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Click here to subscribeDame Lucie Rie (1902-1995), a stoneware jug c.1955, impressed seal to base A fine stoneware milk jug of bellied form with a pulled handle, glazed in a manganese glaze with fine sgrafitto decoration to the upper third of the body and around the neck 12cm high (ARR) Provenance: Bonhams, London, 14 July 1994, Lot 377 (VAT charged on the hammer)Please refer to department for condition report
Dame Lucie Rie (1902-1995), a fine porcelain vase c.1980, impressed seal to base A fine tall vase of bulbous form with a narrow cylindrical neck leading up to a flared rim, the body being glazed gold and bronze, a band of sgraffito decoration around the central section between two finely inlaid blue lines leading up to the top section with a sgraffito decorated rim with a thick gold glaze running and pooling around the top of the neck where there is another inlaid blue line 25.5cm high (ARR) Provenance: Bonhams, London, 9 June 1999, Lot 195(VAT charged on the hammer)Please refer to department for condition report
Dame Lucie Rie (1902-1995), a stoneware vase c.1951, impressed seal to base A scarce small vase with a slender neck and gently flaring rim designed for the Festival of Britain, manganese black glazed exterior, with 1951 impressed to the centre on both sides, and a white glazed interior 18cm high (ARR) Note: The Festival of Britain Director General was Sir Gerald Barry who lived in Albion Mews, where Lucie Rie's studio was. Both herself and Hans Coper were both invited to have their work included in several of the displays at the festival Provenance: Phillips London, Lucie Rie / Hans Coper Masterworks (30954), 20 June 2000, Lot 1Please refer to department for condition report
Lucie Rie (1902-1995), a stoneware vase with flaring rim, speckled white glaze, impressed seal to base, 18.5cm high/Provenance: purchased by the vendor from the potter's studio in 1960 CONDITION REPORT: Restored break from the rim, down and around the narrow part of the neck. Professionally done.ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Lucie Rie (1902-1995), a stoneware pouring vessel, oatmeal glaze with manganese exterior, seal mark to base, 11.5cm high CONDITION REPORT: Good condition, no breaks or restorationARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Lucie Rie (1902-1995), a coffee pot, with manganese glaze and cream interior, elongated handle, impressed mark, 22cm high (rim chip) CONDITION REPORT: Shallow chip to upper side of rimARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Lucie Rie (1902-1995), a milk jug, with manganese glaze and cream interior, elongated handle, impressed mark, 10cm high (rim chips) CONDITION REPORT: Flat chip to outer edge of rim. Three small flat chips to outer edge of pouring lip. Otherwise good.ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Lucie Rie (1902-1995), a small plate, manganese glaze, spiral patterning and cream reverse, impressed mark, 13cm diameter CONDITION REPORT: In good conditionARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Lucie Rie (1902-1995), a teacup and saucer, in manganese glaze with cream interior, impressed mark, the cup 6cm high, the saucer 12cm diameter CONDITION REPORT: In good conditionARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Lucie Rie (1902-1995), a teacup and saucer, in manganese glaze with cream interior, impressed mark, the cup 6cm high, the saucer 12cm diameter (saucer with rim chip) CONDITION REPORT: Rim chip to saucer.ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
§ Dame Lucie Rie D.B.E. (British 1902-1995) Teapot, c.1965 impressed artist's seal, dripped manganese glaze, cane handle(23cm high (including handle), 16cm across (9in high, 6.25in high))Footnote: Literature: Tony Birks, Lucie Rie , Stenlake Publishing Ltd., 2009, p.141 for a similar example in white.
§ Dame Lucie Rie D.B.E. (British 1902-1995) Lidded Box / Jar, c.1967 impressed artist's seal, with diagonal sgraffito lines, manganese and terracotta red glazes(10cm high (3.9in high))Footnote: Literature: Tony Birks, Lucie Rie , Alphabooks Ltd., 1987, p.117 (similar example). Bonhams, London, Dame Lucie Rie: Sale of a Lifetime , 17 April 1997, lot 117 and 118 for almost identical examples. These were often made by Rie in the mid-1960s as cigarette boxes.
TOINI MUONA (1904-1987) for Arabia; a large porcelain charger covered in copper red and turquoise glaze, incised signature and pottery name, diameter 46.5cm, mounted on perspex, and a stoneware dish by another hand, diameter 34cm, also mounted on perspex (2). (D)Born in Finland, Muona and Lucie Rie both won gold medals at the Brussels International Exhibition, 1935. They were also both medallists in the Paris International Exhibition, 1937. A similar example of the present design won a gold medal at the Milan Triennale, 1954, the same year in which Hans Coper also won a gold medal.Provenance (Muona); Purchased from A B Nordiska Kompaniet, Stockholm, 1967.Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
LUCIE RIE (1902-1995); a fluted stoneware bottle with flared rim covered in pitted off white glaze, impressed LR mark, made circa 1970, height 26cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
LUCIE RIE (1902-1995); a porcelain bowl covered in mottled pale green glaze with manganese rim, impressed LR mark, made circa 1970, diameter 16.5cm. (D)Additional InformationProfessional restoration to a scratch in the well, otherwise appears good with no further signs of faults, damage or restorations. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk orhttp://artistscollectingsociety.org
LUCIE RIE (1902-1995); a conical stoneware bowl covered in turquoise eruptive glaze, impressed LR mark, made circa 1970, diameter 15.5cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
LUCIE RIE (1902-1995); a conical porcelain bowl covered in mottled aquamarine glaze toning to 'lapis-lazuli' in patches, impressed LR mark, made circa 1965, diameter 17cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
LUCIE RIE (1902-1995); a tapered porcelain bottle covered in manganese glaze with sgraffito trellis pattern, impressed LR mark, made circa 1965, height 16cm. (D)Provenance: Purchased from the artist from her private collection.Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
λ Dame Lucie Rie (British, Austrian 1902-1995), An early Vienna-Period Vase, 1930's, earthenware, of cylindrical tapering ribbed form with curved and gently inverted rim, thick glaze in tones of lavender, lilac, blue and white with speckled finish, with irregular unglazed areas, the base revealing the terracotta ground, painted 'L.R.G. WIEN', 17.5cm high x 20cm widest pointProvenance: Private Collection, from whom acquired by the present owner in the 1990'sCondition Report: The surface has some cracks in the glaze so it is difficult to determine surface glaze cracks from other cracks but there are at least four cracks through the body of the vase through to the other side comprising:a vertical hair crack running down from rim of vase approximately 4cm long a reverse 'L' shaped crack about 8cm long running vertically from the rim and then about 8cm long horizontal two other vertical cracks each approximately 3 cm longthe base of the vase has a hair crack running through it approximately 10cm long some glaze degradation to the interior base of the vase Condition Report Disclaimer
EWEN HENDERSON (1934-2000) VESSEL, C1985 stoneware and porcelain, hand built from coloured clays with bubbled and cratered surface, 68cm h Powerful, individual, recognisable have all been used by distinguished critics of Studio Pottery to underline Ewen Henderson's significance. A ceramicist and artist who stood apart, unclassifiable yet with a claim to be one of the most influential British potters of the last quarter of the 20th century. Each of his handbuilt thin walled vessels of porcelain laminated to richly textured stoneware and often accented by limpid cream, blue, brown and green felspathic glazes, proclaim not only a technical inventiveness but also his originality.These are entirely works of the imagination but few push their chosen materials to such extremes, caring nothing for holes, fissures or stability. His time as a student at Camberwell in the mid 1960s coincided with the teaching of Hans Coper and Lucie Rie. Despite the uniqueness of the pots of his maturity he cannot altogether have remained aloof from their influence. There is a prevailing freshness about Ewen Henderson's work because his pots demonstrate that he never looked back, creating in the moment or looking to the future. Cyril Frankel described this sense of freedom as Henderson's quest "for the ideal form whilst rejecting the influence of the wheel". The present vessel is one of Henderson's largest, only 3cms shorter than that in the V & A (C176-1986) Good condition given the nature of the fabric
Dame Lucie Rie (1902-1995). A fine stoneware conical bowl, with a bronzed manganese and brown band running into a pitted beige and cream glaze, on a slender foot, impressed seal mark, 25.5cm diameter, H. 9cmCONDITION: This bowl is in good condition. We can see no evidence of any repairs or restoration. The surface glaze is generally pitted. There are no chips to the top rim. There are three very minute nibbles to the unglazed bottom edge of the foot. There is a firing fault and slight spur to the rim on both sides where there is a longer drizzle of manganese. We can detect no restoration with a UV light.This was purchased from the Casson Gallery and described as LR8 white with bronze rim, for £120 - receipt dated Jan 21 but no year!
A group of Edward Campden vases inspired by Lucie Rie and Hans Coper, 2001-2012, including a large ovoid vase of bottle form with rough sgraffito and manganese glaze, 31cm high, two cylindrical vases with wide flat rims, 24cm and 28cm, a sleeve vase with blue glazed disc motif, 28cm high, and a plain ovoid vase with manganese glaze, 18cm high. (5)
A studio pottery vase, the white porcelain of rectangular section with fin handles to the rim, decorated with narrow abstract geometric bands, 24cm, 'GC' monogram, together with a studio pottery vase by another hand, of oval section and decorated with mixed abstract panels and stylised grasses in coloured and crackle glazes, 10.5cm high, 'JH' monogram, a spade-form vase in the manner of Lucie Rie, 23cm high, 'E' monogram, and a small flask vase by the same hand, 12.5cm high. (4)
A collection of fine art books and reference works including: Andre LEJARD, Matisse 16 Peintures 1939-1946, Les Edition du Chene, Paris 1950; Richard CALVOCORESSI, Marine Painting, Phaidon; Musee Picasso, Picasso Masterpieces, 2012; Roland PENROSE, Pablo Picasso - Four Themes, Folio Society 1961; Denys CHEVALIER, Klee, Uffici Press 1971; Ulricke BECKS-MALORNY, Kandinsky, Taschen 2007; Doris KRYSTOF, Modigliani, Taschen 2000; Caroline WISEMAN, Nicholsons - A Vital Simplicity, Wiseman 2004; Roland DOSCHKA, Paul Klee, Prestel 2007; Frank WILLETT, African Art, Thames & Hudson 2002; Dopuglas HALL, Klee, Phaidon 1992; Ronald ALLEY, Ben Nicholson, Beaverbrook, 1962; Sir John ROTHENSTEIN, Turner, Beaverbrook 1962; Elizabeth COWLING, Interpreting Matisse/Picasso, Tate 2002;Timothy TEUTEN, The Collector's Guide to Masks, Bracken 1995; Tony BIRKS, Lucie Rie, Marston House 1999; Tony BIRKS, Hans Coper, Marston House 1991.Provenance:From the collection of Edward Campden
Dame Lucie Rie (British, Austrian 1902-1995)A Vase, circa 1955the conical base rising to a round rim, an all over manganese glaze with equally spaced square sections of incised vertical lines round the inverted shoulder of the vase, and incised lines round the bulge of the body to both the interior and exterior15.2cm diameter, impressed 'LR' sealFootnotes:See Dame Lucie Rie: Sale of a Lifetime, Bonhams Knightsbridge, 17 April 1997, p.79, lot 162.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Dame Lucie Rie (British, Austrian 1902-1995)A Large Curved Porcelain Bowl, circa 1955white glazed with band of dark brown around the top rim 26cm diameter, impressed 'LR' seal and typed paper label 'PICK Cat. 46'This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Dame Lucie Rie (British, Austrian 1902-1995)A Stoneware Flaring Footed Bowl, circa 1980with all over turquoise blue glaze20.6cm diameter, impressed 'LR' sealThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
A collection of Kevin Francis character jugs and covers - limited editions, all artists or potters comprising 'Ralph Wood', 'Bernard Leach', 'Hannah Barlow', 'Charlotte Rhead', 'William Moorcroft', 'George Tinworth', 'Sir Henry Doulton', Clarice Cliff', 'David Winter', 'Peggy Davies', 'Josiah Wedgwood', 'Susie Cooper' and 'Lucie Rie' - each boxed (13)
‡ William Staite Murray (1881-1962) a fine stoneware footed bowl, conical form, painted and incised to the interior with a series of wavy bands, in rust on an oatmeal glaze under white translucent splashes, the exterior oatmeal with translucent runs, impressed seal mark, incised N, 22cm. diam, 11cm. high Provenance Christopher Wood Gallery, 1980 Contemporary Ceramics, Bonhams, 16th November 1989, lot 4. Ed Wolfe Collection, purchased by Daryl in 2004. Exhibited British 20th Century Studio Ceramics, Christopher Wood Gallery, 1980, British Studio Pottery From Bernard Leach to Lucie Rie, Chichester Cathedral/Pallant House, 2005, catalogue number 40. 30 Pots, Woolley and Wallis, 2019, catalogue number 8. Literature Things of Beauty Growing British Studio Pottery, Yale/Fitzwilliam, Museum, exhibition catalogue, page 250-251, catalogue number 50 for a comparable bowl entitled Vortex illustrated.
‡ William Staite Murray (1881-1962) a stoneware footed bowl, painted with a face to the well in iron and blue on a speckled tan ground impressed seal mark, 19.5cm. diam. Provenance Sotheby's Bond Street circa 1987 Richard Dennis Exhibited Gorgeously Grotesque, Worthing Museum & Art Gallery 2003 catalogue number 62. British Studio Pottery from Bernard Leach to Lucie Rie, Chichester Cathedral/Pallant House, 2005, catalogue number 39.
‡ William Staite Murray (1881-1962) 'Sun and Air' a fine stoneware vase, painted with a hot-air balloon flying amongst seagulls and clouds, the reverse a large sunflower. rust on an oatmeal ground highlighted with blue, impressed seal mark, 22.5cm. high Provenance William Paterson Gallery, London exhibited 1-28th November 1928, priced at 25 guineas. Contemporary Ceramics, Bonhams, 13th November 1996 lot 5. Exhibited Gorgeously Grotesque, Worthing Museum and Art Gallery, 2003 catalogue number 79. British Studio Pottery from Bernard Leach to Lucie Rie, Chichester Cathedral/Pallant House. 30 Pots, Woolley and Wallis, 2019, catalogue number 4, Literature Dr Jeffrey Jones, Studio Pottery in Britain 1900-2005, A & C Black,. page 57 this vase illustrated.
‡ Charles Vyse (1882-1971) a stoneware vase, dated 1933, shouldered form with collar rim, covered in a rose ash and iron glaze to the foot with grey splashes, incised CV 1933, paper lot label, 21cm. high Provenance 20th Century Decorative Arts, Christie's South Kensington, 26th May 1994 lot 240 (originally purchased from the Walker Gallery). Exhibited Gorgeously Grotesque, Worthing Museum & Art Gallery, 2003, catalogue number 129. British Studio Ceramics from Bernard Leach to Lucie Rie, Chichester Cathedral/Pallant House, catalogue number 35. Literature Terence Cartlidge, Charles & Nell Vyse, Dennis & Pascoe, page 55 and back cover this vase illustrated,
‡ Dame Lucie Rie DBE (1902-1995) a porcelain footed bowl with bronze rim, covered to the foot with a mustard yellow glaze impressed seal mark, small repaired chip to top rim, 15.5cm. diam, 10cm. high Provenance This bowl was given to the vendor as a wedding present by Jane Coper in 1986 Literature Cyril Frankel Modern Pots - The Lisa Sainsbury Collection, UEA Norwich, page 130 plate 105 for a comparable form.
ANDREW DAVIDSON; a stoneware bottle with blue and sea green decoration on pitted white ground, impressed AD mark, height 24.5cm. Influenced by the work of Lucie Rie, pots by Davidson are comparatively rare. He worked alone never making more than a few hundred pots a year. Standards were high and seconds were generally smashed. He is no longer potting following a car accident in 2008. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
DAME LUCIE RIE (1902-1995); a squeezed stoneware bowl covered in white glaze with manganese rim, impressed LR mark, maximum diameter 15cm (af). (D)Additional InformationRim damage - two pieces re-glued, otherwise appears good with no further signs of faults, damage or restorations. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Dame Lucie Rie (1902-1995), a large stoneware planter c. 1970, impressed seal to foot A large and impressive stoneware planter of ribbed construction glazed in a slightly volcanic oatmeal and grey glaze 16cm high x 35cm diameter (ARR) Provenance: Private Collection, London;Sotheby's, The Roger Collection, 1998;Woolley and Wallis, Design, 17 October 2017, Lot 317Note: This planter was originally commissioned, as part of a group, by Bunny Roger and his brother Sandy for outside useThe planter has an old frost crack running from the rim down one side, across the base and about 5cm up the other side. it does not look as though it has been restored or stabilised at any point. Otherwise no chips or cracks or any restoration.
Dame Lucie Rie (1902-1995), an oviform porcelain vase c.1975, impressed seal to base A white glazed porcelain vase with spiralled decoration in muted greys and browns with subtle light blue edges to the spiralling 16cm high (restored) (ARR) Note: For a similar vase see Tony Birks 'Lucie Rie' Marston House 1999 p.166The vase has had some old restoration carried out to a large section of the rim mainly on one side. This has been well done but is visible otherwise it displays nicely and is a nice example
Dame Lucie Rie DBE (1902-1995): A Stoneware Cylindrical Vase, covered with an all over white glaze, impressed seal mark to base, 15.5cm high See illustration Provenance: From the collection of the late Elizabeth Gwendolen Mullins OBE. Elizabeth was a weaver of rugs in natural dyes, and crafted from her centre Graffham Weavers, West Sussex. Artists' Resale Rights/Droit de Suite may apply to this lot, please refer to Terms of BusinessGood order. 081119
Dame Lucie Rie DBE (1902-1995) and Hans Coper (1920-1981): A Tea Service, comprising six cups, six saucers, milk jug and sugar bowl, stoneware with an oatmeal glaze interior and manganese glaze exterior, various potter's seals and unmarked, cups 7cm (some damages) (14) See illustration Artists' Resale Rights/Droit de Suite may apply to this lot, please refer to Terms of Business
Lucie Rie, a white porcelain footed bowl, decorated with blue lines, impressed mark, height approximately 4ins, diameter approximately 9.25ins, purchased from the Peter Dingley Gallery, Stratford-on-Avon in 1983, with original receipt, impressed mark (D) Minor Blemish to footrim and inside of bowl from kiln process - not damagedCondition Report: Perfect condition - the glaze retracts from the rim, inspired by bowls of the Chinese Sung dynasty. The ring flea bite chips to the base occurred when the bowl was fired and it slightly stuck to the kiln shelf. Minor blemish to inside of bowl. No restoration found at all with blue light inspection.
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