6 Püppchen, Zinnuhr und Zuckertüte aus Blech. 5 verschiedene, originalbekleidete Ganzbiskuitpüppchen mit modellierten Schuhen und 1 Asiate aus Celluloid. Dazu Laternen-Uhr und Zuckertüte mit aufgeklebter Oblate. Altersspuren, kleine Defekte und Reparaturen. Zuckertüte mit Lackdefekten. Provenienz : Sammlungsnachlass aus Hannover. Aufrufzeit 22. | Feb 2024 | voraussichtlich 12:00 Uhr (CET)6 little dolls, tin clock and tin sugar cone. 5 different, originally dressed all-biscuit dolls with modeled shoes and 1 Asian made of celluloid. Including lantern clock and sugar cone with glued-on wafer. Signs of age, minor defects and repairs. Sugar cone with paint defects. Provenance : Collection estate from Hanover. Call time 22 | Feb 2024 | probably 12:00 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
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Nicole Fenwick, by and after, Boxing Hares, limited edition coloured print, 22/295, 27cm x 25cm; another, Running Hare, 29/295; a Libra bronze effect resin sculpture, of four figures, 35cm wide; two Parlane chickens; a similar sheep; photograph frames; a contemporary 'lantern clock' sculpture, 60cm high; a contemporary wall piece, of fish swimming, 53cm wide; etc
TWO BOXES OF CERAMICS AND ORNAMENTS, to include a Murano glass bottle stopper, a Smiths brass electric lantern clock, a Royal Winton Country Fair musical jug, a Japanese porcelain teapot, jug, cup and saucer decorated with flying exotic birds, a Sylvac 'Fern' planter, a 19th Century pen, carved ebony elephant figures, two ebony pots, silverplate jugs, a wooden tobacco jar, etc. (s.d) (2 boxes)
Nicholas Coxeter. A 17th century brass lantern clock, the Roman chapter ring with stylised fleur-de-lys half hour markers, the centre margin signed Nicholas Coxeter Neare Gold Smiths Hall, Londini Fecit over foliate engraving. The movement with anchor escapement and outside countwheel strike. The case with dolphin frets. Weight, pendulum and later bracket, 15 1/2" highThey have been working in our office however this is not a guarantee.How original they are is hard to say because of age. They may have replaced parts.
A 17th century brass lantern clock, the Roman chapter ring with stylised wheatear half hour markers, foliate engraved centre and single hand. The movement with anchor escapement and outside countwheel strike. The case with dolphin frets, weight, pendulum and later bracket, 15 1/2" high They have been working in our office however this is not a guarantee. How original they are is hard to say because of age. They may have replaced parts.
Four various 20th century mantel clocksIncluding: A brass reproduction miniature lantern clock by Smiths, 17cm high; a miniature mahogany and gilt metal bracket clock by Angellus, 14cm high; an Edwardian inlaid mahogany mantel clock, 15.5cm high; and an Edwardian oak mantel clock, 17cm high. (4)
A Charles ll period brass lantern clock case, by Andrew Prime, London, with a later chain driven fusee movement striking on a bell, the engraved dial signed 'Andrew Prime Londini Fecit' and 'WM 1671', decorated with flowers, chapter ring with engraved and black painted Roman numerals with half hours markers, steel hands, 15 by 15 by 36cm high, with winder.Notes: Andrew Prime (1619-1710) was in the circle of pioneers involved in early English clockmaking. Born in 1619, he was the son of a Norwich weaver and apprenticed in 1632 to Abraham Boyce of the Blacksmiths’ Company and made free in 1641. Prime was closely associated with the Fromanteels, whose family also came from Norwich. He was made free of the Clockmakers’ in 1646 and, in the same year, Prime married Ahasuerus Fromanteel’s sister, Elizabeth. They had three children, the youngest of which, Abraham, worked for his father. Despite protestations, in 1674, Prime was made Assistant of the Clockmakers’, but never attended meetings and may have left London. Prime died in Norwich in 1710, having spent his later life there.With key in running order, some damage to edges of the dial and various adaptations. Please see images provided.
An antique late 17th century style Lantern Clock and Bracket, probably Victorian, silvered 6 inch chapter ring with roman numerals enclosing a foliate engraved centre and with silvered central alarm dial and single hand, unusual silvered foliate pediment depicting a man and strapped bell to top, with chain driven movement.
A 17th Century style engraved brass lantern clock bearing signature William Bowyer, London 1623, the dial foot signed Samuel Lynaker, London fecit, the 20th Century Mercer movement with adjustable escapement, the side panels engraved with depictions of Old Father Time and a skeleton to the opposing side, 32cm high. *CR general marks and wear, note this item is untested and we can NOT guarantee the working condition of this item.
Brass cased lantern striking clock early 20th Century, retailed by Goldsmiths Company, 112 Regent St, London, 20.5cm high excluding wooden plinth, 23.5cm high with wooden plinth Does not appear to be in working order once wound. Without key. The bell is loose and needs attention. Loose top/in need of repair/reattachment. With signs of wear consistent with age and use. The plinth has potential dents or natural imperfections of the wood.
Brass Lantern Clock case by Thomas Dyde of London17th Century, with a later movement, the face engraved with the maker's name and floral decoration, with an ornate cornice, the clock standing on spherical feet, 24.5cm highWith signs of wear consistent with age and use. One foot with repair. Some minor patina/verdigris. The chapter ring and dial-plate appear to be contemporary with each other.
An eight day single fusee brass lantern form clock, retailed by Goldsmiths & Silversmiths, 112 Regent St, London, early 20th century, the bell with presentation engraving, over pierced frets and a four posted frame, the 12.5cm silvered dial applied with Roman numerals and the retailers name, centred with engraved foliate detail, enclosing the single fusee movement striking on a saucer bell, 34cm high, with key
A brass cased eight day twin fusee lantern form clock, late 19th century, the substantial overhead bell above openwork frets and a four posted frame, with a 17cm silvered dial bearing Roman numerals and enclosing the twin fusee movement, upon ball feet, 45cm high, with pendulum and key Clock runs when wound and the pendulum is released, although this cannot be taken as a guarantee of working condition.
A GROUP OF LATE 19TH/EARLY 20TH CENTURY CERAMICS, comprising a small Japanese hand painted teapot, milk jug, tea cup and saucer, decorated with reeds and flying birds (crazed, hairline cracks to cup), a Sylvac 'Fern' vase, two small reproduction Measham Pottery Barge Ware tea pots 'Home Sweet Home', a large 19th century Japanese Imari pattern charger, scalloped edged with blue design on the reverse, diameter 48cm, a Dora Ware vase hand painted Warwick Castle decoration, signed by A. Simpson, height 20cm (reglued chip to rim), a Smith's Nell Gwynne brass lantern clock, a yellow and blue slip ware tobacco jar, a pair of ribbed port and sherry 'mallet' decanters, a modern table lamp, a Japanese silverplated musical tankard with a blue glass insert (musical mechanism not working), a pair of oval gilt framed continental oil paintings, etc. (Qty) (Condition Report: obvious damage is mentioned in description, the Imari charger has a wire wall hanger)
A brass lantern clock,late 17th/early 18th century, by Henry Burges, the 6.5-inch engraved dial with a narrow Roman chapter ring, the case with pierced frieze and raised on toupie feet, on a wooden bracket,17cm wide14cm deep34cm high (2)Provenance: A private collection, Middleton Hall, Mendham, Suffolk.Henry Burges is recorded as a maker of lantern clocks, late 17th/early 18th century.Condition ReportBracket 23cm wide x 26cm deep x 65cm high.There are scratches and blemishes to the doors and pitting to bell. The pullies have been re-strung. Small dent below bottom of chapter ring. Pitting to brass frame above bell. No key present. The bracket added later. No pendulum present.
A circa 1700 brass lantern clock, the leaf and flower engraved dial below pierced dolphin frets and strapwork bell and finial, Roman brass chapter ring, single steel hand, 30-hour weight driven movement (lacks pendulum), h.38cmNo pendulum or weight.Movement, dial and frame appear all original.Two unexplained holes at back of base and top plates.
Kleine Laternenuhr Frankreich 19. Jahrhundert, french Lantern clock 19th century,Frankreich 19. Jahrhundert, Laternenuhr mit Wecker, Messing auf Holzsockel mit Glasdom, mechanisches Uhrwerk mit Spindelgang, Schlag auf Glocke, geprägtes Zifferblatt mit römischen und arabischen Ziffern, Schlüssel vorhanden, H 21 cm x D 16 cm, Uhr läuft und schlägt jedoch ohne Garantie
JOSEPH WINDMILLS OF LONDON: AN EARLY 18TH CENTURY INLAID WALNUT LONGCASE CLOCK the 28cm square brass dial with spandrels and matted centre, with subsidiary seconds dial and calendar aperture to the eight day two train movement striking on a bell, the case with fine floral marquetry, the hood with three ormolu ball finials and quadruple split turned columns, the trunk with lenticular glass, on plinth support, 235cm highProvenance: The Estate of the late Sir George Dowty (1901-1975, inventor, engineer and businessman) and Lady Marguerite Dowty thence by family descent.Joseph Windmills (c1640-1724)Joseph Windmills was an eminent London watch- and clockmaker who, with his son Thomas, produced outstanding timepieces between 1671 and 1737.Joseph was born around 1640/1650 and his origins are uncertain. In his first years as clockmaker, his workshop was located in St Martin's Le Grand, and his house was in Blow Bladder Street, before moving to Mark Lane End in Tower Street in 1687. In 1699 he was elected as the youngest Warden of the Clockmakers' Company, and sat on committees alongside Thomas Tompion, preceding him as Master of the Company in 1702, as well as alongside Charles Gretton (Master of the Company in 1700). His son Thomas completed his apprenticeship, subsequently working as a journeyman, he later served as Master of the Company, in 1718. The partnership J & T Windmills also took over Thomas Tompion's clock maintenance contract at the Tower of London and at Woolwich and other Crown contracts.Windmills was regarded as one of the finest clockmakers in seventeenth century London, producing a large number of lantern clocks, bracket clocks, longcase clocks and pocket watches. His earliest watch, displayed in the British Museum, was made before 1680 and did not make use of a balance spring. Thomas Tompion's sprung balance transformed the pocket watch from ornamental item into an accurate timepiece. Joseph's last recorded attendance at the Court of the Clockmakers' Company was on 24 October 1723, ending a membership of more than thirty-two years. He died in 1724, having spent fifty-two years at his trade. Thomas then ran the company until his death in 1737. Thomas died childless and thus was the last of the Windmills' male line.

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4372 item(s)/page