We found 4062 price guide item(s) matching your search

A copper coal scuttle, reproduction lantern clock, other metal ornaments

A black forest wall bracket carved as a rams head, a casket modelled with a greyhound and panels with figures, a modern Chinese etched container of bulbous form, a magnifying glass, a papier mache pot, a lantern clock, and a plaster cameo, damage to all pieces

A 19th Century Brass lantern clock with twin train fusee movement, the dial engraved Philip Carter, Huntingdon, height 14 1/2"

A Brass Striking Lantern Clock, four posted movement with verge escapement and outside countwheel striking on a top mounted bell, bob pendulum, 4-1/2 inch Roman numeral chapter ring, engraved dial plate, alarm disc, pierced frets appearing to depict cockerels, lacking alarm work, possibly Continental, part 17th century and later, 31cm high 01.02.13, Case with later parts and some 17th Century parts, in my opinion the later parts are the engraved dial plate, chapter ring, alarm disc, single hand, train wheels and verge escapement, bob pendulum, spurs, and side doors appear later, converted back to verge, lacking alarm work, extra vacant holes in the movement top plate, in my opinion the 17th Century parts are the brass top bell mount holding the bell, possibly the pierced frets and the four posted brass frame. Possibly Continental.

A Brass Striking Lantern Clock, 20th century, with pierced dolphin frets, top mounted bell and side opening doors, 6-inch Roman chapter ring, dial bearing inscription William Gray, London, single hand, two train weight driven movement with countwheel striking on a bell, verge escapement, bob pendulum, 38cm high, with wall bracket and weight 11.12.12, Brass surfaces have tarnished, chapter ring has tarnished and the Roman numerals need re-waxing, movement looks complete but needs cleaning.

A Rare 17th Century Striking Lantern Clock, signed and dated Tho Tue de L`inn Fecit Dece`br ye 5th 1663, (made in King`s Lynn), four posted movement with verge escapement and balance wheel control (re-instated ?), outside countwheel striking on a top mounted bell, pierced galleried frets depicting sea creatures, 6-1/2 inch silvered Roman numeral chapter ring with star-on-a-stalk half hour markers, lacking alarm disc, dial plate centre with engraved scroll decoration and signed and dated, single iron hand, alarm work now lacking, 42cm high, with a later oak wall bracket Thomas Tue (1613-1710) is recorded as working in King`s Lynn. He was one of the first clockmakers to work in Norfolk and by 1646 he purchased his freedom to trade in King`s Lynn in 1662, though he worked there before 1662 as at least three of his clocks are dated before that year (1646, 1649, 1655). He dated most of his clocks conveniently in a visible place on the dial. This clock is illustrated in two books. See Loomes (Brian) Lantern Clocks & Their Makers, pg.247 and Loomes (Brian) Complete British Clocks, pg..22 & 23. 01.02.13, Brass surfaces are faded and look dirty, silvering faded to the chapter ring, top mounted bell has been cracked at some time and has been restored and this can be seen when looking inside the bell, bell support and top finial are later added, movement top plate with five small vacant holes and a small plugged hole next to the balance wheel cock, balance wheel control possibly re-instated and converted back from anchor?, movement now lacking all the alarm work, alarm disc is now missing for the centre of the dial, crown wheel arbor appears to have been replaced, spike pulleys look to have been replaced, bottom movement plate with a crack, iron back sheet is missing, top plate with three small vacant holes to the backside, bottom movement plate backside with two vacant holes, back iron loop is missing, chains/ropes are missing, later weight.

A lantern clock, gilt brass, French late 19th, early 20th Century, engraved brass dial - Roman numerals

Lantern style ticket clock with swing carry handle on oak base

Brass cased lantern style ticket clock with swing carry handle

Kundo four hundred day clock in gilt metal case and a lantern style Kundo four hundred day clock (2)

Victorian brass striking lantern clock with ornate scroll work with cherub detail, two side doors with some burst panels and rear door with silk work panel

Selection of various clocks including an electric brass lantern clock, wind up clocks, eight day clock etc (7)

Bayard eight day carriage clock and a Smiths brass lantern clock (2)

Ferranti electric Bakerlite cased clock and an electric brass lantern clock (2)

A small 17th Century style brass lantern clock, spring barrel movement striking on a bell, on ball feet, 24cm high

An early 20th century carriage clock, mahogany mantle clock, 20th century Anniversary clock and a 1920s lantern clock

A reproduction brass lantern clock and a resin trinket box formed as jockeys on horseback.

A large Victorian eight day striking lantern clock with engraved dial and Paris movement - 38cm - serviced

A 17th century style brass lantern clock, with a lead weight and pendulum

17th Century style brass lantern clock, having dolphin frets, the dial with roman numerals, 23.5cm high

LARGE BRASS LANTERN CLOCK by Winterhalder and Hofmeir, the 6 1/2" roman dial with engraved floral centre, powered by an eight day spring driven movement striking on two bells mounted above, housed in a case with tapered corner columns, side doors, corner finials and floral pierced top frets, raised on ball and peg feet, 15 1/4" (38.7cm) high

Small Vienna style wall clock, a bed warming pan, a brass plate, magic lantern slides etc

An early forged iron domestic Ôgreat chamber clockÕ Unsigned, German/Swiss, mid 16th century The two train movement with forged wheels, lantern pinions and wooden winding barrels with English style sprung clicks to the great wheels, the two-wheel going train with verge escapement regulated by foliot balance complete with cursor weights, the strike train with external fly, nagÕs head lifting and shaped cam for overlift fitted to the arbor of the second wheel driving the countwheel mounted to the rear for the frame (via teeth cut to the inside of the rim) for controlling the hours sounded via linkage to a hammer pivoted within a bearer above, the frame constructed with riveted lap joints, fitted with lower corner braces to right hand side and inverted Y shaped hammer linkage to the left, raised on four splayed feet pierced for securing, the 19 x 15 inch single handed rectangular painted iron dial with circular aperture and gilt starburst to centre within gilt painted Gothic Roman numeral chapter ring and floral painted decoration to spandrels, the lower margin now bearing the later date 1754, the frame 42cm (16.5ins) wide, 48cm (19ins) deep and 59cm (23ins) high, the clock 88cm (34.5ins) high overall. The current lot can be compared to a similar example sold at SothebyÕs New York MASTERPIECES FROM THE TIME MUSEUM, PART FOUR, VOLUME 1 13th October 2004, lot 500, a related but incomplete example was sold in these rooms on 6th September 2011, lot 113, and a third sold 22 February 2011, lot 255. The presence of a dial suggests that the current lot was designed to be installed where it could be seen perhaps high up within the ÔGreat HallÕ of a substantial house. The movement is also perhaps a good example the earliest layout of a striking timepiece to become standardised throughout most of Europe. Indeed the Salisbury Cathedral clock is almost identical in basic layout and specification (albeit on an entirely different scale) with the only significant difference being the fact that overlift for the locking detent in the strike train is achieved using a shaped cam cut with a notch rather than an incomplete hoop fixed to the rim of the second wheel. This difference in method for providing overlift appears to be a regional characteristic with clocks made in central Europe mainly utilising a shaped cam whilst makers in north western Europe preferred to use a hoop.

Eureka electric lantern clock, the 7" brass chapter ring stamped no. 2124, enclosing a skeletonised centre within an engraved brass ring signed Eureka Clock Co. Ltd, London, pat. no. 14614-1906, within a brass lantern case, 17" high

Good 20th century contemporary English brass miniature striking winged verge lantern clock, the 3.5" silvered chapter ring enclosing a foliate engraved centre surmounted by pierced front dolphin frets, with plain pierced frets to the sides, strapwork bell and finial over winged side doors, 10" high with arrowhead pendulum and single brass cased weight

Interesting antique brass lantern clock, the 6.5" brass chapter ring enclosing a foliate engraved centre, with central alarm dial and a single iron hand, surmounted by pierced foliate shield frets, strapwork, bell and finial, 15.5" high

English brass double fusee lantern clock striking on a bell, the 5.75" brass chapter ring enclosing a foliate engraved centre, surmounted by pierced front dolphin fret and plain pierced side frets, strapwork, bell and finial, 14.5" high (winding key and pendulum and parts)

Incomplete brass lantern clock movement, 14.5" high

Reproduction brass lantern clock, 10.5" high; also a Smiths Enfield Bakelite two train mantel clock, 8" high and a black slate and green marble mantel timepiece, 9.25" high (3)

German brass ting tang lantern clock, the movement striking on two bells, the 5" dial surmounted by pierced dolphin frets, strapwork, bell and finial, 14" high

Continental brass lantern clock circa 1890, the alarm striking movement with Arabic markers and rising on turned feet, 14 Continental brass lantern clock circa 1890, the alarm striking movement with Arabic markers and rising on turned feet, 14.5"h x 6"w

An anniversary clock under a glass dome, a Schatz & Sunne 21 jewel eight day mantel clock and a brass lantern style clock by Buren, a reproduction after Bartholomew Newsaw AD1570 - all need some attention

A 20th Century Brass Lantern Clock by Smiths with Seven Jewel Movement, 25.5 cm High.

Eighteenth century lantern clock by William Roper, Hadleigh. Thirty hour weight driven movement and anchor escapement, striking on a top mounted bell, six and a half inch dial with broad silvered chapter ring and brass centre with engraved scrollwork signed Willm Roper, Hadleigh. Replacement pendulum and weight, 33cm overall height. NB: William Roper is recorded as working in Hadleigh 1766-1769. Sold with provenance stating the clock was given to St Margaret's Church, Barnhill Dundee in 1886 CONDITION REPORT General overall condition is good. Movement is clean but we are unable to confirm if it is in full working order. Case is in good condition, left hand top fret has been repaired and top finial has been cut down. Pendulum and weight are replacements

A single fusee lantern clock by the Goldsmiths and Silversmiths Company, London, (a.f.)

A reproduction lantern clock, the dial signed Swinden, Birmingham

Five boxes inc. a canteen of bone handled and silver plated flatware in an oak case, oak hall mirror, pottery wall pocket, modern lantern clock etc

John Michell, Chardstock, an early oak longcase clock the thirty-hour duration movement with five latched pillars, striking the hours on a bell and the half-hours on a small bell, with an outside countwheel, the ten-inch square brass dial having a raised chapter ring engraved with black Roman numerals, fleur-de-lys half-hour markings and signed John Michell, Chardstock fecit either side of VI o’clock, with a matted centre, cast brass cherub head spandrels with floriate engraving between and fine blued steel hands, the later oak case with a swan-neck pediment, turned pillars to the hood and crossbanding to the trunk door and base, height 192cm.* John Michell was babtised in August 1675, being the son of Stephen and Elizabeth. He married Annie Fippen in May 1691 with whom he had a daughter, Ann, who eloped with the local Reverend’s son, Thomas Drayton, in 1727, marrying in Dorchester in September of that year. It is known John Michell made fine and distinctive lantern and longcase clocks. His brother James was also a clockmaker.

A miniature brass lantern clock and a mahogany cased bracket clock

EUREKA CLOCK CO.A 1.5 VOLK ELECTRIC LANTERN STYLE TIMEPIECE, having case with fretted gallery, bi-metallic weighted balance, faced by Roman calibrated chapter, 31cm x 18cm

An early 18th Century brass lantern clock of typical form with domed bell surmount above pierced and engraved fish and lily fret panels, the chapter ring with Roman numerals framing engraved flowers, central alarm dial and inscribed `Sam Townson, London`, flanked by a pair of hinged side panels on turned feet, height approx 22.5cm, together with four weights (faults, alterations and replacements).

An English brass lantern clock, with top finial and engraved chapter ring

A Schatz brass cased torsion clock, 400 day movement, of lantern form, with wall mounted bracket, the clock 21 by 13 by 11cm.

An early 20th century brass cased lantern clock in the 17th century manner

19th century brass lantern style clock,

Brass Lantern Clock, Pair of Spiral Twist Wood Candlesticks, Brown Glass Trinket Set, Victorian Figure in Glass Dome, Three Royal Vista Ware Plates, Glass Paperweight etc

Brass Lantern Clock with Swiss Movement

A brass lantern clock, the domed top with pierced fretwork panels, applied chapter ring and Roman numerals raised on baluster feet, 9cm wide x 22cm high x 9cm deep

A large brass lantern clock, the dome bell top mounted by pointed finial, scrolling fretwork panels, over silvered applied chapter ring, Roman numerals, cherub spandrels flanked by columns raised on turned feet with anchor escapement striking bell, 19cm wide x 38cm high x 19cm deep

A brass lantern clock with circular chapter ring set with Roman numerals, battery operated movement, height 25.5cm.

A 20th Century brass lantern style mantel clock, the French movement with platform escapement, the case of typical form on turned feet, height approx 24cm.

A lantern style clock

Carriage clock, lantern clock, two plated pocket watches, warming pan, alms dish, copper measure, pair of candlesticks and three trays

Shelf of decorative ceramics and ornaments including carriage clock, lantern clock and Worcester Pallisey coffee service

james Webb, Bristol an early 18th century walnut longcase clock the eight-day duration, five pillar movement (fifth pillar missing) striking the hours on a bell with an outside countwheel, the eleven-inch square brass dial having a silvered chapter ring engraved with black Roman numerals, outer Arabic five-minute numerals, meeting-arrowhead half-hour markings and engraved either side of VI o’clock ‘J. Webb, Bristol’, with crown and cherub spandrels to the four corners, a matted centre with ringed winding holes, a subsidiary seconds dial and wheatear border engraving to the date aperture, with blued steel hands, the walnut case with crossbanding to the trunk door with a bulls-eye lenticle, book-matched veneers, panelled sides, a plain base and tapered three-quarter columns to the flat-top hood, with a c-scroll sound fret to the frieze, height 210cm. *James Webb was a member of the well-known Somerset clockmaking family and may well have been the maker recorded originally at Chipping Sodbury being the son of Edward of Chew Stoke where a lantern clock signed by him has been recorded. He is known to have married Martha Farmer on the 10th of October 1717 at St. Stephens Church, Bristol.

Early 20th Century gilt brass lantern clock with a French single train movement

English brass hoop and spike lantern clock, the 6.5" silvered chapter enclosing a foliate engraved centre signed John Calder, Woodbridge, with pierced foliate frets, strapwork bell and finial, 15" high

Interesting antique brass lantern clock, the 7.25" brass chapter ring enclosing a foliate engraved centre signed Peter Amyot, Norwich, with central alarm dial and single iron hand, surmounted by pierced foliate shield frets, strapwork bell and finial, 17" high

Antique brass lantern clock with later fusee movement, the 6.5" brass dial with foliate engraved centre under pierced dolphin and foliate frets, surmounted by strap work bell and finial, 15.75" high

Brass lantern clock, the 6.5" chapter ring enclosing a plain centre signed Thos Moore, Ipswich, with engraved foliate frets strapwork bell and finial, 15" high