A silver and enamel kilt pinOf abstract design, the vari shade enamel figure with spherical eyes, geometric torso and movable double headed arrow arms, makers marks for Jeanne Werge-Hartley, hallmarks for London, 1994, length 11.5cm, weight approx. 38g.Overall condition goodSlight dent and misshaping to the end of the pinLight scratches in keeping with wearEnamel in overall good condition, minor loss to dark green areaSome slight damage to one of the top points
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SELECTION OF SIR HARRY LAUDER RECORDSincluding an HMV 33 1/3 Roaming In The Gloaming, Favourite Songs By Sir Harry Lauder, and a selection of 78's including A Wee Doch an' Doris, From The North, South, East and West, Stop Your Tickling Jock, The Portobello Lass, Breakfast In Bed, The Pirate, Roaming In The Gloaming, The Waggle O' The Kilt, The Kilty Lads, I Love A Lassie, Foo The Noo and many others
MODEL OF SIR HARRY LAUDER'S FIRST COTTAGEof paper and card construction on a mahogany plinth, with a model of Sir Harry standing by it in his kilt and trusty twisted cane, together with another model of a cottage of paper and card construction, with a photocopied declaration that the model was made by a Mr. Hamilton, husband of Elizabeth (Betty) Hamilton who inherited the items from Greta Lauder, his grand niece
A poured wax child doll 1880s, With head turned slightly to the left, deep blue eyes, inserted centre parted brown hair, stuffed body with wax limbs held with metal eyelets, black velvet waistcoat and jacket, tartan kilt and sash, stripped socks and Paris leather shoes with greyhound motif and rosette —18½in. (47cm.) high (shoulders untied from body, missing thumb and one ankle broken through)
A composition figure of a Scotsman in Highland dress taking snuff, probably a tobacconists advert. Height 138 cm (see illustration). CONDITION REPORT: In our opinion this item is 19th century. The figure is a hollow cast composition and not wood with gesso. It mostly likely has been repainted at some point in its life but not recently. You will note from the images that the right hand little finger and ring finger are missing and the middle finger is split through. There are small areas of paint missing to the rear feathers on his headdress. The yellow lines on his tartan sash, kilt and socks look fresh but again probably not done within the last decade or so.
A collection of 20th century Scottish highland pipers accessories to include a reproduction sporran with fur to the front and tassels with a silver white metal mounts baring a Celtic design, a small highland dirk / kilt knife having a carved wooden handle with an inset orange stone and Celtic knot mounts baring hallmarks to the back, a white metal kilt sash brooch of round form with thistle embossing and an inset orange stone, a Scottish grouse claw brooch, a pair of white hose and gloves and belt, along with two Scottish brass and glass hookah pipes, and bag of pipe parts.
Egyptian Ushabti Section for Tasa, Third Intermediate Period, C. 712 BC. A Third Intermediate Period mummiform overseer shabti section for Tasa.Clenched fists on the chest; each hand holds a whip. No basket. The single verticle column of inscription names the owner as Tasa.'The Osiris, Tasa, justified! This figure is an overseer shabti wearing a short kilt instead of the more usual projecting apron. This type of dress is seemingly only found on overseer shabtis from Tanis which might suggest a possible provenance for this figure.No other ushaebtis for this owner appear to be recorded in the usual sources. Size: 10cm. Provenance: Ex. Private Collection of 1920's collector Hans Moller Hansen Collection, Denmark, acquired legally in the late 1920's when visiting Egypt. Declaration of provenance: All provenance details are supplied by the vendor (consignor) – Hansons Auctioneers and Valuers supply a Certificate of Authenticity with all antiquities sold showing authenticity. Provenance and known details recorded on this.
Egyptian Faience Overseer Shabti, Third Intermediate Period, 1070 - 718 BC. An oversheer shabti wearing the kilt of everyday life with a projecting frontal apron, and a short wig, the right arm is held across the waist and the left hangs down the side; the lower legs and feet are indicated in the modelling; there is no sign of a whip, the normal accoutrement for an 'overseer' shabti'. Background: Shabtis were placed in the tombs amongst the belonging of the deceased and were intended to perform as servants, should they be commanded to do manual labor in the afterlife. Most varieties of shabtis carry a hoe on their shoulder and a basket on their backs. This tells us that they were intended to farm for the deceased. Each figure normally has hieroglyphs on the legs they carried inscriptions asserting their readiness to answer the god's summons to work. Size: 6.9 cm. Provenance: Ex. Private Collection of 1920's collector Hans Moller Hansen Collection, Denmark, acquired legally in the late 1920's when visiting Egypt. Declaration of provenance: All provenance details are supplied by the vendor (consignor) – Hansons Auctioneers and Valuers supply a Certificate of Authenticity with all antiquities sold showing authenticity. Provenance and known details recorded on this.
1st-4th century AD. A carved schist frieze fragment depicting a nude bearded male riding a bull turning towards a robed female offering him a drink from a bulbous vessel, second facing female to the rear; robed female in three-quarter view holding the bull and bearded male in a kilt to her rear; running vinescroll above and base with lip below; mounted on a custom-made stand. 15.6 kg, 35.5cm (14"). Property of a North London gentleman; acquired on the UK art market before 2000. Fine condition.
19th-late 16th century BC. An agate cylinder seal with a bearded worshipper, the owner of the seal, wearing a cap with wide edge, a wide belt and a long kilt with wide lower hem, raising the right hand, facing right towards king with a mace, between both men a pot and a ball-and-staff, inscribed with: 'A-x-ú-Å¡a-ia-a 2ìr dAmurru(mar-tu) 3ù dnin-si4-an-na' 'A., servant of the deities Amurru and Ninsianna.' 10 grams, 30mm (1 1/4"). From the collection of a Cambridge connoisseur, Cambridgeshire, UK; formed in the early 20th century; accompanied by a museum quality seal impression. Amurru was a god who destroyed cities and raged over the land like a storm, he represents a personification of the nomadic peoples of the desert. Ninsianna, as her name shows ('lady of the evening sky') this goddess was the planet Venus, one of the aspects of Inana/IÅ¡tar, the most important female deity of ancient Mesopotamia at all periods. Fine condition.
19th-20th Dynasty, 1305-1080 BC. A substantial alabaster shabti wearing civil dress, duplex wig, pleated robe with short sleeves and long stiff pleated kilt, secured around the waist with a band of fine horizontal pleats, arms folded to the chest; mounted on a custom-made stand. Charles Ede Ltd, Egyptian Sculpture, catalogue VI, January 1978, no.3. 1.1 kg, 22cm (8 1/2"). Property of a London gallery; previously with Hixenbaugh Ancient Art, New York, USA; formally in a private US collection acquired from Bonhams, London, 28 October 2009, Lot 39; formally with Charles Ede, Ltd, London, 1978; from the estate of Hamilton Phelps Clawson, Buffalo, USA; with Sotheby Parke Bernet, New York, 20 November 1975, Lot 360; accompanied by copies of the relevant Bonhams catalogue pages and a copy of a James Ede Certificate of Authenticity dated 20 January 1978. [A video of this item is available to view on TimeLine Auctions website.] Fine condition.
Mid 24th-mid 22nd century BC. A haematite cylinder seal depicting the seal's owner on the left, wearing a kilt with herringbone pattern and raising the right hand, facing right the bearded sun-god Å amaÅ¡ wearing a long fringed skirt and holding the saw in the right hand, placing his right foot on the back of a bull, between the men on the top the Imdugud (Anzû)-bird with the head of a lion, the inscription reading: 'x ni ki 2dingir límmu x 3ni-ib-ma-a.' 11 grams, 26mm (1"). From the collection of a Cambridge connoisseur, Cambridgeshire, UK; formed in the early 20th century; accompanied by a museum quality seal impression. Fine condition.
WILLIAM WALLACE STUARTS KILT & JACKET - IRISH & SCOTTISH INTEREST a tartan kilt and velvet jacket with thistle design buttons, mounted in a glazed and wooden case, with a label on the reverse William Wallace Legge Stuart, Born 1861 wore this kilt at the opening of the Giants Causeway by the Earl of Antrim, the frame with a small plaque on the front Wallace Stuarts Kilt. Also with a framed Sporran and Hat. (2)
A late 20th century highland Dirk / sheathed kilt knife having a thistle carved wooden handle with a large inset faceted orange citrine-like stone. With a leather wrapped scabbard having white metal sections embossed with thistles and the typical sections for the by- knife and fork. Attached with chains and set with further orange stones. The blade has a scalloped edge and is marked stainless steel. Made by Art Pewter Ltd. Measures approx 46cm.
A COLLECTION OF JEWELLERY, comprising a pair of pearl dress studs, with French eagle's head control marks, a sapphire and half pearl heart-shaped stick pin, a pearl bar brooch, stamped '9ct', (all pearls untested for origin), a clover leaf brooch pin, a hardstone kilt pin (fitting deficient), a pair of red enamel cufflinks, a pair of lorgnettes, and further items
A group of gentleman's cufflinks and other items, including two pairs of 9ct gold cufflinks, a 9ct gold bar pin and safety pin, 22.3g, along with two 9ct gold bar brooches, a Scottish silver kilt pin in Mappin & Webb box, a 9ct gold and onyx cufflink and dress stud set in Edward & Sons case, two gilt tie pins and two dress studs (parcel)
*Ancient Egypt. 19/20th Dynasty, blue faience mummiform Shabti for a person possibly named Amen, modelled wearing tripartite wig with fillet added in black, arms crossed on chest holding pair of hoes, rear bag added in black, 10cm high, with receipt Provenance: Collection of David Joseph, chef at the Winter Palace Hotel, Luxor, 1920-5; acquired from Helios Gallery, 2014. This figure appears orginally to have represented a worker, but has since been transformed into an overseer by the addition of a frontal mass of faience to represent a kilt. (1)
SELECTION OF CLOTHING ACCESSORIES including three new pairs of green kilt socks, ten new pairs of children's cream knee length socks, three new pairs of green sock garters, two new broad leather belts, box of various kilt pins, selection of Stag embossed buttons and backs and a selection of rampant lion impressed buttons and backs, various leather tassels, leather belt keeps, leather sporran chain fixing clasps and a belt buckle
SELECTION OF CLOTHING ACCESSORIESincluding three new pairs of green kilt socks, ten new pairs of children's cream knee length socks, three new pairs of green sock garters, two new broad leather belts, box of various kilt pins, selection of Stag embossed buttons and backs and a selection of rampant lion impressed buttons and backs, various leather tassels, leather belt keeps, leather sporran chain fixing clasps and a belt buckle
A fine quality late 19th/early 20th century Scottish hardstone kilt pin brooch, central orange citrine measuring approx 20mm x 18mm, estimated weight approx 40.0ct, ornate lattice work frame within a quartered multi coloured agate, onyx and bloodstone inlaid wheel surround, large chain linked safety bar pin, unmarked yellow metal body, 58mm diameter, 44.8g gross
Collectables, belt buckles, collection of 11 large metal belt/kilt buckles of various designs, all new in packaging. 6 relating to USA, incl. Bootscootin, Music City USA Nashville, Harley Davidson Freedom to Ride etc & 5 others relating to Scotland, incl. Scotland the Brave, BYDAND, thistle motifs etc. Sold with a kilt sash brooch with orange coloured glass centre (gd/vg) (12)
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3419 item(s)/page