A set of four Elizabeth II silver decanter labels, each of rectangular form with scallop shell and foliate rims, engraved 'Brandy', 'Sherry', Whisky' and 'Port', London 1967, 1972 and 1973, and another similar silver 'Gin' decanter label, total weight 63.3g, together with two silver wine coasters, both by Garrard & Co Ltd, diameters 13.2cm and 12.4cm.
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Black hair, light green band, dark green coat, yellow and burgundy bow. In Charles Dickens' 1843 novel " Martin Chuzzlewit" Sairey Gamp is a gossiping, gin-drinking midwife and nurse. Royal Doulton backstamp.Artist: Charles J. NokeIssued: 1935 - 1986Dimensions: 7.75''L x 5.75''W x 6.5"HCountry of Origin: EnglandCondition: Age related wear.
Seventeen mid 18th century and later enamel wine labels, one example of heart shaped form, the rest of cartouche and escutcheon form, various titles including Claret, Rum, Sloe Gin, Port, Whisky, Cowslip, Cherry-Brandy, etc., largest example W7cm Condition Report: General wear commensurate with age and use, including scratches and some wear to decoration.Some examples with some losses to enamel, and some cracks.Some examples with repairs.Some later suspension chains.
Nameplate COLONEL. Ex Hunslet 1459/1927 0-6-0 ST which was inherited by the National Coal Board from Manchester Collieries Ltd on 1/1/1947. It worked for the NCB at various locations - Chanters Colliery, Tyldesley; Wheatsheaf Colliery, Pendlebury; Parsonage Colliery, Leigh; Howe Bridge Colliery, Atherton; Gin Railways, Tyldesley; Bedford Colliery, Leigh. It was scrapped on site at Bedford Colliery 8/1966. Rectangular cast brass face restored measures 26in x 6.75in.
Tanaka Mazivanhanga Remnants II, 2024 Remnants II Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Tanaka Mazivanhanga is a contemporary artist whose work delves into themes of memory, identity, and the preservation of histories. Specialising in printmaking, installations, and object-making, she values the physicality of working with her hands and engaging directly with materials. This hands-on approach enables her to layer textures, build marks, and create tactile images. Education 2017-2019 MA: Visual Arts - Printmaking, Camberwell College of Arts, London, United Kingdom. 2010-2014 BA: Architecture, Kingston School of Art, London, United Kingdom. Solo Exhibitions 2025 TBC, ArtWorks Project Space, London, United Kingdom TBC, ASC Gallery, London, United Kingdom Group Exhibitions 2025 LOOP 2025, Bankside Gallery, London, United Kingdom Terra Incognita, Thames-Side Studios Gallery, London, United Kingdom Art on A Postcard International Women's Day Auction 2025, The Bomb Factory Art Foundation, London, United Kingdom 2024 Woolwich Contemporary Print Fair, Woolwich Works, London, United Kingdom Don't Be a Square!, AKKA Projects, Venice, Italy East London Printmakers - Festival of Print, Art Pavilion, London, United Kingdom The Women in Art Prize, The Roundhouse, London, United Kingdom 2023 Also Known As Africa, Art and Design Fair, Paris, France Woolwich Contemporary Print Fair, Woolwich Works, London, United Kingdom The Trinity Buoy Wharf Drawing Prize 2023, Trinity Buoy Wharf, London, United Kingdom LOOP 2023, Bankside Gallery, London, United Kingdom Bainbridge Open 2023, ASC Gallery, London, United Kingdom RA Summer Exhibition, Royal Academy of Arts, London, United Kingdom NAE Open 2023, New Art Exchange, Nottingham, United Kingdom Art on a Postcard International Women's Day Auction 2023, Fitzrovia Gallery, London HERE & WHERE, Curious Kudu Gallery, London, United Kingdom 2022 Woolwich Contemporary Print Fair, Woolwich Works, London, United Kingdom StART x Martin Miller's Gin Emerging Art Prize, Saatchi Gallery, London, United Kingdom Althea McNish, Colour Is Mine, William Morris Gallery, London, United Kingdom African Identities Chapter III, AKKA Project, Venice, Italy Fragile Bites, No Format Gallery, London, United Kingdom 2021 Withheld, Safehouse, London, United Kingdom East London Printmakers - Festival of Print, Art Pavilion, London, United Kingdom artHARARE, Contemporary Online Fair Woolwich Contemporary Print Fair, Woolwich Works, London, United Kingdom Un I Veiled, Brocket Gallery, London, United Kingdom Mayfair Art Weekend, London, United Kingdom 2020 My Love Is Your Love, Every Woman Biennial, London, United Kingdom Woolwich Contemporary Print Fair, Online Edition 2019 Clifford Chance Postgraduate Printmaking A Survey Exhibition, London, United Kingdom Woolwich Contemporary Print Fair, Woolwich Works, London, United Kingdom MA Visual Arts Summer Show, Camberwell College of Arts, London, United Kingdom Celebrating Women's History Month, Brentwood Road Gallery, London, United Kingdom Awards 2024 Solo Exhibition and Cash Prize, Barbican Arts Group Trust The Printing First Prize - The Printed Editions Award, The Women In Art Prize 2023 ASC Award - Solo Exhibition, ASC Gallery 2022 Cash Prize, StART x Martin Miller's Gin Emerging Art Prize Studio Award, HausPrint Studio 2019 Studio Award, East London Printmakers Studio Award, Bainbridge Print Studios Statement about AOAP Submitted Artwork Untitled III Landscape Series explores the often-overlooked marks and surfaces of the urban landscape. Texture plays a vital role in this work, brought to life through the painterly qualities of the Mokulito process, which evokes the essence of diverse landscapes. Remnants reflects remnants left by enslaved women during the Atlantic slave trade on the Gold Coast, capturing and honouring their presence. Deeply etching the metal plate was essential to convey the depth and weight of their stories. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Tanaka Mazivanhanga (Untitled III) Landscape Series (Detail II), 2025 Mokulito and watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Tanaka Mazivanhanga is a contemporary artist whose work delves into themes of memory, identity, and the preservation of histories. Specialising in printmaking, installations, and object-making, she values the physicality of working with her hands and engaging directly with materials. This hands-on approach enables her to layer textures, build marks, and create tactile images. Education 2017-2019 MA: Visual Arts - Printmaking, Camberwell College of Arts, London, United Kingdom. 2010-2014 BA: Architecture, Kingston School of Art, London, United Kingdom. Solo Exhibitions 2025 TBC, ArtWorks Project Space, London, United Kingdom TBC, ASC Gallery, London, United Kingdom Group Exhibitions 2025 LOOP 2025, Bankside Gallery, London, United Kingdom Terra Incognita, Thames-Side Studios Gallery, London, United Kingdom Art on A Postcard International Women's Day Auction 2025, The Bomb Factory Art Foundation, London, United Kingdom 2024 Woolwich Contemporary Print Fair, Woolwich Works, London, United Kingdom Don't Be a Square!, AKKA Projects, Venice, Italy East London Printmakers - Festival of Print, Art Pavilion, London, United Kingdom The Women in Art Prize, The Roundhouse, London, United Kingdom 2023 Also Known As Africa, Art and Design Fair, Paris, France Woolwich Contemporary Print Fair, Woolwich Works, London, United Kingdom The Trinity Buoy Wharf Drawing Prize 2023, Trinity Buoy Wharf, London, United Kingdom LOOP 2023, Bankside Gallery, London, United Kingdom Bainbridge Open 2023, ASC Gallery, London, United Kingdom RA Summer Exhibition, Royal Academy of Arts, London, United Kingdom NAE Open 2023, New Art Exchange, Nottingham, United Kingdom Art on a Postcard International Women's Day Auction 2023, Fitzrovia Gallery, London HERE & WHERE, Curious Kudu Gallery, London, United Kingdom 2022 Woolwich Contemporary Print Fair, Woolwich Works, London, United Kingdom StART x Martin Miller's Gin Emerging Art Prize, Saatchi Gallery, London, United Kingdom Althea McNish, Colour Is Mine, William Morris Gallery, London, United Kingdom African Identities Chapter III, AKKA Project, Venice, Italy Fragile Bites, No Format Gallery, London, United Kingdom 2021 Withheld, Safehouse, London, United Kingdom East London Printmakers - Festival of Print, Art Pavilion, London, United Kingdom artHARARE, Contemporary Online Fair Woolwich Contemporary Print Fair, Woolwich Works, London, United Kingdom Un I Veiled, Brocket Gallery, London, United Kingdom Mayfair Art Weekend, London, United Kingdom 2020 My Love Is Your Love, Every Woman Biennial, London, United Kingdom Woolwich Contemporary Print Fair, Online Edition 2019 Clifford Chance Postgraduate Printmaking A Survey Exhibition, London, United Kingdom Woolwich Contemporary Print Fair, Woolwich Works, London, United Kingdom MA Visual Arts Summer Show, Camberwell College of Arts, London, United Kingdom Celebrating Women's History Month, Brentwood Road Gallery, London, United Kingdom Awards 2024 Solo Exhibition and Cash Prize, Barbican Arts Group Trust The Printing First Prize - The Printed Editions Award, The Women In Art Prize 2023 ASC Award - Solo Exhibition, ASC Gallery 2022 Cash Prize, StART x Martin Miller's Gin Emerging Art Prize Studio Award, HausPrint Studio 2019 Studio Award, East London Printmakers Studio Award, Bainbridge Print Studios Statement about AOAP Submitted Artwork Untitled III Landscape Series explores the often-overlooked marks and surfaces of the urban landscape. Texture plays a vital role in this work, brought to life through the painterly qualities of the Mokulito process, which evokes the essence of diverse landscapes. Remnants reflects remnants left by enslaved women during the Atlantic slave trade on the Gold Coast, capturing and honouring their presence. Deeply etching the metal plate was essential to convey the depth and weight of their stories. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Tanaka Mazivanhanga (Untitled III) Landscape Series (Detail I), 2025 Mokulito on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Tanaka Mazivanhanga is a contemporary artist whose work delves into themes of memory, identity, and the preservation of histories. Specialising in printmaking, installations, and object-making, she values the physicality of working with her hands and engaging directly with materials. This hands-on approach enables her to layer textures, build marks, and create tactile images. Education 2017-2019 MA: Visual Arts - Printmaking, Camberwell College of Arts, London, United Kingdom. 2010-2014 BA: Architecture, Kingston School of Art, London, United Kingdom. Solo Exhibitions 2025 TBC, ArtWorks Project Space, London, United Kingdom TBC, ASC Gallery, London, United Kingdom Group Exhibitions 2025 LOOP 2025, Bankside Gallery, London, United Kingdom Terra Incognita, Thames-Side Studios Gallery, London, United Kingdom Art on A Postcard International Women's Day Auction 2025, The Bomb Factory Art Foundation, London, United Kingdom 2024 Woolwich Contemporary Print Fair, Woolwich Works, London, United Kingdom Don't Be a Square!, AKKA Projects, Venice, Italy East London Printmakers - Festival of Print, Art Pavilion, London, United Kingdom The Women in Art Prize, The Roundhouse, London, United Kingdom 2023 Also Known As Africa, Art and Design Fair, Paris, France Woolwich Contemporary Print Fair, Woolwich Works, London, United Kingdom The Trinity Buoy Wharf Drawing Prize 2023, Trinity Buoy Wharf, London, United Kingdom LOOP 2023, Bankside Gallery, London, United Kingdom Bainbridge Open 2023, ASC Gallery, London, United Kingdom RA Summer Exhibition, Royal Academy of Arts, London, United Kingdom NAE Open 2023, New Art Exchange, Nottingham, United Kingdom Art on a Postcard International Women's Day Auction 2023, Fitzrovia Gallery, London HERE & WHERE, Curious Kudu Gallery, London, United Kingdom 2022 Woolwich Contemporary Print Fair, Woolwich Works, London, United Kingdom StART x Martin Miller's Gin Emerging Art Prize, Saatchi Gallery, London, United Kingdom Althea McNish, Colour Is Mine, William Morris Gallery, London, United Kingdom African Identities Chapter III, AKKA Project, Venice, Italy Fragile Bites, No Format Gallery, London, United Kingdom 2021 Withheld, Safehouse, London, United Kingdom East London Printmakers - Festival of Print, Art Pavilion, London, United Kingdom artHARARE, Contemporary Online Fair Woolwich Contemporary Print Fair, Woolwich Works, London, United Kingdom Un I Veiled, Brocket Gallery, London, United Kingdom Mayfair Art Weekend, London, United Kingdom 2020 My Love Is Your Love, Every Woman Biennial, London, United Kingdom Woolwich Contemporary Print Fair, Online Edition 2019 Clifford Chance Postgraduate Printmaking A Survey Exhibition, London, United Kingdom Woolwich Contemporary Print Fair, Woolwich Works, London, United Kingdom MA Visual Arts Summer Show, Camberwell College of Arts, London, United Kingdom Celebrating Women's History Month, Brentwood Road Gallery, London, United Kingdom Awards 2024 Solo Exhibition and Cash Prize, Barbican Arts Group Trust The Printing First Prize - The Printed Editions Award, The Women In Art Prize 2023 ASC Award - Solo Exhibition, ASC Gallery 2022 Cash Prize, StART x Martin Miller's Gin Emerging Art Prize Studio Award, HausPrint Studio 2019 Studio Award, East London Printmakers Studio Award, Bainbridge Print Studios Statement about AOAP Submitted Artwork Untitled III Landscape Series explores the often-overlooked marks and surfaces of the urban landscape. Texture plays a vital role in this work, brought to life through the painterly qualities of the Mokulito process, which evokes the essence of diverse landscapes. Remnants reflects remnants left by enslaved women during the Atlantic slave trade on the Gold Coast, capturing and honouring their presence. Deeply etching the metal plate was essential to convey the depth and weight of their stories. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
HONORÉ III: (1720-1795) Prince of Monaco 1733-93. A.L.S., Le Duc de Valentinois, one page, 8vo, Paris, 3rd January 1787, to Madame Monique Vial, in French. The Duke writes a charming letter, thanking his correspondent for their good wishes to him, his wife, and children for the New Year, remarking ´nous sommes bien persuadés de leur sincérité connaissant le bon coeur dont ils partent, et vous en faisons tous nos remerciements avec le plus grand plaisir´ (Translation: ´we are well persuaded of their sincerity knowing the good heart from which they start, and we thank you with the greatest pleasure´), further adding that ´Nos deux petits enfants se portent à merveille´ (Translation: ´Our two little children are doing wonderfully well´) and explaining that ´Je ferais passer le plus tot possible votre pension ou pour.....payer les soins que vous avez pris de moi dans mon enfance´ (Translation: ´I will send your pension as soon as possible to.....pay for the care you took of me in my childhood´). With integral address leaf in the Prince´s hand, bearing the remnants of a red wax seal (small area of paper loss caused by the original opening, affecting a few words to text, but not the signature). GIn 1751 Honoré III had married Maria Caterina Brignole (1737-1813) and the couple had two children, Honoré IV, Prince of Monaco (1758-1819) and Joseph Grimaldi (1763-1816) before legally separating in 1770.
A modern hallmarked silver decanter label, 'Scotch', Sheffield 1980, three further silver plated decanter labels including 'Gin', 'Whisky' and 'Whiskey', a hallmarked silver Albert chain, length 23cm, an Indian white metal snuff box pendant, 5 x 4cm, and two hallmarked silver knife handles, combined weighable silver approx 2.1ozt/66g (8).
A 1950s comedian's joke notebook, previously belonging to Dennis Langford, the first page inscribed 'Dennis Langford Please Return Immediately', eight vintage glass bottles including large Gilbey's London Dry Gin three litre bottle, Batey of London bottle, E. Scott Chemist of Bedford bottle, H Bartons Fermented Stone Beer bottle, Kops bottle and three further examples, a 1930s Art Deco chrome and bakelite ashtray, height 36cm, a printed Churchman's Cigarettes advertising poster, 32.5 x 22cm, framed and glazed, a printed Dewar's poster, 31 x 23cm, framed and glazed, and a printed Lord Calvert advertising poster, 30.5 x 23.5cm, framed and glazed (13).Condition Report: Approximately 40 pages of this book have been written on, but there are notes and slips of paper between these pages as well.
A pair of Waterford Crystal Balloon Gin Goblets in the Cluin pattern, part of the Gin Journeys collection. These goblets feature a rounded bowl adorned with vertical and horizontal cuts inspired by traditional Irish design, showcasing Waterford's renowned craftsmanship. Perfect for enhancing the aroma and flavor of gin-based drinks. Both goblets retain their original Waterford stickers and feature the acid-etched Waterford mark on the base. Issued: 2018Dimensions: 7.75"HCountry of Origin: IrelandCondition: Age related wear.
Black hair; light green band; dark green coat; yellow and burgundy bow. In Charles Dickens' 1843 novel, "Martin Chuzzlewit" Sairey Gamp is a gossiping, gin-drinking midwife and nurse. Artist: Leslie Harradine and Harry FentonIssued: 1939 - 1986Dimensions: 2.25"HCountry of Origin: EnglandCondition: Good; handle restored
Black hair, light green band, dark green coat, yellow and burgundy bow. In Charles Dickens' 1843 novel " Martin Chuzzlewit" Sairey Gamp is a gossiping, gin-drinking midwife and nurse. Royal Doulton backstamp. Artist: Charles J. NokeIssued: 1935 - 1986Dimensions: 6.25"HCountry of Origin: EnglandCondition: Age related wear.
* Gillray (James). Market-Day, "Sic itur ad astra." S. W. Fores, May 2nd 1788, etching on laid with contemporary hand-colouring and some later enhancement, old printer's fold, some creasing, trimmed to the plate mark, 315 x 445 mm, together with Company Shocked at a Lady getting up to Ring the Bell, H. Humphry, 1804, etching with contemporary hand-colouring, trimmed to the neatline, 250 x 375 mm, with Posting in Scotland, H. Humphrey, May 25th 1805, etching with aquatint and contemporary hand-colouring after C. Lorraine Smith, marginal fraying with slight loss to the upper right corner, trimmed to the neatline, humorous text below the caricature reads "Hald your Haund Mun, hald your haund! en troth mun: e'n gin you na mind yoursel youl just make the Muckle Laird coupeing his creels" 305 x 380 mm, plus eight uncoloured etchings after James Gillray published by H. G. Bohn in 1849, various sizes and conditionQTY: (11)NOTE:BM Satires numbers 7310, 10303 & 10479.
Breweriana - unusual vintage Calvados Père Magloire ceramic decanter 28cm high, 2 advertising water jugs one in the shape of a Gordons Gin bottle, collapsible travel whisky cup with Glenfiddich on lid, 2 Beswick whisky flasks in the forms of an eagle and a Haggis bird, drinking glasses etc.

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11553 item(s)/page