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A 20th century lantern clock and wall bracket

A late 19th / early 20th Century brass lantern clock in the 17th Century taste, the circular dial with Roman numerals, engraved centre to a twin train movement surmounted by a bell (ILLUSTRATED)

A 17th century lantern clock, with square brass dial with angel spandrels, the dial with Roman numerals, 17cm x 16.3cm upon a wall mounted bracket (bracket later), and two 17th/ 18th century part lantern clocks (no dials) (3)

A Victorian brass lantern clock, the 6 1/2 inch chapter ring signed Jno. Fort, Fecit within the ring of Roman numerals, the twin fus̩e chain driven movement with ting-tang strike utilising a standard lantern bell with smaller bell hidden inside, the case with central finial over four straps above dolphin pierced frets within four corner finials over an engraved dial on four ball feet, the bell straps engraved `From friends on the Rowan Trust, 1895`, 39cm high WE DO NOT STATE CONDTION IN THE ABOVE DESCRIPTION РBefore bidding please ensure you are satisfied with the condition of this lot РFor details of condition please contact the auctioneer.

A late 19thC mahogany cased mantel clock, a Patterson miner`s lamp, copper plaque and a lantern.

A Modern Electric Lantern Clock and a Suiza Clock

A 19th Century brass French carriage clock with plain white enamel dial and a Smiths English lantern mantle clock.

A lantern shaped anniversary Clock

A Large Brass Lantern Clock by Henricus Childe, London

A Brass Lantern Clock by Thomas Vernon, London

A Large Collection of Items, to include a lantern clock, various other clocks, candlesticks, bellows and other items

An Early 18th Century Brass Striking Lantern Clock, signed Rich Marsh, Ipswich, with pierced frets, turned brass finials, 6-1/4-inch chapter ring, dial centre with engraved scroll work and signed, side opening doors, two train movement with verge escapement and countwheel striking on a top mounted bell, bob pendulum, 40cm high see illustration

A Brass Striking Lantern Clock, the case with pierced, turned brass finials, 6-1/4-inch chapter ring, dial centre with engraved vase and floral decoration and bearing later inscription Willm Coward Fecit, single hand, two train movement with verge escapement, countwheel striking on a top mounted bell, bob pendulum, 39cm high (weight missing) see illustration

A Brass Striking Lantern Clock, signed Edwd Hunsdon, Chelmsford, circa 1770, 7-inch arched brass dial, engraved scroll decorated borders, circular plaque in the arch signed, single hand, turned finials, side opening doors, two train movement with anchor escapement and countwheel striking on a top mounted bell, 33cm high, with later wall bracket and weight see illustration Edward Hunsdon is recorded working in Chelmsford circa 1730-82. See Loomes (Brian) Watchmakers & Clockmakers of the World, pg.118.

A late 17th Century brass wall clock/lantern clock by Richard Morley de Idlicot

Modern brass lantern clock in 17c style

Box of assorted collectable`s to include Dunn & Co London, bowler hat, pair of ornate pottery ewers, blue & white tureens, Molvern mineral water & Co bottle, hand held lantern, Staffordshire type clock figure, ink well stand with two drop in ink wells, EPNS spoons etc.

A Brass Lantern Clock with Clockwork Movement.

Box inc. carved oak bookslide, vintage coffee pot, reproduction brass lantern clock etc

A tray inc. a brass shell-form poker stand, small reproduction brass lantern clock

A Queen Anne brass lantern clock. James Drury, London, early 18th century, The posted countwheel bell-striking movement with verge escapement, the silvered dial with vestigal alarm disc to the foliate scroll engraved centre within applied Roman numeral chapter ring with cruciform half hour markers and signed Jam. Drury, London to lower edge, the frame with ball feet, columnar uprights and urn finials flanking dolphin frets beneath bell housed within the domed bearer above, with brass side doors, backplate, hanging hoop and spurs, (alarm removed, with restorations and replacements), 38cm (15ins) high. James Drury is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as admitted to the Clockmakers` Company in 1687, gaining his Freedom in 1694, appointed Master in 1728 and died 1740.

A George III brass lantern clock made for the Middle Eastern market. Robert Ward, London, late 18th century, The posted countwheel bell-striking movement with verge escapement, the 8 inch brass break-arch two-handed dial with matted centre within applied silvered chapter ring with `Turkish` numerals and scroll cast spandrels to angles, the arch with circular silvered boss signed Rob`t Ward, London within herringbone border and flanked by conforming mounts, the frame with ball feet, columnar uprights and urn finials flanking pierced and engraved side frets beneath bell housed within the domed bearer above, with engraved brass side doors, hanging hoop and spurs, (side doors replaced, backplate lacking), 38cm (15ins) high. Robert Ward is recorded in Loomes, Brian Watchmakers & Clockmakers of the World as admitted to the Clockmakers` Company 1768, and working from Abchurch Lane 1779-1808. He seemed to specialise in musical clocks and clocks for export to the Middle East.

A brass quarter striking lantern clock. The dial signed William Grimes, London, frame and dial late 17th century the movement later. The four pillar twin chain fusee movement with anchor escapement and two-in-one ting-tang quarter striking on two bells mounted within the domed bell bearer above the frame, the brass dial bearing signature William Grimes, Londini fecit to the foliate scroll engraved centre within applied Roman numeral chapter ring with fleur-de-lys half hour markers, the frame with ball feet, columnar uprights and urn finials flanking dolphin frets, with brass side doors and backplate, 39.5cm (15.5ins) high.

A French brass lantern clock. Unsigned, mid 18th century, The posted rack and bell-striking movement with anchor escapement and passing half-hour strike on the same bell with a second hammer, the dial with alarm setting disc to the plain centre within applied Roman numeral chapter ring with starburst half hour markers beneath crest with sunburst mask within foliate scrolls surmounted with a cockerel, the frame with tall teardrop shaped feet, columnar uprights and urn finials beneath bell with turned finial (pendulum, pallets, and alarm lacking, generally distressed), 39cm (15.5ins) high.

A forged iron domestic `great chamber clock`. Unsigned, German/Swiss, late 16th century, The two train movement with forged wheels, a mixture of lantern and standard-leaf pinions, wooden winding barrels with English style sprung clicks to the great wheels and separate wheels driven via lantern pinions for key winding, the going train with verge escapement regulated by foliot complete with curser weights, the strike train with nag`s head lifting and countwheel (driven via teeth cut to the inside of the rim) controlling the hours sounded via a dragon headed hammer on a lugged bell supported above the frame, the 11.5 x 9 inch rectangular painted single-handed dial now with starburst decorated centre within cream ground Gothic Roman numeral chapter ring with winged cherub head painted decoration to lower angles and ribbon banner bearing Gothic script Wenn`s ubel geht habich Seduld, Herzag ich nit Io bringts mir huld to upper margin, the frame composed of one-piece forged upper and lower rings secured to the angled strip corner posts via baton-headed rivets, the upper terminals of the corner uprights narrowing and curving outwards and applied with shield shaped finials, the base with outswept feet, with winding key and two stone weights, (dial, escapement and superstructure with restoration) the frame 50cm (19.75ins) high, 34cm (13.5ins) wide and 42cm (16.5ins) deep, height including bell 66cm (22ins); supported on a purpose made welded steel stand, 204cm (80.5ins) high overall. The current lot can be compared to a similar lot sold at Sotheby`s, New York MASTERPIECES FROM THE TIME MUSEUM, PART FOUR, VOLUME 1 13th October 2004, lot 500. A related but incomplete example was sold in these rooms on 6th September 2011, lot 113. The presence of a dial indicates that the current lot was designed to be installed where it could be seen, however the overall relatively large size of the frame suggests that it was made to furnish a large interior space such as the Great Hall of a substantial house. The design and layout of the movement with nag`s head lifting, shaped cam for overlift and teeth cut to the inside of the countwheel to the strike train is typical of Germanic practice of the second half of the 16th century.

A FRENCH BRASS LANTERN CLOCK WITH ALARM, REGNAULT, PARIS, CIRCA 1850 12,5cm foliate engraved dial with Arabic and Roman numerals signed Regnault, Paris, the pierced cresting inset with a regulator dial, the four pillar movement with verge escapement striking the full hour on a bell mounted on top of the case, the frame with urn finials, ring-turned ball feet, brass sides 16,5cm high Sold: Stephan Welz & Company (Pty) Ltd, 22 & 23 March 2005, lot 314 1

A lantern clock of 17th Century design, the bell over with strapwork support and three engraved frets to the gallery, having a silvered chapter ring with brass centre inscribed Chris Holtum, Church Lawford, with pierced single hand, thirty-hour movement and pin and hoop support, 33cm (13") high

A 17th Century type brass lantern clock with later twin fusee movement, the case of typical form with domed bell surmount above pierced and engraved fish and lily fret panels, the chapter ring with Roman numerals and inscribed `Tho, Barret, Canterbury`, flanked by a pair of hinged panels, on turned feet, height approx 37cm, with pendulum and key (faults).

MISCELLANEOUS WOOD AND METALWARE, A REPRODUCTION BRASS LANTERN CLOCK AN ONYX MANTEL TIMEPIECE AND OTHER EFFECTS

A reproduction style brass lantern clock

A brass lantern clock with dolphin frets to the arch, the single weight movement with anchor escapement and single hand, silvered 16cm. chapter ring.

A double train brass lantern clock.

A modern brass miniature lantern clock by Smiths Clocks and Watches Limited (ILLUSTRATED)

17th Century style brass lantern clock, the dial with central engraved foliate decoration and silvered chapter ring with Roman numerals, standing on turned feet, 39cm high

An early 20th Century English Brass Mantel Clock, modelled in the form of a lantern clock of typical form, with strap work mounted bell and pierced and engraved dolphin detail, over an oversized Roman chapter ring with inside minute track and further engraved centre, with pierced steel hands to a twin chain fuse movement, with plates united by four heavy knopped pillars, and with anchor escapement, and striking on the quarters with two hammers on a bell, height 15”

A William III Walnut and Foliate Marquetry Quarter Striking Longcase Clock with Unusual Calendar Displays, signed J Wright in Mansfield Fecit, circa 1700, with caddy hood and three gesso and gilt wooden finials, three-quarter columns with gilded capitals to the hood door, side glazed viewing windows, convex throat mouldings inlaid with marquetry to the front, trunk door with lenticle aperture and inlaid with foliate, figures and bird marquetry, arabesque and foliate inlay to the plinth and upon later skirting, signed 12-inch square brass dial with silvered Roman chapter ring, matted dial centre displaying apertures for month/date and day of the week/zodiac signs, decorated with ringed borders and central floral engraving, subsidiary seconds, winged cherub spandrels and engraved to the dial edge, strike/not strike lever above 12, six pillar triple weight driven movement with deadbeat escapement and quarter striking eight hammers onto a nest of eight bells and a further hammer striking a larger bell of the hours, later seatboard, 241cm high John Wright is believed to have worked in Mansfield in the late 17th century, he died in 1708. A lantern clock is also recorded by this maker. See Loomes (Brian) The Early clockmakers of Great Britain, pg.595.

A 20th century brass lantern clock in the 17th century manner, a set of brass postal scales, and two brass trays

A late 19th Century brass lantern clock with eight day movement striking on a bell, the dial with Roman numerals, the case of typical form with dome surmount flanked by pierced foliate scroll fret panels, the sides applied with a sunburst mask, on turned legs, height approx 38cm, together with pendulum.

A brass lantern clock

A ¼ hour striking brass lantern clock, with an 8 day twin barrel movement by W & H Sch (Winterhalder & Hofmeier) striking on two bells, the matt centre dial with a silvered chapter ring and cherub spandrels, ring turned pilasters, hinged doors with applied suns to the sides, the back previously with fabric, cast and pierced foliage frets, leaf and bud finials, raised on acorn feet, 15.75in (40cm) h.

An early 20th century lantern clock, traditional form with spring-driven movement, 11.5in.

A brass 17th century-style lantern clock of traditional form, the dial named John Smith, London.

Trinket boxes, stamps, reproduction lantern clock, cloisonne condiment stand, aneroid barometers

An early 20th century brass lantern clock with balance spring movement

18TH-CENTURY BRASS LANTERN CLOCK of pillared construction with domed bell above fretwork panels, the circular dial with numerals in black and inscribed indistinct maker`s name "RobcarP Hil (?)", mounted on stained teak wall bracket, with single lead weight, the clock 30cm high, 46cm high overall

A Brass Lantern Clock, the Dial Inscribed Thos Watts, Lavenham with Later French Movement, 35 cm High.

An early English brass lantern clock with engraved dial and silvered chapter ring, striking the hours on a bell, c/w weights as displayed

An 18th Century and later constructed brass lantern clock, inscribed Cyril Francis Wales and detailed floral centre, the case of typical form surmounted with an acorn to a spider bell, six inch chapter, single weight driven movement and count wheel on the bell, 36 cm high ILLUSTRATED

A 17TH CENTURY BRASS LANTERN CLOCK fitted with 10" square cut brass dial, with applied decoration and engraved floral border, with turned spindles, supports and striking mechanism by William Dobson of London

A novelty 1950s table watch in the shape of a globe, a 20thC Mystery clock designed as a bird in a cage, another similar, a modern brass lantern clock, a clock in the shape of a guitar and four other novelty clocks. (9).

An early 20th Century brass lantern clock with eight day movement striking on a gong, the floral engraved dial and chapter ring with Roman numerals, the case with typical pierced decoration, with a key.

A late 19th Century brass lantern clock with twin fusee movement striking on the bell, the chapter ring with Roman numerals framing a foliate scroll engraved centre, the case of typical form with bell surmount above foliate and dolphin pierced fret panels, turned finials and columns, on turned feet, height approx 28.5cm, with a pendulum.

A rare ebonised oak and pine `longcase` lantern clock case, Late 17th century. The hood with ogee moulded cornice above moulded rectangular door with external iron strap hinges, brass drop handle and moulded 9 by 7 inch aperture, the sides with simple rectangular doors with conforming hinges and handles, the trunk with ogee throat moulding above slender dual moulded panel inset door with three further external iron strap hinges (one replaced) and another brass drop handle, the structure continuing to from the base with brace applied below the trunk door and on later skirt, 193cm (76ins) high. Original `longcase` cases for lantern clocks are very rare, mainly due to the fact that lantern clocks were predominantly designed to hang from the wall. The construction of the current lot (often termed `pencil case`) with its slender trunk continuing to the floor reflects 17th century practice as early 18th century examples tended to resemble contemporary longcase clock cases more closely by incorporating a more developed hood and a wider section to form a plinth at the base. The mixed use of pine and oak in the current lot confirms that it was designed to take a painted finish (in this case ebonised). The simple hood side doors and external iron strap hinges are again perhaps 17th century features. Two related cases which are dated between 1660 and 1680 are illustrated in Loomes, Brian LANTERN CLOCKS & Their Makers pages 370-1.

A fine Charles II lantern clock, Richard Ames, London, circa 1680. The posted countwheel bell-striking movement with verge escapement and pendulum swinging within the frame of the clock between the trains and additional passing half-hour strike mounted behind the dial, the dial engraved with signature Richard Ames Neere St. Andrews Church in Holburn fecit in a curve towards the upper margin of the dial centre and with foliate tulip decoration to lower margin, with original iron hand and applied narrow Roman numeral chapter ring with wheatear half hour markers, the standard London third period `Lothbury` frame with column turned posts beneath dolphin engraved and pierced frets, vase turned finials and domed bell bearer, the side doors cut with slots to allow for the swing of the arrow shaped centre pendulum, the rear with iron hanging loop, on ball feet, (alarm removed), 38cm (15ins) high. Richard Ames is recorded in Loomes, Brian The Early CLOCKMAKERS of Great Britain as being born circa 1634, he was apprenticed to Peter Closon in 1648/9 and gaining his Freedom of the Clockmakers` Company in 1656/7. He was made Assistant in 1669, Warden 1676-81 and was elected master in September 1682 only to die the following month. His widow Katherine perhaps assisted by their son, William, continued the business until at least 1692. He had many apprentices, the most significant of which perhaps being John Ebsworth (Freed Apr. 1665) who became a fine maker of lantern clocks in his own right. The work of Richard Ames is discussed in Loomes, Brian LANTERN CLOCKS & Their Makers pages 127-134 where two very similar clocks to the current lot are comprehensively described and illustrated (figs. 9.5-11). All of these three examples share the same unusual features (passing half-hour strike and separately wound trains), and can be compared to another illustrated in Darken, Jeff and Hooper, John English 30 Hour Clocks pages 47-50 which only differs in not having passing half-hour strike.

A Queen Anne brass lantern clock, Thomas Reeve, Harlstone, early 18th century. The posted countwheel bell-striking movement with anchor escapement and dial signed Tho. Reeve, Harlstone to the symmetrical foliate scroll engraved centre within an applied silvered Roman numeral chapter ring with stylised fleur-de-lys half hour markers and original steel hand, with foliate pierced frets and vase turned finials beneath domed bell bearer above, with brass side doors, rear hanging hoop and spurs to the turned ball feet, 40cm (16.75ins) high. Thomas Reeve appears to be unrecorded, however another clock by him stylistically dated to around 1690 is illustrated in Loomes, Brian LANTERN CLOCKS & Their Makers page 248 where he is noted as being a goldsmith. The style of the engraving to the dial centre can be closely compared to an example by Thomas Moore of Ipswich illustrated by Loomes on page 244, suggesting that the current lot can be stylistically dated to around 1710.

A Queen Anne `wing` lantern clock, John Crucefix, London, early 18th century. The posted countwheel bell-striking movement now with pin-wheel escapement with adjustable pallets, the dial engraved with signature John Crucefix, London within a band of foliate scrolls with iron hand and applied Roman numeral chapter ring with star half hour markers, the frame with column turned posts beneath foliate engraved and pierced frets, vase turned finials and domed bell bearer, the side doors fitted with shaped pendulum projections capped with further foliate pierced and engraved frets, the rear with iron hanging loop above iron backplate fitted with spurs, on ball feet, (lacking pendulum and weight), 35.5cm (14ins) high. John Crucefix is recorded in Baillie, G.H., Ilbert, C.A. and Clutton, Cecil BRITTEN`S OLD CLOCKS AND WATCHES AND THEIR MAKERS as being Free of the Clockmakers` Company in 1712. A similar example was sold in our Bristol, Apsley Road saleroom 2nd November 2004 lot 657.

A rare William III brass and iron lantern clock, Unsigned but probably by Richard Breckell, Holmes, Lancashire, late 17th century. The posted countwheel bell-striking movement with anchor escapement and iron movement plates, the dial engraved with a central five-petal rose within a loosely symmetrical tulip ground, with iron hand and applied narrow Roman numeral chapter ring with stylised sword hilt half hour markers, the frame with square section iron pillars incorporating square caps and bases beneath foliate engraved and pierced frets, vase turned finials and domed bell bearer, the rear with iron hanging loop above iron backplate fitted with spurs, on ball feet (dial with cracks and losses to corners), 34cm (13.5ins) high. This highly individual and interesting lantern clock can be directly compared to and example inscribed Richard Breckell, Holmes Fecit illustrated and described in Loomes Brian ENGLISH LANTERN CLOCKS & Their Makers pages 309-11. Both examples share use of square section iron pillars and movement plates as well as a thin brass dial plate and traditionally fitted bell-bearer. The current lot also demonstrates a few further idiosyncracies, for example the use of separate winding clicks for the trains (rather than Huygens endless rope winding), resulting in the bell hammer being placed on the right hand side of the movement. Other features such as the finial castings which appear to be unique, and the backcock which is similar to those found on clocks by John Sanderson of Wigton are also noteworthy.

A William III brass lantern clock with ten inch square brass dial, Daniel Quare, London, circa 1695. The posted countwheel bell-striking movement with column turned corner uprights and now with anchor escapement, the 10 inch square brass dial with matted centre within an applied silvered Roman numeral chapter ring with stylised sword hilt half hour markers and signed Dan Quare, London to lower edge, with original steel hand and angles applied with winged cherub head and scroll cast spandrels, the frame with foliate pierced side frets and vase turned finials beneath domed bell bearer above, with rear hanging hoop and spurs to the turned ball feet, (lacking one side door and alarm) 40cm (16.75ins) high. Daniel Quare was admitted as Brother of the Clockmakers` Company in April 1671 and by 1683 he was working from Exchange Alley, London. He was selected as a member of the Court of Asssistants in 1698, later becoming Master in 1708. The following year he took a former apprentice, Stephen Horseman, into partnership which presumably lasted until Quare`s death in 1724. He was a fine inventive and commercially-minded maker who supplied clocks to significant European Royal and Aristocratic clients as well the Court of William III. As a Quaker, Quare refused an invitation from George I to be appointed `Royal Clockmaker` as his beliefs would not allow him to undertake the Oath of Allegiance, however an informal arrangement was agreed where Quare had open access to the palace via the back stairs. In addition to clocks, Quare is also famous for his `portable weather glass` or pillar barometer for which he sought a patent via the Clockmakers` Company in 1695. After his death in 1724 he was buried at the Quaker`s burial ground at Bunhill Fields.

An important Charles II walnut table clock, John Wise, London 1675-80. The substantial seven double-baluster turned latched pillar twin fusee movement with bolt-and-shutter maintaining power and striking on a bell mounted above the 9 x 6 inch movement plates via an outside countwheel and vertically pivoted hammer with fine scroll engraved `S` shaped top pivot potance, the large spring barrels with substantial blued steel turned set-up wheels and clicks mounted on the backplate with engraved John Wise, Londini fecit signature between, the 9 inch square gilt brass latched dial with calendar aperture and shutters engraved with male and female profile portraits to the finely matted centre within applied silvered Roman numeral chapter ring with stylised fleur-de-lys half hour markers and Arabic five minutes within the outer minute track, with scroll pierced blued steel hands and the angles applied with gilt winged cherub head cast spandrels with bolt-and-shutter lever slot between the lower two, the case of Knibb `phase I` design with foliate cast gilt hinged handle to the shallow dome above foliate scroll pierced fret to the upper rail of the front door, the sides with rectangular glazed apertures, on moulded base with later brass squab feet, (now with anchor escapement and later movement securing brackets), 37cm (14.5ins) high. Provenance: the property of a Gentleman, Oxfordshire. The current lot is a `family` piece which to the vendor`s knowledge has been in been in the family collection for as long as anyone can recall (at least three generations). John Wise senior is recorded in Loomes, Brian The Early CLOCKMAKERS of Great Britain as born circa 1625 and apprenticed to Peter Closon through T. Dawson in 1638, gaining his Freedom in October 1646. He apparently lived in Warwick 1653-68 where he repaired the clocks at St. Nicholas and St. Mary`s churches, the latter providing the venue for the baptism of three of his children. He moved back to London in 1669 where he was re-admitted to the Clockmakers` Company by redemption. He took many apprentices including no less than six of his sons; Richard (Free 1679), John (Free 1683), Thomas (Free 1686), Joseph (Free 1687), Peter (Free 1693) and Luke (Free 1694). He is thought to have been working from `neere the popeshead in Moorfields` in the year of his death in 1693. Although several early longcase and lantern clocks by John Wise senior are known, table clocks however appear to be extremely rare. Perhaps the best known example is an unusual single-handed timepiece is illustrated in Darken, Jeff HOROLOGICAL MASTERWORKS pages 82-3. Despite obvious differences, this timepiece does share some similarities with the current lot, for example the wheel-work has the same finned-collet design and the stopwork has the same pronounced disc cam to the fusee. The case also utilises the same highly individual casting for the carrying handle albeit in a more complete form. The movement of the current lot is of notably substantial construction, which although in itself is not particularly unusual for the period is noteworthy. The detail design and layout of the movement is perhaps more interesting in the way that it does not immediately conform with the prevalent Fromanteel/Tompion/Knibb and East/Jones schools of clockmaking. The backplate layout with its external clicks, positioning of the countwheel, and the way in which the movement is signed is perhaps more similar to a movement by Matthew Crockford (with altered dial and associated architectural case) which was sold at Sotheby`s London Important Clocks.. 13/10/1988, lot 211. The Crockford movement also shares the same number of movement pillars, has maintaining power, calendar aperture and is of similar dimensions. The double baluster movement pillars used on the current lot are similar in weight and detail to the single baluster design used by Edward East (see Dawson, Percy G., Drover, C.B. & Parkes, D.W. Early English Clocks page 86, plate 106) but differ by being doubled to compensate for the greater relative distance between the plates. The vertically pivoted hammer used on the current lot is an unusual, perhaps archaic detail. The case very closely resembles those used by Joseph Knibb for his `phase I` clocks and can be directly compared to an example illustrated in Dawson, Percy G., Drover, C.B. & Parkes, D.W. Early English Clocks page 418, plate 596.

EARLY 20TH CENTURY BRASS LANTERN CLOCK with Roman numeral dial, 28cms High.