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Lot 192
Henrietta Dubrey Cool Dip, 2023 Pen, crayon and acrylic paint on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Henrietta Dubrey is a painter who works in both the abstract and figurative genres, exploring the dialogue this creates in her oil paintings and works on paper. The works are informed and inspired from cultural magazines, films and social media as well as contrasting visits to London galleries and restaurants. Originally from Sussex, she grew up at the foot of the South Downs later moving to London to study Fine Art at Wimbledon School of Art followed by post graduate studies at the Royal Academy Schools. Then, after living and starting a family in France for 5 years, Henrietta settled in west Cornwall in 2000 to continue to paint inspired by her love of the middle generation St Ives painters such as Roger Hilton and Terry Frost. Henrietta's paintings are internationally collected. One of the highlights of her career was to have her paintings featured in the twentieth anniversary series of Absolutely Fabulous. Education 1986-89 Wimbledon School of Art 1989-92 Royal Academy Schools Select Exhibitions/Awards Selected Solo Exhibitions 2020 GIRL Edgar Modern, 2019 Diverse Narratives James Worrall Marylebone London RHYTHM Edgar Modern 2018 Genius Loci Sarah Wiseman Gallery Oxford NUDE Edgar Modern Bath (Catalogue) Paintings James Worrall Marylebone London 2017 MUSE Edgar Modern Bath Gallery Representation Self represented Statement about AOAP Submitted Artwork 'Peeling Onions' Fascinated by faces and expressions and the emotions they can evoke, this stylised profile depicts a girl crying, but not necessarily out of sadness. Maybe she is lost in thought as she chops her onions for a barbecue, the tears that are forthcoming cover up a multitude of scenarios that could present themselves. 'Mannequin' This coy looking young woman tries on her outfits, the abstract nature of which echoes her interior. 'Cool Dip' Always fantasising about the perfect swimming pool and a relaxing holiday these girls are oblivious to anything but their own pleasure. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Lot 190
Henrietta Dubrey Peeling Onions, 2023 Pen, Crayon, Acrylic paint on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Henrietta Dubrey is a painter who works in both the abstract and figurative genres, exploring the dialogue this creates in her oil paintings and works on paper. The works are informed and inspired from cultural magazines, films and social media as well as contrasting visits to London galleries and restaurants. Originally from Sussex, she grew up at the foot of the South Downs later moving to London to study Fine Art at Wimbledon School of Art followed by post graduate studies at the Royal Academy Schools. Then, after living and starting a family in France for 5 years, Henrietta settled in west Cornwall in 2000 to continue to paint inspired by her love of the middle generation St Ives painters such as Roger Hilton and Terry Frost. Henrietta's paintings are internationally collected. One of the highlights of her career was to have her paintings featured in the twentieth anniversary series of Absolutely Fabulous. Education 1986-89 Wimbledon School of Art 1989-92 Royal Academy Schools Select Exhibitions/Awards Selected Solo Exhibitions 2020 GIRL Edgar Modern, 2019 Diverse Narratives James Worrall Marylebone London RHYTHM Edgar Modern 2018 Genius Loci Sarah Wiseman Gallery Oxford NUDE Edgar Modern Bath (Catalogue) Paintings James Worrall Marylebone London 2017 MUSE Edgar Modern Bath Gallery Representation Self represented Statement about AOAP Submitted Artwork 'Peeling Onions' Fascinated by faces and expressions and the emotions they can evoke, this stylised profile depicts a girl crying, but not necessarily out of sadness. Maybe she is lost in thought as she chops her onions for a barbecue, the tears that are forthcoming cover up a multitude of scenarios that could present themselves. 'Mannequin' This coy looking young woman tries on her outfits, the abstract nature of which echoes her interior. 'Cool Dip' Always fantasising about the perfect swimming pool and a relaxing holiday these girls are oblivious to anything but their own pleasure. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Lot 191
Henrietta Dubrey Mannequin, 2023 Collage, crayon, acrylic paint on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Henrietta Dubrey is a painter who works in both the abstract and figurative genres, exploring the dialogue this creates in her oil paintings and works on paper. The works are informed and inspired from cultural magazines, films and social media as well as contrasting visits to London galleries and restaurants. Originally from Sussex, she grew up at the foot of the South Downs later moving to London to study Fine Art at Wimbledon School of Art followed by post graduate studies at the Royal Academy Schools. Then, after living and starting a family in France for 5 years, Henrietta settled in west Cornwall in 2000 to continue to paint inspired by her love of the middle generation St Ives painters such as Roger Hilton and Terry Frost. Henrietta's paintings are internationally collected. One of the highlights of her career was to have her paintings featured in the twentieth anniversary series of Absolutely Fabulous. Education 1986-89 Wimbledon School of Art 1989-92 Royal Academy Schools Select Exhibitions/Awards Selected Solo Exhibitions 2020 GIRL Edgar Modern, 2019 Diverse Narratives James Worrall Marylebone London RHYTHM Edgar Modern 2018 Genius Loci Sarah Wiseman Gallery Oxford NUDE Edgar Modern Bath (Catalogue) Paintings James Worrall Marylebone London 2017 MUSE Edgar Modern Bath Gallery Representation Self represented Statement about AOAP Submitted Artwork 'Peeling Onions' Fascinated by faces and expressions and the emotions they can evoke, this stylised profile depicts a girl crying, but not necessarily out of sadness. Maybe she is lost in thought as she chops her onions for a barbecue, the tears that are forthcoming cover up a multitude of scenarios that could present themselves. 'Mannequin' This coy looking young woman tries on her outfits, the abstract nature of which echoes her interior. 'Cool Dip' Always fantasising about the perfect swimming pool and a relaxing holiday these girls are oblivious to anything but their own pleasure. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Lot 64
Vintage Collectables. Including ceramic mannequin doll, a vintage toy donkey and a blue glass 'rum' decanter with stopper, guilt lettering and decoration, H23cm Condition Report: The decanter is overall in fair condition. There is rubbing to the gilt. The stopper has some small chips around the base. No other apparent cracks, chips or restoration. Some rubbing to the base. Signs of general wear consistent with age and usage including light scratches. Would benefit from a clean.
Lot 150
FRIDAY THE 13TH (2009) - Mario Kirner Collection: Costume, Prosthetic Head & Torso, Bear Trap & Chain - A costume, prosthetic head, body under-suit, bear trap, and chain from Marcus Nispel's horror reboot Friday the 13th. This lot comes from the personal collection of Friday the 13th collector and historian Mario Kirner. Jason Voorhees (Derek Mears) wore his costume throughout the film.It features a white T-shirt, dark green trousers, and a green and blue quilted coat comprising the lower half of a parka and the upper half of a hunter jacket. The holes and stains on the T-shirt and coat screen-match them to scenes where Jason impaled Chewie (Aaron Yoo). The prosthetic torso is made of flesh-color foam-latex. Featuring a rear zipper, it depicts a sinewy, bloodstained abdomen. The separate prosthetic foam-latex head depicts Jason's large, deformed cranium, stout neck, broad shoulders, and hand-stitched hair. The prosthetic does not extend to the face, as the piece was used for scenes where Jason wore a hockey mask. Both prosthetics are presented on a white plastic mannequin display. Clay (Jared Padalecki) used a bear trap to stab and bind Jason in the climactic fight. Made of resin with metal screws and rubber teeth, the trap features dual-spring levers, a circular plate and a stock bar, attached to which is a long resin chain. The lot is accompanied by a studio letter of authenticity for the costume. All costume elements exhibit perforations, staining, and heavy distressing. The prosthetics exhibit stiffening from age, becoming brittle near the edges, and some holes are present. The trap exhibits production-added, rust-colored paint to create an aged effect. Some chain links are severed at their mid-point. As this lot ships from Propstore's London Office, shipping must be arranged with Propstore prior to bidding. Dimensions: (bear trap and chain) 60" x 16" x 6" (151 cm x 41 cm x 14 cm); (head and torso) 33 1/2" x 23" x 11" (85 cm x 58 cm x 28 cm)This lot comes from the Friday the 13th Props Museum collection of Mario Kirner. The Museum was created as a private collection that showcased not only Jason's iconic hockey mask, but also a number of other movie props, costumes and additional materials that were used during the production of the Friday the 13th movies. An avid contributor in the screen-used prop and costume collecting field for more than 20 years, Mario Kirner has been a dedicated in his work and efforts to help to transform what was once a niche hobby into an popular culture phenomenon. Mario is not just a collector, but a true historian and curator of all things Jason Voorhees and Friday the 13th, also publishing a book dedicated to showcasing the museum's content and their stories. Estimate: $30,000 - 60,000Bidding for this lot will end on Wednesday, June 28th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, June 29th or Friday, June 30th.
Lot 29
BATMAN (1989) - Batman's (Michael Keaton) Batsuit Costume - Batman's (Michael Keaton) batsuit costume from Tim Burton's action-adventure film Batman. Batman wore his costume as the masked vigilante of Gotham City throughout the film.This costume consists of an original foam latex cowl with pointed ears, original foam latex torso armor and hip armor on a production-made undersuit (without zipper at the back) from Batman (1989) and a fabric-backed latex cape from the sequel Batman Returns (1992). The capes from the sequel were nearly identical to the original film's capes and are only distinguishable based on unseen interior details. The costume is mounted to a custom body form for display and completed with replica components including replica black leather gloves (size XL) with rubber plating and pointed fins; replica boots and boot armor; a replica yellow-painted rubber utility belt; and a replica resin chest emblem featuring a bat symbol with the three-point tail unique to the first film. The custom mannequin display features a lifecast of Keaton, and is mounted to a black wooden base. This costume had undergone sympathetic restoration to the foam latex. Specifically, the surface of the cowl has been patched, treated and sealed with a coating, and the ears have been restored. This lot exhibits notable fragile and flaking latex on the cape, wear to the body components, and shows sympathetic repairs to the cowl. It remains in stable condition though is also delicate.Special shipping required; see notice in the Buyer's Guide.Estimate: $40,000 - 80,000Bidding for this lot will end on Wednesday, June 28th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, June 29th or Friday, June 30th.
Lot 334
ROBOCOP 2 (1990) - Robocop Promotional Costume - A Robocop promotional costume from Irvin Kershner's sci-fi-action film RoboCop 2. Robocop (Peter Weller) wore its costume as it protected the streets of Detroit and when it went against a new evil Robocop. Refurbished and refabricated by roboteam painter Danny Alvarado as a promotional suit, this costume consists of iridescent purple and blue fiberglass and urethane chest armor, leg coverings, boots, arm guards, a helmet with a black vellum visor with black foam padding throughout, black rubber gloves, all on a display mannequin mounted to a black-painted metal base. The lot exhibits a loose visor and a distressed left leg covering. Dimensions: 22" x 10" x 72" (56 cm x 25.5 cm x 183 cm)Special shipping required; see notice in the Buyer's Guide.Estimate: $6,000 - 12,000Bidding for this lot will end on Wednesday, June 28th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, June 29th or Friday, June 30th.
Lot 34
BATMAN RETURNS (1992) - Selina Kyle's (Michelle Pfeiffer) Catwoman Costume with Screen-Matched Corset - Selina Kyle's (Michelle Pfeiffer) Catwoman costume with a screen-matched corset from Tim Burton's superhero sequel Batman Returns. Selina donned her signature Catwoman costume after Max Shreck (Christopher Walken) fired her and threw her out a window. This corset's distinctive front left side lower stitches screen-match to the scene where Batman (Michael Keaton) faced off against Selina at the Gotham Zoo's Arctic exhibit.Selina's costume underwent three stages of distressing by production to reflect her transformation into Catwoman. This costume consists of a black- and white-painted rubber "stage 2" cowl with a red dot used to identify hero cowls applied to the interior and an aluminum strip based on painters' respiratory masks and custom-sized for Pfeiffer inserted along the bridge of the nosepiece; a black silicone elastomeric zip-up "stage 1" bodysuit with white thread stitching; a black rubber-coated green canvas corset marked "Stg 3" and "Michelle Pfeiffer"; a black leatherette glove; matching black leatherette knee-high DiFabrizzio stunt boots marked "Michelle" with laces labeled "too short" and breakaway rubber heels likely used for fight scenes; black rubber knee pads and elbow pads; black neoprene ankle braces with a handwritten paper template; black nylon socks; additional prototype rubber heels with fastening strips; and two production tags. Production commissioned a total of 36 cowls from costume sculptor Jose Fernandez, nine for each stage of the cowl's distress. Nearly all were destroyed during production. The tattered "Stage 2" cowl in this lot, seen when Catwoman and the Penguin (Danny DeVito) agreed to team up against Batman, was restored by Fernandez circa 2017 and mounted to a life cast he sculpted of Pfeiffer to stabilize and preserve the foam. Also included is a Certificate of Authenticity from Fernandez based on his review and authentication of the costume. The cowl and corset are intentionally distressed by production to appear tattered in different stages, the prototype heels are brittle, and the bodysuit exhibits cracking from age, with fragile material around the ankles and arms making it unlikely to be on a mannequin again.Estimate: $20,000 - 40,000Bidding for this lot will end on Wednesday, June 28th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, June 29th or Friday, June 30th.
Lot 39
BATMAN FOREVER (1995) - Two-Face's (Tommy Lee Jones) Screen-Matched Costume - Two-Face's (Tommy Lee Jones) screen-matched costume from Joel Schumacher's superhero sequel Batman Forever. This costume screen-matches to when Two-Face shot his cannon at Batman (Val Kilmer) after escaping beneath the streets of Gotham. This costume consists of a black polyester suit jacket half covered in bright pink and purple paint splatters marked "3" in the interior right breast pocket; matching paint splatter trousers marked "TLJ #1"; a black polyester cumberbund with half featuring silver-color thread embroidered skulls; a matching black polyester skulls bowtie; a half-white, half-black with silver-color motif long-sleeve, button-down shirt; and a metal lapel pin with faux razor blade skulls arranged as a flower with leaves and wires to resemble thorns. This costume comes mounted to a black velvet mannequin. The lot exhibits tape residue to the bowtie backing.Estimate: $12,000 - 24,000Bidding for this lot will end on Wednesday, June 28th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, June 29th or Friday, June 30th.
Lot 515
THE WOLFMAN (2010) - Sir John Talbot (Anthony Hopkins) Wolfman Bust - A Sir John Talbot (Anthony Hopkins) Wolfman bust from Joe Johnston's period horror film The Wolfman. Sir John fought his son Lawrence (Benicio del Toro) in his werewolf form as a fire rampaged Talbot Hall.This bust consists of a fully painted raw latex casting that resembles the snarling face of a werewolf, a foam cowl neck, and plastic mannequin torso with foam shoulder supports. Original paintwork was left from production and additional paintwork was applied. Covered in hand-laid synthetic fur added post-production, the mask features hand-glued eyelashes and blue resin eyes. This lot exhibits some shedding and sparseness of synthetic fur on the torso. Dimensions: 14" x 21.5" x 27" (35.5 cm x 54.75 cm x 68.5 cm)Estimate: $8,000 - 16,000Bidding for this lot will end on Wednesday, June 28th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, June 29th or Friday, June 30th.
Lot 586
BATMAN RETURNS (1992) - Hollywood Wax Museum Catwoman (Michelle Pfeiffer) Display - A Catwoman (Michelle Pfeiffer) display from the promotion of Tim Burton's superhero sequel Batman Returns. After Max Shreck (Christopher Walken) attempted to murder her, Selina Kyle was reborn as Catwoman.This display was originally created by Hollywood Wax Museum curator Ken Horn for exhibition before entering private collections. It consists of a hand-painted fiberglass mannequin dressed with a latex replica cowl stitched throughout with Catwoman's iconic white thread; a matching padded cotton blend zip-up replica bodysuit; matching leatherette replica gloves; and matching lace-up stiletto replica boots. Sympathetic restoration was undertaken to seal the latex and repair the cowl's nose. However, the costume still exhibits significant signs of exposure and age, flaked and cracking latex, peeling leatherette, and white staining to the boots. Dimensions: 55" x 22" x 31" (140 cm x 56 cm x 79 cm)Estimate: $4,000 - 8,000Bidding for this lot will end on Thursday, June 29th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Friday, June 30th.
Lot 871
ESTELLE GETTY - Set of Six Headshots, Set of Six Scripts, and Credits - Six Estelle Getty headshots, six scripts, and a credit list for casting directors. Headshots and credits lists were received and reviewed by casting directors for film and television productions. This lot consists of six black-and-white glossy photos of Getty: four headshots, and 2 featuring her headshot with photos of various character looks at the left and bottom margins. Stapled to the back of one headshot is a printed list of credits, noting her work on The Golden Girls series and the Sylvester Stallone film Stop! Or My Mom Will Shoot. Accompanying the lot are three scripts from the comedy series The Golden Girls, one script from the spin-off series The Golden Palace, one script from Empty Nest, and one script from the film Mannequin. This lot exhibits edge wear, bent corners, and creasing. Dimensions: 8.5" x 11" (21.5 cm x 28 cm)Estimate: $800 - 1,600Bidding for this lot will end on Thursday, June 29th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Friday, June 30th.
Lot 1057
A NIGHTMARE ON ELM STREET 3: DREAM WARRIORS (1987) - Production-Made Freddy Krueger (Robert Englund) Chest of Souls Appliance Display - A display of a production-made Freddy Krueger (Robert Englund) Chest of Souls appliance from Chuck Russell's horror sequel Nightmare on Elm Street 3: Dream Warriors. Krueger revealed in the film that he kept the souls of his victims trapped inside him to give him power, and their pained faces bulged horrifically from his chest.This lot consists of a rubber chest appliance sculpted with the appearance of faces emerging from a web of burnt flesh and painted in shades of pink and orange to match Krueger's unique skin tone. The faces feature detailed acrylic eyes. The piece was made by production but ultimately unused and has been affixed to a torn-open red and green striped wool replica Freddy Krueger sweater on a black Spandex-lined mannequin torso for display. The appliance exhibits minimal paint wear from age.Estimate: $2,000 - 4,000Bidding for this lot will end on Friday, June 30th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Thursday, June 29th.
Lot 499
ADVERTISING AND GENERAL EPHEMERA, to include a vintage Twiggy mannequin head, Hollands toffee tin in the form of a dice, plastic Quaker Oats sugar shaker, Parkinsons Fruit Thins sweet jar, reproduction Kellogg's tins, Skol beer mats, a metal and glass hinged lid for Wrights Biscuits, vintage Dutch flag, ration cards, advertising flyers, copper printing plate etc
Lot 563
A SCRATCH BUILT ANIMATRONIC MODEL OF A SAILOR, the right arm is electrically operated via mains power (requires some attention), the head, legs and arms are wooden, the hands, which are perished, appear to be rubber, approximate height 85cm (the head is not fixed to the body), together assorted mannequin parts and a box of assorted radio controlled car parts including wheels, chassis, controllers etc
Lot 118
MAN RAY (Emmanuel Radnitsky, dit, 1890-1976)Le Mannequin (1975) (Représentant Lee Miller)Eau-Forte originale signature manuscriteSignée au crayon en bas à droite Edition numérotée et limitée à 150 exemplairesDimensions : 35 x 50 cmCleto Polcina Editions L’authenticité de cette eau-forte a été attesté par “Grafica d’Arte Lombardi” (Rome) elle porte le timbre à sec de la maison d’art. Elle sera également accompagnée d’un certificat d’authenticité de la galerie en complément.
Lot 32
EUGÈNE DELACROIX (1798-1863)Cheval arabe attaché à un piquet signé « E. Delacroix » (en bas à droite)huile sur toilesigned 'E. Delacroix' (lower right)oil on canvas37 x 47 cm (14 9/16 x 18 1/2 in)Footnotes:尤金‧德拉克羅瓦(1798-1863)栓在桩上的阿拉伯马帆布油画ProvenanceHyppolyte Poterle (1803-1835).Paul Huet (1803-1869), (acquis auprès du précédent pour 90 francs).Amable-Paul Coutan (1792–1837); sa vente Paris, 19 avril 1830, lot 30, comme Cheval attaché à un poteau; derrière lui est un guerrier arabe qui regarde les mouvements qu'il fait pour se détacher) (110 francs à Paul Huet).Paul Huet (1803-1869), par descendance son fils René Paul Huet (1844-1928); par son descendance beau-fils Maurice-Perret-Carnot (1892-1977), en 1928.Collection particulière, Paris.Vente, Paris, Gros et Delettrez, 17 décembre 2001, lot 166.ExpositionsParis, École Nationale des Beaux-Arts, Eugène Delacroix, 1885, no 115, comme Arabe syrien et son cheval au piquet).Saint Petersburg, Exposition Centenaire de l'Art Français, 1912, no 193, ill. Paris, Musée du Louvre, Eugène Delacroix, 1930, no 204A, comme Cheval persan tirant au renard.Paris, Petit Palais, Gros et ses amis, ses élèves, 1936, p. 156, no 238, comme Cheval persan tirant au renard.BibliographieProbablement T. Sylvestre, Histoire des artistes vivants français et étrangers, études d'après nature, Paris, 1855, p. 80, comme Cheval avec un Indien (Angleterre).R.P. Huet, Paul Huet, Paris, 1911, p. 26, ill.A. Joubin, Correspondance générale d'Eugène Delacroix, Paris, 1935-1938, vol. III, p. 374, no. 11.L. Johnson, The paintings of Eugène Delacroix. A Critical Catalogue. 1816-1831, 1981, Oxford, vol. I, p. 27, no. 37, vol. II, pl. 32.Selon l'auteur du catalogue de l'exposition du Louvre de 1930, Delacroix aurait donné ce tableau à Hyppolyte Poterle (1803-1835), vers 1824. En l'absence de documents prouvant cette donation, Johnson (op. cit., vol. I, p. 27) refuse cette hypothèse et date l'œuvre de 1825, au moment du voyage de l'artiste en Angleterre, s'attachant à la description de la toile donnée par Delacroix, publiée dans l'ouvrage de Sylvestre (op. cit. : « Cheval avec un Indien (Angleterre) ». De mai à août 1825, Delacroix entreprend un voyage en Angleterre au cours duquel il remplit plusieurs carnets de dessins et de notes manuscrites.Selon Johnson (op. cit.), la figure debout serait celle d'un Indien et les accessoires et vêtements qu'il porte auraient été inspirés des objets vus dans la collection d'armes et armures de Samuel Rush Meyrick, spécialiste de l'histoire des armures européennes, qui possédait, selon l'artiste même, « la plus belle collection d'armures qui ait peut-être existé » (lettre à Théophile Thoré, 30 novembre 1861, voir P. Burty, Lettres de Eugène Delacroix (1815-1863), Paris, 1878, p. 344). Delacroix visite sa collection le 9 juillet 1825, à Cadogan Place, Londres (voir L. Johnson, dans Delacroix: an exhibition of paintings, drawings and lithographs arranged by the Arts Council of Great Britain in association with the Edinburgh Festival Society, Edinburgh, 1964, no 95 et 96). La selle posée à même le sol serait typique de Mahratta (un peuple guerrier hindou occupant le centre et le sud-ouest de l'Inde), alors que l'épée et le bouclier, et probablement la lance en bambou, auraient été inspirés par les armes portées par un mannequin vêtu de l'armure d'un Polygar (tribu du sud de l'Inde). Le cheval aurait été quant à lui inspiré de l'un de chevaux appartenant au maquignon A. Elmore, proche de l'artiste et de Géricault pendant leur séjour anglais.En 1857, Félix Bracquemond (1833-1914) réalisa une gravure d'après le tableau alors dans la collection de Paul Huet (voir Metropolitan Museum, inv. 22.1.21).According to the author of the catalogue of the 1930 Louvre exhibition, Delacroix gave the present painting to Hyppolyte Poterle (1803-1835) around 1824. In the absence of documents proving this donation, Johnson (op. cit., vol. I, p. 27) rejects this hypothesis and dates the work to 1825, at the time of the artist's trip to England (Delacroix undertook a trip to England from May to August 1825, during which time he filled several notebooks with drawings and handwritten notes), relying on Delacroix's description of the painting, published in Sylvestre's work (op. cit. Cheval avec un Indien (Angleterre)).According to Johnson (op. cit.), the standing figure is that of an Indian and the accessories and clothing he is wearing were inspired by objects seen in the collection of arms and armour of Samuel Rush Meyrick, a specialist in the history of European armour and owner, according to the artist himself, of ' la plus belle collection d'armures qui ait peut-être existé ' (letter to Théophile Thoré, 30 November 1861, see, P. Burty, Lettres de Eugène Delacroix (1815-1863), Paris, 1878, p. 344). Delacroix visited Meyrick's collection on 9 July 1825, in Cadogan Place, London (see L. Johnson, in Delacroix: an exhibition of paintings, drawings and lithographs arranged by the Arts Council of Great Britain in association with the Edinburgh Festival Society, Edinburgh, 1964, nos. 95 and 96). The saddle on the ground is said to be typical of the Mahratta (a Hindu warrior people occupying central and south-western India), while the sword and shield, and probably the bamboo spear, are said to have been inspired by the weapons carried by a mannequin dressed in the armour of a Polygar (a tribe from southern India). The horse is said to have been inspired by one of the horses belonging to the horse dealer A. Elmore, who was close to the artist and met him and Géricault during their stay in England.In 1857, Félix Bracquemond (1833-1914) made an engraving after the painting, which was in the collection of Paul Huet (see Metropolitan Museum, inv. 22.1.21).For further information on this lot please visit Bonhams.com
Lot 662
Vinyl – 10 UK 7” Goth singles to include: Ipso Facto – Mannequin (Original Uk 1983 If Records with Insert), Ipso Facto – Glass Tigers (Uk 1985 Zodiac Records), Look Back In Anger – Caprice / Mannequin (Original UK 1981 with Oversized Gatefold Sleeve, LBA Records), Cry Of The Innocent – The Haunting / Still, Forever (Original UK 1982 1st Pressing, Pagan records), Punctured Tough Guy – Acid Rains EP (Original UK 1985, Foldover Sleeve, Xcentric Noise Records), Sex Gang Children, Flesh For Lulu, The Rose Of Avalanche, The Sisters Of Mercy – Anaconda, The March Violets – Snake Dance (Snake Shin textured sleeve). Condition VG+ overall.
Lot 1969
Büste einer Schaufensterpuppe1970er Jahre. Stoffverstärkter Gips, polychrom gefasst, Montagelöcher für Arme und Unterleib. H 60 cm. 2,4 kg. Rückseitig offener Oberkörper der Frau mit apartem Blick zur Seite Bruchstelle hinten, Haarrisse, starke Alters-/Gebrauchsspuren. Bust of a mannequin1970s. Fabric reinforced plaster, polychrome painted, mounting holes for arms and abdomen. H 60 cm. 2.4 kg. Back open torso of the woman with aparte view to the side Breakage at the back, hairline cracks, strong signs of age / use. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
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5997 item(s)/page