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A late 20th Century Cairngorm silver kilt pin and a silver mounted rabbit's foot, set with a faux amethyst, respectively Birmingham, 1990, Glasgow, 1954, former 11.61 g, 78 x 29 mm

A Scottish silver thistle-form kilt pin by Robert Allison, having a faux cairngorm terminal, Glasgow, 1956, 11.39 g, 84 mm

Four early-to-mid 20th century polished hardstone white metal kilt pins, in the form of a sword and targe, and three in the form of a dirk, one having a faux cairngorm finial, all marked 'Silver', 23.31 g gross, largest 74 mm, (one a/f)

Three 1920s silver kilt-pin brooches, including one having a polished hardstone shamrock, 13.56 g gross, largest 34 x 46 mm

Vintage costume jewellery including a silver and Connemara marble Irish harp form brooch, Victorian Diamond Jubilee commemorative brooch, a white metal mounted chrysoprase brooch, a bug brooch, a Scottish silver ribbon-bow brooch, a sword- and dirk-form kilt pins, claw brooches, a marcasite kookaburra brooch, a Siamese white metal and niello brooch etcQty: 30

10x Scottish Malt Whisky Golf Related Commemorative Tins - to incl 8x Classic Golf Courses "Glenlivet 12yr Single Malt Whisky" tins to incl Royal Dornoch, Royal Troon, St Andrews, Turnberry, Muirfield, Carnoustie all c/w historical golf notes plus 2x Glenmorangie 10yrs Old Single Highland Malt whisky tins decorated with golfing, kilt making, fishing and bagpipe scenes - 3x with the original bottles (unfortunately empty) Note: From The Estate of The Late David Easby

2x Interesting Artist's Wartime Golfing Printers Block Plates possibly Punch or another period Illustrated Magazine - to incl Scotsman wearing his kilt playing a golf shot using his rifle (5.5" x 4.5"); and another similar plate with a soldier using his rifle to play a golf shot out of a bunker with his Scottish caddie wearing his kilt and shouting "Ca Awa, Son!" c/w artist signature and inscribed in pencil on the reverse '51st Highland Div' (6" x 4") Note: From The Estate of The Late David Easby

A scarce WWI type khaki large kilt apron, GC £70-75

BREWERIANA: A MACKINLAY'S SCOTCH WHISKY ADVERTISING FIGURE, 'There's No Use Talking- Taste It! Says Mac', a rubberoid Highland gentleman in a kilt with a whisky bottle and glass, supported by a painted wooden base, height 35cm (1) (Condition Report: left leg is broken at the base of the kilt, figure is slightly loose at the base, paint is flaking on the base, crazing and a few small cracks to rubber figure)

BREWERIANA: AN USHER'S GREEN STRIPE SCOTCH ADVERTISING BOTTLE STAND, cast plaster figure of a Highland gentleman 'For Outstanding Merit' on the base, height 43cm (1) (Condition report: a few nibbles to edges of the base, chip to the front and back of the base, small patch of flaking paint on kilt)

An early 20th century Scottish silver kilt or plaid brooch, of Celtic design, set with a large central claw set citrine, within a pierced strapwork surround, by R W Forsyth Ltd, having a pin back, Edinburgh 1937, 75g, 8cm diameter

R.G. HARDIE OF GLASGOW, SET OF BAGPIPES, MID-20TH CENTURY in turned hardwood (possibly African blackwood) with ivory ferrules and sole, the chanter stamped maker's mark, along with another chanter by William Sinclair, alongside a kilt, belt and pair of dress broguesNote: The vendor has owned these pipes since circa 1971. The pipes were played in a World Championship, were they won (grade 2) with Glasgow Transport. Also played (grade 1) with Seagram's 100 Pipers.This lot contains elephant ivory material. Several countries, including in the EU and USA, prohibit the importation of ivory items unless under specific conditions. Prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.Ivory Act 2018 (2022) compliant with APHA registration reference 9WX6KTUF.

Two Scottish leather kilt sporrans to include a day sporran together with white military gloves and a vintage travel brush set and tartan sashes. Location:BWR

TWO FOLK ART PAINTED PINE WHIRLIGIG FIGURESLATE 19TH / EARLY 20TH CENTURYin the form of army officers, one wearing a kilt with his sporran, with painted tin details, later mounted on a wooden stand (2)40.5cm high (max), 32.5cm wide

Collection of kilt pins and brooches.

White metal kilt brooch set with agate

The Tartan shop, mens kilt, Waist 44 inches

A Scottish Sgian Dubh along with kilt broach etc

A Scottish Kilt

A Scottish kilt, Campbell of Argyll with 'NE Obliviscaris' brooch mounted antlers.DIMENSIONS APPROXIMATELY 98CM WAIST WHEN FULLY OPENED UP, 68CM LONG, THE BROOCH ATTACHED TO THE KILT IS NOT SILVER

G E Johnson (British 19th century), portrait of a Scottish soldier in red tunic with plaid kilt, signed and dated 1896. Oils on canvas. 30x21cm approx. Framed. Together with convex glazed print of a young woman in modern oxidised metal scrollwork frame. (2) (B.P. 21% + VAT)

Two Kilt Brooches, RAF Wings Brooch and Others

Silver Cuff Bangle and Charm Bracelets along with 2 Kilt Pins

AN ASSORTMENT OF SCOTTISH JEWELLERY AND OTHER ITEMS, to include a white metal Graham Clan pin badge, inscribed motto 'Ne Oublie', translates to 'Do not forget', two AF white metal kilt brooches, an AF banded agate kilt brooch, a large white metal brooch, an AF swivel fob, set with bloodstone and carnelian, a German souvenir bracelet, stamped 800, together with an AF delft bracelet (condition report: general moderate wear, some pins missing, two delft pieces missing)

A Baltic amber necklace and a Scottish kilt pin style brooch

A silver sword shaped brooch or kilt pin set amber coloured stone. 9cm long

A gold tone brooch/kilt pin with fox head decoration

OLD MILITARY HELMET, VARIOUS SPURS, KILT ETC

GILT FRAMED MIRROR, 2 STILL LIFE PICTURES, TAPESTRY FIRE SCREEN & BOX WITH KILT, SPORRAN, BINOCULARS, STICK STAND ETC

BICHE DE BERE: Red patchwork tartan kilt set/suit, with buckled jacket and skirt, size XS [2]

VIVIENNE WESTWOOD ANGLOMANIA: Red and blue plaid virgin wool skirt suit, with kilt skirt and belt, size 40

VIVIENNE WESTWOOD GOLD LABEL: Black white and grey plaid woolen kilt skirt, with panel front and pleated back, size 10

Ca. 2000-1600 BC.A pottery plaque with a low relief depiction of a left-facing male figure wearing a long kilt and holding a ceremonial item in his right hand before him. Size: 80mm x 55mm; Weight: 87g Provenance: Property of a North London gentleman; From a European Collection, France, bought in London in 1980-90s, the piece was seen by Professor Lambert.

Late Period, Ca. 664-332 BC.A faience amulet of the ram-headed god, Khnum. He is depicted striding forward, with arms by his side and his fists clenched. He wears a short kilt and tripartite wig. Cf. C. Andrews, Amulets of Ancient Egypt, 1994, p. 22. Size: 26mm x 12mm; Weight: 1.5g Provenance: From the collection of a London gentleman; formerly acquired in early 2000s; previously in 1970s UK collection.

WWII Black Watch interest items including two dress jackets (bad damage by moth) but buttons / insignia good. Two berets with red hackles, red flashes for socks and Khaki kilt apron. All the above property of Late Capt. P. Vaulkhard, Black Watch (most items named)

Sir John Mills (1908-2005) and Lady Mills (Mary Hayley Bell, 1911-2005). A group of six screen worn Original costumes includes, Sir John Mills, Tunes of Glory (1960) a tartan kilt, screen worn by the British actor, with two labels, the first reads M. Berman Ltd., Leicester Square, WC2, with John Mills written in black ink, the second label reads W.J. Jardine & Sons Ltd., Forth Street, Edinburgh, with John Mills written in blue ink, no size marked, Size Small; ? possibly worn in Ryans Daughter (1970) a blue and white collarless striped shirt, screen worn, with long sleeves and cuffs, label reads T. Hodgkinson Ltd., St. Jamess S.W.1, J.M. K396, with 17 embroidered to inside of neck; size L-XL; together with, Lady Mills, a pair of thick beige trousers, label reads H. Huntsman & Sons, 11 Saville Row, London, Mrs. John Mills (S) 11.11.57. 9564/3 675M; a pair of tan jodhpurs with suede to inner legs, button fastenings to outer legs, and button fly, label reads, H. Huntsman & Sons, 11 Saville Row, London, Mrs. John Mills 1.10. 54 4946/3 J no size marked, Size petite; and a gold black and pink jacket with red satin effect lining and three-quarter length sleeves, no label or size marked, Size Small. (6) Provenance: The Collection of John Willis, Publicity Director and Production Executive for Sir John Mills on his one-man show, his wife Lynn was personal assistant to Sir John and Lady Mills for many years.John Willis worked on many of the James Bond series including Casino Royale and several other films such as The Battle of Britain, Heroes of Telemark, Living Free, and In Search of Castaways.

20th century painted tobacco advertisement in the form of a Scotsman wearing kilt with a cigar, H80cm

A Thompson Hunting muted kilt, 37-39", length 25", Prince Charlie jacket and waistcoat  L42, shoes 9 1/2, seal skin sporran, Skean Dhu  and other accessories Condition Report:No condition report available.

A Thompson blue tartan kilt 33-36" waist, length 26 1/2", Prince Charlie jacket and waistcoat L40, shoes 10 1/2 and other accessories Condition Report:No condition report available.

A Thompson blue tartan kilt, waist 36-38", length 23 1/4", Price Charlie jacket and waistcoat 44S, shoes size 9, seal skin sporran and other accessories Condition Report:No condition report available.

Black Watch tartan kilt with military markings to the interior. 

Victorian silver kilt buckle by Colen Hewer Cheshire, Chester 1899, on black leather kilt belt, a Scottish Highland dress sgian dubh (Skean Dhu), the blade by J Nowill And Sons Limited of Sheffield and a German hunting knife with stag handle. (3)

A Black Watch tartan lady's skirt kilt, Kinloch Anderson, 55% cashmere, 45% wool  (l.28", waist in second buckle hole 32")

A bronze model of a WWI Royal Highlander (Black Watch), second quarter 20th century, depicted standing holding a Lee Enfield rifle with fixed bayonet and wearing a helmet, 08 pattern webbing, gas mask, mess tins, entrenching tool, and kilt, his uniform showing Corporal stripes and RH shoulder titles, on rectangular naturalistic base, 32.5cm high Provenance: The Property of the Late Reverend John Watson.         

An Egyptian limestone statue of Sekhemankhptah Old Kingdom, 5th Dynasty, circa 2389-2255 B.C.Statue: 121cm high x 51cm wide x 40cm deep; plinth: 91cm x 71cm x 61cmFootnotes:Provenance:Tomb G7152 at Giza, excavated by George A. Reisner and the Harvard University-Boston Museum of Fine Arts Expedition, during the digging season of 1926-1927.This statue is referenced in Reisner's diary entry of 29 January 1927 (vol. 20, p. 667): 'uncovered the two seated statues at door of G 7152, and a broken standing statue at north side of door, fallen in several pieces'.Vincent (1886-1967) and Olga (1906-2000) Diniacopoulos collection, Canada, acquired from the Khawam Brothers, Cairo and likely brought to Canada in 1951.Property from a Canadian Private Collection, a portion of the proceeds intended for the benefit of Concordia University, Montreal; Sotheby's, New York, 5 June 1999, lot 25.Private collection, New York, acquired at the above sale, until 2018.Published: La Presse, Montreal, 15 May 1954 (illus.).V. and O. Diniacopoulos, Collection Monsieur et Madame D., Vincent et Fils, Valleyfield, 1954, p. 5, no. 6.R. Belle-Isle, Exposition d'art antique, Chambly, Quebec, 1965, p.5.J.E. Francis and G.W.M. Harrison, Life and Death in Ancient Egypt, The Diniacopoulos Collection, Montreal, 2004, p.59, fig. 5.6.J.M. Fossey and J.E. Francis, The Diniacopoulos Collection in Quebec: Greek and Roman Antiquities, Montreal, 2004, p. 22, fig. 1.4 for a photograph of Vincent and Olga unboxing pieces including Sekhemankhptah at the Séminaire de Valleyfield in 1955.Exhibited: Séminaire de Valleyfield, Quebec, Diniacopoulos Collection, from 1954. Ecole Gérard Filion, Chambly, Exposition d'art antique, 1965.The tomb of Sekhemankhptah is dicussed in the following publications:G.A. Reisner, A History of the Giza Necropolis I, Cambridge, 1942, pp. 210, 312. W.H. Smith, A History of Egyptian Sculpture and Painting in the Old Kingdom, London, 1946, p.200 (recording the decoration of the interior of the offering-room of the tomb: 'The east wall retains a fragment of an agricultural scene, and the north wall is decorated with scenes showing the care of cattle. The west wall has a presentation of animals').B. Porter & R.L.B. Moss, Topographical Bibliography of Ancient Egyptian Hieroglyphic Texts, Reliefs, and Paintings 3: Memphis, 1974, p. 191.A. Bedawy, The Tombs of Iteti, Sekhem'ankh-Ptah and Kaemnofret at Giza, Berkeley, 1976, pp.15-24, figs. 18-24, pls. 14-23, including detailed description of the decoration of the tomb and drawings of such. Sekhemankhptah's titles are listed on p.22.N. Strudwick, The Administration of Egypt in the Old Kingdom: The Highest Titles and Their Holders, London, 1985, pp.134-5. V.G. Callender, 'A Contribution to the Burial of Women in the Old Kingdom', in F. Coppens (ed.), Abusir and Saqqara in the year 2001. Proceedings of the Symposium, Prague, September 2001, Archiv Orientálni 70, no. 3, 2002, p. 303, no. 15.Sekhemankhptah was a highly important Egyptian official during the 5th Dynasty of the Old Kingdom. His mastaba tomb is located southeast of Khufu's pyramid in Giza, one of 'the most important necropolises for Egyptian royalty and the upper echelons of officialdom during the Old Kingdom' (P. Der Manuelian, 'Excavating the Old Kingdom, the Giza Necropolis and Other Mastaba Fields', in Egyptian Art in the Age of the Pyramids, New York, 1999, p. 139). It was excavated in 1926 by George Reisner, and the hieroglyphic texts on the interior demonstrate the pre-eminent role Sekhemankhptah played in the royal court. Sekhemankhptah is named as 'Count; Sole companion of Pharaoh; Chief judge, vizier; Staff of the people; Mouth of all the people of Pe; Royal chamberlain; Privy to the secret; Overseer of the scribes of the documents of the king; Scribe of the documents of the king; Overseer of all the works of the king; Overseer of the embalming house of Pharaoh; Overseer of the embalming house'. These titles suggest that Sekhemankhptah was second only to the king himself. His wife, Bwnefer, is named as 'Real royal daughter', suggesting she was the daughter of a Pharaoh (Reisner refers to Sekhemankptah as 'husband of a princess'). They had two children, a son named Seshemnefer and a daughter named Meritites.The extraordinary, monumental, size of this statue, highly unusual for a non-royal sculpture, is further testament to Sekhemankhptah's high status. It is also an exceedingly rare example of an unfinished Old Kingdom sculpture of a non-royal personage, which offers a fascinating insight to the technique and skill of the earliest sculptors of Pharaonic Egypt. Sekhemankhptah retains original chisel marks, and the carving of the wig and kilt are clearly unfinished. The surface has also not been polished to the typical degree. It has been suggested that the figure was coated in plaster, with the finer details rendered in paint, though it seems more likely that the statue was placed in front of the tomb prior to being finished (as no traces of plaster or pigment remain). The group of statuettes of King Menkaura of the 4th Dynasty at the Museum of Fine Arts, Boston (acc. no. 11.732), each in varying degrees of completion, further elucidate how these figures were finished after being installed in their final locations. Artists began by hammering out the approximate shape of the statue from a large block of stone, before refining details of the head and limbs with chisels in a series of stages of increasing refinement. After this carving and refining, rubbing stones and powdered abrasive were used to polish the surface, before an inscription was added to identify the owner. These last stages had not been completed before work on this statue of Sekhemankhptah seems to have ceased.The Diniacopoulos Collection of Ancient ArtVincent and Olga Diniacopoulos amassed one of the largest and most impressive private collections of antiquities in Canada during the 20th Century, of almost unparalleled breadth and quality. Vincent Diniacopoulos (1886-1967) was born in Constantinople to a Greek family, and was enamoured by the ancient world from childhood. From the 1920s he was participating in archaeological digs across the Middle East and undertaking art restoration, living between Paris and Cairo. His wife Hélène Olga Nicholas (1906-2000), was also Greek, and was born in Cairo. After moving to Paris in 1923 she studied archaeology at the Louvre and Sorbonne and met and married Vincent. In the late 1920s and 1930s the couple travelled extensively throughout the Middle East and Egypt, building their collection of antiquities as well as acquiring objects for major institutions including the British Museum, Louvre and Metropolitan Museum. During these formative years, they built up an extensive collection including ancient Egyptian, Babylonian, Assyrian, Hittite, Cypriot, Greek and Roman objects, ranging from sculpture and coins to ceramics, glassware and bronzes.For further information on this lot please visit Bonhams.com

A TARTAN MILITARY KILT TOGETHER WITH A TARTAN PIPERS PLAID

A TARTAN MILITARY KILT TOGETHER WITH A TARTAN PIPERS PLAID

A TARTAN MILITARY KILT TOGETHER WITH A TARTAN PIPERS PLAID

A SELECTION OF SCOTTISH MILITARY STYLE / MARCHING BAND BELTS, together with a collection of loose buckles and four kilt brooches

A 19th century Staffordshire figure group, a Highland boy wearing tam o' shanter, kilt, and sporran whilst restraining a spotted deer, naturalistic oval plinth, 26cm high

Luisa Stuart Costello, 1799 – 1870PORTRAIT DES OBERST JOHN IGNATIUS MCDONALLBleistift und Aquarell auf Papier.Sichtmaß: 18 x 17 cm.Mittig unten signiert.Eingefügt in verglasten Setzkasten.Der Oberst als Kind in Hochlandschaft mit Kilt und Haube. Unterhalb der Darstellung silberne Plakette, die den Dargestellten identifiziert. (13802519) (18))

A First World War Cameron Highlander's Kilt and Sash, which belonged to Private George Potts Brown, service No. S/10360, "B" Company, 1st. Battalion Cameron Highlanders., together with his Certificate of Discharge, Character Certificate, War Badge award certificate, also, photocopies of Short Service Attestation Medical Case Sheets, Medical Report on an Invalid, newspaper cuttings and other related research material.Footnote : - Private George Potts Brown was serving with the British Expeditionary Force in France when he was injured on 3rd May 1915 by a shell which exploded in the dug-out he was occupying near La Bassee. The left side of his body was injured and he was partially blinded. In one way, he was lucky to have been injured in a British dug-out rather than out in 'no man's land'. The dug-out was quite close to a dressing station where he was given rudimentary first aid before being transferred to the nearest Base Hospital at Boulogne. He returned to England on the 4th May 1915 and was admitted to the Royal Hospital Chelsea. On the 16th June 1915, George was transferred to St. Dunstan's Hostel in Regents Park, London and was officially discharged from the army in July of the same year, being unfit for War Service. Whilst at St. Dunstan's, George was taught various skills including Braille reading, basket making and typewriter skills. He left St. Dunstan's on the 25th February 1916 and was admitted to After Care, which meant he was found accommodation and financial support. Shell damage of numerous small holes to one side of the kilt, which basically remains intact.

Artist teddy bears , to include teddy bears x 5 and a Sooty teddy bear-all artisan made to resemble time worn vintage teddy bear toys from antique fabrics-a charming selection and the little teddy in knitted strap kilt is just 6” tall.(6)

1930s and 40s fashions to include a ballerina pink evening gown with soutache bodice and sweetheart neck, a brown velvet dress with an additional fabric piece, a brown crepe dress with orange and white daisy print, a printed rayon dress with very faded cc41 label, a mosbrook kilt, a shot taffeta gown with corded bodice and hem, a dusky pink faille jacket, a chiffon and lace waistcoat (a/f) and an all in one (to be worn under shorts) from the Women's League of Health and Beauty (qty) pink gown has split above buttons at side opening and front of tulle peplum has been cut away, brown dress is torn at the underarms, crepe dress has fade, small holes, generally worn, cc41 dress has badly torn underarms, kilt has a patch, a darn and a couple of small moth holes, taffeta gown has large split at side seam, scattered small holes, the hem has rubbed away over the cording in areas from being dragged on the floor, jacket has a small hole on shoulder and buttons are missing, all in one has small hole at back of neck and missing fastening on gusset

An unusual cased pair of late 19th century white metal kilt pins, each set with a thistle shaped cut Cairngorm and in a leather velvet lined fitted case and with Perth of Scotland retail label to the silk lid, length of each pin 11cm.

20th century A.D. Striding and wearing a headdress of a lotus flower and plumes and a kilt; mounted on a custom-made stand; after the antique. 311 grams total, 21 cm high including stand (8 1/4 in.).British collection formed in the 1980s. Ex property of a London gallery. Private collection of Mr T.H., Norfolk, UK.

20th century A.D. A substantial decorative figurine of a seated male wearing a nemes headcloth and shendyt knee-length kilt; the figure sitting cross-legged with hand resting on a rectangular panel, possibly a papyrus sheet; low rectangular base; after the antique. 62.5 kg, 63 cm (22 in.).From a French collection, Paris. Ex Parisian gallery, France; latterly with a London, UK, gallery. [No Reserve]

20th century A.D. A substantial decorative designer frieze panel with high-relief figure of Osiris seated in profile wearing the atef crown, segmentee collar and short cape, pleated kilt; in his hands the symbolic crook and flail; seated on a rectangular throne with banded detailing; hieroglyphs in the field; after the antique. 34 kg total, 54 cm (21 1/2 in.).From a French collection, Paris. Ex Parisian gallery, France; latterly with a London, UK, gallery. [No Reserve]

Late 19th-early 20th century A.D. Carved in the round figure of a priest seated on a throne, wearing a short kilt and with shaven head; rectangular base, panels of hieroglyphs to each side of the throne; after the antique. 7.2 kg, 36.5 cm high (14 1/2 in.).Ex Paris collection. French gallery, Paris, 1990-2000s.

2nd-1st millennium B.C. Polished haematite cylinder with incuse frieze depicting a standing profile human figure in flounced kilt and mesh tunic brandishing a dagger towards a rearing ibex, with two smaller ovicaprids at his feet, bird above his shoulder; accompanied by a museum-quality impression. 3.28 grams, 21 mm (3/4 in.).From a Cotswold, UK, collection, item no.115; as seen and catalogued by the late Professor Wilfrid George Lambert pre 1990.The late W.G. Lambert was Professor of Assyriology at the University of Birmingham in the period 1970-1993.