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A LATE 19TH CENTURY DOUBLE FUSEE BRASS LANTERN CLOCK OF 17TH CENTURY DESIGN the Roman chapter ring with quarter hour markings and engraved centre enclosing a tudor rose fronting an eight-day double fusee chain driven movement with anchor escapement and strike on a raised strapped bell, fitted with hinged side doors.38cm high

THOMAS HARRIS, DEDINGTON. A GEORGE II 30-HOUR LONGCASE CLOCK the oak case with dentil moulded pediment above a glazed door flanked by turned pillars on a slender trunk on box base. The 11" square brass dial with masked pierced spandrels and Roman chapter ring surrounding a zigzag engraved centre fronting an weight driven steel posted lantern style movement striking the hours on a bell200cm high

A 19TH CENTURY LANTERN CLOCK OF 17TH CENTURY DESIGN with single fusee timepiece movement having passing hourly strike on an anchor escapement.38cm high

RICHARD GREENHILL, CANTERBURY FECIT. A 17TH CENTURY LANTERN CLOCK WITH LATER MOVEMENT the posted frame with side doors, engraved floral fretwork crestings above an arcaded gallery and strapped bell surmounted by a large final, the dial with Roman chapter ring and quarter hour markings enclosing a signed tulip engraved centre fronting a later spring driven eight-day movement chiming the quarters the large bell above and a smaller bell mounted on the backplate 40cm high

19th century brass lantern clock, dial signed George Harris in Fritwell, with two train fusee movement, 38cm high

A reproduction brass lantern clock, the 6.5in dial inscribed 'Thos Moore, Ipswich', 36cm high, with weight and pendulum.

18th century French one-hand lantern clock with striking mechanism of two hammers on bell + anchor escapement. Fouguet Jr. A. Nancy. With enamel cartouches. Dimensions: 40 x 19 x 19 cm. In good condition.

Peter Amyot, Norwich a Victorian lantern mantel clock the eight-day duration, double-fusee movement striking the hours on a bell and the ting-tang quarters on two gongs situated within the bell strap, the dial having a raised chapter ring engraved with black Roman numerals and fleur-de-lys half hour markings, the centre engraved with tulip decoration and signed Peter Amyot, Norwich, with blued steel hands, the case of typical lantern clock form with engraved frets, turned brass finials and feet, height 40cm.

An early 20th century Smiths brass lantern mantel clock. Having a bell / dome top with finial decoration to corner. Roman numeral chapter ring with circular feet. Small proportion with Smiths stamped in interior. Measures approx. 17cm tall. 

An old English style lantern clock in brass with eight day timepiece

A reproduction lantern clock

A Sorrento Ware musical jewellery box, and another, a Bohemian glass vase, mantel clock, copper lantern etc (boxful)

A Mid 20th Century Brass Lantern Clock with Battery Movement, Untested, 18cms High

A Eureka electric lantern clock, the 18cm chapter ring stamped no 2217, signed Eureka clock co ltd London, pat no 14614-1906 in a brass lantern case, 43cm high condition: some scratching to case commensurate with age and use

A brass lantern clock in the 17th century style, various wall and mantel clocks etc (one box)

A reproduction lantern clock.

An 18th Century lantern clock case by John Calver of Woodbridge, the signed brass dial with Roman numerals, now containing a quartz movement, 16cm wide, 37cm high

AN OAK CASED MANTLE CLOCK TOGETHER WITH A SMALL BRASS LANTERN CLOCK (2)

A 19th century lantern clock for the Turkish marketarched signed indistinctly Mark... Markh..., Londonthe strapped bell surmounted by a turned finial, above four similar finials and engraved floral frets, a hoop to the back, the brass side doors with crescent moon engraving and wavy border, the slim tapered columns terminating in ball feet, the back two with turned wall spikes, the arched brass dial plate, the brass floral scroll spandrels framing the silvered Turkish chapter ring, the matted centre with pierced, blued steel hands, the weight driven movement with knife-edge verge escapement and countwheel striking, with turned bob, the chain with lead ring and wood pulley, with brass cased weight, 27cms highThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

A late 19th century brass Lantern clockin the 17th century style, the dial signed J*H Daniel: Hankin s Fecitthe typical case with plain slender columns to the corners with turned urn finials, the front and sides with applied pierced crestings, the front with engraved dolphin decoration, the whole surmounted with a strapped bell with corresponding urn finial, the 6' silvered chapter ring with Roman numerals, the centre with engraved flowers and leaves and pierced steel hands, on ball feet, the brass twin train movement with anchor escapement, key and pendulum, 38cm highFor further information on this lot please visit Bonhams.com

An early 20thC Camerer Cuss and Company brass cased lantern clock, rectangular engraved dial decorated with flowers and scrolling leaves, chapter ring bearing Roman numerals, eight day twin fusee movement with bell strike, the case of typical lantern form, with pendulum and key, 39cm high.

A 17th century style brass lantern clock, the scroll-engraved gilt dial inscribed “Wilson & Gill, 139, Regent St”, French movement striking on a crowned bell, 24cm high.

LANTERN CLOCK. A reproduction lantern clock with 8-day movement, with key. Height 25cm.  All clocks in this auction are previously owned & are offered on behalf of private vendors. We cannot guarantee that any clock is in continuous working order or may not require attention. If detail on condition is required on any lot(s).  PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.

SWIZA GILDED BRASS CASED ALARM LANTERN CLOCK, silvered chapter ring with Arabic numerals, 8-day movement striking on a bell, 27cms H

Brass lantern clock after an antique model on a wooden plate with a decoration of life and death, 55 cm high

After an antique model English lantern clock on an oak chair (must be checked)

Brass lantern clock, 20th century, 26 cm high, 10x10 cm

A quantity of collectables, containing a Smiths lantern mantel clock, lidded glass sweet jar, pair of turned candlesticks and carved wooden grotesque mask. Small chips to the back of the biscuit barrel.

A collection of 16 various clocks plus parts, with one by the Colonial Clock Co., one by Europa, a miniature brass lantern clock (electric) and others, plus a range of parts, keys etc.

A SMITHS NELL GWYNNE BRASS CASED ELECTRIC LANTERN CLOCK, together with two Art Deco glass dressing table clocks (3)

AN 18TH CENTURY BRASS LANTERN CLOCK with bell hood and fusee movement. 14ins high with chain, weight and pendulum.

A CHARLES II BRASS LANTERN CLOCK WITH CENTRE-SWINGING PENDULUMJOHN EBSWORTH, LONDON, CIRCA 1670The posted countwheel bell-striking movement with separately wound trains and verge escapement regulated by short bob pendulum with anchor-shaped flukes positioned at the centre between the trains, the dial with central rose decorated Arabic numeral alarm disc enveloped by stylised leafy tulip sprays issuing from a three-petal flowerhead positioned just above six o'clock and with signature John Ebsworth at y'e (crossed keys motif) Lothbury Londini fecit to upper margin, with iron hand within applied narrow 6.25 inch Roman numeral chapter ring with stylised wheatear half hour markers and engraved leafy infill to angles, the standard London third period frame with column turned corner posts beneath dolphin inhabited foliate pierced frets, vase turned finials and domed bell bearer, the sides now with hinged brass doors applied with sector-shaped box projections and the rear with iron backplate fitted with external alarm mechanism, hanging hoop and spurs (escapement and alarm mechanism reinstated, no weight present).39.5cm (15.5ins approx.) high.26.5cm (10.5ins) wide including wings, 20cm (8ins) deep including spurs. John Ebsworth is recorded in Loomes, Brian, LANTERN CLOCKS & Their Makers as apprenticed in 1657 to Richard Ames and gaining his freedom of the Clockmakers' Company in 1665. He is believed to have succeeded Thomas Knifton at the Cross Keys in Lothbury but later worked at 'New Cheap Side'. He served as Assistant to the court of the Clockmakers' Company in 1682, Warden in 1694 and was appointed Master in 1697. Ebsworth died in 1699 appointing Edward Stanton to oversee his Will. John Ebsworth was clearly heavily influenced by his master, Richard Ames, who was possibly the first to embrace the introduction of the verge escapement with short bob pendulum by placing the pendulum between the trains (this layout allowed the alarm mechanism to be retained at the rear of the clock). Ebsworth also adopted this system for his pendulum lantern clocks however it seems that he continued to make balance wheel regulated clocks alongside them. This was probably due to the fact that pendulum clocks were more expensive (due to the amount of additional work to build a clock with centre swinging pendulum) hence balance wheel clocks were perhaps marketed as a less expensive model whose timekeeping was probably more than adequate for most.  The current lot is a textbook example of Ebsworth's work and typifies London third period practice using frame castings developed probably just prior to 1660 (see White, George English Lantern Clocks page 180 figures IV/37 - IV/39 and lot 153). The design of the dial engraving had almost become completely standardised by this time and can be directly compared examples by the likes of Nicholas Coxeter, Richard Ames and Thomas Wheeler made during the 1660's-70's. An almost identical but unrestored example by Ebsworth was sold in these rooms 15th September 2015 (lot 156) for £6,000 hammer. Condition Report: The contrate wheel, escape wheel and respective potances are restorations as the clock had been previously converted (contrate wheel arbor appears original) to anchor escapement with long pendulum swinging at the rear. The backplate and alarm mechanism are restorations as are the projections applied to the side doors (door panels themselves are probably original). Otherwise movement appears fundamentally original and is in clean working condition with some historic re-bushing and a repair to the centre collet of the strike train locking wheel. The dial is in good condition although the hand and alarm discs are restorations. The frame is in fine condition, the frets appear original; the bell is probably a replacement.Clock has rope line, pulley and a weight but will require the rope ends joining in order to be set-up correctly with 'endless rope' winding. Condition Report Disclaimer

A BRASS QUARTER-STRIKING LANTERN CLOCKTHE MOVEMENT BY PAYNE AND COMPANY, LONDON, CIRCA 1870, THE FRAME AND DIAL BY JHN CULLIFORD, BRISTOL, CIRCA 1695The four columnar pillar twin chain fusee movement with anchor escapement regulated by short lenticular bob pendulum, the 'two-in-one' strike train ting-tang sounding the quarters on a graduated pair of bells positioned above the top plate and striking the hour on the larger of the two, the backplate with pendulum holdfast and signature PAYNE & Co., 162 NEW BOND ST., LONDON, 5160. to centre, fitted behind the earlier dial engraved with rosette and radial band within symmetrical tulip scrollwork issuing from tied stalks and interrupted by engraved signature John Culliford, in Bristoll to upper margin, within applied Roman numeral chapter ring with stylised fleur-de-lys half hour markers now with two steel hands and the angles engraved with radial infill, the distinctive 'Bristol' type frame with one-piece column turned corner posts beneath twin dolphin and foliate scroll engraved and pierced frets, integral multi-knopped tall vase-and-cover turned finials and domed bearer enclosing a graduated pair of suspended bells, with brass side panels and rear door, on tall disc-knopped feet.38.5cm (15.25ins) high, 15cm (6ins) wide, 15cm (6ins) deep. John Culliford is recorded in Loomes, Brian Clockmakers of Britain 1286-1700 as being made free in the City of Bristol 1692 and marrying Sarah Riccords the same year. Loomes notes that he 'repaired the church clock' (doesn't say which one) 1706-1718, when he is believed to have died. The firm of Payne and Company was founded by William Payne who is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in London circa 1820-40, other sources suggest that he worked from 1811 until 1856 with the firm continuing to trade as Payne and Company until around 1875. The current lot utilises a variant of the frame castings that were favoured by the Bristol and Chew Valley school of clockmakers, with one of the earliest examples of their use being for a clock by John London of Bristol illustrated in Loomes, Brian Lantern Clocks & Their Makers on page 179 (Figure 10.41). Loomes dates this clock to the late 1670's whilst another close variant of these castings can be seen on a clock by Edward Webb dated 1676 (private collection), as well as two further examples by the same maker, dated 1682 and 1692 respectively (illustrated in Loomes on page 188, Figures 11.5 - .6). These two variants differ only very slightly in that the feet have 'disc' knops for the John London clock/present lot and 'ball' knops for the Webb clocks. The 'disc feet' castings were also used by other makers such as Edward Bilbie of Chew Stoke (who is believed to have succeeded Edward Webb in around 1695), and both variants were used by Thomas Veale of Chew Magna. Edward Bilbie appears to have persisted with the use of such castings after Bristol makers had mostly moved onto patterns more closely related to London work of the period, suggesting that such frames were probably cast locally (in the Chew Valley) - perhaps initially by Edward Webb at his foundry in Chew Stoke then by the Bilbie family after Webb's death in 1694.  

THREE CUT STEEL LANTERN CLOCK HANDSANONYMOUS, MID 17th CENTURY AND LATERThe first circa 1650 with oval boss issuing D-rounded tapered shaft terminating with twin eared loops and a tapered tip opposing tail for setting against an alarm disc, with another more recent but of related design, and a third, also relatively recent, with hexagonal-pierced centre boss issuing faceted shaft terminating with tiered loops opposing a tapered tail, (3).The first 6cm (2.375ins) from centre to tip; 9.8cm (4.825ins) long overall. 

A JAPANESE IRON AND BRASS DAI DOKEI LANTERN CLOCK ON PEDESTALUNSIGNED, 19th CENTURY The posted two-train weight-driven iron movement with separately wound trains, the going train with verge escapement regulated by foliat balance suspended via a cotton line above the top plate and incorporating movable cursor weights, the countwheel strike train of single-arbor warnless type with nag's head lifting, overlift provided by hoop wheel and sounding via a vertical-arbor hammer on the bell mounted above the frame, the dial with single petal-motif pierced brass hand set on a revolving red lacquer disc within fixed gilt on black lacquer chapter ring annotated for the Japanese hours or toki along with their respective zodiacal symbols, the case with bell secured via a decorative wrought-iron wingnut onto a post incorporating suspension for the foliat, over brass front panel, latched side doors and backplate etched with delicate stylised foliate designs, on four faceted feet; raised on an ebonised and stained pine pedestal with stepped moulded superstructure over box base with lift-out panel to front, (pedestal adapted, lacking one weight).The clock 28.5cm (11.25ins) high, 12.5cm (5ins) wide, 12cm (4.75ins) deep; the clock on pedestal 112 (44ins) high overall. The Japanese method of dividing the day had its origins in Chinese practice with, until 1868, the daytime and night-time periods split into six 'hours' each. Each division or 'toki' on the dial is represented by a Chinese zodiacal sign (annotated to the outer track) with midday at the top represented by the Horse, and midnight at the bottom represented by the Rat. Each 'Toki' is divided into tenths with the mid-point or 'Shokuru' marked with an extended division line. Naturally the varying lengths of light and darkness through the seasons meant that the length of the daytime versus the night-time hours also changed throughout the year. This required constant adjustments to the clock's rate to ensure that the time given on the dial was correct, hence the provision of movable cursor weights to the balance foliate. Latterly Japanese clockmakers produced clocks incorporating two foliats with switching between the two allowing different rates for either the day or night depending on the time of year. Technologically the present clock conforms with European chamber clocks made prior to the general adoption of warning to the strike train during the last quarter of the 16th century. 

NINETEEN LONGCASE, LANTERN AND OTHER CLOCK BELLSANONYMOUS, 18th CENTURY AND LATERThe largest 6 inches in diameter, the smallest 4 inches, (19). 

A QUEEN-ANNE THIRTY-HOUR HOOK-AND-SPIKE WALL CLOCK WITH TEN INCH DIALWALTER ARCHER, STOWE, CIRCA 1715The posted countwheel bell striking movement with anchor escapement regulated by seconds pendulum, the frame with square section corner posts rivetted to both the top and bottom plates, the rear with hanging hoop screwed to the top plate and distinctive 'cranked' spurs riveted to the bottom plate, the 10 inch square brass dial with matted centre and scroll pierced steel hand within applied Roman numeral chapter ring with stylised sword hilt half hour markers and signed Walter Archer to lower margin, the angles with applied urn-centred scroll cast spandrels.33cm (13ins) high overall, 25.5cm (10.125ins) wide, 15cm (6ins) deep including spurs. Walter Archer is recorded in Loomes, Brian Clockmakers of Britain 1286-1700 as baptised at Moreton-in-the-Marsh, Gloucestershire in 1674/5. His father, Thomas, was a blacksmith and gunsmith who died in 1722 leaving his tools to his sons, Walter and Charles. By 1694 both brothers had already moved to Stow-on-the-Wold where they worked in partnership. Walter had several children with his wife, Mary, and paid rent on a premises from 1712 until 1742 when he is thought to have died. Walter Archer was a relatively prolific maker mostly of thirty-hour 'hook-and-spike' wall clocks; he also made eight-day and thirty-hour longcase clocks and a few 'hybrid' clocks which essentially took the form of a hook-and-spike wall clock but with a lantern clock-type dial and frets. His work is fairly distinctive with his wall clocks often employing tic-tac escapements and use of 'cranked' spurs for stability. A good survey of his work can be found in Loomes, Brian BRASS DIAL CLOCKS pages 410-18. 

A FRENCH BRASS MID-SIZED LANTERN CLOCK NOW WITH A DIAL INSCRIBED FOR JOSEPH KNIBB, PROBABLY PARIS, CIRCA 1680The posted countwheel bell-striking two-handed movement with Huygens endless chain winding and verge escapement regulated by short pendulum swinging to the rear, now with a dial engraved with scrolling tulip blooms and inscribed Joseph Knibb, Londini upper margin, with iron hands within applied 4.75 inch Roman numeral chapter ring with stylised wheatear half hour markers, outer minute track and with engraved leafy infill to angles, the frame with column turned corner posts beneath grotesque animal head inhabited foliate pierced frets, shouldered vase turned finials and domed bell bearer, the with hinged brass doors and the rear with brass backplate between iron hanging hoop and cranked spurs.29cm (11.5ins) high, 17.5cm (6.875ins) wide including spurs, 16cm (6.25ins) deep including hanging hoop. 

A RARE COMMONWEALTH PERIOD BRASS LANTERN CLOCK RICHARD BECK, LONDON, CIRCA 1655The posted countwheel bell-striking movement now with anchor escapement for regulation by seconds pendulum, the dial with central rose decorated Arabic numeral alarm disc enveloped by stylised leafy tulip sprays issuing from a three-petal flowerhead positioned just above six o'clock and with signature Richard Beck Neere the French, Church Londini Fecit to upper margin, with iron hand within a replaced applied narrow 6 inch Roman numeral chapter ring with floating asterisk half hour markers and engraved leafy infill to angles, the standard London third period frame with column turned corner posts beneath armorial foliate pierced frets, vase turned finials and domed bell bearer, the sides with hinged brass doors and the rear with hanging hoop and spurs (originally with balance wheel regulation, no pendulum or weight present).40cm (15.75ins) high, 15cm (6ins) wide, 19.5cm (7.75ins) deep including spurs. Richard Beck is recorded in Loomes, Brian Clockmakers of Britain 1286-1700 as born circa 1632 and apprenticed to John Selwood in 1646. On Selwood's death in 1651 Beck continued his apprenticeship under Thomas Loomes gaining his freedom of the Clockmakers' Company in 1653. In 1855 he married Elizabeth Gilbert at St. Benet Fink with whom he had three children. Richard Beck was a Parliamentarian who supported Fromanteel and Loomes rebelling against the Clockmaker's Company in 1656. Sadly illness brought Beck's life to an end at a premature age; he died in May 1659 leaving his wife and three young children.  Richard Beck's working life only lasted six years and coincided with the short-lived English Commonwealth period (1649-1660). Despite his short-lived time at the bench Loomes notes that at least five lantern clocks by him are known; his work therefore provides us with a concise 'snapshot' of lantern clock production during this short period of time. The present clock is perhaps of notable interest in that it utilises classic 'third period' Lothbury frame castings hence is probably one of the earliest clocks to do so, whilst the dial engraving follows 'second period' style with stiffer/stronger hatching to the elements. Indeed the dial engraving can be compared to that on a 'second period' clock by Henry Ireland illustrated in White, George English Lantern Clocks on page 158 (Figure III/69), and the frame conforms to castings featured on page 180 (Figures IV/37 and 38). 

TWO SMALL BRASS GARDEN SUNDIALSBOTH UNSIGNED, THE FIRST PROBABLY MID 17th CENTURY, THE SECOND A LITTLE LATERThe first heavily oxidised to a chocolate brown colour with 4.25 inch octagonal plate fitted with scroll-pierced cast angled gnomon set at approximately 53 degrees and engraved with circles and radial lines to centre, the narrow outer track with Roman numeral chapters IIII-XII-VIII divided into quarter-hours, the second similar with 4.125 inch square plate cut at the angles, and scroll-pierced gnomon also set at around 53 degrees, (2).10.8cm (4.25ins) wide, 5.6cm (2.25ins) high and 10.5cm (4.25ins) wide, 6.4cm (2.5ins) high respectively. The octagonal shape, centre engraving and narrow chapter ring of the first sundial in current lot is similar to that of two related sundials (albeit with solid gnomons) by William Bowyer and Richard Hinton illustrated and discussed in White, George NOT A BAD TIMEKEEPER: THE ENGLISH LANTERN CLOCK IN THE SEVENTEENTH CENTURY ('Antiquarian Horology' Vol. 31 Sept. 2009 pages 624-8). As White suggests that these examples were made by clockmakers to be supplied alongside lantern clocks then it would perhaps be reasonable to suggest that the present dials were also possibly made by a clockmaker for the same purpose.   Condition Report: Dial with dark patination - The gnomon is original and undisturbed. The plate has a split approx. 3cm long to the lower edge following the line of the concentric engraving to the outer edge of the plate. There are also some surface hammer bruising marks to the left of the split; otherwise dial is in sound original condition with minor age related blemishes.Dial with lighter patination - The gnomon is old and probably original but has been carefully re-mounted using flanged brackets soldered to the underside. The engraving shows noticeable wear to the radial lines at the centre; otherwise dial is in sound original condition with minor age related blemishes. Condition Report Disclaimer

A CHARLES II LANTERN CLOCK FRAME AND DIALUNSIGNED, THIRD QUARTER OF THE 17th CENTURYOriginally made for a movement with balance wheel regulation and separately wound trains, the dial with distinctive symmetrical tulip engraved centre within applied silvered Roman numeral chapter ring with stylised fleur-de-lys half hour markers and petal infill to upper angles, the standard London Lothbury 'third period' frame with dolphin pierced frets, vase finials and ball feet, (evidence of historic alterations to both frame and dial).26cm (10.25ins) high, 16.5cm (6.5ins) wide, 14cm (5.5ins) deep. Condition Report: The dial has three filled holes to the centre and two more behind the chapter ring indicating that a spring-driven movement was fitted at some point. These filled holes are not visible from the front - the engraving has been very well reinstated where filling has taken place. There is a further small un-filled hole just beneath the XII numeral most likely form a regulation square for a previously fitted French movement. The bottom plate has an enlarged aperture joining the two rope line holes previously for the going train. The top plate has similar enlargement of the aperture above where the escapement would have been. Otherwise frame is in sound original condition. Condition Report Disclaimer

A lantern type mantel clock. Height 24 cm, width 9 cm, depth 9 cm.

A 17TH CENTURY STYLE BRASS LANTERN CLOCK, CIRCA 1900 signed Astral. 25cm high

A large brass 17th century style lantern clock, the engraved dial signed Thomas Madge, with two train Marti movement striking the hours on a coiled gong, the case surmounted by a polished steel bell, 36 cm h o/all (pendulum / key present)

An early 20th century Marie Louise wall / bracket clock. Chain and weights with 8-day movement. The clock with pierced mount over lantern body with bell atop. Makers mark to centre for Marie Louise having white enamel Roman numeral chapter ring. Measures approx. 27cm x 14cm x 10cm.

A mixed collection of items to include Disney Lantern Slide Projector pictures, dismantled brass carriage clock, vintage building blocks, lace doyleys etc

A pottery wash bowl set, lantern, enamel bread bin, four stoneware jars and a small wall clock

Laternenuhr Messing und Eisen. Rechteckiges, architektonisches Gehäuse, flankiert von schmalen Säulen mit kuppelartigem oberen Abschluss. Reliefiertes Zifferblatt mit Ziffernring bez. Robert Robinson Londini. Einzeiger Räderwerk mit Spindelhemmung sowie Schlagwerk auf Glocke. H. 32 cm. 14,5 cm x 14,5 cm.Vgl. Baillie, S. 272.A brass and iron lantern clock.England. Um 1700.

A Trench art shell case roll top table lighter; brass plaque, epns two section preserve stand, clock, distressed railway lantern, etc

An old English style brass cased lantern clock to commemorate the 1937 coronation together with a Victorian ink stand with serpentine front and brass fittings

A small Smiths brass mantle clock, lantern style with domed to and chapter ring with roman numerals, standing on bun feet, 18cm

A French Gilt Metal Mounted Mantel Timepiece,28cm high, circa 1890; a lantern type striking mantel clock, 33cm, 20th century; a mahogany striking table clock, 40cm, high over handle, retailed by Alex Clark Co. Ltd, early 20th century (3)

Genalex - C20th brass cased lantern clock H18cm, Metamec quartz mantle timepiece and two other quartz clocks (4)

A mid 20th century Smith's brass lantern clock with an 8 day jewelled movement, stamped Smith's Clocks & Watches Ltd. H.34 W.13.5 D.13.5 cm

SET OF POKER CHIPS, CARDS, DICE & ACCESSORIES IN ALUMINIUM CASE, boxed double sided York station clock and thermometer, boxed Wind in the Willows board game, Gaggia Factory espresso maker, reproduction Eastern glass and metal hanging lantern light, and other items

An 18th Century Henry Mayhew, Parham brass lantern clock, with oak bracket

A brass anniversary clock, the dial set with Arabic numerals, within a glass dome, height 30cm, together with a modern brass lantern clock and a glass dome on stand, height 39cm.Condition Report: Measurements of dome with drawing a line around the dome on a piece of paper depth 166mm, line to line length line to line 258mm. Height without stand 360mm.

A mantle clock  with circular white dial, single train movement with balance escapement contained in a mahogany style case with Sheraton inlay and metal bun feet to the base plus a reproduction English lantern clock with modern replacement hands/battery operated. ref ASM

A BRASS TYPE 6 M & Q MINERS LAMP, A LARGE HOUR GLASS IN A BRASS FRAME, height 24cm, a reproduction brass candle holder of lantern form and a German K.u.S. anniversary clock under plastic dome (4) (Condition Report: handle on lantern is loose, clock has a loose metal wire towards the top of the movement)

French reproduction brass lantern clock, the movement marked H&F Paris and numbered 768, (ticks when wound but will require attention) 40cm high