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Click here to subscribeA REPRODUCTION Nazi Hitler Youth dagger, the 5.5" blade engraved with the motto 'Blut und Ehre', the ricasso marked RZM M7/2 and dated 1943, the hilt with chequered ebonised grips inset with enamelled Nazi logo, in associated leather scabbard, together with a reproduction embossed brass Adolf Hitler pocket knife and a 1943 twenty Lire Italian coin depicting Mussolini. (3)
An assembled group of vintage gentleman's accessories, including two crocodile lined hip flasks, a leather-cased twin eau de toilette bottle set, six various ivorine handled 'cut-throat' razors, three various cased razor strops, a silver-handled tweezer and cuticle set and an Edwardian bone paper knife (a lot).
The Thatcher signed 'Stanley Anderson' (lower right); numbered 'Ed:60' and titled to the mount engraving 17.7 x 15.5cm; Chiltern Wood Turners signed 'Stanley Anderson' (lower right); numbered 'Ed:75' and titled to the mount engraving 23 x 17.5cm (2)Footnote: The son of Dorcas Ing, The Thatcher features Arthur Ing at the hip of a cottage and using his hand turned bat to drive the thatching into place. In the corner of the image, Ing's shears, eaves knife, and rake can be spotted. Brothers Owen and Alan Dean, from the nearby village of Speen, were used as the models for Anderson’s Chiltern Wood Turners . Shown making chair legs, one brother can be seen in the background standing at a foot-operated lathe, while the other, seated in the foreground, works the shaving horse.
The Basket Maker signed 'Stanley Anderson' (lower right); numbered 'Ed:50' and titled to the mount engraving 18.5 x 18cm; The Smith signed 'Stanley Anderson' (lower right); numbered 'Ed:65' and titled to the mount 19 x 20.5cm (2)Footnote: The basket maker, William Youens Fleet, of nearby Thame, is shown sitting at his lapboard weaving a half bushel basket. Traditional basket making tools, including a wooden rapping iron, picking knife and bodkin can be seen surrounding Mr Youens Fleet. Blacksmith, Rupert Timms, and his father, Ralph, of Aston Clinton, are the subject of The Smith. Typically working in pairs, the Timms descended from a long line of farriers. After the Second World War, smithing work was in decline and Rupert Timms began to diversify into ornamental metalworking. In a later engraving, Rupert can be seen forging a garden gate, surrounded by objects, including farrier’s hand tools and a tripod, which can be similarly observed in The Smith.
Imperial German All Steel Crank Handle Trench Knife Bayonet 5 3/4 inch, double edged blade. The forte with ‚'Demag Duisburg‚' within a circle and ‚'Gesetzlich Geschutzt‚' to the reverse. Steel, downturn crossguard and part muzzle ring. The pressed steel crank handle grip with side securing slot and push button release catch. Traces of green paint finish. Contained in its blackened steel scabbard with leather belt loop (some damage).
Small Selection of Various Knives consisting 2 x 3 1/2 inch bladed penknives with steel bodies. One example with Puma trade mark over ‚'K55‚' ... RAF dinghy knife. Single edged, curved blade marked ‚'27C/2023‚'. Orange, cork handle. Contained in its leather scabbard ... 20 inch, single edged, hook tip machete. Wooden slab grip stamped ‚'Martindale‚'. 4 items.
American M3 ‚'Imperial‚' Combat Knife 6 3/4 inch, single edged blade with sharpened back edge point. Oval, steel crossguard bent down to one side. Stamped ‚'USM3 Imperial‚'. Oval, steel pommel. Leather washer ribbed grips. Contained in its green fibre scabbard scratched ‚'V.R.B. Indian 1945‚'. Steel throat marked ‚'USM8‚'. Webbing belt loop and retaining strap. Victor Royal Bicknell Telegraphist Royal Navy. With copy photo and service record.
A collection of Jugendstil German silver serving implements and part dessert set by H. Meyen & Co, comprising three tablespoons, a pair of dinner forks, dessert spoon and fork, two serving forks, cake knife, butter knife, two cake trowels, and two other serving items, all bearing initial M, 39ozt, all marked 800
A collection of Timpo Wild West plastic figures, to include a boxed No. 257 Fort Alamo playset, including cardboard playmat, fort pieces, cacti and a tent (not checked if complete), an incomplete Covered Wagon, Field Gun, incomplete Trapper Canoe, an incomplete prisoner diorama with Indian holding a cowboy hostage (lacking ties to wrists, knife from pocket), along with assorted US Cavalry and Indian figures from the Swoppets range, some incomplete. (qty)
A cased hallmarked silver canteen of cutlery for eight place settings to include dinner knives and forks, dessert knives, forks and spoons, teaspoons, four serving spoons, a pair of salad servers, a ladle and a cheese knife, total weight of weighable silver 85oz, Sheffield 1993, United Cutlers Ltd.
Victorian silver table part-service, for twenty-four place settings, in fiddle pattern, by Chawner & Co., London 1855 (mostly), comprising twenty-four each of table forks and table spoons, twenty-three dessert forks, twenty-one dessert spoons, twelve teaspoons, a soup ladle, fish servers, a butter knife and eight mustard spoons, 243 oz. (7558 gr.)
Selection of silver, mother-of-pearl and gold pen knives, including a 9ct gold pen knife with maker's mark NB Ltd, 7 cm long, eleven mother-of-pearl examples some with silver blades, an engine-turned silver example, a tortoiseshell and an ivory example, a silver card case and a tortoiseshell letter opener, (17)PLEASE NOTE: THIS ITEM CONTAINS OR IS MADE OF IVORY. Buyers must be aware that regulations of several countries, including USA, prohibit the import of ivory, or any goods containing ivory. Ewbanks advise prospective purchasers who intend to ship this lot to another country that they must familiarise themselves with the relevant import/export regulations prior to bidding. They are responsible for their shipping arrangements and the onus is therefore on them to organise their own shipping.
David Barnes (Welsh Contemporary), The Ruined Croft, signed verso, oil on board, mounted and framed. Measurements 30.5 x 40 cm, frame 54 x 64 cm David Barnes was born in Africa and spent much of his childhood there, he has spent much of his adult life in Wales and finds inspiration in the landscapes of Snowdonia, North Wales coast and Anglesey for his work. Barnes is heavily influenced by the work of Sir Kyffin Williams and post-impressionist painters such as Van Gogh. He paints predominantly in oils, using a palette knife with thick impasto technique, with bold strokes giving strength and texture to his work.
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