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A Gents Scottish outfit having Buchanan tartan kilt and green jacket by Hector Russell Kiltmakers of Inverness, wool kilt hose, garter flashes, tie, belt and buckle, sporran

A silver kilt pin, two scarf pins and a pair of silver cufflinks

A pair of 19th century Bronze figures of Military personal both in formal wear, one wearing a Kilt, both holding Rifle's, on black marble bases, 22cm high

A military kilt with great war brass trench art Ash tray 13th Battalion Welsh Regiment etc, hat epaulets

Scottish kilt pin grouse foot, Glasgow 1954 maker's mark WBS Ward Brothers, mounted with an amethyst

A signed black & white Newspaper cutting from The Daily Mail March 22 1979 of Bob Hope in a kilt.

A pair of English porcelain figural candlesticks, probably Minton: modelled with Scottish musicians, he seated in tam-o-shanter and kilt playing a pipe and his companion with plumed hat, dress and tartan shawl with sheet music and a harp the foliate scroll base with three feet surmounted by thistle sconces, circa 1840, 26 cm high, [one foot restored].

A Victorian 9ct gold kilt pin in the form of a stag.

19th century Staffordshire figures of Charles Stewart Parnell and William Ewart Gladstone. The figure of Parnell depicting him in kilt and cloak, leaning on a club and holding alof an Irish ensign; the figure of Gladstone depicting him holding a Union Flag. (2) 14in. (35.56cm)

SCOTTISH KILT. A gentleman's Scottish kilt by Kiltmakers (Inverness Ltd.), sold with sporran, garters & dirk.

A Victorian silver Mother of pearl handled folding fruit knife, Shefield 1876; a sterling silver thistle kilt pin brooch; a Stratton's marcasite mounted compact, butterfly motif (3)

20th century AD. A carved alabaster figure with hands clasped to the chest, panelled kilt, discoid base, bald head and long beard; pierced lug to the reverse. 506 grams, 18cm (7"). Ex Swiss collection; acquired 1990s. Fine condition. [No Reserve]

SCOTTISH WHITE METAL BUCKLE, KILT PINS AND A STONE SET BROOCH

CHARLES & DIANA: CHARLES (1948- ) Prince of Wales & DIANA (1961- 1997) Princess of Wales. Signed and inscribed Christmas greetings card by both Prince Charles and Princess Diana individually, the stiff white 8vo folding card featuring a colour photograph to the inside of the Royal couple standing outdoors in full length poses, the Prince wearing a kilt, either side of a small pony upon which the young Princes William and Harry are seated. Signed and inscribed ('George from Charles and') in bold black fountain pen ink by the Prince above and below a printed greeting and signed ('Diana') by the Princess in bold black fountain pen ink with her name alone. With two gold embossed crests to the front cover. About EX

A quantity of silver and jewellery to include a 'Shetland Wren' silver brooch, Scottish kilt pin, a buckle, etc

A Scottish Cameron kilt and kilt pin with evening jacket, hat, sporran, shirt, socks, garters, dirk, belt, brooch

White metal and silver Scottish jewellery including brooch, scarf/kilt pins, etc (one bag)

Complete kilt suit including belt, sporran & other kilt

A Macleod of Harris Gent's Tartan Kilt, 100% wool with retailers label for "Lochcarron"; a Raymond of Doune by Lochcarron formal black kilt jacket and green tweed jacket, both size 46R; white dress shirt (size 17"), Greenland sealskin sporran, skian dhu and other accessories (all items are pristine/as new).

Victorian mahogany panel inset with tapestry depicting a Scotsman in kilt

Silver Jewellery - a silver and tigers eye brooch, others; Scottish kilt pin; enamelled buckle, cufflinks; etc

A Victorian malachite and silver Scottish kilt pin/brooch, circular open ring body, buckled wrap, engraved silver frame and mount, unmarked, 50mm wide, 29.7g gross

A Scottish hallmarked silver kilt pin, another hallmarked silver example, a thistle brooch, a silver brooch in the form of a Scottie dog and a silver St Christopher

A hallmarked silver Scottish kilt pin in the form of a lion marked Scott Adie Regent Street, London

A quantity of silver jewellery to include paste set, a hallmarked Scottish kilt pin set with smokey quartz etc

2nd millennium BC. A conical steatite(?) vase with flared rim; high-relief image of a kneeling figure in belted kilt supporting a banded arc, perched on the rumps of two opposed winged bulls with four-line meander issuing from the chin of each. 1.4 kg, 20cm (8"). Property of a European collector living in London; acquired before 2000. . Very fine condition.

Middle Kingdom, 11th-12th Dynasty, 2133-1797 BC. A wooden figure of a servant kneeling and wearing a white kilt, with hands on knees and painted detail to the eyes, mouth and hair, body with red paint. 21 grams, 11.5cm (4 1/2"). From an early 20th century collection. . Fair condition.

Third Intermediate Period, 21st-23rd Dynasty, 1075-732 BC. A black basalt head from a composite statue of a male, possibly the god Amun, showing eyebrows and cosmetic lines in raised relief, slightly flaring nose and wide mouth with fleshy lips; smooth polish to the surface; mounted on a custom-made stand. Cf. Sotheby's, Bond Street, London, sale 93672, 9 December 1993, lot 279. Accompanied by an Art Loss Register certificate. 634 grams total, 10cm including stand (4"). Property of a North American gentleman; previously in the Hartmann collection, Austria, before 1980. Amun, whose name means 'the hidden one', was an ancient deity that was possibly connected to the creation of the primordial universe. He was the chief deity of the city of Thebes in Southern Egypt which eventually became the capital during the New Kingdom. With the rise of the city as the capital and the presence of the royal family Amun, along with his wife Mut, and son Khonsu, became the chief deity of Egypt and a vast and elaborate temple complex was constructed to him, being added to by each successive Pharaoh. Amun was commonly depicted as a male wearing a kilt, long false beard and a crown composed of two tall feathers. He could also take on the form of a ram, especially in his role as a primordial creator god. It is during this period that the worship of Amun became more complex with him being identified with the fertility god Min, and the sun god Ra. Each Pharaoh was considered to be the son of Amun, thus legitimizing his rule, but also acting as a symbolic reminder that the Pharaoh represented the stability and order brought to the world through the gods. Amun enjoyed royal patronage and worship for well over a thousand years until his popularity waned in the tenth century BC, due in part to the economic collapse of the country that resulted in the lack of resources to maintain the vast temples and the costly rituals. Amun continued to be worshipped into later periods, and was identified by the Greeks with Zeus, and Jupiter by the Romans, thus still upholding his position as king of the gods. He maintained an important shrine at the oasis town of Siwah where he was worshipped in the form of a large stone, possibly a meteorite, that was famous for its oracles. The shrine was visited by Alexander the Great after he liberated Egypt from the rule of the Persians. It is here that Alexander was declared to be the son of Amun and which led him to be depicted with ram's horns on his coin portraits. . Very fine condition.

2nd millennium BC. A rectangular baked clay plaque with a standing bearded god or king wearing a short kilt and hat, right hand holding a weapon (?), left hand holding a radiating disc; left leg stepping on a young reclining male. 138 grams, 10.7cm (4 1/4"). From a German collection; acquired on the German art market before 1990. [No Reserve]. Fine condition.

A sterling silver Scottish kilt pin

Scottish Silver Hallmarked Celtic Kilt Brooch, Edinburgh 1963

A Staffordshire Pottery figure of a child standing on a chair, wearing a kilt, 7in (18cm) high, and a theatrical figure of a man wearing a pale-pink cloak, 7½in (19cm) high, together with a theatrical figure of a man, perhaps modelled as a brigand, and a late titled figure of Falstaff, some restoration (4) Provenance: The Hugh Thomas Appleton Collection of Staffordshire Pottery figures.

20th century doll in Highland dress with kilt, 34cm.

A high quality Scottish tartan kilt, Tweed jacket and sporran by Alex Scott & Co of Aberdeen

A kilt in a green red and yellow tartan

SCOTTISH SILVER ETC. An Iona silver brooch, stamped A.R. & I.C.A., a Scottish silver thistle brooch & a silver kilt pin.

Traditional Scottish dress; A good quality kilt and jacket, in Mackenzie of Ord Tartan

Jago Max Williams 2006, oil on board entitled The Pugilist, portrait of a seated gentleman wearing top hat, waist coat, kilt and boots whilst seated holding a walking cane - 32" x 48" unframed

A 20th century Morrocco leather ring box; hat pins; foreign coins; kilt pins; Vjet Ppsh match boxes; horn ducks; beads; spectacles; etc

W. Burns 1903Full length portrait of "A Young Scottish Clansman, wearing tartan kilt and seated on a table," O.O.C., 81cms x 53cms (32" x 21"), signed and dated, later gilt frame. (1)

A late 19th Century Scottish white metal kilt brooch designed as an arrow, stamped to reverse, length 10.5cm,makers mark Hilliard & Thomason.

Four various Scottish silver brooches and a Victorian stone set kilt pin

A Black Watch kilt by Meyer and Mortimer, c.1945 made for Capt R Chaytor

A 22ct gold Art Deco diamond trilogy ring, 1.7g gross; a kilt pin; a silver signet ring; etc. (6)

Silver Celtic Kilt Brooch

Scottish Highlanders 1954 kilt

A gold plated ladies Omega de Ville bracelet watch, with Roman numerals and baton dial, a sterling silver diamond and enamel cluster ring, a gold kilt brooch marked 9ct, a modern carved jadeite pendant, three brooches, and three pairs of earrings to include a pair of opal doublet screw back earrings

A 19th century silver mounted Scottish kilt pin/brooch, inset with amethyst, citrine and hard stone effect paste panels, indistinctly marked, 44mm wdie; another smaller hexagonal, 25mm diameter; a sterling silver dirk brooch; another horn and white metal (4)

GENTLEMAN'S HIGHLAND OUTFITcomprising a Matheson hunting tartan kilt, Doublet, waistcoat, seal skin sporran and a Sgian Dubh

SILVER CELTIC CIRCULAR KILT PINand another (2)

20th century AD. A black stone figure of a striding Pharaoh wearing nemes headcloth with uraeus to the brow, shendyt kilt around the waist; dorsal pillar to the back. 880 grams, 21.5cm (8 1/2"). Property of a London collector; acquired London, 1980s. [No Reserve] Fine condition.

Victorian Scottish green agate and silver kilt pin and other pins and brooches hallmarked or stamped sterling etc (7) Condition Report Click here for further images, condition, auction times & delivery costs

A Scottish metal kilt brooch.

Jewellery - a silver brooch; a Scottish kilt pin brooch; others; etc; a rectangular cigarette box etc (3)

Original vintage poster featuring a map of Scotland with the clan areas identified by their names and colours, the steamer, coach and railway routes, and a man traditionally dressed in a kilt and holding a sword and shield by the text under the map. Clan Lands of Scotland, See the Western Highlands and Islands by Macbrayne's Services. Printed by British Railways. Fair condition, staining, repaired folds and tears, backed on japan paper. 1960s, design by , UK, size 101x63.5cm

ARMY COAT AND TWO GREEN KILT JACKETS

BLACK AND WHITE PHOTOGRAPH DEPICTING JIMMY SHAND AND JIM CAMERON from the 1940s, mounted, framed and under glass; along with a promotional photograph of Jimmy in a green kilt and two band photographs from the 1950's and 70's (4)

Exquisite Scottish Kilt Brooch set with Agates including Carnelian & Malachite, Jacobite Scottish Brooch set with various Agates and a White Metal Scottish Brooch signed DB

ROB ROY (1995) - Alan McDonald's (Eric Stoltz) Scottish Kilt Costume Alan McDonald’s (Eric Stoltz) costume from Michael Caton-Jones’ adventure-biopic Rob Roy. McDonald, Rob Roy MacGregor’s (Liam Neeson) most trusted retainer, wore his kilt throughout the film until his assassination at the hands of Cunningham (Tim Roth). The custom-made costume consists of a brown leather jacket with lacing on the sleeves, a green and purple woollen tartan kilt and an ornate metal plaid brooch. The jacket has been intentionally distressed with scratches and a white residue throughout. The wrap-around kilt displays 'McDonald’, handwritten in blue marker across the waistband. Signs of use are evident on the costume, including wear and stray threads on the kilt’s hem. VAT Status - DAGGER TRIANGLE

Scottish silver kilt pin, shield and dirk pattern and a quantity of silver and silver-coloured metal jewellery