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A Black Watch tartan lady's skirt kilt, Kinloch Anderson, 55% cashmere, 45% wool  (l.28", waist in second buckle hole 32")

A bronze model of a WWI Royal Highlander (Black Watch), second quarter 20th century, depicted standing holding a Lee Enfield rifle with fixed bayonet and wearing a helmet, 08 pattern webbing, gas mask, mess tins, entrenching tool, and kilt, his uniform showing Corporal stripes and RH shoulder titles, on rectangular naturalistic base, 32.5cm high Provenance: The Property of the Late Reverend John Watson.         

An Egyptian limestone statue of Sekhemankhptah Old Kingdom, 5th Dynasty, circa 2389-2255 B.C.Statue: 121cm high x 51cm wide x 40cm deep; plinth: 91cm x 71cm x 61cmFootnotes:Provenance:Tomb G7152 at Giza, excavated by George A. Reisner and the Harvard University-Boston Museum of Fine Arts Expedition, during the digging season of 1926-1927.This statue is referenced in Reisner's diary entry of 29 January 1927 (vol. 20, p. 667): 'uncovered the two seated statues at door of G 7152, and a broken standing statue at north side of door, fallen in several pieces'.Vincent (1886-1967) and Olga (1906-2000) Diniacopoulos collection, Canada, acquired from the Khawam Brothers, Cairo and likely brought to Canada in 1951.Property from a Canadian Private Collection, a portion of the proceeds intended for the benefit of Concordia University, Montreal; Sotheby's, New York, 5 June 1999, lot 25.Private collection, New York, acquired at the above sale, until 2018.Published: La Presse, Montreal, 15 May 1954 (illus.).V. and O. Diniacopoulos, Collection Monsieur et Madame D., Vincent et Fils, Valleyfield, 1954, p. 5, no. 6.R. Belle-Isle, Exposition d'art antique, Chambly, Quebec, 1965, p.5.J.E. Francis and G.W.M. Harrison, Life and Death in Ancient Egypt, The Diniacopoulos Collection, Montreal, 2004, p.59, fig. 5.6.J.M. Fossey and J.E. Francis, The Diniacopoulos Collection in Quebec: Greek and Roman Antiquities, Montreal, 2004, p. 22, fig. 1.4 for a photograph of Vincent and Olga unboxing pieces including Sekhemankhptah at the Séminaire de Valleyfield in 1955.Exhibited: Séminaire de Valleyfield, Quebec, Diniacopoulos Collection, from 1954. Ecole Gérard Filion, Chambly, Exposition d'art antique, 1965.The tomb of Sekhemankhptah is dicussed in the following publications:G.A. Reisner, A History of the Giza Necropolis I, Cambridge, 1942, pp. 210, 312. W.H. Smith, A History of Egyptian Sculpture and Painting in the Old Kingdom, London, 1946, p.200 (recording the decoration of the interior of the offering-room of the tomb: 'The east wall retains a fragment of an agricultural scene, and the north wall is decorated with scenes showing the care of cattle. The west wall has a presentation of animals').B. Porter & R.L.B. Moss, Topographical Bibliography of Ancient Egyptian Hieroglyphic Texts, Reliefs, and Paintings 3: Memphis, 1974, p. 191.A. Bedawy, The Tombs of Iteti, Sekhem'ankh-Ptah and Kaemnofret at Giza, Berkeley, 1976, pp.15-24, figs. 18-24, pls. 14-23, including detailed description of the decoration of the tomb and drawings of such. Sekhemankhptah's titles are listed on p.22.N. Strudwick, The Administration of Egypt in the Old Kingdom: The Highest Titles and Their Holders, London, 1985, pp.134-5. V.G. Callender, 'A Contribution to the Burial of Women in the Old Kingdom', in F. Coppens (ed.), Abusir and Saqqara in the year 2001. Proceedings of the Symposium, Prague, September 2001, Archiv Orientálni 70, no. 3, 2002, p. 303, no. 15.Sekhemankhptah was a highly important Egyptian official during the 5th Dynasty of the Old Kingdom. His mastaba tomb is located southeast of Khufu's pyramid in Giza, one of 'the most important necropolises for Egyptian royalty and the upper echelons of officialdom during the Old Kingdom' (P. Der Manuelian, 'Excavating the Old Kingdom, the Giza Necropolis and Other Mastaba Fields', in Egyptian Art in the Age of the Pyramids, New York, 1999, p. 139). It was excavated in 1926 by George Reisner, and the hieroglyphic texts on the interior demonstrate the pre-eminent role Sekhemankhptah played in the royal court. Sekhemankhptah is named as 'Count; Sole companion of Pharaoh; Chief judge, vizier; Staff of the people; Mouth of all the people of Pe; Royal chamberlain; Privy to the secret; Overseer of the scribes of the documents of the king; Scribe of the documents of the king; Overseer of all the works of the king; Overseer of the embalming house of Pharaoh; Overseer of the embalming house'. These titles suggest that Sekhemankhptah was second only to the king himself. His wife, Bwnefer, is named as 'Real royal daughter', suggesting she was the daughter of a Pharaoh (Reisner refers to Sekhemankptah as 'husband of a princess'). They had two children, a son named Seshemnefer and a daughter named Meritites.The extraordinary, monumental, size of this statue, highly unusual for a non-royal sculpture, is further testament to Sekhemankhptah's high status. It is also an exceedingly rare example of an unfinished Old Kingdom sculpture of a non-royal personage, which offers a fascinating insight to the technique and skill of the earliest sculptors of Pharaonic Egypt. Sekhemankhptah retains original chisel marks, and the carving of the wig and kilt are clearly unfinished. The surface has also not been polished to the typical degree. It has been suggested that the figure was coated in plaster, with the finer details rendered in paint, though it seems more likely that the statue was placed in front of the tomb prior to being finished (as no traces of plaster or pigment remain). The group of statuettes of King Menkaura of the 4th Dynasty at the Museum of Fine Arts, Boston (acc. no. 11.732), each in varying degrees of completion, further elucidate how these figures were finished after being installed in their final locations. Artists began by hammering out the approximate shape of the statue from a large block of stone, before refining details of the head and limbs with chisels in a series of stages of increasing refinement. After this carving and refining, rubbing stones and powdered abrasive were used to polish the surface, before an inscription was added to identify the owner. These last stages had not been completed before work on this statue of Sekhemankhptah seems to have ceased.The Diniacopoulos Collection of Ancient ArtVincent and Olga Diniacopoulos amassed one of the largest and most impressive private collections of antiquities in Canada during the 20th Century, of almost unparalleled breadth and quality. Vincent Diniacopoulos (1886-1967) was born in Constantinople to a Greek family, and was enamoured by the ancient world from childhood. From the 1920s he was participating in archaeological digs across the Middle East and undertaking art restoration, living between Paris and Cairo. His wife Hélène Olga Nicholas (1906-2000), was also Greek, and was born in Cairo. After moving to Paris in 1923 she studied archaeology at the Louvre and Sorbonne and met and married Vincent. In the late 1920s and 1930s the couple travelled extensively throughout the Middle East and Egypt, building their collection of antiquities as well as acquiring objects for major institutions including the British Museum, Louvre and Metropolitan Museum. During these formative years, they built up an extensive collection including ancient Egyptian, Babylonian, Assyrian, Hittite, Cypriot, Greek and Roman objects, ranging from sculpture and coins to ceramics, glassware and bronzes.For further information on this lot please visit Bonhams.com

A TARTAN MILITARY KILT TOGETHER WITH A TARTAN PIPERS PLAID

A TARTAN MILITARY KILT TOGETHER WITH A TARTAN PIPERS PLAID

A TARTAN MILITARY KILT TOGETHER WITH A TARTAN PIPERS PLAID

A SELECTION OF SCOTTISH MILITARY STYLE / MARCHING BAND BELTS, together with a collection of loose buckles and four kilt brooches

A 19th century Staffordshire figure group, a Highland boy wearing tam o' shanter, kilt, and sporran whilst restraining a spotted deer, naturalistic oval plinth, 26cm high

Luisa Stuart Costello, 1799 – 1870PORTRAIT DES OBERST JOHN IGNATIUS MCDONALLBleistift und Aquarell auf Papier.Sichtmaß: 18 x 17 cm.Mittig unten signiert.Eingefügt in verglasten Setzkasten.Der Oberst als Kind in Hochlandschaft mit Kilt und Haube. Unterhalb der Darstellung silberne Plakette, die den Dargestellten identifiziert. (13802519) (18))

A First World War Cameron Highlander's Kilt and Sash, which belonged to Private George Potts Brown, service No. S/10360, "B" Company, 1st. Battalion Cameron Highlanders., together with his Certificate of Discharge, Character Certificate, War Badge award certificate, also, photocopies of Short Service Attestation Medical Case Sheets, Medical Report on an Invalid, newspaper cuttings and other related research material.Footnote : - Private George Potts Brown was serving with the British Expeditionary Force in France when he was injured on 3rd May 1915 by a shell which exploded in the dug-out he was occupying near La Bassee. The left side of his body was injured and he was partially blinded. In one way, he was lucky to have been injured in a British dug-out rather than out in 'no man's land'. The dug-out was quite close to a dressing station where he was given rudimentary first aid before being transferred to the nearest Base Hospital at Boulogne. He returned to England on the 4th May 1915 and was admitted to the Royal Hospital Chelsea. On the 16th June 1915, George was transferred to St. Dunstan's Hostel in Regents Park, London and was officially discharged from the army in July of the same year, being unfit for War Service. Whilst at St. Dunstan's, George was taught various skills including Braille reading, basket making and typewriter skills. He left St. Dunstan's on the 25th February 1916 and was admitted to After Care, which meant he was found accommodation and financial support. Shell damage of numerous small holes to one side of the kilt, which basically remains intact.

Artist teddy bears , to include teddy bears x 5 and a Sooty teddy bear-all artisan made to resemble time worn vintage teddy bear toys from antique fabrics-a charming selection and the little teddy in knitted strap kilt is just 6” tall.(6)

1930s and 40s fashions to include a ballerina pink evening gown with soutache bodice and sweetheart neck, a brown velvet dress with an additional fabric piece, a brown crepe dress with orange and white daisy print, a printed rayon dress with very faded cc41 label, a mosbrook kilt, a shot taffeta gown with corded bodice and hem, a dusky pink faille jacket, a chiffon and lace waistcoat (a/f) and an all in one (to be worn under shorts) from the Women's League of Health and Beauty (qty) pink gown has split above buttons at side opening and front of tulle peplum has been cut away, brown dress is torn at the underarms, crepe dress has fade, small holes, generally worn, cc41 dress has badly torn underarms, kilt has a patch, a darn and a couple of small moth holes, taffeta gown has large split at side seam, scattered small holes, the hem has rubbed away over the cording in areas from being dragged on the floor, jacket has a small hole on shoulder and buttons are missing, all in one has small hole at back of neck and missing fastening on gusset

An unusual cased pair of late 19th century white metal kilt pins, each set with a thistle shaped cut Cairngorm and in a leather velvet lined fitted case and with Perth of Scotland retail label to the silk lid, length of each pin 11cm.

20th century A.D. Striding and wearing a headdress of a lotus flower and plumes and a kilt; mounted on a custom-made stand; after the antique. 311 grams total, 21 cm high including stand (8 1/4 in.).British collection formed in the 1980s. Ex property of a London gallery. Private collection of Mr T.H., Norfolk, UK.

20th century A.D. A substantial decorative figurine of a seated male wearing a nemes headcloth and shendyt knee-length kilt; the figure sitting cross-legged with hand resting on a rectangular panel, possibly a papyrus sheet; low rectangular base; after the antique. 62.5 kg, 63 cm (22 in.).From a French collection, Paris. Ex Parisian gallery, France; latterly with a London, UK, gallery. [No Reserve]

20th century A.D. A substantial decorative designer frieze panel with high-relief figure of Osiris seated in profile wearing the atef crown, segmentee collar and short cape, pleated kilt; in his hands the symbolic crook and flail; seated on a rectangular throne with banded detailing; hieroglyphs in the field; after the antique. 34 kg total, 54 cm (21 1/2 in.).From a French collection, Paris. Ex Parisian gallery, France; latterly with a London, UK, gallery. [No Reserve]

Late 19th-early 20th century A.D. Carved in the round figure of a priest seated on a throne, wearing a short kilt and with shaven head; rectangular base, panels of hieroglyphs to each side of the throne; after the antique. 7.2 kg, 36.5 cm high (14 1/2 in.).Ex Paris collection. French gallery, Paris, 1990-2000s.

2nd-1st millennium B.C. Polished haematite cylinder with incuse frieze depicting a standing profile human figure in flounced kilt and mesh tunic brandishing a dagger towards a rearing ibex, with two smaller ovicaprids at his feet, bird above his shoulder; accompanied by a museum-quality impression. 3.28 grams, 21 mm (3/4 in.).From a Cotswold, UK, collection, item no.115; as seen and catalogued by the late Professor Wilfrid George Lambert pre 1990.The late W.G. Lambert was Professor of Assyriology at the University of Birmingham in the period 1970-1993.

Circa 3000 - 1100 B.C. The figure standing on a small discoid base, wearing a short kilt, with broad chest and slender waist; the left arm bent across the chest and the right arm raised to the forehead in an act of worship; mounted on a custom-made stand. Cf. similar in the Metropolitan Museum of Art, New York under accession no. 1972.118.45. 447 grams total, 22.4 cm high including stand (8 3/4 in.).British private collection, acquired by 2000. Accompanied by a copy of an old photograph showing this item on display in a display cabinet within the previous collectors home. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11950-210856. [No Reserve]

Middle Kingdom, late 11th-early 12th Dynasty, 2010-1961 B.C. Carved in the round with separate articulated arms, painted facial details and wearing a short linen kilt; slightly bent posture, feet pegged to a rectangular base; wooden implement for beating flax in the left hand. See Taylor, J.H., Death and the Afterlife in Ancient Egypt, London, 2001, for discussion of the tomb figurines. 140 grams, 23 cm high (9 in.).From an early 20th century collection. Ex UK collection. Ex Ancient Art, London N14, UK. Private collection of Mr T.H., Norfolk, UK. Accompanied by a previous dealer's certificate of authenticity.

Third Intermediate Period, circa 1070-730 B.C. Striding on a rectangular base, wearing a belted kilt, bag wig and with short beard; mounted on a custom-made display stand. Cf. similar in the collection of the British Museum under accession no.EA55722, the nude figure of Meryrahashtef. 19 grams total, 11 cm high including stand (4 3/8 in.).Part of an old collection dating back to the 19th century. Ex property of a gentleman, acquired before the 1980s. Private collection of Mr T.H., Norfolk, UK.

Britains Colonial Wars Scottish foot soldiers (white pith helmets and blue patterned kilt), generally good plus to good (some missing parts), with officer holding binoculars (2-one kneeling), prone riflemen (8), etc. Contents unchecked for completeness or correctness and viewing recommended. Qty 22

John Hill & Co. WW1 soldiers, generally good plus to good, with French flag bearer, Vickers-type machine gunner, etc., plus Colonial War (kilt and pith helmet) rifleman (2). Contents unchecked for completeness or correctness and viewing recommended. Qty 16

A vintage kilt

A Collection of Scottish and other jewellery; Celtic pewter buckles, Arts and crafts pewter worked bangle, Miracle brooch, Thistle brooch, Celtic Scottish sword and shield kilt pin, rabbit paw brooch, Victorian brooch, Persian silver fob medal and Birmingham silver St. Andrews ambulance service pendant.

AN EARLY-20th CENTURY EDINBURGH SILVER-MOUNTED BUCKSKIN SPORRAN AND CORRESPONDING KILT BELT The cantle hallmarked for Henry Tatton, 1924 and engraved with Clan Grant "Stand Fast" crest amidst Celtic knotwork, three silver bullion tassels suspended beneath; the belt buckle hallmarked for Hamilton & Inches, 1965 with cast flaming hill device centrally; together with a Prince Charlie wool jacket of recent manufacture, fitted with Hamilton & Inches cast silver buttons, size 44R (3) Condition Report:Available upon request

A full kilt outfit and shoes, waistcoat and jacket, jacket and wasitcoat is size small to medium, kilt is a size 28 " to 32", shoes are a UK 6 1/2 , comes with a sporran and flashes for the socks, Sgain Dhu, cuff links and kilt pin

Vintage Military Kilt for the Queens Own Cameron Highlanders together with a Glengarry Bonnet with a White metal Regimental badge. Possibly WW2 era.

A CARTIER KILT PIN of simple twisted wire with a loop to each end, one forming the clasp, engraved Cartier, Paris in script and numbered 012693, indistinctly marked, 2 7/8" long, 9.6g (Illustrated) (Est. plus 24% premium inc. VAT)Condition Report: Untested but likely 18ct gold. Marks too indistinct, but one is eagle's head facing right, one possible a Bigorne(?) mark

Three kilts: two by Pitlochry and another by The Scotch House, (3)red kilt - no name, no size, approx. 38" waist x 30" longgreen kilt by Pitlochry - size 16, approx. 30" waist x 28" longblue kilt by Pitlochry - size 16, approx. 30" waist x 27" long

Vintage Vivienne Westwood tartan/plaid handbag with metal logo orb and kilt safety pin with charms - orb, high heel, skull and heart. Grey and black logo canvas lining, pink handles and pink leather trims.

2x Rabbit kilt brooches

BOX CONTAINING VARIOUS KILT ACCESSORIES, SPORRANS, BELTS, MILITARY CAP ETC

A Edwardian Birmingham silver square panel shaped brooch, a white metal crescent shaped brooch, a white metal horse shoe brooch and a silver Scottish Claymore and Targ kilt style pin, (H x 4.5 cm). (4) 21.9g

VICTORIAN KILT PIN, LATE 19TH CENTURY, in nine carat goldQty: 6.9g

A collection of vintage costume jewellery to include an enamel silver set bracelet, floral design, a white metal set micro-mosaic brooch depicting the Forum in Rome, along with silver 1920's compact pendant and chain (small dent), silver kilt pin, silver amethyst brooch, various Edwardian and later paste set brooches/pendants some silver set, together with faux pearl necklaces etc (1 bag) Further details: wear and tear commensuarte with age some modifications to some items

A Tunbridge ware coromandel wood box, of rectangular form, the concave sides with a fine broad band of leaf and floral mosaic, the cushion form lid with inset mosaic panel of Bayham Abbey, within a floral mosaic border, the satinwood lined interior with a mosaic panel to the lid of a boy wearing a kilt and holding a parrot (possibly Edward Prince of Wales), 26 x 21 x 11.5cms.    Illustrated Austen(B) Tunbridge Ware, Page 103, Plate 43 and Page 108, Plate 47.     From the collection of the late Dr. Brian Austen

* Charles III (Philip Arthur George, 1948- ). King of the United Kingdom, 2022- , formerly Prince of Wales & Diana (1961-1997). Princess of Wales, 1981-1996. A signed and inscribed Christmas Card, [1983], inscribed and signed by Diana in fountain pen ink for Nicki, ‘With love from, Diana &’ and ‘Charles’ in their respective hands, opposite a mounted colour photograph of the Prince wearing a kilt standing by the Princess of Wales seated on a swing, the infant Prince William seated on her lap, folded stiff white card with gilt crests on the front, 18.5 x 13 cm, very fine conditionQTY: (1)

Celtic/Scottish jewellery some by Miracle inc kilt pins

FRANZ XAVIER BERGMANN (Austrian, 1861-1936) cold painted bronze - Nubian Musician, cast as a musician playing a tambourine, standing wearing a cloth turban, web-like chest ornament, red and white pleated kilt tied with red sash, foundry mark to base and numbered 3260 to rear, 18.5cms highProvenance: private collection North WalesComments: paint wear.

An early 20th century boy's highland costume, comprising glengarry, green Prince Charlie jacket with matching waistcoat, two white shirts, kilt, two sporran's, socks with garters garters, lace collar, black shoes and fly paid in a tin trunk.

A Scottish Royal Highlander Black Watch badge, on a blue, black and green kiltit is just the badge and kilt in this lot

A very scarce WWI Royal Highlanders of Canada uniform comprising: glengarry with "13th Batt 1st Canadian Division" badge, label inside for "Arthur Morris & Co 1915"; a khaki highland doublet with "C13" collar badges and "R H C" titles, and "battle patch", stand up collar; together with the kilt of the Regimental tartan, complete with its full size khaki apron. A unique set in very good condition £500-700

A good London Scottish ORs kilt, of "Hodden" or "Elcho" grey colour. Near VGC £70-75

A WWII kilt apron, 2 pairs of WW1 Highland spats, a pair of long khaki puttees; also a "Soldiers Comforts" pullover of the Canadian Red Cross Society Moose Jaw Branch, GC (some moth to latter) £70-80

Samengesteld militair uniform; bestaande uit groen fluwelen jasje en geruite Schotse kilt. Hierbij fourragere. Geheel op paspop. h. 135 cm [1]

Assorted Scottish and other Wool Tweed Remnants, comprising cut lengths of suiting and tweeds, corduroy in a variety of colours, labels include Moon, Harris Tweed by Kenneth Mackenzie Ltd, Marton Miles, kilt wool checks, patterned and plain linings, Variety of Tweed and Wool Sample Books including Brook Taverner, Dugdale Brothers, Holland & Sherry etc, (three boxes)

VINTAGE GENT'S WATCH, EARLY 20TH CENTURY cased in rolled gold, no strap, along with an agate kilt pin modelled in the form of a swordQty: 2

CHILD'S HIGHLAND DRESS, comprising a kilt and tie (MacLeod tartan), jacket, and sporran

Post War Pair Of Scottish Trews And Kiltpair of tartan, "Highland" trews.  Issue label dated "1947".  Some moth.  Together with a post war tartan kilt.  Side front with green silk bows.  Top secured by leather straps.  2 items. PAYMENT BY BANK TRANSFER ONLY

A pair of white metal kilt pins with Lion Rampant terminals

A Modern Scottish Kilt Suit with Jacket, Waistcoat, Sporran, Shoes and Cumberbunds, Socks Etc

A collection of Scottish clothing and accessories. Includes Macnaughton's wool jacket along with tartan kilt, sgian dubh, leather belt, Scottish brooch, leather Sporran, socks etc.

THE SNOWMAN (1982) - Hand-painted Animation Cel and Preliminary SketchA hand-painted animation cel and preliminary sketch from Dianne Jackson and Jimmy T. Murakami's animated adaptation of Raymond Briggs' children's book The Snowman.Rendered in gouache on acetate and marked "12/8 37", the cel depicts a poignant moment from the end of the film where James and the Snowman hug goodbye. The accompanying preliminary sketch is rendered in pencil on paper, marked "13 9D" and depicts the Scottish Snowman, dressed in a kilt and bonnet, mid dance with James. Dimensions (each): 33 cm x 27 cm (13" x 10 1/2")Sold without copyright; see copyright notice in the Buyer's Guide.Estimate: £600 - 1,200 M View all lots from SNOWMAN, THE (1982)Bidding for this lot will end on Sunday, November 12th. The auction will begin at 3:00PM BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 9th, Friday, November 10th or Saturday, November 11th.

New Kingdom, Ca. 1550-1069 BC.A stone statue of a seated figure, comprising an L-shaped base with decorative vertical striations and a panel of hieroglyphs to both faces. This piece likely belonged to a royal or divine figure, featuring a pleated kilt and arms resting on the thighs with open palms facing downwards. The reverse side of the pillar base also has hieroglyphs. Size: L:130mm / W:130mm ; 1.22kg Provenance: Property of a London Ancient Art gallery; formerly French collection, 1990s-early 2000s; from an important Paris gallery, France; Ex. private Parisian collection. This item has been checked against the Art Loss Register database.

Various items of jewellery to include a 9ct gold eternity ring with white stones in a zigzag pattern, size R, a small gold-coloured metal eternity ring, size F, a small dainty 9ct gold necklace (tangled), combined weighable gold approx. 4.2g, two Celtic kilt brooches, a modern amber and silver brooch, a silvered charm bracelet with six charms and a heart-shaped padlock clasp, a carved jade pendant, etc (9).

A Scottish silver kilt pin, maker Robert Allison, Edinburgh 1969, in the form of a sword, together with a Sampson Mordan and Co silver pencil, 15grams, (2).

Elvis Presley (1935-1977) - a personal autograph book, a single page signed 'Sincerely Elvis Presley' in black fibre tip; other autographs include John Wilkinson (Elvis's guitarist); Vestor Presley (Uncle Vestor), the longtime guard at the gates of Graceland; Earl Pritchett (first cousin of Elvis) worked in security and maintenance with Elvis Presley Enterprises; Peter Gordeno (1939-2008) Musician; Clyde Whitaker Tupelo mayor; Provenance - the owner was invloved with the UK arm of the Elvis Fan Club and visited Las Vegas, meeting Elvis Presley see additional image of Elvis with the owner to the right in dark glasses and a kilt.

An unusual Victorian white metal collar necklace, the alternating shaped links with applied decoration, two round trigger clasps; a white metal wirework floral brooch; four kilt pins, etc.

Burns and His Mary - a Victorian mid-late 19th Century Staffordshire decorative porcelain spill vase. The spill vase depicting Robert Burns and his lover Mary Campbell. Burns in traditional Scottish garb including a tartan kilt. Unmarked. Measures approx. 30cm tall, 20cm long.