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A brass cased Lantern Clock with French movement

20TH CENTURY BRASS LANTERN CLOCK with Roman dial and French Japy Freres cylinder movement, striking on the bell, 30cm high

Fine quality nineteenth century Continental mantel clock with French eight day movement striking on a gong, bearing stamp - Vincenti & Cie 1855 Medaille d'argent, decorative gilt metal dial with separate white enamel Arabic numerals, in a heavy gilt metal case of stylised lantern form, with dolphin and coronet front panel and glass side panels and four turned finials surmounted by a white metal pseudo bell, with gilt metal straps and central carrying handle, standing on four leaf and scroll paw feet, key and pendulum present, 39.5cm overall height

A lantern clock of Old English form, the dial commemorating the Coronation of George VI 1937, with electric movement

Three clocks including a lantern clock

A Victorian 17th century style twin fusee brass lantern clock, the 6 1/2 inch dial with ring of Roman numerals under a scrolling leaf carved pediment and exposed bell with four strap supports and central urn finial, the eight day twin fusee movement striking the hours and half hours, 38cm high

A reproduction brass lantern clock, in 17thC style, with a turned finial and pierced cresting, the dial with Roman numerals and engraved centre, on bun feet, 40cm high

Early horology, records of makers and related - twenty volumes:, Evans, Jeremy THOMAS TOMPION at the Dial and Three Crowns The Antiquarian Horological Society, Ticehurst 2006, dj; Symmonds, R.W. THOMAS TOMPION his life and work Spring Books, London 1969, dj; Neale, J.A. Joseph and Thomas Windmills clock and Watch Makers 1671-1737 The Antiquarian Horological Society, Ticehurst 1999, dj; Hana, W.F.J. English Lantern Clocks Blandford Press, Blandford 1979, dj; Edwards, Ernest L. The Grandfather Clock John Sherratt and Son, Altrincham 1952; Edwards, Ernest L. WEIGHT-DRIVEN DUTCH CLOCKS & THEIR JAPANESE CONNECTIONS Mayfield Books, Ashbourne 1996, dj; Barder, Richard C.R. ENGLISH COUNTRY GRANDFATHER CLOCKS Bracken Books, London 1983, dj; Clutton, C., Baillie, G.H. and Ilbert, C.A. BRITTEN’S OLD CLOCKS AND WATCHES AND THEIR MAKERS eighth edition, Eyre Methuen, London 1973; Britten, F.J. Former Clock & Watchmakers and their Work first edition, E. and F.N. Spon, London 1894; Baillie, G.H. WATCHMAKERS & CLOCKMAKERS OF THE WORLD N.A.G. Press Limited, London 1972, dj; Loomes, Brian Watchmakers & Clockmakers of the World Volume 2 N.A.G. Press, Suffolk 1984; Britten, F.J. Old Clocks & Watches AND THEIR MAKERS S.R. Publishers Limited, Wakefield, 1971, dj; Moore, Dennis BRITISH CLOCKMAKERS & WATCHMAKERS APPRENTICE RECORDS 1710-1810 Mayfield Books, Ashbourne 2003; Baillie, G.H. CLOCKS & WATCHES An Historical Bibliography, N.A.G. Press Limited, London 1951, dj; Jagger, Cedric ROYAL CLOCKS Robert Hale, London 1973, softbound; Turner, A.J. The Clockwork of the Heavens exhibition catalogue, Asprey and Company, London 1973, softbound; Beeson, C.F.C. PERPIGNAN 1356 The Making of a Clock and Bell for the King’s Castle The Antiquarian Horological Society, Ramsgate 1982, dj; Wright, Lawrence CLOCKWORK MAN Elek Books Limited, London 1968, dj; Landes, David S. REVOLUTION IN TIME The Belknap Press of Harvard University, Cambridge MA and London 1983, dj, (20)

A French novelty brass and copper combination timepiece, aneroid barometer, thermometer and compass in the form of a lantern, Unsigned, late 19th century, The small circular eight-day single train movement with replaced platform lever escapement and circular silvered Roman numeral dial with recessed gilt centre, blued steel hands and regulation lever at twelve o’clock set behind a bevel glazed hinged cast brass bezel, the cylindrical copper case fitted with opposing conforming aneroid barometer calibrated in barometric inches and with the usual observations and curved Fahrenheit scale mercury thermometer between brass baton uprights capped with knop finials, the top applied with small cylindrical glazed upstand enclosing compass beneath conical cover and ring handle, the base with stretcher modelled as a faux oil reservoir set between the baton uprights fitted with bun feet, 24cm (9.4ins) high excluding handle

An Italian brass chamber clock, Lorenzo Riviera, late 17th century, The two train weight-driven posted countwheel bell striking movement configured with verge escapement mounted above the top plate and short bob pendulum swinging to the rear, the countwheel cut for Italian six hour striking with each count cut twice in order for the previous hour to be automatically repeated when activated by a second lifting pin positioned soon after the first, the frame with square brass plates united by slender square section column uprights with moulded caps and bases with unusual herringbone engraved and lozenge faceted strike detent arbors pivoted between, the front with rectangular single-sheet brass dial engraved with 4.25 inch Roman numeral chapter ring with quarter divisions to inner track and stylised foliate engraved half hour markers, the centre decorated with a romantic mountain landscape, the upper and lower margins engraved with fine symmetrical foliate scroll strapwork centred with a grotesque mask to top and rococo scroll bordered cartouche signed LORENZO, RIVIERA, FECE at the base, the exterior with domed bell and generous ovoid vase finials above open sides and rear, on turned bun feet, (one finial, hand, escapement and elements of movement lacking, no pendulum or weights), 30cm (11.75ins) high. The current lot appears to be a fairly typical example of an Italian ‘lantern’ clock dating to the end of the 17th century. The movement is particularly well finished with highly decorative collets and engraved steel strike detent arbors pivoted between the frame posts. The dial is finely engraved with the foliate strapwork being very similar to that found on the backplates of English table clocks of the period. Despite such sophistication in the decorative detail, the movement possesses many relatively ‘archaic’ features - most notably the hand arbor being fixed securely to the hour wheel, and strike lifting via a nag’s head engaging with pairs of pins fitted to the going train greatwheel. These details are more typical of 16th century Gothic practice (and require the trains to be ‘run through’ to set the time and synchronise the strike) than 17th century Renaissance work, as strike activation had already been greatly improved by the introduction of a starwheel for lifting fitted (along with the hand) via a friction clutch to the hour wheel behind the dial. This refinement allowed the time to be set and adjustment of strike lifting without having to ‘run through’ the going train, and had been a standard feature on English lantern clocks since the beginning of the 17th century.

A George II oak thirty-hour longcase clock, Henry Deykin, Worcester, mid 18th century, The single handed plated countwheel bell striking movement with 10 inch square brass dial boldly signed Hen’r Deykin, WORCESTER n.1311 to centre and with fine pierced blued steel hand within applied silvered Roman numeral chapter ring with lozenge half hour markers and female mask and scroll cast spandrels to angles, in a case with small shaped crest to the canted caddy upstand above ogee cornice, plain frieze and slender three quarter columns to hood door, the trunk with rectangular door, on plain plinth base with canted skirt, 211cm (83ins) high. Henry Deykin is recorded in Loomes, Brian LANTERN CLOCKS & Their Makers as born in Worcester around 1715 and apprenticed to his father, Thomas, gaining his freedom in 1736. He succeeded his father in 1777 moving the business from Broad Street to Lich Street before dying in 1779 leaving his business to former workman, William Rouse. Loomes notes a miniature hooded wall timepiece by Deykin signed and numbered ‘891’ to a boss applied to the arch of the dial.

An important Charles II architectural key-wound thirty-hour hooded wall clock, Jonathan Chambers, Shefford, circa 1670, The substantial four finned pillar single-handed movement latched at the front and originally pinned to the rear with thick plates measuring 7.5 by 5.75 inches incorporating integral cast extensions for the strike detents to left hand side and with rounded-arch shaped lower edge, the going train regulated by verge escapement and short bob pendulum with unusual angled escapewheel and arbor to allow offset positioning of the contrate wheel, the backplate fitted with hour wheel on an arbor passing through the movement to the dial, the strike train with outside countwheel and hammer pivot arbor positioned to the centre of the movement fitted with hammer at the front for striking on the inside edge of a vertical bell mounted above the plates, the 9.75 inch square brass dial centred with an engraved five-petal rose motif above drapery lambrequin signed Jonathan Chambers, Fecit to lower margin within applied 1 inch wide silvered Roman numeral chapter ring with stylised fleur-de-lys half hour markers, with fine generous pierced steel hand and spandrel areas engraved with unusual symmetrical decoration incorporating a dog rose over pomegranate and other fruit, in a wall mounted pedimented case veneered in a padouk-like timber with fine architecturally correct ebonised mouldings, the rising hood with applied gilt brass cherub mount to tympanum above raised mouldings to the glazed dial aperture and rectangular side windows, the backboard fitted with latch to hold the hood in raised position above horizontal table applied with a pair of tall blocks to support the movement, the underside with ebonised shaped apron flanked by conforming side brackets with a short rectangular veneered back panel behind, (case probably later) 58.5cm (28ins) high. Provenance: From the estate of an esteemed antiquarian horologist, sold at Sotheby’s, Bond Street, London, 22nd October 1987 (lot 197) subsequently purchased by the vendor from Asprey, London. Jonathan Chambers is recorded in Loomes, Brian LANTERN CLOCKS and Their Makers as a clockmaker, yeoman and blacksmith who was working in Shefford, Bedfordshire by around 1665. As a recusant Quaker he was prosecuted for not attending church from 1669 onwards. Chambers died in 1693 leaving his widow Alice to marry fellow clockmaker, Thomas Palmer, the following year. Only two other clocks by Jonathan Chambers appear to be recorded; a lantern clock illustrated in Hana, W.F.J. English Lantern Clocks on page 75 (Plate 29) and a walnut longcase clock sold at Christie’s, King Street, London, 16th December 1987. The current lot is well documented featuring in both Darken, Jeff and Hooper, John English 30 Hour Clocks, Origin & Development, 1600-1800 pages 43-7 and Darken, Jeff (editor) TIME & PLACE, English Country Clocks 1600-1840 as exhibit 3 pages 22-5 (where the movement is extensively illustrated). As already noted the movement is of substantial proportions and is very well made with finely finished steelwork. An unusual feature is the way in which the lifting arms, detents, hour hammer and hand are mounted onto their squared arbors - they are all secured via a pin through a hole drilled to the edge of the boss of the arm/lever rather than being held by a pin across the face of the boss (ie passing through an extended section of the squared arbor). The reason why the maker went to the additional trouble of incorporating this detail throughout is unknown but it does suggest that he was endeavouring to produce a movement of the highest quality. The engraving to the spandrel areas of the dial is particularly interesting as it is clearly by the same hand responsible for very similar decoration seen on series of dials by leading makers such as Edward East, Joseph Knibb and Henry Jones all dating to the 1660’s or very early 1670’s. This series includes an eight-day longcase clock signed by Joseph Knibb of Oxford (which dates to around 1665 and also has rose engraved decoration to centre) which was sold in these rooms on Tuesday 11th March 2014 (lot 143 for £240,000). The presence of this decoration to the dial suggests that it was sent to London to be engraved, this would imply that Chambers had connections with the London clock trade (a possibility that is perhaps reinforced by bequests in his Will being made to two London clockmakers, John Harry and John Westoby). The engraving also provides very strong dating evidence for the clock placing its date of manufacture close to 1670 - making it one of the earliest thirty-hour longcase clock type movements to have survived. It is perhaps appropriate to finally note that Shefford is only three miles south of Edward East’s birthplace at Southill and six miles south of Ickwell Green, the birthplace of Thomas Tompion. Although there is no known connection between Jonathan Chambers and East or Tompion evidence in the dial and movement of the current lot would certainly suggest an awareness of the inventive approach and high standards of such makers as well as, in the case of Edward East, the shared use of an engraver.

A fine and rare Charles II brass lantern clock of impressive large proportions, Thomas Knifton, London, circa 1665, The posted countwheel bell striking movement with remote hour hammer pivoted between lugs riveted to the upper surface of the gallery top plate above verge escapement set within the gallery and short bob pendulum now swinging within the frame of the case at the rear, the dial signed Thomas Knifton at the (crossed keys) in Lothbury, London towards the upper margin of the dial centre and with engraved stylised flowering tulip scrolling infill beneath, the centre with alarm disc and distinctive sculpted iron ‘arrowhead’ hand within applied 7.25 inch circular silvered Roman numeral chapter ring with stylised fleur-de-lys half hour markers and leafy infill to spandrel areas, the large ‘Lothbury’ type frame with column-turned corner posts beneath open-work gallery and foliate pierced and engraved frets set between multi-knop vase-shaped finials with domed bell bearer incorporating decorative pierced lobes and fitted with further central finial above, the sides with brass doors, the rear with iron hanging hoop and short spurs, on turned ball feet, 50cm (19.75ins) high. Provenance: From the estate of an esteemed antiquarian horologist, purchased at Sotheby’s, Bond Street, London, 11th June 1998 (lot 343). Thomas Knifton is recorded in Loomes, Brian LANTERN CLOCKS and Their Makers as born in Nottingham 1614 and apprenticed to William Sellwood in 1632 gaining his freedom of the Clockmakers’ Company in 1640. He worked at the Cross Keys, Lothbury in St. Margarets Parish and at one time at the Draper’s Arms. He died in January 1667 in the parish of St. Botolph’s, Bishopsgate from a sudden illness. He was a prolific maker of lantern clocks who was probably succeeded by John Ebsworth who invariably signed his early clocks with the same ‘crossed keys’ device. The current lot was clearly made to impress with the frame being of particularly large proportions. The incorporation of a pierced gallery above the movement top plate is perhaps first seen on a clock originally made with balance wheel (probably dating to the 1640’s) by David Bouquet illustrated in White, George, English Lantern Clocks on page 110 (Figure II/141). Bouquet was a French Huguenot immigrant whose clocks tended to exhibit strong a Continental influence. For balance wheel clocks the gallery naturally provides a convenient enclosed space for the balance to oscillate. Relatively few lantern clocks with true enclosed galleries appear to have been made, however during the 1640’s a pattern of fret was developed which incorporated a pierced gallery to the lower edge in order to give a similar visual impression, this type of fret was often used by Knifton. The scale of the frame is impressive and of a size normally reserved for quarter chiming clocks with the additional space being necessary for the third train. The gallery also provides an additional platform onto which the hour and quarter hammers can be fitted without conflicting with the balance wheel. The development and relative standardisation of this type of chiming lantern clock (contained within a frame of large proportions incorporating a gallery for the balance wheel) is principally associated by George White (English Lantern Clocks page 155) to the workshop of Peter Closon during the 1640/50’s, although other examples are known by various makers including Knifton, Henry Child and Ahasuerus Fromanteel. Technical developments, which included invention of the pendulum in 1658, resulted in a gradual overhaul of lantern clock design during the early 1660’s, with balance wheel escapements being superseded by verge escapements and short bob pendulums and trains wound via Huygen’s endless rope system (rather than by separate lines and weights) which required the striking trains to be ‘reversed’. The provision of a short pendulum required some inventive thinking with regards to the positioning of the alarm mechanism which had traditionally been planted to the rear of the frame on balance wheel clocks. One solution was to place the pendulum within the frame - either between the trains (thus creating the ‘winged’ lantern clock) or at the rear tucked-in behind the countwheel. The other method was to move the alarm inside the frame (a system popular with West Country makers) thus allowing the pendulum to be fitted to the rear of the clock. The current lot was originally made with alarm set within the frame at the rear to allow the pendulum to oscillate unhindered to the exterior. At some point the alarm has been removed and the pendulum moved so that it swings within the area originally occupied by the alarm mechanism. This relatively minor modification allows the clock to hang much closer to the wall. As Thomas Knifton died in 1667 the current lot would have been amongst one of the first lantern clocks made with verge escapement regulated by short bob pendulum. A similar large lantern clock with gallery and short bob pendulum by Ahasuerus Fromanteel is illustrated and described as ‘an important early pendulum clock’ in White, George English Lantern Clocks on page 189 (Figures IV/59-61). The deeply hatched engraving to the dial centre of the current lot is noteworthy as is the unusual ‘arrowhead’ iron hand, both of these features are indicative of Knifton’s bold approach to detail and also arguably date the clock to the first few years of the 1660’s on stylistic grounds

A William III lantern clock, Joseph Foster, London, circa 1695, The posted countwheel bell striking movement with verge escapement and pendulum swinging within the frame of the clock between the trains, the dial signed Jos: Foster in Exchange Alley towards the upper margin of the centre over engraved flowering tulip scrolling infill beneath, with pierced iron hand and applied silvered Roman numeral chapter ring within stylised leaf engraved angles, the standard third period ‘Lothbury’ type frame with column-turned corner posts beneath foliate engraved and pierced frets, vase turned finials and domed bell bearer, the sides with brass doors incorporating ‘winged’ projections capped with further leafy frets, the rear with spurs to the iron backplate beneath iron hanging hoop secured with screws to the top plate, on tuned ball feet, 39cm (15.5ins high). Joseph Foster is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as apprenticed in 1684, gaining his freedom of the Clockmakers’ Company in 1691 and working from Exchange Alley, London until 1707.

A brass second period lantern clock, Unsigned, mid 17th century, The posted countwheel bell striking movement now with anchor escapement to the reversed going train, the dial with unusual tight concentric ring engraved centre and long-tailed iron hand within applied Roman numeral chapter ring with tied-asterisk half hour markers and deep inner quarter-hour track with the first of each quarter division hatched, the frame of second period ‘Lothbury’ type with column-turned corner posts beneath original early pattern shield and foliate scroll pierced frets with the front incorporating engraved initials WD between vase finials supporting a domed bell bearer above, on turned ball feet, 38cm (15ins) high. The dial of the current lot is unusual, in particular the chapter ring which has early style tied-asterisk half hour markers and a relatively deep inner quarter-hour track with the first division after each hour hatched - the reason for this is unknown. The chapter ring also has a noticeable inner-border which again is unusual, however, when this detail is considered alongside the plain dial centre then it is probably appropriate to speculate that the centre may have originally been applied with a pierced cast brass ‘rosette’ - similar to those seen on two lantern clocks illustrated in White, George English Lantern Clocks on pages 140-1 (Figures III/31 and 32). It is likely that such a cast brass rosette was supplied as a raw casting of relatively fixed diameter, hence the inner border to the chapter ring would need to be of appropriate internal diameter to ensure that the rosette ‘filled’ the space. A group of small filled holes to the dial plate near the inner edge of the chapter ring provides further strong evidence of an applied rosette, the concentric ring decoration was probably executed after a rosette was removed (early in the clock’s life) in order to conceal the filled fixings and to decorate the now unadorned dial centre.

A James II/William and Mary lantern clock with alarm, Joseph Windmills, London, circa 1685-90, The posted countwheel bell striking movement with verge escapement and pendulum swinging within the frame of the clock between the trains, the dial signed J: Windmills, London towards the upper margin of the dial centre and with engraved flowering tulip scrolling infill beneath, the centre with alarm disc and pierced iron hand within applied silvered Roman numeral chapter ring and stylised leaf engraved angles, the standard third period ‘Lothbury’ type frame with column-turned corner posts beneath foliate engraved and pierced frets, vase turned finials and domed bell bearer, the sides now with brass doors incorporating ‘winged’ projections capped with further leafy frets, the rear with external alarm mechanism fitted along with spurs to the iron backplate beneath iron hanging hoop riveted to the top plate, on turned ball feet, (with restoration/ rebuilding) 38cm (15ins high). The life and work of Joseph Windmills and his successors is comprehensively documented in Neale, A.J. Joseph and Thomas Windmills Clock and Watch Makers 1671-1737. Joseph joined the Clockmakers’ Company as a free Brother in 1671 - the same year that Joseph Knibb, Thomas Tompion and Daniel Quare also gained their freedom of the Company. He initially worked from Blow Bladder Street in St. Martins le Grand, London before moving to premises at Swan Court, Mark lane End, next Tower Street by April 1674 where the business remained. Joseph took his son, Thomas, as an apprentice who, after gaining his freedom in 1696, is thought to worked with his father; by 1700 the business had become a partnership between father and son which lasted until Joseph’s death in 1724.

A brass lantern clock, the 6½" dial with Roman numerals and single pointer, signed Thos Moore/Ipswich, no. 10666, with hook and spike back. 37cm

An Old English style lantern clock with eight day timepiece, the case of traditional form, together with two brass chambersticks, a brush and shovel

A Brass lantern clock marked Thos Russell & Son, Liverpool with Astral Coventry movement

A 19th Century double weight driven lantern clock movement

A CHARLES I TYPE 30-HOUR STRIKING BRASS LANTERN CLOCK late 17th century, having a doomed bell top with strap supports pierced foliate gallery (marked William Almond in Lothbury, London) and circular chapter ring with Roman hours framing foliate engraved decoration, with weight , pendulum and later bracket. 32cm(h) Some later and associated parts, viewing advised

A walnut cased `Elliott` clock, together with a Smith`s `Lantern` type clock

Collection of Clock Books: To include American Clocks-Tyler, The Bracket Clock-Roberts, Clocks-Arthur Negus, English Lantern Clocks-Hana, Pocket watch Handbook-Cutmore, Watchmakers & Clockmakers of the World Vol 1and 2-Baillie, Antique British Clocks-Loomes, British Clocks and Clockmakers-Ullyett, Repairing Antique Clocks-Smith, Watch & Clock Encyclopaedia-De Carle’s (1 box)

1950's vintage/retro Swiza 8 day travelling alarm clock in the form of a ship's lantern 15cm

Brass lantern clock

ENGLISH BRASS LANTERN CLOCK IN 17TH CENTURY STYLE, EARLY 20TH CENTURY

A brass wax jack, in the form of a lantern clock with a pierced dial with mythical beast and rosette handles and a detachable go-to-bed, 24cm high, 15cm wide, 22.5cm deep.

A GOOD LATE 17TH CENTURY BRASS LANTERN CLOCK by JOHN HUGGIN-ASHWELL THORP striking on a bell. 11ins high overall.

A CARVED OAK WALL MOUNTED ANEROID BAROMETER, a reproduction brass lantern clock by Smith`s Industries and one other reproduction enamel mantel clock (3)

A 17th century English lantern Clock by William Frierson of Derby, having a two train thirty hour posted frame movement driven by a single weight on an endless rope, the dial with silvered chapter ring and single hour hand, the surmounting bell bearing name William Frierson Derby fecit

A Charming 18th Century Friesland Hanging Lantern Clock, decoratively painted with scenic panels and flowers, with a pierced and gilded scrolling pediment, 12 ins (30 cms) in height.

A 18th Century Brass Lantern Clock with eight day movement. The 9 inch (23 cm) dial with an inscribed roundel in the arch signed Francis Goodo London (watchmaker circa 1705) flanked by decorative mounts and having scrolling spandrels adorning the corners.

A 19th century brass lantern clock, 26cm high

Early 20th Century carved oak mantel clock, of architectural form, having single glazed door enclosing brass plated dial applied with silvered chapter ring, with black arabic numerals, bordered by a minute track, twin train movement, 39cm high, together with, Edwardian mahogany and boxwood inlaid mantel clock, of lancet form, with circular roman dial, 21.5cm high, and a 17th Century style brass lantern clock, 28.5cm high, (3)

E + E Emanuel, Portsea stained wooden mantel clock and two 20th Century lantern clocks. (3)

A Vienna type striking wall clock, a chiming mantel clock, two mantel timepieces, reproduction Lantern timepiece and an anniversary mantel timepiece (6)

A Smiths small lantern clock and a `Coral` small brass mantel clock

A reproduction brass lantern clock, a silver plated tureen, and a bag of counters

AN ENGLISH 18TH CENTURY AND LATER BRASS STRIKING LANTERN CLOCK, the case of typical outline, pierced frets, turned brass finials, 6 1/2-inch chapter ring, the movement with anchor escapement and countwheel striking on a top mounted bell, weight and pendulum, H 36.5 cm

Victorian writing box, Anniversary clock under dome, various pictures, hall lantern, records etc

English brass lantern wall clock, the 8" foliate engraved brass arched dial signed Thomas Hall, Maidstone, no. 34 on a silvered boss to the arch, over a silvered chapter ring enclosing a matted centre, 11" high

Good English brass verge alarm lantern clock, the 18" arched dial signed George Clarke, Hall Street, London on a silvered disc to the arch over a silvered chapter ring enclosing a matted centre with alarm disc, surmounted by pierced foliate side frets, strapwork bell and finial, 15" high (a.f) (one large and two small weights, pulley rope and pulley)

Early English brass lantern clock with later double fusee movement, signed on the back plate Peake, 142 (from 118) Wardour St, London.W., no. 8592, the 6.5" chapter ring enclosing a foliate engraved centre surmounted by pierced foliate frets, strapwork bell and finial, 16" high (pendulum)

Small lantern clock timepiece, two mantel clock cases in need of restoration and seven various clock parts etc

Large quantity of various sized clock spandrels, five square longcase clock door glasses, mercury pendulum glass reservoir, large lantern clock bell and a small quantity of other clock fittings

Small brass lantern clock timepiece, with platform escapement movement stamped L.R no. 1291, the 3" brass dial with Roman cartouche enamel numerals within a pierced ornate surround surmounted by a cockerel finial, 6.5" high

RAILWAYANA. A VERITAS LAMP WORKS BLACK PAINTED LMS RAILWAYMAN`S SIGNALING HAND LANTERN, WITH OVAL EMBOSSED LABEL OF RIPPINGILLES, BIRMINGHAM DATED 1944, A BRITISH RAIL TINPLATE SIDE LAMP AND AN OLDHAM PATENT ALLOY ELECTRIC MINER`S LAMP BY OLDHAM & SON MANCHESTER MARKED RD576548, AN ANSONIA STAINED WOOD ARCHITECTURAL STYLE MANTEL CLOCK AND AN OAK WALL CLOCK

A small 18th century lantern clock by Thomas Church of Norwich with a 4 3/4 inch (12 cm approx) arched brass dial with applied chapter ring and spandrels, verge movement, single hand pointer and striking on a bell

An early 18th century brass lantern clock, the 7 inch square dial signed 'Stepp. Levitt, Chelmsford, No. 107' to the chapter ring, single iron hand, anchor escapement, apparently original. (See illustration)

A brass lantern clock, H 26cm

A George V Royal Worcester blush ground miniature tankard, an English tin glaze jug dated 1908, and a Smiths brass lantern clock

Selection of Books on Grandfather Clocks and Others: To include Price Guide to Collectable Clocks Alan & Rita Shenton, The Grandfather Clocks E L Edwards, Country Life International Dictionary of Clocks Alan Smith, Clock design and Construction Laurie Penman, The Eureka Clock Alan Shenton, Horoloval Clock repair Guide Charles Terwilliger, How to Make a Simple Battery Driven Clock John Wilding, Automatic Winding for 30 Hour Longcase Clock John Wilding, English Lantern Clocks W.E.J. Hana, Old Clocks & Watches and Their Makers F J Britten, Britten’s Watch & Clock Makers Handbook (11)

A PART VICTORIAN BRASS LANTERN CLOCK having English dial type period brass mechanism with twin chain fusee turned pillars anchor escapement, and bell strike housed in a later 17th century style gilded brass case with fretted decoration, active top be ll and key, 39cm high

A 19th Century brass lantern clock Roman numerated chapter ring, with brass bottle weights and pendulum, 30 hour movement with anchor escapement

An early to mid 20th Century brass lantern clock, Roman numerated chapter ring

A reproduction brass lantern clock, Roman numerated chapter ring

A reproduction brass lantern clock, Roman numerated chapter ring

A large unsorted collection of miscellaneous clocks including lantern clock with electric movement, three cuckoo clocks, further mantle clock, 19th century gilt brass mantle clock, etc

A PAIR OF GILTMETAL FIGURAL TABLE LAMPS, AN ANTIQUE STYLE ORNAMENTAL IRON WAS JACK, A REPRODUCTION GILTMETAL CLOCK IN LOUIS XV STYLE, A REPRODUCTION BRASS LANTERN CLOCK, A WALKING CANE ETC

A fusee skeleton style clock, housed in a lantern case, 19cm high