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A Shatz lantern pattern anniversary clock - sold with a dove decorated porcelain battery timepiece

A fine and very rare mid 18th century gilt brass-mounted walnut musical and astronomical longcase clock with mirrored panelsGeorge Clarke in Leadenhall Street, LondonThe arched hood set with mirrored panels flanked by freestanding facetted glass brass-mounted Doric columns over a full width door set with five shaped mirrored glass panels, all with bevelled edges throughout and framed by beaded brass borders, on a matching base (restored), the 14 inch arched dial with silvered arc detailing 12 tunes, namelyA March No.1Poor Robins ComplaintPretty Salley (sic)This great world isTransported wth. pleasureThe grand MusquelineThe Mock to BellsizeMasquerade MinuetA MarchSpanish JiggA Rigadoon No. 4A Young Virgin of 15 over the engraved polished/blued spherical 'Halifax' moon, the main body of the dial set with a subsidiary dial to each corner offering Strike/Silent, Chime/Not Chime, Moon's age 1-29.5 and the phase i.e. 'New Moon' 'First Quarter', 'Full Moon', and 'Last Quarter', and a twice XII-XII framed by a six times 0-48 outer ring, with Roman and Arabic chapter ring, subsidiary seconds, date aperture and signature arc, the massive movement with shaped plates united by ten knopped and ringed pillars, the anchor escapement with crutch beat adjustment to the heavy pendulum, rack striking the hour on the hour on a vertical bell, and playing one of twelve tunes every three hours on 27 hammers and 15 bells via a 13 inch pinned barrel mounted transversally to the rear, with trip repeat. 2.61m (8ft 7ins) high. Footnotes:Provenance: Christie's 13 November 2014, lot 138.George Clarke worked from Leadenhall Street, London throughout the second quarter of the 18th century. As well as supplying the UK domestic market with well-made longcase, bracket and lantern clocks, he also had a strong trade with the Eastern and Ottoman markets. These export markets preferred a more ostentatious style and Clarke made strong use of lacquer, tortoiseshell, mirror and glass to appeal to the continental aesthetic. A good example of this is the red-lacquered hooded wall clock made for the Turkish market which was sold in these rooms on 14th June 2005, lot 125. Perhaps his most famous extant clock is the large musical bracket clock with glass (or 'crystal') spherical finials and cupola over facetted glass columns in the collection of The Goldsmith's Company, previously in the Wetherfield Collection. It shares the same facetted glass columns as the current lot. Another comparable clock to this lot was recorded by Lord Macartney during his visit to China 1792-1794 in the Emperor's Great Hall of the Summer Palace:'At one end I observed a musical clock that played twelve old English tunes, the 'Black Joke', 'Lillibullero', and other airs of the 'Beggars' Opera'. It was decorated in a wretched old taste, with ornaments of crystal and coloured stones but had been, I dare say, very much admired in its time. On the dial appeared in large characters, 'George Clarke, Clock and Watch Maker, in Leadenhall Street, London.' This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A mid 17th century brass lantern clockPeter Closon near Holborn Bridge fecitThe strapped bell over urn finials, foliate frets, turned columns and ringed ball feet, the top plate with hoop over a pair of spikes set into the column bases, the 6.25 inch Roman chapter ring with star half-hour markers, (the 'V' numerals particularly wide) and single fettled steel hand, the signature flanked by a pair of symmetrical flower stalks emerging from above VI, the weight driven movement with two independent wheel trains, the restored verge escapement with balance wheel control and countwheel strike on the bell. Sold with two weights and two small counter weights. 41cms (16ins) high (5)Footnotes:Peter Closon is one of the best known of the First Period makers. He was involved in the very beginnings of the Clockmaker's Company in 1631 and rose to become an Assistant and the Warden in 1637/8. From 1638 he took many apprentices through the Company, several of which later made lantern clocks including John Wise, Robert Cosby, Richard Ames, William Speakman and Humphrey Clarke. He was married on 25 June 1629 at St Mary Mounthaw, London, to Margaret Buckner. He is believed to have died before 1662-63.For further information on this lot please visit Bonhams.com

A mid 17th century brass lantern clock with alarmJohn Ebsworth, at ye Cross Keys, Lothbury, Londini fecitSurmounted by a strapped bell and five urn finials between three pierced dolphin frets, over tapering columns on ball feet, the 6.25 inch wide brass Roman chapter ring with inner quarter hour track and wheatear half-hour marks, framing the florally engraved centre featuring flowers emanating from VI towards the pictogram signature, with single hand and Arabic alarm setting disc, with rope drive to a reconverted balance wheel escapement, with countwheel strike on the bell and rear-mounted alarm train. Sold with three brass weights. 39cms (15 ins) high (4)Footnotes:John Ebsworth worked at the Cross Keys in Lothbury and also, at one time, 'in new Cheape Side' (see Loomes: 'Watchmakers and Clockmakers of the World', NAG Press, 1988, page 238). He was apprenticed to Richard Aymes in 1657 and made free of the Clockmakers Company in 1665. He died in 1699. It is probable that he succeeded Thomas Knifton at the Cross Keys upon Knifton's death circa 1667.For further information on this lot please visit Bonhams.com

A unique and important dated 17th century lantern clock of large size, engraved with the arms of The Brewers CompanyWilliam Bowyer, London, dated 1632. The bell cast with the initials 'KS'The case:15.5 inches high to the top of the reduced finial, and surmounted by a substantial strapped bell (the bell cast internally with the letters KS), over three pierced frets (cast to accommodate the bases of the finials and measuring 91 x 144mm), each centred by a shield and framed by foliate scrolls, the front central shield engraved with the coat of arms of the Brewers Company above the signature WILLIAM BOWYER OF LONDon FECIT (sic), the square top plate with original holes for the balance control and with a hoop to the rear, with four boldly cast squat urn finials on tapering Doric columns over bulbous turned feet. (doors and rear plate lacking, rear left hand finial smaller) The dial:the silvered chapter ring 1 and 1/16th of an inch in width, with double line border enclosing the Roman numerals and inner quarter hour track with star half-hour markers raised on single lines, the corners with foliate scrolls, the centre fully engraved and divided into diagonal quarters by pairs of sword-shaped leaves, the upper quarter with the date 1632 below a human face surrounded by petals, the lower quarter with another male face with leaves as hair, framed by largely symmetrical patterns of leaves, with single filed iron handThe movement:the weight driven movement (two modern weights accompany the clock) with later verge escapement, the crown wheel set on a shaped brass top potance, the pallet arbor cocked front and back and with forked crutch (displaying some decorative filing) , but missing the pendulum, the strike train dictated via a pierced brass countwheel with three crossings, the heavy iron hammer with substantial stop and altered spring 39cms (15.5ins) high. Footnotes:William Bowyer is one of the great early British clockmakers and we have been fortunate enough to present several important examples in recent years, including: The so called 'Masterpiece' clock dated 1623, lot 72, 19th June 2007 £144,000. His earliest known clock, dated 1617, lot 60, 11th June 2018, £43,750. The clock he sold to John Earle of Rothes circa 1626, lot 68, 11th December 2019, £43,800. Literature: This clock is discussed and illustrated in an article by John Hooper 'William Bowyer Great Clock Maker', published in Antiquarian Horology, Summer 1998, p.122-133. 'His standard of workmanship, design and execution was exemplary throughout his working life.....His clock frames were splendidly turned and assembled and the dials beautifully engraved, especially on his early clocks....The movements of his clocks are of an equal standard of workmanship and the finishing of his wheels and pinions generally of an excellence rarely approached by other makers of his era. The tempering of his steelwork is invariably good and the wear on his pinions minimal considering the great age of his clocks and the survivors are, as a rule, still in good working order if suitably looked after.' There are no records as yet of the bell founder 'K.S', although another Bowyer clock is recorded in White with a bell cast with the initials 'G.S'The Worshipful Company of BrewersThe Worshipful Company of Brewers is one of the oldest of London's livery companies with references as far back as the 13th century. The first Royal Charter was granted by Henry VI in 1438 and the first Coat of Arms in 1468, these were the arms of Saint Thomas Becket, the Company's patron Saint. The Arms were changed to the present sheaves of barley and barrels, after the reformation, by Royal grant in 1544.Initial inspection of the Court Minutes and Accounts book has not yet revealed a reference to this wonderful clock - like today, this would have been an object of enormous rarity and value in the early 17th century, and it is quite possible that it was presented to the Company by a member as a gift - just as Bowyer himself had presented a clock to the Clockmakers Company. The Masters of the Brewers Company at around this time were Samuel Cranmer (1575-1640) from Cripplegate in 1631 and Francis Zachary, of Stepney in 1632.Andrew King writes:WILLIAM BOWYERGREAT CHAMBER CLOCK MAKERWith the more regular appearance of domestic clocks in the inventories from the earlier years of the sixteenth century, almost exclusively the work of Continental makers, the clock making trade in England may have been established in that century if it had not been for the successive plagues that took their toll of so many craftsmen. These human disasters led to a revived clock making trade which became established in the beginning of the seventeenth century learning their trade from previous sources as well as turret clock work, locksmithing and the art of the blacksmith. Within that first decade of the seventeenth century the tradition of the English lantern clock emerged. Of all the notable clockmakers from what has now become known as The first Period of lantern clock making, 1580-1640, William Bowyer remains one of the leading lights with his voluminous output of fine crafted clocks. Bowyer, probably born in the 1590s, in Berkshire and avoiding the contagion of plague married and possibly with his second wife Prudence produced six children with only three surviving infancy. Bowyer became a member of the Pewterer 's Livery Company, becoming a Freeman of the City of London in 1630, this, sometime before the Worshipful Company of Clockmakers received their Royal Charter in 1631. Establishing himself in Leadenhall Street Bowyer took at least six apprentices during his early years and another four some years later from 1638 through the Clockmakers Company. This providing only the smallest indication of the considerable workforce that must have existed in the Leadenhall Street manufactory not too far away from Lothbury the busiest area of lantern clockmaking with not only the Hall of the Founders Company but also the necessary foundries themselves for the adjacent trade.With the formation of the Clockmakers Company William Bowyer appeared to be a somewhat reluctant and not fully committed member in their ranks. His name first appeared in 1632 when he was sent with a small committee 'to treat to the Blacksmiths about their business' but the following year he was in trouble for failing to attend the Court despite warnings. Nine years later in 1642 Bowyer presented the Company with a great chamber clock, the purpose to absolve himself of all Company responsibilities, 'Mr Bowyer to be exempt from place, office and service'. With possibly a somewhat unpredictable and recalcitrant character he nevertheless, became Assistant in 1651 and was elected a Warden in 1653, the year in which it is believed he may have died.William Bowyer's lantern clocks are always notably varied and impressive with unique art and innovation in both styling and mechanical versatility.The dials of Bowyer's clocks are a unique cornucopia of flowers, fruit, swirling leaves and comical masks much of this witness from the world of silversmithing, needlework and the publications of craft and design. This unique artwork suggesting that perhaps Bowyer employed a full time engraver. It would certainly appear that with the output of this manufactory any engraver would have been very busy. The adjacent frets a reflective artwork perhaps with a central urn of flowers and leaves flowing to form the outer region of the fret and sometimes incorporating an owl or even a boar's head. These frets were considered to be such an important feature that Bowyer is cast them to accommodate the bases of the finials, a unique feature. An unusual feature of some of Bowyer's chapter rings and surely another unique feature to him, are the quart... For further information on this lot please visit Bonhams.com

A French reproduction brass cased lantern clock with applied detail depicting intertwined fish and applied silvered dial, height 28cm, together with a brass cased miniature carriage clock, height including swing handle 11cm.Additional InformationPitting to the case on the carriage clock, the lantern clock is missing its back door. The movement is stamped 'France 51928'. We are unable to check if either of the clocks are in working order.

Six brass clocks, to include torsion examples, Schatz two jewel, Smiths lantern clock etc.

A Hotwheels model car together with a Westminster Chime wall clock and a novelty candle lantern in the form of an elephant

THIRTEEN PIECES OF PAINTED CANALWARE, including three cobblers lasts, a hurricane lamp and a candle lantern, a stool, circular tray, thimble, quartz wall clock, large pan, etc (13)

A small lot of assorted mantel clocks including brass lantern clock (bell present but not fitted).

Edward Norris at The Crossed Keys in Cateaton Street - a late 17th century brass lantern clock, surmounted by a strapped bell and five urn finials between four engraved arcaded frets, over four turned columns, with side doors, on ball feet, the 6¼" silvered Roman chapter ring with wheat-ear half hour markers and inner quarter hour track, the centre signed with a cross keys pictogram over a run of flowers and foliage, centred by an alarm setting disc with engraved flower head, single steel hand and alarm, the weight driven movement with reconverted balance control, h.37cm, circa 1680, the whole sold with modern oak wall bracket and two weightsNote: Edward Norris at Ye Cross Keys in Cateaton Street was apprenticed in 1650 to William Selwood, but completed his training under Thomas Loomes as part of the Fromanteel Concern, working independantly from about 1660. He married the daughter of much older Selwood apprentice, Thomas Knifton, whose trading symbol he took as his own. Knifton premises were destroyed in the Great Fire of 1666, and he died soon after at Norris's home. Norris became master of the Clockmakers Company in 1687, and died in 1707. He almost exclusively made lantern clocks with traditional balance escapements, of which only half a dozen are known today, and only two from his Cateaton Street premises. This clock is featured extensively in an article by Brian Loomes published on clocksmagazine.com, January 2018 - a copy of which is reproduced on our website.Condition report: Was running in vendors house.The whole is very good, complete and clean, but fairly recently restored condition.

A brass striking lantern clock, dial centre later engraved Nicholas Coxiter, Smiths Hall, Londini Ficit, the twin fusee chain driven movement striking on the top mounted bell, late 19th century and later

Reproduction brass lantern clock, number of brass fire irons, two brass trivets and other items - Condition Report

A late 19th century French Samuel Marti gilt-brass Mantel Clock, the case with foliate engraved decoration, pilasters, finials and lantern, moulded base and bun feet, on gilt-wood stand, the 8-day movement signed Medaille D'Argent S. Marti et Cie 1889, striking on a coiled gong, clock 11in (28cm) high x 6½in (16.5cm) wide, together with an associated glass dome (2)

A Smiths brass lantern clock in 17th century style surmounted by bell on four turned peg feet, 17cm (h)

A copper stern ships lantern (converted for electric) and a Victorian American steeple clock (2).

AN ENGLISH BRASS THIRTY HOUR WALL CLOCK, STEDMAN GODALMING, 18TH C, WITH 10" BRASS DIAL ENGRAVED TO THE CENTRE WITH URN AND ROCAILLE, HAVING POSTED LANTERN TYPE MOVEMENT WITH OUTSIDE COUNTWHEEL, PENDULUM, TWO LEAD WEIGHTS, WITH A STAINED OAK BRACKET Good restored condition, movement dusty

A late 19th/early 20th century brass-cased lantern clock, dial inscribed James Pool, silvered chapter ring with Roman numeral hour markers and movement striking on a bell with single hand, overall case height 38cm, with weights, has not been seen workingGenerally seems to be in good overall condition with general wear all over, with original rope weights, no pendulum, has not been seen running

Buren early 20th century brass cased lantern clock after the original by Emmanuel Bull in 1600, eight day movement numbered 117801 H: 21 cm, working at time of lotting. P&P Group 3 (£25+VAT for the first lot and £5+VAT for subsequent lots)

Nathaniel Cavell of Ipswich. A late 18th century brass lantern clock, with arched foliate engraved Roman dial, single hand and inner alarm ring, movement with anchor escapement, housed on a later oak wall bracket, clock height 13.5in. width 7.5in., overall height of wall bracket 20in.CONDITION: Overall with a very dull finish, enamelling to the numbers and signature partially worn away, one small hole showing through the dial between 1 and 2 o'clock, main case work of the piece equally oxidised and with a dull matted finish, movement looks dusty but complete, comes with a single cast iron weight.

A GROUP OF METALWARES, CERAMICS, CLOCK, etc, including a Royal Doulton figure 'Ninette' HN2379, a pair of reproduction brass candlesticks, a Royal Worcester cake plate and server, metal and glass lantern, Colclough ivy leaf pattern dinner and tea wares, vases, etc (quantity)

A late 19th century continental walnut and ebonised mantel clock, having enamelled dial with Roman numerals and eight day movement, h.58cm; together with a late 19th century alabaster cased mantel clock, having gilt metal mounts and surmounted by a recumbent lion; a grandmother clock dial; and a 17th century style lantern clock (4)

An early 20th century Danish brass cased lantern clock, with scrolled decoration, 36cm high

A 17th century style brass lantern clock timepiece, with French carriage movement, 25cm high

TWO BOXES AND LOOSE COPPER, BRASS, TREEN, COLLECTABLES, etc, including two display frames, a white plastic Bush radio, oil lamp chimneys and two oil lamps, a Smiths lantern clock with quartz movement, shaving items, glassware, ceramics, etc (two boxes and loose)

A Carved Soapstone Panel together with a pair of plaster busts, a Smiths brass cased lantern clock, a Victorian walnut inlaid work box and two other similar boxes

An 18th Century and later lantern clock with 30 hour countwheel strike with rope drive, weight and pendulum, mounted ona mahogany wall bracket

A late 19th/early 20th Century brass lantern clock of 18th Century design with Roman silvered chapter ring, twin fusee movement with rack and snail striking the hours and half hours, with key and pendulum. 41cm high

A 19th century brass cased lantern clock. Housing a French 8 day two train movement with platform escapement striking half hourly on a bell. Stamped Japy Freres, 30cm. Sold with a key. Running. Minute hand broken but the piece retained.

A NOVELTY BRASS AND GLASS LIGHTHOUSE CLOCK, PROBABLY FRENCH, CIRCA 1880 the brass body with moulded doors, anchors, lion masks, simulated bricks, etc., supporting a platform with clock movement with verge type escapement with rear windings, hour indicator needle with sailor pointing, hours marked out on rotating glass cylinder with lantern clock top with time ball finial, all on a turned wooden base - 25in. (63.5cm.) highCondition report: Electrical components apparently detached. Glass cylinder with repaired V-shaped crack between 1 and 3. Movement running well at time of cataloguing

A rare 17th century weight driven wall clock now contained in an ebonised floorstanding caseUnsignedThe 10 inch square brass dial with large winged cherubs head spandrels framing the wide Roman chapter ring with inner quarter hour track and meeting-arrowhead half-hour marks, the centre engraved with three tulips, with large original steel hand, the movement with four turned columns and urn finials in the style of contemporary lantern clocks, (two finials altered to fit the bell and spider), now with verge escapement to a short pendulum (with evidence of previous balance wheel control), now contained in a 17th century case, 2.18m (7ft 2ins) high.This lot is subject to the following lot symbols: TPTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

An 18th century style brass lantern clock, the dial signed 'Thomas Moore Ipswich', 37cm high, one weight, pendulum and later oak bracket.

MID-20TH CENTURY LANTERN CLOCK, of Charles II design, the one train movement signed A.M. Ovens, the chapter ring with Roman numerals, 29cm high

Boxes & Objects - a quantity of magic lantern glass slides in colour; a faux scrimshaw resin made piece, decorated with a paddle ship, Vicksburg Mississipi; an Art Nouveau pewter inkwell desk stand; a plated horn, inscribed THE ORDINARY, T HUMBER UNION RD NOTTINGHAM; clock keys; tobacco pipes; etc

TWO EDWARDIAN MAHOGANY AND INLAID MANTEL CLOCKS, the larger with enamel dial, eight day movement, gong strike, with pendulum and replacement key, height 33.5cm, together with a Smiths brass lantern style clock with key and an arch shaped quartz mantel clock (four and four keys, one pendulum)

An 18th Century Hook and Spike Lantern Form Wall Clock, signed Geo Clarke, Leaden Hall Street, London, circa 1780, lantern form case with pierced side frets and engraved side doors with a Turkish crescent moon, hook and spikes, 8-inch arch brass dial, arch signed on a circular plaque, two train thirty hour weight driven movement with a verge escapement and outside countwheel striking on a top mounted bell, 35cm high see illustration 01.10.20 Brass surfaces are discoloured, dial is discoloured, bob has been replaced by a circular bob, with a weight.

A 20th Century brass lantern clock, 18 cm

MIXED COLLECTABLES GROUP including a French reproduction lantern clock, an Art Deco mantel clock, a set of cast iron kitchen scales and weights ETC

Engeland, lantaarnklok, James II periode, ca. 1685, 30 urig uurwerk, messing kast. Fraai gegraveerde wijzerplaat met Romeinse cijfers en minutenaanduiding, in het centrum een voorstelling van tulpen. Twee wijzers, teruggebouwde spillengang. Compleet met één gewicht. De klok is toe te schrijven aan Marco Peres, een uurwerkmaker in het laatste kwart van de 17e eeuw h. 40 cm, b. 17 cm, d. 14 cm Provenance: Howard Walwyn Fine Antique Clocks, London [1] James II period lantern clock attributable to Marco Peres, ca. 1685

A 20th century copper hanging stained glass lantern, together with a 20th century Metamec mantel clock and two milk glass shades

A 1920s walnut cased mantel clock having an engine turned silvered dial with Roman numerals signed Munsey & Co. Ltd., Cambridge, width 25cm, together with a Smiths walnut cased mantel clock, and a 20th century brass lantern clock (3)

A collection of five various 20th century clocks, to include a 17th century style brass lantern clock

Three miniature clocks for dolls house, German circa 1890, including a pair of gilt metal mantle clocks in the Art Nouveau style, and a metal lantern clock with paper lithographed face, (condition: some discoloration to gilt metal clocks), tallest 2 ¾” (6cm).

A Collection of Various Treenwares to Include Two Stools, Oak Clock, Swing Toilet Mirror, Oak Lantern, Costrel (AF) Together with Kilner Jars, Pestle and Mortar etc

Gilt Brass 17th century Style Lantern Clock together with a Gilt Brass Cased ' Henley ' Battery Operated Carriage Clock

A Schatz gilt metal and glass revolving pendulum mantle clock and a miniature brass lantern clock in 17th century style

A mixed collection of clocks to include four carriage clocks, a reproduction lantern type clock, two further brass examples and a clock barometer thermometer (8)

Mixed lot to include a cast metal, possibly bronze, set of musicians, carriage clock, lantern type clock and further metalware (a collection)

Antique English brass lantern movement, 8" high to the top plate (incomplete); also a Continental lantern style clock movement with alarm, with spiral turned brass columns united by baluster turned pillars, 6.25" high to the top plate (2)

Small brass lantern clock, the Rotherhams movement with platform escapement, the 4.5" silvered dial enclosing a foliate engraved centre and surmounted by pierced dolphin frets strapwork bell and finial, 12" high

Two Anniversary mantle clocks with plastic domes, a reproduction lantern clock and various other clocks (2)

Two reproduction lantern mantle clocks, various other mantle clocks and an alarm clock (2)

A small lantern clock case, late 17th century and later, dial is unsigned, later spring barrel movement with a platform escapement, and later bell

A mid-18th century lantern clockGeorge Borrett, StowmarketSurmounted by a strapped bell and five urn finials between three engraved arcaded frets over four tapering columns with side doors on ball feet, the 6.5 inch wide silvered Roman chapter ring with lozenge half hour markers and inner quarter hour track, the centre signed and with foliated scrolls, ball feet, with weight and pendulum, 37.5cm highFootnotes:Literature:B. Loomes, Watchmakers & Clockmakers of the World (2006), p. 87, records two clockmakers with the name George Borrett. The first, George Borrett I worked in Stowmarket 'next door to the Black Swan' until 1780. His son, George Borrett II, also worked in Stowmarket, dying in 1773.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Three clocks comprising a Mappin & Web Ltd brass cased carriage clock, the circular dial set with Roman numerals, height excluding swing handle 11.5cm, a small reproduction brass cased lantern clock and a black slate and red hardstone mantel clock with applied presentation plaque inscribed 'Nurse Hatton from W.I. Penny in Acknowledgement of Kind Attention August 1983', height 22cm (af).Additional InformationNo keys provided which fit either the carriage clock or the mantel clock, the lantern clock does not run when wound, the carriage clock with cracks to the dial, lantern clock with misshapen finial, heavy tarnish, surface scratches and pitting, the mantel clock with numerous cracks, chips and losses throughout, marks to dial, further nibbles throughout, build up of dirt and dust, not tested, no guarantee of working order, comes with a pendulum, the movement is unsigned but is numbered 5694 48.

Interesting and rare English verge hook and spike lantern clock (incomplete), the 4.25" brass arched dial signed B. Gray, J. Vulliamy, London on a silvered disc to the arch over a silvered chapter ring enclosing a matted centre, the verge movement with alarm bell above, 5.75" high overall (request condition report)

Small English brass hook and spike lantern clock with alarm, the 4.75" brass arched dial signed J. Buxton, Diss on a circular disc to the arch over a brass chapter ring enclosing a foliate engraved centre with iron hand and central alarm dial, with passing strike on a bell behind the arch, 6.75" high

English provincial brass lantern clock with later Victorian fusee movement, signed Joshua Smith, Stening in Sussex to the foliate engraved centre with silvered central alarm dial and single iron hand, enclosed by a 6.25" brass chapter ring, surmounted by pierced engraved dolphin frets, strapwork bell and finial, 15.75" high

Antique English brass lantern clock, the 6.5" silvered dial enclosing a foliate engraved centre signed William Dee, Windsor, surmounted by pierced dolphin frets, strapwork bell and finial, 15" high (pendulum, weight, rope and bracket) (request condition report)

Interesting early 18th century iron cased verge hook and spike lantern clock with alarm, the 6.5" brass chapter ring enclosing a subsidiary alarm dial with single brass hand, the movement with central pendulum and outside countwheel surmounted by strapwork, bell and finial, 14" high (pendulum, weights and continuous winding rope) *Missing brass fret above the dial *We believe this lantern clock is probably from Normandy dating to the first quarter of the 18th century