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LUCIE RIE (1902-1995) A coffee set with overall brown glazed ground, the coffee pot incised with vertical line patterns, comprising coffee pot, milk jug and six cups and saucers, all but one cup with impressed marks, the coffee pot 8" high. See illustration Provenance: Purchased from Lucie Rie by the vendor's mother 1958-62.
Lucie Rie (British, 1902-1995) for Bimini Eight pressed glass buttons seven with Bimini brass backs impressed flowerpot mark the largest 3.4cm across (8). Provenance: Lucie Rie confirmed verbally to the vendor's mother that she had designed and pressed these buttons. Before the war the Bimini workshops in Vienna had designed and made blown glass and furniture. Fritz Lampl, one of the trade partners, moved to London, became a button-maker to the fashion trade, and taught a number of other refugees, including Lucie Rie, to press glass buttons. In 1945 she began to design and make ceramic buttons for this new Bimini in her workshop.
Lucie Rie (1902-1995) Bowl, circa 1960 conical form, dark tones of grey with subtle white spots impressed potter's seal 10.6cm high, 24cm across. Literature: see Tony Birks, Lucie Rie, Marston House, p.155 for another bowl with 'elusive white spotting'. Provenance: Bonham's, London, Contemporary Ceramics, 25 March 1999, lot 125; Kenneth Mellon Collection.
Lucie Rie (1902-1995) Bowl, circa 1965 yellow glaze, white centre with three circles of blue impressed potter's seal, exhibition label 4cm high, 13cm diameter. Provenance: John Sparks Ltd., 1967; Private Collection, UK. Exhibited: The Arts Council, London, Lucie Rie - Retrospective exhibition of stoneware and porcelain 1926-1967, 1967, no.225. Literature: see Tony Birks, Lucie Rie, Stenlake Publishing Ltd., 2009, p.99 for another similar slightly larger bowl.
Lucie Rie (1902-1995) Vase, circa 1970 dripped manganese glaze, of shouldered form impressed circular motifs to the shoulder impressed potter's seal 14cm high. Literature: An example of a similar shape can be found in Tony Birks, Lucie Rie, Stenlake Publishing Ltd., 2009, p.166 dated 1970. Provenance: Kenneth Mellon Collection.
Lucie Rie (British, 1902-1995) Vase stoneware, of squeezed form pitted white and grey glaze panelled and with incised decoration impressed potter's seal 24.3cm high. Provenance: The Peter Dingley Gallery, Stratford-upon-Avon, 1975; Private Collection, UK. Literature: see Tanya Harrod, The Crafts in Britain in the 20th Century, Yale University, 1999, p.370, ill.399 for a photograph of Lord Eccles with his collection of studio pottery (1981) with a near identical vase.
§ Dame Lucie Rie (Austrian, 1902-1995), a rare dolomite glaze vase, the compressed bottle form with wrythen fluted body and slightly flared rim, seal mark to base and Peter Dingley Gallery paper trade label 20cm (8in) Dame Lucie Rie, DBE (1902-1995) is one of Britain's most eminent potters. She was born in Vienna and fled Nazi Austria in 1938 to England where she set up her studio in London, working with Hans Coper from 1946. Her goal was to make vessels that would harmonise in a domestic setting, concentrating on the simple bowl or cylindrical forms which relied upon textured or coloured glazes for surface interest. Her repertoire of forms, including the footed bowl and lipped vases such as the one now being offered at auction, balanced simplicity of line with bold and strong design. Her impact and contribution to British and world ceramics is immeasurable. Her pieces are part of the permanent collections of museums throughout the world; the Victoria and Albert Museum has a reconstruction of her studio and you need go no further than the Fitzwilliam Museum and Kettle's Yard in Cambridge to study her work.
Lucie Rie (1902 - 1995) graduated set of three jugs, with brown exteriors and pale grey interiors, monograms to each base, the tallest jug measures 9cm high Artists` Resale Right (droit de suite) may apply to this lot. Condition report: No damage or restoration. The tallest jug and the medium size jug have both got a small impression to the foot however this is probably from potting rather than damage.
‡ John Ward (born 1938) a large hand-built stoneware vase, internally glazed green/blue the exterior black, impressed tulip mark, 26cm. high, 42.5cm. wide Provenance Private collection. Literature Lucie Rie Hans Coper and Their Pupils, Sainsbury Centre for Visual Arts, page 55 catalogue number 100 for a comparable bowl.
‡ Dame Lucie Rie D.B.E (1902-1995) an early porcelain footed bowl, the flaring conical bowl glazed yellow to the exterior, the interior translucent with a manganese band and a blue celadon well, the rim highlighted with manganese impressed seal mark, 16.3cm. diam. 6.5cm. high Provenance The collection of Anne Saïd (1914-1995) private collection Literature Tony Birks Lucie Rie, Marston House, page 98 for an identical bowl from the collection of Charmain Young, circa 1959. John Houston & David Cripps, Lucie Rie, Crafts Council, page 75 catalogue number 11 for another comparable example.
‡ Dame Lucie Rie D.B.E (1902-1995) a large stoneware vase, shouldered square section with in-curved lip, glazed with bands of Dolomite white and muted blue with hints of rusty red impressed seal mark, 25cm. high Literature Muriel Rose Artist Potters in England Faber & Faber, a similar vase with pink stripes illustrated on the front cover, dated 1967.
‡ Dame Lucie Rie D.B.E (1902-1995) and Hans Coper (1920-1981) a porcelain cup and saucer, covered in a deep, rich black glaze with grey rims, impressed seal marks, 4cm. high, 14cm. diam. Literature Oliver Watson Studio Pottery, Phaidon, page 236 catalogue number 528 for a black glazed teapot dated to 1951.
LUCIE RIE (1902-1995) & HANS COPER (1920-1981); a red earthenware bowl, pale yellow/green glaze interior, brown glaze exterior, impressed LR and HC marks, made 1947-58, diameter 13.5cm. (D) CONDITION REPORT: Faint hairline to base, otherwise appears good with no obvious signs of other faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
A Lucie Rie pottery bowl, of irregular oval form, with a variegated green/brown glaze to interior and a white and brown speckled glaze to exterior, the base with seal mark, 20.5 cm wide x 9 cm high See inside front cover colour illustration Condition report Report by NG A couple of patches to rim with thin or no glaze, but this is production rather than damage. Also some pitting visible in glaze from popped bubbles most notably around rim. Some crazing lines visible in glaze to interior. Some bumps and uneven marks visible to exterior. Foot-ring with some wear. Base glazed over seal mark.
‡ Dame Lucie Rie DBE (1902-1995) a flaring footed bowl, glazed to the foot in a matt blue glaze with pitting and lavender to the interior, the exterior running blue over turquoise, the rim with bronze running highlights, impressed seal mark, 23.5cm. diam. Provenance bought directly from the artist at Albion Mews in 1988 for the present vendor. Sold with a letter from Dame Lucie Rie about the bowl.
‡ Dame Lucie Rie DBE (1902-1995 a stoneware pepper pot, shouldered, cylindrical form white glaze with rust speckles and inlaid blue lines impressed seal mark, fine hairline to base rim, 7.5cm. high Literature Dame Lucie Rie Sale of a Lifetime Bonhams, 17th April 1997 lot 107 for a comparable example circa 1954, illustrated
‡ Dame Lucie Rie D.B.E (1902-1995) and Hans Coper (1920-1981) a stoneware plate, the exterior glazed pale grey to the rim, the interior with manganese glaze with incised band impressed seal marks, 17.5cm. diam. Literature Margot Coatts Lucie Rie & Hans Coper Potters in Parallel, Barbican Art Gallery, 1997, page 57 catalogue number 2.30 for a service in a comparable design., circa 1955
‡ Dame Lucie Rie DBE (1902-1995) a stoneware bottle vase with ovoid body and flaring rim, covered to the foot with a pitted white glaze, the top rim with running bronze band impressed seal mark, 23cm. high Provenance Purchased for the vendor from Liberty & Co in the early 1980s. Literature John Houston & David Cripps, Lucie Rie, Crafts Council, page 77 figure 123 for a comparable vase.
Two Hans Coper and Lucie Rie reference books (2). CONDITION REPORT: Postage within UK would cost £7.50. Potters in Parallel: good condition, no pages missing, scratch mark to title page, signed and dated by Alan Firth. Hans Coper: Bottom right hand corner slightly folded, some discolouration to page edges especially title pages, no pages missing.
LUCIE RIE (1902-1995); a stoneware teapot, white glaze with manganese detail to spout and cover, cane handle and brass ferrules, impressed LR mark, made c. 1970, height 13.5cm (excl. handle). Provenance: Purchased from the artist, 1976. Exhibited: Sheffield City Museum and Mappin Art Gallery, Lucie Rie, 1985. CONDITION REPORT: Appears good with no obvious signs of faults, damage or restoration.
LUCIE RIE (1902-1995); an early stoneware vase, oval form with flowing thick eruptive glaze, impressed LR mark, height 16cm. Provenance: Purchased from the artist, 1977. CONDITION REPORT: One area where the glaze is beginning to lift from the body (inherent to the manufacturing process), otherwise appears good with no further obvious signs of faults, damage or restoration.
LUCIE RIE (1902-1995); an elliptical stoneware bowl, lightly pitted cream/grey glaze, impressed LR mark, made 1970s, diameter 19.5cm. Provenance: Purchased from the artist, 1979. CONDITION REPORT: Restoration to the rim and foot ring, otherwise appears good with no further obvious signs of faults or damage.
LUCIE RIE (1902-1995); a large stoneware footed dish of fared form, pitted cream glaze, impressed LR mark, made early 1970s, diameter 32cm. Provenance: Purchased from the artist, 1977. CONDITION REPORT: Professional restoration to the rim, otherwise appears good with no further obvious signs of faults or damage.
LUCIE RIE (1902-1995); a large potato pot with interned rim, incised diagonal lines below a thick variegated glaze, impressed LR mark, made c. 1979, height 16.5cm. Provenance: Purchased from Kettle's Yard, Cambridge, 1979. Exhibited: Sheffield City Museum and Mappin Art Gallery, Lucie Rie, 1985; Shipley Art Gallery, Gateshead, Fitzwilliam Museum, Cambridge and Paisley Museum and Art Gallery, Primavera: Pioneering Craft and Design, 1945-1995, 1995-96. CONDITION REPORT: Appears good with no obvious signs of faults, damage or restoration.

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1205 item(s)/page