, with additional work carried out to reattach certain armour components. The costume is in highly delicate condition with aging throughout including deterioration and some separation of the foam rubber elements, wear markings, flaking on the latex paint; additional stabilisation efforts may be beneficial for long-term preservation. The helmet is in a more stable fair condition with some wear from production and age. The costume has been mounted on a flexible-body mannequin for several years.Estimate: £15,000 - 20,000 US
Lot 87
Catwoman's (Michelle Pfeiffer) boots from Tim Burton's superhero sequel Batman Returns. Catwoman wore her boots as she sought vengeance against her abusive boss Max Shreck (Christopher Walken). Catwoman's costume was designed by Academy Award®-nominee Bob Ringwood.Made of black leather, the boots are knee-high, with stiletto heels and a lace-up front. The lot displays some wear from production use and age, including some scuffing and scratches. There appears to be minor paint transfer on the boots, with small sections of brown and green paint, most notably at the top of the tongue. Each boot contains a custom-made mannequin leg and has clear pieces of rubber adhered to its sole, allowing the pair to stand freely for display purposes. Dimensions (each boot): 23 cm x 10 cm x 49 cm (9" x 4" x 19 1/4")Estimate: £6,000 - 8,000 †Δ
Lot 892
General Kael's (Pat Roach) costume display from Ron Howard's dark fantasy film Willow. The commander of evil sorceress Queen Bavmorda's (Jean Marsh) army, General Kael, was tasked to hunt down the baby prophesied to bring the downfall of Bavmorda.This lot consists of a helmet made of resin reinforced with fibreglass, finished to resemble the look of worn bone, and featuring silver-colour embellishments, brown-and-white synthetic hair across the crown and jaw, a metallic grey-painted resin shield-like emblem on the forehead, matching resin wing-like elements on either side of the helmet, and a brown foam-latex hood beneath a metallic silver-colour painted woolen chain mail hood; a black elastane-blend under-hood beneath the helmet; a black cotton-blend cape with matching tunic and trousers; metallic silver-colour painted woolen chain mail sleeves; matching woolen chain mail and leather gloves; fibreglass and plastic armour painted black and grey with brown leather straps including spiked shoulder and upper arm plates, scaled torso armour with a metal-studded central plate featuring a symbol resembling a Celtic cross, and greaves; and a pair of brown leather boots. The costume is displayed on a white fibreglass mannequin. The lot is in good overall condition with some signs of wear from production and age, including scuffing throughout as well as some deterioration to the leather and latex. Dimensions: 51 cm x 68.75 cm x 188 cm (20" x 27" x 74")Estimate: £15,000 - 20,000 US
Lot 884
A rare late 19th century poured wax headed shop mannequin, of a girl with light brown inset glass eyes, head turned to the right, inserted hair eye brows, closed mouth with slight smile, inserted long brown hair, the head sat onto the cloth covered papier-mâché body with wooden articulated arms with wax hands, papier-mâché straight legs with original shoes, wearing lace and net dress, underclothes and green velvet, net and artificial flower bonnet --50 ½in. (128.5cm.) high (chip out of back of head and repairs to hands)
Lot 885
A rare early 20th century poured wax headed shop mannequin, of a girl with blue inset glass eyes with fine veins, inserted hair eyebrows, open mouth with slight smile and showing top row of teeth, inserted long brown hair, the head sat onto the cloth covered papier-mâché body with wooden articulated arms with hardened rubber forearms and hands, papier-mâché straight legs with original shoes, wearing Paisley top, cotton skirt with purple printed bottom edge, apron and lace bonnet --50 ½in. (128.5cm.) high (slight dent to temple, apron perished)
Lot 341
A vintage Yugin & Sons tailors dummy or mannequin. Female in form, stencilled number 12 and with Yugin bow logo, raised on an adjustable metal stand marked for Philip Harris & Co. Ltd. Birmingham. Dummy 91cm. Wear to the torso, cloth holed. Some slight damage to the foam core. The stand has no way of fixing separate heights and is associated to the dummy so some work required.
Lot 82
A vintage Yugin & Sons tailors dummy or mannequin. Female in form, stencilled number 12 and with Yugin bow logo, raised on an adjustable metal stand marked for Philip Harris & Co. Ltd. Birmingham. Dummy 91cm. Wear to the torso, cloth holed. Some slight damage to the foam core. The stand has no way of fixing separate heights and is associated to the dummy so some work required.
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