λ JOHN WARD (BRITISH 1938-2023)A LARGE BROWN GLAZED BOWLStoneware, impressed with JW seal27 x 34.5cm (10 5/8 x 13 1/2 in.)Provenance: Beaux Arts, BathPrivate Collection (acquired from the above on 13th September 1991)Compare with a similar example illustrated, Emma Crichton-Miller, The Pottery of John Ward, p.73At the age of 28 John Ward applied to Camberwell School of Arts & Crafts. He was initially drawn to this particular college as he knew that Lucie Rie and Hans Coper were visiting tutors and after having seen their works at pottery exhibitions in London he was keen to learn more. Ward said 'Lucie Rie's work, which I first saw in a sunlit exhibition room, glowed with its light, life and colour.'John Ward,' Emma Crichton -Miller, The Pottery of John Ward, p. 33Ward's life in metropolitan London certainly paved the way for his career in ceramics but it was his move to Pembrokeshire with his family in 1979 which allowed him to take up a slower pace of life, surrounded by serenity and nature. Ward was inspired by the sudden change in colours he witnessed from the city to the coast. The monumental rock formations teetering on the edge of cliffs reiterated the energy and power of nature. His fascination with light and the way in which it fell through the trees making shapes and patterns on the woodland floor were certainly all influential in the development of both his design and form. He hand-built his pots using strips of clay to build vessels of design over function. Cutting and re-joining sections of clay resulted in beautiful unique forms, experimenting also with textured surfaces. The works he created drew inspiration from architectural design, nature's elements found on the shoreline and historic roman vessels. Ward was fascinated by the self-containment of a single vessel combined with the dynamism of design which created an object full of energy and yet 'a still point of the turning world.'John Ward,' Emma Crichton -Miller, The Pottery of John Ward, p. 12In 1982 John Ward had his first one-man show at the Peter Dingley Gallery. This exhilarating body of work showcased his wide variety of new forms, including gourd-shaped vessels, double-grooved bowls, square necks and flanged bowls. Ward set himself off on a journey to find 'rightness' which to him was the perfect balance between form, achieved through quality of clay, and decoration, through the experimentation of glazes. Included in this private collection of works by John Ward we are able to identify examples of many of his favourite glazes including three green and white pots with geometric glazes, striking black, tantalising blue and innocent white, like porcelain. Important examples of Ward's ceramics can be found in the Ashmolean Museum in Oxford and The Museum of Modern Art in New York. Condition Report: In good original condition. No evidence of damage, repair or restoration. Condition Report Disclaimer
We found 1205 price guide item(s) matching your search
There are 1205 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
1205 item(s)/page
λ JOHN WARD (BRITISH 1938-2023)A GREEN AND MATT WHITE BOWLImpressed with JW seal Height: 20cm (7 7/8 in.)Provenance:Private CollectionAt the age of 28 John Ward applied to Camberwell School of Arts & Crafts. He was initially drawn to this particular college as he knew that Lucie Rie and Hans Coper were visiting tutors and after having seen their works at pottery exhibitions in London he was keen to learn more. Ward said 'Lucie Rie's work, which I first saw in a sunlit exhibition room, glowed with its light, life and colour.'John Ward,' Emma Crichton -Miller, The Pottery of John Ward, p. 33Ward's life in metropolitan London certainly paved the way for his career in ceramics but it was his move to Pembrokeshire with his family in 1979 which allowed him to take up a slower pace of life, surrounded by serenity and nature. Ward was inspired by the sudden change in colours he witnessed from the city to the coast. The monumental rock formations teetering on the edge of cliffs reiterated the energy and power of nature. His fascination with light and the way in which it fell through the trees making shapes and patterns on the woodland floor were certainly all influential in the development of both his design and form. He hand-built his pots using strips of clay to build vessels of design over function. Cutting and re-joining sections of clay resulted in beautiful unique forms, experimenting also with textured surfaces. The works he created drew inspiration from architectural design, nature's elements found on the shoreline and historic roman vessels. Ward was fascinated by the self-containment of a single vessel combined with the dynamism of design which created an object full of energy and yet 'a still point of the turning world.'John Ward,' Emma Crichton -Miller, The Pottery of John Ward, p. 12In 1982 John Ward had his first one-man show at the Peter Dingley Gallery. This exhilarating body of work showcased his wide variety of new forms, including gourd-shaped vessels, double-grooved bowls, square necks and flanged bowls. Ward set himself off on a journey to find 'rightness' which to him was the perfect balance between form, achieved through quality of clay, and decoration, through the experimentation of glazes. Included in this private collection of works by John Ward we are able to identify examples of many of his favourite glazes including three green and white pots with geometric glazes, striking black, tantalising blue and innocent white, like porcelain. Important examples of Ward's ceramics can be found in the Ashmolean Museum in Oxford and The Museum of Modern Art in New York. Condition Report: In good original condition. No evidence of damage, repair or restoration. Condition Report Disclaimer
λ JOHN WARD (BRITISH 1938-2023)A LARGE 'TULIP' VASEStoneware, covered in streaked white and pale blue glazes, impressed with JW sealHeight: 30cm (11 7/8 in.)Provenance:Private CollectionAt the age of 28 John Ward applied to Camberwell School of Arts & Crafts. He was initially drawn to this particular college as he knew that Lucie Rie and Hans Coper were visiting tutors and after having seen their works at pottery exhibitions in London he was keen to learn more. Ward said 'Lucie Rie's work, which I first saw in a sunlit exhibition room, glowed with its light, life and colour.'John Ward,' Emma Crichton -Miller, The Pottery of John Ward, p. 33Ward's life in metropolitan London certainly paved the way for his career in ceramics but it was his move to Pembrokeshire with his family in 1979 which allowed him to take up a slower pace of life, surrounded by serenity and nature. Ward was inspired by the sudden change in colours he witnessed from the city to the coast. The monumental rock formations teetering on the edge of cliffs reiterated the energy and power of nature. His fascination with light and the way in which it fell through the trees making shapes and patterns on the woodland floor were certainly all influential in the development of both his design and form. He hand-built his pots using strips of clay to build vessels of design over function. Cutting and re-joining sections of clay resulted in beautiful unique forms, experimenting also with textured surfaces. The works he created drew inspiration from architectural design, nature's elements found on the shoreline and historic roman vessels. Ward was fascinated by the self-containment of a single vessel combined with the dynamism of design which created an object full of energy and yet 'a still point of the turning world.'John Ward,' Emma Crichton -Miller, The Pottery of John Ward, p. 12In 1982 John Ward had his first one-man show at the Peter Dingley Gallery. This exhilarating body of work showcased his wide variety of new forms, including gourd-shaped vessels, double-grooved bowls, square necks and flanged bowls. Ward set himself off on a journey to find 'rightness' which to him was the perfect balance between form, achieved through quality of clay, and decoration, through the experimentation of glazes. Included in this private collection of works by John Ward we are able to identify examples of many of his favourite glazes including three green and white pots with geometric glazes, striking black, tantalising blue and innocent white, like porcelain. Important examples of Ward's ceramics can be found in the Ashmolean Museum in Oxford and The Museum of Modern Art in New York. Condition Report: In good original condition. No evidence of damage, repair or restoration. Condition Report Disclaimer
λ JOHN WARD (BRITISH 1938-2023)A LARGE BROWN 'SHOULDER POT'Stoneware, the flattened form rising to a tapering neck with gently dipped rim, with impressed JW sealHeight: 49cm (19¼ in.) Provenance: Oxford Gallery, Oxford Private Collection (acquired in December 1993)Compare with a similar example illustrated by Emma Crichton-Miller, The Pottery of John Ward, p.68 and p. 94At the age of 28 John Ward applied to Camberwell School of Arts & Crafts. He was initially drawn to this particular college as he knew that Lucie Rie and Hans Coper were visiting tutors and after having seen their works at pottery exhibitions in London he was keen to learn more. Ward said 'Lucie Rie's work, which I first saw in a sunlit exhibition room, glowed with its light, life and colour.'John Ward,' Emma Crichton -Miller, The Pottery of John Ward, p. 33Ward's life in metropolitan London certainly paved the way for his career in ceramics but it was his move to Pembrokeshire with his family in 1979 which allowed him to take up a slower pace of life, surrounded by serenity and nature. Ward was inspired by the sudden change in colours he witnessed from the city to the coast. The monumental rock formations teetering on the edge of cliffs reiterated the energy and power of nature. His fascination with light and the way in which it fell through the trees making shapes and patterns on the woodland floor were certainly all influential in the development of both his design and form. He hand-built his pots using strips of clay to build vessels of design over function. Cutting and re-joining sections of clay resulted in beautiful unique forms, experimenting also with textured surfaces. The works he created drew inspiration from architectural design, nature's elements found on the shoreline and historic roman vessels. Ward was fascinated by the self-containment of a single vessel combined with the dynamism of design which created an object full of energy and yet 'a still point of the turning world.'John Ward,' Emma Crichton -Miller, The Pottery of John Ward, p. 12In 1982 John Ward had his first one-man show at the Peter Dingley Gallery. This exhilarating body of work showcased his wide variety of new forms, including gourd-shaped vessels, double-grooved bowls, square necks and flanged bowls. Ward set himself off on a journey to find 'rightness' which to him was the perfect balance between form, achieved through quality of clay, and decoration, through the experimentation of glazes. Included in this private collection of works by John Ward we are able to identify examples of many of his favourite glazes including three green and white pots with geometric glazes, striking black, tantalising blue and innocent white, like porcelain. Important examples of Ward's ceramics can be found in the Ashmolean Museum in Oxford and The Museum of Modern Art in New York. Condition Report: In good original condition. Inspection under UV reveals a couple of scratches/impurities in the clay. Otherwise no evidence of damage, repair or restoration. Condition Report Disclaimer
λ JOHN WARD (BRITISH 1938-2023)A LARGE WHITE 'SHOULDER POT'Stoneware, the flattened form rising to a tapering neck with gently dipped rim, impressed with JW sealHeight: 43cm (16 7/8in.)Provenance: Victoria and Albert Museum, Crafts Council Shop, London Private Collection (acquired from the above on 5th September 1989, no. 17)Please Note: The measurements should read Height: 43cm (16 7/8in.)Compare with a similar example illustrated by Emma Crichton-Miller, The Pottery of John Ward, p. 95At the age of 28 John Ward applied to Camberwell School of Arts & Crafts. He was initially drawn to this particular college as he knew that Lucie Rie and Hans Coper were visiting tutors and after having seen their works at pottery exhibitions in London he was keen to learn more. Ward said 'Lucie Rie's work, which I first saw in a sunlit exhibition room, glowed with its light, life and colour.'John Ward,' Emma Crichton -Miller, The Pottery of John Ward, p. 33Ward's life in metropolitan London certainly paved the way for his career in ceramics but it was his move to Pembrokeshire with his family in 1979 which allowed him to take up a slower pace of life, surrounded by serenity and nature. Ward was inspired by the sudden change in colours he witnessed from the city to the coast. The monumental rock formations teetering on the edge of cliffs reiterated the energy and power of nature. His fascination with light and the way in which it fell through the trees making shapes and patterns on the woodland floor were certainly all influential in the development of both his design and form. He hand-built his pots using strips of clay to build vessels of design over function. Cutting and re-joining sections of clay resulted in beautiful unique forms, experimenting also with textured surfaces. The works he created drew inspiration from architectural design, nature's elements found on the shoreline and historic roman vessels. Ward was fascinated by the self-containment of a single vessel combined with the dynamism of design which created an object full of energy and yet 'a still point of the turning world.'John Ward,' Emma Crichton -Miller, The Pottery of John Ward, p. 12In 1982 John Ward had his first one-man show at the Peter Dingley Gallery. This exhilarating body of work showcased his wide variety of new forms, including gourd-shaped vessels, double-grooved bowls, square necks and flanged bowls. Ward set himself off on a journey to find 'rightness' which to him was the perfect balance between form, achieved through quality of clay, and decoration, through the experimentation of glazes. Included in this private collection of works by John Ward we are able to identify examples of many of his favourite glazes including three green and white pots with geometric glazes, striking black, tantalising blue and innocent white, like porcelain. Important examples of Ward's ceramics can be found in the Ashmolean Museum in Oxford and The Museum of Modern Art in New York. Condition Report: In good original condition. Inspection under UV reveals a couple of scratches/impurities in the clay and a hand print, most likely that of the artist. Otherwise no evidence of damage, repair or restoration. Condition Report Disclaimer
λ JOHN WARD (BRITISH 1938-2023)A BLACK AND WHITE VASEStoneware, matt white and black glaze, Impressed with JW seal Height: 23cm (9 in.)Provenance:Private CollectionAt the age of 28 John Ward applied to Camberwell School of Arts & Crafts. He was initially drawn to this particular college as he knew that Lucie Rie and Hans Coper were visiting tutors and after having seen their works at pottery exhibitions in London he was keen to learn more. Ward said 'Lucie Rie's work, which I first saw in a sunlit exhibition room, glowed with its light, life and colour.'John Ward,' Emma Crichton -Miller, The Pottery of John Ward, p. 33Ward's life in metropolitan London certainly paved the way for his career in ceramics but it was his move to Pembrokeshire with his family in 1979 which allowed him to take up a slower pace of life, surrounded by serenity and nature. Ward was inspired by the sudden change in colours he witnessed from the city to the coast. The monumental rock formations teetering on the edge of cliffs reiterated the energy and power of nature. His fascination with light and the way in which it fell through the trees making shapes and patterns on the woodland floor were certainly all influential in the development of both his design and form. He hand-built his pots using strips of clay to build vessels of design over function. Cutting and re-joining sections of clay resulted in beautiful unique forms, experimenting also with textured surfaces. The works he created drew inspiration from architectural design, nature's elements found on the shoreline and historic roman vessels. Ward was fascinated by the self-containment of a single vessel combined with the dynamism of design which created an object full of energy and yet 'a still point of the turning world.'John Ward,' Emma Crichton -Miller, The Pottery of John Ward, p. 12In 1982 John Ward had his first one-man show at the Peter Dingley Gallery. This exhilarating body of work showcased his wide variety of new forms, including gourd-shaped vessels, double-grooved bowls, square necks and flanged bowls. Ward set himself off on a journey to find 'rightness' which to him was the perfect balance between form, achieved through quality of clay, and decoration, through the experimentation of glazes. Included in this private collection of works by John Ward we are able to identify examples of many of his favourite glazes including three green and white pots with geometric glazes, striking black, tantalising blue and innocent white, like porcelain. Important examples of Ward's ceramics can be found in the Ashmolean Museum in Oxford and The Museum of Modern Art in New York. Condition Report: AMMENDMENT:There is a very small chip to the inner rim. This does not effect the outer edge. In otherwise good original condition. No evidence of restoration or repair. Condition Report Disclaimer
λ JOHN WARD (BRITISH 1938-2023)A MATT BROWN ORANGE AND TURQUOISE-GREEN VASEStoneware, impressed with JW sealHeight: 21cm (8¼ in.)Provenance: By repute Ian Courcoux, Hampshire Most likely acquired from the above by the present owners At the age of 28 John Ward applied to Camberwell School of Arts & Crafts. He was initially drawn to this particular college as he knew that Lucie Rie and Hans Coper were visiting tutors and after having seen their works at pottery exhibitions in London he was keen to learn more. Ward said 'Lucie Rie's work, which I first saw in a sunlit exhibition room, glowed with its light, life and colour.'John Ward,' Emma Crichton -Miller, The Pottery of John Ward, p. 33Ward's life in metropolitan London certainly paved the way for his career in ceramics but it was his move to Pembrokeshire with his family in 1979 which allowed him to take up a slower pace of life, surrounded by serenity and nature. Ward was inspired by the sudden change in colours he witnessed from the city to the coast. The monumental rock formations teetering on the edge of cliffs reiterated the energy and power of nature. His fascination with light and the way in which it fell through the trees making shapes and patterns on the woodland floor were certainly all influential in the development of both his design and form. He hand-built his pots using strips of clay to build vessels of design over function. Cutting and re-joining sections of clay resulted in beautiful unique forms, experimenting also with textured surfaces. The works he created drew inspiration from architectural design, nature's elements found on the shoreline and historic roman vessels. Ward was fascinated by the self-containment of a single vessel combined with the dynamism of design which created an object full of energy and yet 'a still point of the turning world.'John Ward,' Emma Crichton -Miller, The Pottery of John Ward, p. 12In 1982 John Ward had his first one-man show at the Peter Dingley Gallery. This exhilarating body of work showcased his wide variety of new forms, including gourd-shaped vessels, double-grooved bowls, square necks and flanged bowls. Ward set himself off on a journey to find 'rightness' which to him was the perfect balance between form, achieved through quality of clay, and decoration, through the experimentation of glazes. Included in this private collection of works by John Ward we are able to identify examples of many of his favourite glazes including three green and white pots with geometric glazes, striking black, tantalising blue and innocent white, like porcelain. Important examples of Ward's ceramics can be found in the Ashmolean Museum in Oxford and The Museum of Modern Art in New York. Condition Report: In good original condition. No evidence of damage, repair or restoration. Condition Report Disclaimer
The Studio Works of Deirdre Burnett (1939-2022) Studio Pottery and Contemporary Ceramics Four brown and buff camouflage pattern bowls Stoneware Underside impressed 'DB' seal 20cm - 24cm diameter. Provenance/Footnote Estate of the artist. Deirdre graduated from Camberwell School of Art & Design in 1967, where she was heavily influenced by visiting lecturers Hans Coper & Lucie Rie. Her work was included in the 2020 exhibition 'Hans Coper, Lucie Rie & Pupils', Oxford Ceramics Gallery, Oxford, and the 1990 exhibition 'Lucie Rie, Hans Coper & their pupils', Sainsbury Centre, & Fitzwilliam Museum, Cambridge. Deirdre's work has been held at the Victoria & Albert Museum, London and the MOMA, New York, as well as in numerous private and prestigious collections worldwide. Deirdre was a Fellow of the Craft Potters Association and a member of Contemporary Applied Arts.
The Studio Works of Deirdre Burnett (1939-2022) Studio Pottery and Contemporary Ceramics Open bowl with yin yang wave decoration, and mottled bowl Stoneware Underside impressed 'DB' seal Open bowl 28cm diameter, mottled bowl 25cm diameter. Provenance/Footnote Estate of the artist. Deirdre graduated from Camberwell School of Art & Design in 1967, where she was heavily influenced by visiting lecturers Hans Coper & Lucie Rie. Her work was included in the 2020 exhibition 'Hans Coper, Lucie Rie & Pupils', Oxford Ceramics Gallery, Oxford, and the 1990 exhibition 'Lucie Rie, Hans Coper & their pupils', Sainsbury Centre, & Fitzwilliam Museum, Cambridge. Deirdre's work has been held at the Victoria & Albert Museum, London and the MOMA, New York, as well as in numerous private and prestigious collections worldwide. Deirdre was a Fellow of the Craft Potters Association and a member of Contemporary Applied Arts.
The Studio Works of Deirdre Burnett (1939-2022) Studio Pottery and Contemporary Ceramics Purple open bowl and a deep blue closed bowl, small brown vessel and blue vessel each with pierced holes to border, an off-white bowl with brown band and a ruffle top vessel Stoneware and porcelain Underside impressed 'DB' seal Open bowl 31.5cm diameter, closed bowl approx 15.5cm diameter, 15cm high, ruffle top: approx 5.5cm high, 8.5cm diameter. (6) Provenance/Footnote Estate of the artist. Deirdre graduated from Camberwell School of Art & Design in 1967, where she was heavily influenced by visiting lecturers Hans Coper & Lucie Rie. Her work was included in the 2020 exhibition 'Hans Coper, Lucie Rie & Pupils', Oxford Ceramics Gallery, Oxford, and the 1990 exhibition 'Lucie Rie, Hans Coper & their pupils', Sainsbury Centre, & Fitzwilliam Museum, Cambridge. Deirdre's work has been held at the Victoria & Albert Museum, London and the MOMA, New York, as well as in numerous private and prestigious collections worldwide. Deirdre was a Fellow of the Craft Potters Association and a member of Contemporary Applied Arts. Condition Report: Surface marks. Open bowl: some irregularities in the making. No other issues found.
The Studio Works of Deirdre Burnett (1939-2022) Studio Pottery and Contemporary Ceramics Four scent bottles with frilly multi-layer stoppers in black, pink, white and brown Porcelain Underside impressed 'DB' seal Tallest 17cm high, shortest 9.5cm high. (4) Provenance/Footnote Estate of the artist. Deirdre graduated from Camberwell School of Art & Design in 1967, where she was heavily influenced by visiting lecturers Hans Coper & Lucie Rie. Her work was included in the 2020 exhibition 'Hans Coper, Lucie Rie & Pupils', Oxford Ceramics Gallery, Oxford, and the 1990 exhibition 'Lucie Rie, Hans Coper & their pupils', Sainsbury Centre, & Fitzwilliam Museum, Cambridge. Deirdre's work has been held at the Victoria & Albert Museum, London and the MOMA, New York, as well as in numerous private and prestigious collections worldwide. Deirdre was a Fellow of the Craft Potters Association and a member of Contemporary Applied Arts. Condition Report: Black stopper has a yellow patch but does not appear to be damaged or repaired, white stopper has a hairline crack to the upper layer and has been restored. No other issues found.
The Studio Works of Deirdre Burnett (1939-2022) Studio Pottery and Contemporary Ceramics Two blue-green volcanic glaze bowls and two volcanic glaze vases Stoneware Underside impressed 'DB' seal Open bowl 27cm diameter, closed bowl 20cm diameter, smaller vase 14cm high, taller vase 22cm high. Provenance/Footnote Estate of the artist. Deirdre graduated from Camberwell School of Art & Design in 1967, where she was heavily influenced by visiting lecturers Hans Coper & Lucie Rie. Her work was included in the 2020 exhibition 'Hans Coper, Lucie Rie & Pupils', Oxford Ceramics Gallery, Oxford, and the 1990 exhibition 'Lucie Rie, Hans Coper & their pupils', Sainsbury Centre, & Fitzwilliam Museum, Cambridge. Deirdre's work has been held at the Victoria & Albert Museum, London and the MOMA, New York, as well as in numerous private and prestigious collections worldwide. Deirdre was a Fellow of the Craft Potters Association and a member of Contemporary Applied Arts. Condition Report: No issues found to any pieces.
The Studio Works of Deirdre Burnett (1939-2022) Studio Pottery and Contemporary Ceramics Monumental hand built vessel of organic form with frilled layers in spherical composition on cylinder stem Stoneware Impressed 'DB' seal at top of stem 42cm high, 32cm diameter. Provenance/Footnote Estate of the artist. Deirdre graduated from Camberwell School of Art & Design in 1967, where she was heavily influenced by visiting lecturers Hans Coper & Lucie Rie. Her work was included in the 2020 exhibition 'Hans Coper, Lucie Rie & Pupils', Oxford Ceramics Gallery, Oxford, and the 1990 exhibition 'Lucie Rie, Hans Coper & their pupils', Sainsbury Centre, & Fitzwilliam Museum, Cambridge. Deirdre's work has been held at the Victoria & Albert Museum, London and the MOMA, New York, as well as in numerous private and prestigious collections worldwide. Deirdre was a Fellow of the Craft Potters Association and a member of Contemporary Applied Arts. Condition Report: No damage or restoration.
The Studio Works of Deirdre Burnett (1939-2022) Studio Pottery and Contemporary Ceramics Six tapered vases in blue and white, and two tall frilly form vases Porcelain Underside impressed 'DB' seal Blue and white: 9cm to 15.5cm high, frilly: 10cm and 12cm high. (8) Provenance/Footnote Estate of the artist. Deirdre graduated from Camberwell School of Art & Design in 1967, where she was heavily influenced by visiting lecturers Hans Coper & Lucie Rie. Her work was included in the 2020 exhibition 'Hans Coper, Lucie Rie & Pupils', Oxford Ceramics Gallery, Oxford, and the 1990 exhibition 'Lucie Rie, Hans Coper & their pupils', Sainsbury Centre, & Fitzwilliam Museum, Cambridge. Deirdre's work has been held at the Victoria & Albert Museum, London and the MOMA, New York, as well as in numerous private and prestigious collections worldwide. Deirdre was a Fellow of the Craft Potters Association and a member of Contemporary Applied Arts. Condition Report: No issues found.
The Studio Works of Deirdre Burnett (1939-2022) Studio Pottery and Contemporary Ceramics Four crater bowls Stoneware Underside impressed 'DB' seal Two approx 14cm diameter, 7.5-8.5cm high, two approx 23cm diameter, 6-7cm high. Provenance/Footnote Estate of the artist. Deirdre graduated from Camberwell School of Art & Design in 1967, where she was heavily influenced by visiting lecturers Hans Coper & Lucie Rie. Her work was included in the 2020 exhibition 'Hans Coper, Lucie Rie & Pupils', Oxford Ceramics Gallery, Oxford, and the 1990 exhibition 'Lucie Rie, Hans Coper & their pupils', Sainsbury Centre, & Fitzwilliam Museum, Cambridge. Deirdre's work has been held at the Victoria & Albert Museum, London and the MOMA, New York, as well as in numerous private and prestigious collections worldwide. Deirdre was a Fellow of the Craft Potters Association and a member of Contemporary Applied Arts. Condition Report: Two smaller bowls, and beige interior - no faults found. Bowl with white interior has small (approx 4mm) imperfection below the rim which was presumably created in the making (see image).
The Studio Works of Deirdre Burnett (1939-2022) Studio Pottery and Contemporary Ceramics Six double rimmed bowls; four brown and two pale with mottled green grey Porcelain Underside impressed 'DB' seal 14-18cm diameter, 2.5cm-5cm high. Provenance/Footnote Estate of the artist. Deirdre graduated from Camberwell School of Art & Design in 1967, where she was heavily influenced by visiting lecturers Hans Coper & Lucie Rie. Her work was included in the 2020 exhibition 'Hans Coper, Lucie Rie & Pupils', Oxford Ceramics Gallery, Oxford, and the 1990 exhibition 'Lucie Rie, Hans Coper & their pupils', Sainsbury Centre, & Fitzwilliam Museum, Cambridge. Deirdre's work has been held at the Victoria & Albert Museum, London and the MOMA, New York, as well as in numerous private and prestigious collections worldwide. Deirdre was a Fellow of the Craft Potters Association and a member of Contemporary Applied Arts. Condition Report: Brown dishes would benefit from a clean, no other issues found.
The Studio Works of Deirdre Burnett (1939-2022) Studio Pottery and Contemporary Ceramics Six double rimmed bowls; three in white with blue rim, one white and two pale with green Porcelain Underside impressed 'DB' seal 14-17cm diameter, 2.5cm-4.5cm high. Provenance/Footnote Estate of the artist. Deirdre graduated from Camberwell School of Art & Design in 1967, where she was heavily influenced by visiting lecturers Hans Coper & Lucie Rie. Her work was included in the 2020 exhibition 'Hans Coper, Lucie Rie & Pupils', Oxford Ceramics Gallery, Oxford, and the 1990 exhibition 'Lucie Rie, Hans Coper & their pupils', Sainsbury Centre, & Fitzwilliam Museum, Cambridge. Deirdre's work has been held at the Victoria & Albert Museum, London and the MOMA, New York, as well as in numerous private and prestigious collections worldwide. Deirdre was a Fellow of the Craft Potters Association and a member of Contemporary Applied Arts. Condition Report: No issues found
The Studio Works of Deirdre Burnett (1939-2022) Studio Pottery and Contemporary Ceramics Five beige and brown cratered vessels with partly covered top Porcelain Underside impressed 'DB' seal Each approx 9cm diameter, approx 8.5cm high. Provenance/Footnote Estate of the artist. Deirdre graduated from Camberwell School of Art & Design in 1967, where she was heavily influenced by visiting lecturers Hans Coper & Lucie Rie. Her work was included in the 2020 exhibition 'Hans Coper, Lucie Rie & Pupils', Oxford Ceramics Gallery, Oxford, and the 1990 exhibition 'Lucie Rie, Hans Coper & their pupils', Sainsbury Centre, & Fitzwilliam Museum, Cambridge. Deirdre's work has been held at the Victoria & Albert Museum, London and the MOMA, New York, as well as in numerous private and prestigious collections worldwide. Deirdre was a Fellow of the Craft Potters Association and a member of Contemporary Applied Arts. Condition Report: Three vessels no issues found. One has 7mm chip to rim, one linear imperfection to the enclosed upper.
The Studio Works of Deirdre Burnett (1939-2022) Studio Pottery and Contemporary Ceramics Four ruffle vases of tapered form; the tallest with lobes mottled in blue on white with dark edging, one in blue with spade-form lobes, one in white with manganese drip edging to lobes, and one in mottled blue on white Porcelain Underside impressed 'DB' seal tp all except mottled blue and white (where mark has rubbed) Tallest 17.5cm, shortest 12cm high. (4) Provenance/Footnote Estate of the artist. Deirdre graduated from Camberwell School of Art & Design in 1967, where she was heavily influenced by visiting lecturers Hans Coper & Lucie Rie. Her work was included in the 2020 exhibition 'Hans Coper, Lucie Rie & Pupils', Oxford Ceramics Gallery, Oxford, and the 1990 exhibition 'Lucie Rie, Hans Coper & their pupils', Sainsbury Centre, & Fitzwilliam Museum, Cambridge. Deirdre's work has been held at the Victoria & Albert Museum, London and the MOMA, New York, as well as in numerous private and prestigious collections worldwide. Deirdre was a Fellow of the Craft Potters Association and a member of Contemporary Applied Arts.
The Studio Works of Deirdre Burnett (1939-2022) Studio Pottery and Contemporary Ceramics Large double rimmed crater bowl, and a lava glaze vase with blue interior Stoneware Underside impressed 'DB' seal Bowl: 30cm diameter, 8.5cm high, vase: 15.5cm high. Provenance/Footnote Estate of the artist. Deirdre graduated from Camberwell School of Art & Design in 1967, where she was heavily influenced by visiting lecturers Hans Coper & Lucie Rie. Her work was included in the 2020 exhibition 'Hans Coper, Lucie Rie & Pupils', Oxford Ceramics Gallery, Oxford, and the 1990 exhibition 'Lucie Rie, Hans Coper & their pupils', Sainsbury Centre, & Fitzwilliam Museum, Cambridge. Deirdre's work has been held at the Victoria & Albert Museum, London and the MOMA, New York, as well as in numerous private and prestigious collections worldwide. Deirdre was a Fellow of the Craft Potters Association and a member of Contemporary Applied Arts.
The Studio Works of Deirdre Burnett (1939-2022) Studio Pottery and Contemporary Ceramics Two white volcanic glaze bowls and one white tapering volcanic glaze vase Stoneware Underside impressed 'DB' seal Open bowl 22.5cm diameter, closed bowl 17cm diameter, vase 19.5cm high. Provenance/Footnote Estate of the artist. Deirdre graduated from Camberwell School of Art & Design in 1967, where she was heavily influenced by visiting lecturers Hans Coper & Lucie Rie. Her work was included in the 2020 exhibition 'Hans Coper, Lucie Rie & Pupils', Oxford Ceramics Gallery, Oxford, and the 1990 exhibition 'Lucie Rie, Hans Coper & their pupils', Sainsbury Centre, & Fitzwilliam Museum, Cambridge. Deirdre's work has been held at the Victoria & Albert Museum, London and the MOMA, New York, as well as in numerous private and prestigious collections worldwide. Deirdre was a Fellow of the Craft Potters Association and a member of Contemporary Applied Arts. Condition Report: No issues found.
The Studio Works of Deirdre Burnett (1939-2022) Studio Pottery and Contemporary Ceramics Group of fourteen bowls with cut-out rim Porcelain Underside impressed 'DB' seal Maximum height 8.5cm, smallest diameter 8.5cm. Provenance/Footnote Estate of the artist. Deirdre graduated from Camberwell School of Art & Design in 1967, where she was heavily influenced by visiting lecturers Hans Coper & Lucie Rie. Her work was included in the 2020 exhibition 'Hans Coper, Lucie Rie & Pupils', Oxford Ceramics Gallery, Oxford, and the 1990 exhibition 'Lucie Rie, Hans Coper & their pupils', Sainsbury Centre, & Fitzwilliam Museum, Cambridge. Deirdre's work has been held at the Victoria & Albert Museum, London and the MOMA, New York, as well as in numerous private and prestigious collections worldwide. Deirdre was a Fellow of the Craft Potters Association and a member of Contemporary Applied Arts.
The Studio Works of Deirdre Burnett (1939-2022) Studio Pottery and Contemporary Ceramics White volcanic glaze bowl with two vases Stoneware Underside impressed 'DB' seal Bowl 16cm diameter, 9.5cm high, Vases 14.5cm and 10.5cm high. (3) Provenance/Footnote Estate of the artist. Deirdre graduated from Camberwell School of Art & Design in 1967, where she was heavily influenced by visiting lecturers Hans Coper & Lucie Rie. Her work was included in the 2020 exhibition 'Hans Coper, Lucie Rie & Pupils', Oxford Ceramics Gallery, Oxford, and the 1990 exhibition 'Lucie Rie, Hans Coper & their pupils', Sainsbury Centre, & Fitzwilliam Museum, Cambridge. Deirdre's work has been held at the Victoria & Albert Museum, London and the MOMA, New York, as well as in numerous private and prestigious collections worldwide. Deirdre was a Fellow of the Craft Potters Association and a member of Contemporary Applied Arts. Condition Report: No issues found.
The Studio Works of Deirdre Burnett (1939-2022) Studio Pottery and Contemporary Ceramics Three tapering volcanic glaze vases; one in white on brown stoneware ground, one blue and white, one mottled brown Stoneware Underside impressed 'DB' seal 14cm, 15cm, and 21.5cm high. (3) Provenance/Footnote Estate of the artist. Deirdre graduated from Camberwell School of Art & Design in 1967, where she was heavily influenced by visiting lecturers Hans Coper & Lucie Rie. Her work was included in the 2020 exhibition 'Hans Coper, Lucie Rie & Pupils', Oxford Ceramics Gallery, Oxford, and the 1990 exhibition 'Lucie Rie, Hans Coper & their pupils', Sainsbury Centre, & Fitzwilliam Museum, Cambridge. Deirdre's work has been held at the Victoria & Albert Museum, London and the MOMA, New York, as well as in numerous private and prestigious collections worldwide. Deirdre was a Fellow of the Craft Potters Association and a member of Contemporary Applied Arts. Condition Report: No issues found.
The Studio Works of Deirdre Burnett (1939-2022) Studio Pottery and Contemporary Ceramics Tall hand built 'Maiden' form vase with crater glaze Stoneware Unmarked 38cm high, 26cm diameter. Provenance/Footnote Estate of the artist. Deirdre graduated from Camberwell School of Art & Design in 1967, where she was heavily influenced by visiting lecturers Hans Coper & Lucie Rie. Her work was included in the 2020 exhibition 'Hans Coper, Lucie Rie & Pupils', Oxford Ceramics Gallery, Oxford, and the 1990 exhibition 'Lucie Rie, Hans Coper & their pupils', Sainsbury Centre, & Fitzwilliam Museum, Cambridge. Deirdre's work has been held at the Victoria & Albert Museum, London and the MOMA, New York, as well as in numerous private and prestigious collections worldwide. Deirdre was a Fellow of the Craft Potters Association and a member of Contemporary Applied Arts. Condition Report: No issues found.
The Studio Works of Deirdre Burnett (1939-2022) Studio Pottery and Contemporary Ceramics Three double rimmed bowls with manganese rims Porcelain Underside impressed 'DB' seal 15.5cm-17.5cm diameter, 4cm-5cm high. Provenance/Footnote Estate of the artist. Deirdre graduated from Camberwell School of Art & Design in 1967, where she was heavily influenced by visiting lecturers Hans Coper & Lucie Rie. Her work was included in the 2020 exhibition 'Hans Coper, Lucie Rie & Pupils', Oxford Ceramics Gallery, Oxford, and the 1990 exhibition 'Lucie Rie, Hans Coper & their pupils', Sainsbury Centre, & Fitzwilliam Museum, Cambridge. Deirdre's work has been held at the Victoria & Albert Museum, London and the MOMA, New York, as well as in numerous private and prestigious collections worldwide. Deirdre was a Fellow of the Craft Potters Association and a member of Contemporary Applied Arts. Condition Report: No issues found. One feels rough to touch around the edges but probably in the design.
The Studio Works of Deirdre Burnett (1939-2022) Studio Pottery and Contemporary Ceramics Six small bowls of organic form with narrow stem foot, five in brown glaze and one in blue, along with four fine rimmed organic form bowls and one with double ruffle Porcelain Underside impressed 'DB' seal Each approx 9cm diameter, approx 9cm long. (11) Provenance/Footnote Estate of the artist. Deirdre graduated from Camberwell School of Art & Design in 1967, where she was heavily influenced by visiting lecturers Hans Coper & Lucie Rie. Her work was included in the 2020 exhibition 'Hans Coper, Lucie Rie & Pupils', Oxford Ceramics Gallery, Oxford, and the 1990 exhibition 'Lucie Rie, Hans Coper & their pupils', Sainsbury Centre, & Fitzwilliam Museum, Cambridge. Deirdre's work has been held at the Victoria & Albert Museum, London and the MOMA, New York, as well as in numerous private and prestigious collections worldwide. Deirdre was a Fellow of the Craft Potters Association and a member of Contemporary Applied Arts.
The Studio Works of Deirdre Burnett (1939-2022) Studio Pottery and Contemporary Ceramics Two volcanic glaze bowls and one volcanic glaze vase with clear glazed rim Stoneware Underside impressed 'DB' seal Open bowl 20cm diameter, closed bowl 19.5cm diameter, vase 20.5cm high. Provenance/Footnote Estate of the artist. Deirdre graduated from Camberwell School of Art & Design in 1967, where she was heavily influenced by visiting lecturers Hans Coper & Lucie Rie. Her work was included in the 2020 exhibition 'Hans Coper, Lucie Rie & Pupils', Oxford Ceramics Gallery, Oxford, and the 1990 exhibition 'Lucie Rie, Hans Coper & their pupils', Sainsbury Centre, & Fitzwilliam Museum, Cambridge. Deirdre's work has been held at the Victoria & Albert Museum, London and the MOMA, New York, as well as in numerous private and prestigious collections worldwide. Deirdre was a Fellow of the Craft Potters Association and a member of Contemporary Applied Arts. Condition Report: No issues found.
The Studio Works of Deirdre Burnett (1939-2022) Studio Pottery and Contemporary Ceramics Large open bowl in blue-green over brown, and a deep crater bowl Stoneware Underside impressed 'DB' seal Open bowl 29.5cm diameter, deep crater bowl 21cm diameter, 11.5cm high. Provenance/Footnote Estate of the artist. Deirdre graduated from Camberwell School of Art & Design in 1967, where she was heavily influenced by visiting lecturers Hans Coper & Lucie Rie. Her work was included in the 2020 exhibition 'Hans Coper, Lucie Rie & Pupils', Oxford Ceramics Gallery, Oxford, and the 1990 exhibition 'Lucie Rie, Hans Coper & their pupils', Sainsbury Centre, & Fitzwilliam Museum, Cambridge. Deirdre's work has been held at the Victoria & Albert Museum, London and the MOMA, New York, as well as in numerous private and prestigious collections worldwide. Deirdre was a Fellow of the Craft Potters Association and a member of Contemporary Applied Arts.
The Studio Works of Deirdre Burnett (1939-2022) Studio Pottery and Contemporary Ceramics Four vessels with ruffled lobes Porcelain Underside impressed 'DB' seal Largest approx 16cm diameter, 11.5cm high, Brown approx 13cm diameter, 9cm high, white approx 9.5cm diameter, 8.5cm high, blue approx 13cm diameter, 9cm high. (4) Provenance/Footnote Estate of the artist. Deirdre graduated from Camberwell School of Art & Design in 1967, where she was heavily influenced by visiting lecturers Hans Coper & Lucie Rie. Her work was included in the 2020 exhibition 'Hans Coper, Lucie Rie & Pupils', Oxford Ceramics Gallery, Oxford, and the 1990 exhibition 'Lucie Rie, Hans Coper & their pupils', Sainsbury Centre, & Fitzwilliam Museum, Cambridge. Deirdre's work has been held at the Victoria & Albert Museum, London and the MOMA, New York, as well as in numerous private and prestigious collections worldwide. Deirdre was a Fellow of the Craft Potters Association and a member of Contemporary Applied Arts. Condition Report: Largest has hairlines cracks and repair apparent under UV to one of the lobes, surface dirt. Blue vessel has restoration to the largest lobe. No other issues found.
The Studio Works of Deirdre Burnett (1939-2022) Studio Pottery and Contemporary Ceramics Two white volcanic glaze bowls Stoneware Underside impressed 'DB' seal 21cm diameter, 12cm high, and 24cm diameter, 8.5cm high. (2) Provenance/Footnote Estate of the artist. Deirdre graduated from Camberwell School of Art & Design in 1967, where she was heavily influenced by visiting lecturers Hans Coper & Lucie Rie. Her work was included in the 2020 exhibition 'Hans Coper, Lucie Rie & Pupils', Oxford Ceramics Gallery, Oxford, and the 1990 exhibition 'Lucie Rie, Hans Coper & their pupils', Sainsbury Centre, & Fitzwilliam Museum, Cambridge. Deirdre's work has been held at the Victoria & Albert Museum, London and the MOMA, New York, as well as in numerous private and prestigious collections worldwide. Deirdre was a Fellow of the Craft Potters Association and a member of Contemporary Applied Arts. Condition Report: The wider bowl has patches of grey rather than white glaze which are presumed imperfections in the making of the piece. No other issues found.
The Studio Works of Deirdre Burnett (1939-2022) and other artists Studio Pottery and Contemporary Ceramics Hand built vessel of organic form with frilled top in white with dark edging, and a small brown bowl with olive brown central band and rim, as well as a buff coloured vase by unknown artist with oxide to edge of the flaring rim and speckles to the body Stoneware Bowl impressed 'DB', plant vessel unmarked, vase impressed 'LP' Plant form vessel approx 21cm high, bowl 5cm high, vase 18cm high. (3) Provenance/Footnote Estate of the artist. Deirdre graduated from Camberwell School of Art & Design in 1967, where she was heavily influenced by visiting lecturers Hans Coper & Lucie Rie. Her work was included in the 2020 exhibition 'Hans Coper, Lucie Rie & Pupils', Oxford Ceramics Gallery, Oxford, and the 1990 exhibition 'Lucie Rie, Hans Coper & their pupils', Sainsbury Centre, & Fitzwilliam Museum, Cambridge. Deirdre's work has been held at the Victoria & Albert Museum, London and the MOMA, New York, as well as in numerous private and prestigious collections worldwide. Deirdre was a Fellow of the Craft Potters Association and a member of Contemporary Applied Arts.
The Studio Works of Deirdre Burnett (1939-2022)Studio Pottery and Contemporary CeramicsFour lava glaze vases in mottled shades of brown and greenStonewareUnderside impressed 'DB' sealTallest 18.5cm high, smallest 9.5cm high.Provenance/FootnoteEstate of the artist. Deirdre graduated from Camberwell School of Art & Design in 1967, where she was heavily influenced by visiting lecturers Hans Coper & Lucie Rie. Her work was included in the 2020 exhibition 'Hans Coper, Lucie Rie & Pupils', Oxford Ceramics Gallery, Oxford, and the 1990 exhibition 'Lucie Rie, Hans Coper & their pupils', Sainsbury Centre, & Fitzwilliam Museum, Cambridge. Deirdre's work has been held at the Victoria & Albert Museum, London and the MOMA, New York, as well as in numerous private and prestigious collections worldwide. Deirdre was a Fellow of the Craft Potters Association and a member of Contemporary Applied Arts.Condition Report: One with yellow sticker residue to underside. No other issues found.
The Studio Works of Deirdre Burnett (1939-2022) Studio Pottery and Contemporary Ceramics Four small footed vessels with partly covered top, and a double rimmed crater bowl in brown exterior and blue interior Porcelain footed vessels, stoneware bowl Underside impressed 'DB' seal Footed vessels approx 10cm diameter, 6.5cm-8cm high, bowl: 16cm diameter, 4.5cm high. (5) Provenance/Footnote Estate of the artist. Deirdre graduated from Camberwell School of Art & Design in 1967, where she was heavily influenced by visiting lecturers Hans Coper & Lucie Rie. Her work was included in the 2020 exhibition 'Hans Coper, Lucie Rie & Pupils', Oxford Ceramics Gallery, Oxford, and the 1990 exhibition 'Lucie Rie, Hans Coper & their pupils', Sainsbury Centre, & Fitzwilliam Museum, Cambridge. Deirdre's work has been held at the Victoria & Albert Museum, London and the MOMA, New York, as well as in numerous private and prestigious collections worldwide. Deirdre was a Fellow of the Craft Potters Association and a member of Contemporary Applied Arts. Condition Report: Two pots have some chips to the rim, another has a firing crack to the inner rim, the brown vessel and bowl no issues found.
The Studio Works of Deirdre Burnett (1939-2022) Studio Pottery and Contemporary Ceramics Three vessels with partly covered top; two brown seed-form, one white with manganese drip rim; and two flower form bowls with narrow stem foot and fine undulating rim, in yellow glaze, one with brown speckles to interior Porcelain Underside impressed 'DB' seal Vessels 10.5cm and 9cm diameter, 8.5cm and 7.5cm high, flower forms approx 9cm diameter, 12cm long, and approx 10cm diameter, 9cm long. (5) Provenance/Footnote Estate of the artist. Deirdre graduated from Camberwell School of Art & Design in 1967, where she was heavily influenced by visiting lecturers Hans Coper & Lucie Rie. Her work was included in the 2020 exhibition 'Hans Coper, Lucie Rie & Pupils', Oxford Ceramics Gallery, Oxford, and the 1990 exhibition 'Lucie Rie, Hans Coper & their pupils', Sainsbury Centre, & Fitzwilliam Museum, Cambridge. Deirdre's work has been held at the Victoria & Albert Museum, London and the MOMA, New York, as well as in numerous private and prestigious collections worldwide. Deirdre was a Fellow of the Craft Potters Association and a member of Contemporary Applied Arts. Condition Report: No issues found
The Studio Works of Deirdre Burnett (1939-2022) Studio Pottery and Contemporary Ceramics Group of seven small rounded vessels with small opening and pierced and impressed decoration Porcelain Underside impressed 'DB' seal Largest 10cm diameter, 6.5cm high, Smallest 5cm diameter, 3cm high. Provenance/Footnote Estate of the artist. Deirdre graduated from Camberwell School of Art & Design in 1967, where she was heavily influenced by visiting lecturers Hans Coper & Lucie Rie. Her work was included in the 2020 exhibition 'Hans Coper, Lucie Rie & Pupils', Oxford Ceramics Gallery, Oxford, and the 1990 exhibition 'Lucie Rie, Hans Coper & their pupils', Sainsbury Centre, & Fitzwilliam Museum, Cambridge. Deirdre's work has been held at the Victoria & Albert Museum, London and the MOMA, New York, as well as in numerous private and prestigious collections worldwide. Deirdre was a Fellow of the Craft Potters Association and a member of Contemporary Applied Arts. Condition Report: Largest has surface marks and imperfections in the making including a dent 1cm and a 2cm arc shaped fold. No other issues found.
The Studio Works of Deirdre Burnett (1939-2022) Studio Pottery and Contemporary Ceramics A miniature inverted baluster vase in buff with blue band to rim, and a bowl in black and teal applied in spirals, with impressed circles and small cut-out to rim Stoneware Bowl impressed 'DB', vase unmarked Bowl 11.5cm diameter, vase 13cm high. (2) Provenance/Footnote Estate of the artist. Deirdre graduated from Camberwell School of Art & Design in 1967, where she was heavily influenced by visiting lecturers Hans Coper & Lucie Rie. Her work was included in the 2020 exhibition 'Hans Coper, Lucie Rie & Pupils', Oxford Ceramics Gallery, Oxford, and the 1990 exhibition 'Lucie Rie, Hans Coper & their pupils', Sainsbury Centre, & Fitzwilliam Museum, Cambridge. Deirdre's work has been held at the Victoria & Albert Museum, London and the MOMA, New York, as well as in numerous private and prestigious collections worldwide. Deirdre was a Fellow of the Craft Potters Association and a member of Contemporary Applied Arts.
The Studio Works of Deirdre Burnett (1939-2022) Byron Temple (1933-2002) Studio Pottery and Contemporary Ceramics Burnett brown glazed teapot, sugar, and 2 jugs (unmarked) made for a London restaurant, and a white teapot, along with a teapot with cane handle by Byron Temple, and another teapot with cane handle attributed to Byron Temple Stoneware Unmarked except one teapot stamped for Byron Temple Brown teapot 15cm high, cane handled teapots 21cm high. (7) Provenance/Footnote Estate of the artist. Deirdre graduated from Camberwell School of Art & Design in 1967, where she was heavily influenced by visiting lecturers Hans Coper & Lucie Rie. Her work was included in the 2020 exhibition 'Hans Coper, Lucie Rie & Pupils', Oxford Ceramics Gallery, Oxford, and the 1990 exhibition 'Lucie Rie, Hans Coper & their pupils', Sainsbury Centre, & Fitzwilliam Museum, Cambridge. Deirdre's work has been held at the Victoria & Albert Museum, London and the MOMA, New York, as well as in numerous private and prestigious collections worldwide. Deirdre was a Fellow of the Craft Potters Association and a member of Contemporary Applied Arts.
§ Dame Lucie Rie (British 1902-1995) Cup and Saucer, circa 1950 impressed artist's seal, stoneware, white glaze with manganese rimsDimensions:The saucer 14cm diameter (5 1/2in diameter), the cup 7.3cm high (2 7/8in high)Note: LiteratureLucie Rie: A Retrospective, 2015-16. Nikkei: Ibraki Ceramics Museum, 2015, p.66, no. 20 and 21 for similar examples.
§ Dame Lucie Rie (British 1902-1995) Footed Bowl impressed artist's seal, blue with manganese rimDimensions:10.5cm high, 16.5cm diameter (4 1/8in high, 6 1/2in diameter)Provenance:Provenance:Purchased by the current vendor from Galerie Besson, London, circa 1989-93.Private Collection, Scotland.
§ Anthony Hepburn (British 1942-2015) Slab Built Box with Stripes, 1960s stripes in red and yellow, and white glazeDimensions:28cm high, 31cm across, 31cm deep (11in high, 12.25in across, 12.25in deep)Provenance:ProvenanceGifted by Anthony Hepburn to Ann Sutton O.B.E.Note: Having trained at Camberwell School of Art, where he was taught by Lucie Rie, Hans Coper and Bryan Newman, Hepburn was also deeply influenced by the American movement in ceramics. His work can be compared with the 1960s West Coast movement known as Funk, even though Hepburn did not use the 'bawdy locker-room' images, such as tea pots with penis spouts for example - as those used by Robert Arneson. His work was dominated by slab built boxes, and plinths supporting simularcra telephones, a toaster and milk bottles. For Ann Sutton, Hepburn was 'the first exciting craft ceramics of our time', the embodiment of a new movement and spirit of young artists in the crafts movement of the late 1960s. He exhibited a gallery of slab built boxes and slip-casts multiples at the Crafts Centre in 1969, where this current rare example probably originated.
1 Large 20th century button by the famous designer Lucie Rie.This button is documented a button designed and made by Lucie Rie and attached is a facsimile or copy of one of the pages of her buttons in the V and A (Victoria and Albert Museum) in London which is an authority on her buttons. Thanks goes to a good button friend in Texas who supplied this info to us. This example is a beautiful silver lustered example in excellent condition. The button was made in several finishes but I was told this silver lustered finish was more expensive to do at the time and therefore much less plentiful, although any of her buttons are not plentiful anyway. Great button. In my personal opinion this design and finish is one of my favorites of her work. Issued: DIVISION 1=PRE 1918 AND DIVISION 3 IS AFTER 1918Dimensions: SM=Less than 3/4", Medium=3/4" to 1 1/4". Large=1 1/4" and above, extra large=1 3/4" and above
Lucie Rie (1902-1995) - Stoneware coffee cup and saucer, with oatmeal, manganese glaze, decorated with fine sgraffito lines, cup 3.15ins diameter x 3ins high, saucer 5.25ins diameter, with impressed marks to base for Lucie Rie and Hans Coper Note: A set of six cups and saucers similar to this sold at Sotheby's September 2022, Lot 29
Loading...-
1205 item(s)/page