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A twelve piece Amtech punch and chisel set (27)

Large, silver, Russian samovar made of 84 silver, trading house I.E. MOROZOV. Mounted on a stand with four figured legs in the form of paws. The samovar is decorated with a geometric ornament, as well as an openwork pattern over the entire surface, made with a chisel. The handle holders are made in the form of foliage, and the handles themselves are made of Bakelite. Hallmarks: MOROZOV and a double-headed eagle, corresponding to the hallmark of the supplier of the imperial court. Workshop of Ivan Ekimovich Morozov, goldsmith, founder of the trading house I.E. MOROZOV. Assay mark of master ASh. The stamp 84 is indicated in the upper part of the stamp, the city stamp contains two anchors and a scepter. The year 1896 is indicated at the bottom of the stamp. Traces of earlier restoration. Weight: 5640 g. Width: 28cm, Height: 48cm, Depth: 28cm, Weight: 5.640kg, Condition: Exc., Usual restorations, Material: Silver 84

A pair of Taylor Rolph Co Ltd lignum vitae bowls, Set 1 5, Bias 3; Moulson Brothers military issue chisel, 1944 broad arrow marks etc

A LARGE ASSORTMENT OF TOOLS TO INCLUDE HEAVY DUTY D LINKS, A WOOD CHISEL SET AND RING PINS ETC

A group of eleven large woodturning chisels and files: various makers including a WWII period W H Clay Ltd chisel, a Firth Brown file and others (11)

R. GASTON, USA A HAND-ENGRAVED SPORTING-KNIFE, with double-edged clip-point 4 1/2in. blade, Spanish notch near bolster, the bolsters chisel engraved with acanthus scrolls within a plain border, the underside marked 'L.B.S. 3-90', fitted with mottled green stained mineral scales held via four pins, together with a leather scabbard with belt-clip. This bladed product is not for sale to people under the age of 18. By bidding on this item you are declaring that you are 18 years of age or over.Please be aware that we are unable to send edged weapons or bladed products by postal courier to a UK residential address (Offensive Weapons Act 2019)

MADE FOR MIR ALI MURAD KHAN TALPUR, RULER OF KHAIRPUR A BEST QUALITY CASED 26-BORE PERCUSSION RIFLE BY W. & J. RIGBY, DUBLIN, serial no. 8874, for 1842, with etched octagonal damascus 34in. barrel 'in the white' (some mild staining), the top-flat with gilt signature 'WM. & JN. RIGBY, DUBLIN' and with three gold shamrock leaves inlet at breech, dove-tailed beaded blade fore-sight, standing notch rear-sight with three additional folding leaves, fully engraved long top-tang, border and scroll engraved back-action lock with integral forward-facing 'moustache' below the nipple bolster, the lockplate signed 'WM. & JN. RIGBY' and further engraved with a prowling tiger, fully engraved dolphin-headed hammer with chisel-carved base, highly figured chequered walnut half-stock with engraved colour-hardened patch-box featuring a scene of a hunter engaging a lion in the action of attacking another hunter, matted iron heel-plate with scroll engraved top-spur, single set trigger in blued and engraved guard, engraved nose-cap and horn handled heavy duty mahogany ramrod, the whole remaining in fine condition and together with its manufacturers oak casing, lined and compartmented in green baize, Rigby '24 Suffolk Street' parchment label and with a full compliment of accessories, all also in fine order, the whole giving the impression of little use.

Alexander Fraser Junior, ARSA, RSA (1827-1899) "Engraving the Grave Stone," O.O.C., landscape with figure in foreground in Scottish attire with chisel and hammer engraving head stone, approx. 40cms x 30cms (16" x 12"), signed  and dated lower left 'Alex Fraser, 1854' in gilt frame. (1)

A Lino Print. Steam Engine on a farm. Linocut, also known as lino print, lino printing or linoleum art, is a printmaking technique, a variant of woodcut in which a sheet of linoleum (sometimes mounted on a wooden block) is used for a relief surface. A design is cut into the linoleum surface with a sharp knife, V-shaped chisel or gouge, with the raised (uncarved) areas representing a reversal (mirror image) of the parts to show printed. The linoleum sheet is inked with a roller (called a brayer), and then impressed onto paper or fabric. The actual printing can be done by hand or with a printing press.

A JAPANESE WOOD NETSUKE OF MONKEYS MEIJI ERA, 19TH CENTURY Carved as six primates playing around a large double-gourd, a seventh seated at the top and using a hammer and a chisel to force the cucurbit open, the animals realistically depicted and with their eyes inlaid, a two-character mark underneath, 3.5cm. Provenance: an Irish private collection, Dublin.

A vintage German “Bonsa” multi-tool kit by Bontgen & Sabin in fitted leather case, with ten attachments including pincers, saw, hammer, two drill bits, file, screwdriver, chisel, knife and quick release handle, case dimensions W: 16.5cm x D: 13.5cm.

Woodworking Tools: Record No 4½ Plane, moulding and box planes, hammer, chisel, etc :- One Box

A Rare Italian Sword For The Foot TournamentEarly 16th CenturyWith tapering double-edged blade of flattened hexagonal section fullered along both sides from the ricasso, the central fuller on both sides struck with three small cross marks, hilt comprising long straight quillons of octagonal section widening towards the tips and each with a blade-catching arm angled towards the ricasso and with chisel-shaped tip, fluted écusson on both sides drawn-out to form a tapering langet, stopper-shaped pommel of octagonal section chiselled with slender ribs between flutes on top, and later cord-bound wooden grip tapering towards the pommel (old light pitting) 117.5 cm. blade, 153.5 cm. overall Footnotes:ProvenanceSotheby's Olympia, Fine Antique Arms, Armour & Militaria, 10 July 2002, lot 57Christie's South Kensington, Antique Arms, Armour And Collectors Firearms, 22 June 2011, lot 107This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

AN ASSORTMENT OF VINTAGE TOOLS TO INCLUDE SPANNERS, HORSE HAMES AND A CHISEL ETC

Crown 220 woodcarving set 5/16 inch sqaure chisel, bent sqaure chisel, skew chisel, bent gouge 3/10 inch straigh gouge, bent

Crown tools five piece miniature Cryo wood turning set 1/8 inch gouge, 1/4 inch gouge, 1/16 inch parting tool, 1/4 inch domed scraper, 1/4 inch skew chisel. Not available for in-house P&P

Kirchen II piece carving set lacking sharpening stone and the straight chisel. Not available for in-house P&P

HACHIGYOKU: A RARE WOOD NETSUKE OF A SCULPTOR WITH NIO STATUEBy Hachigyoku, signed Hachigyoku 八玉Japan, Edo (Tokyo), 18th century, Edo period (1615-1868)Boldly carved as a muscular Nio statue with one arm raised holding a thunderbolt scepter, the mouth opened with a fierce expression, the details well carved and accentuated with dark staining. When turning the netsuke, a sculptor is revealed laying across the temple guardian's body, one knee raised and armed with a hammer and chisel, the facial expression amusingly distorted as he considers his task. When examining the Nio closely, many details remain unfinished, such as the celestial scarves and the entire backside which remains flattened. Furthermore, the carver (Hachigyoku) utilizes a clever visual effect – when the netsuke is standing, the sculptor looks like part of the Nio's body. Large, generously excavated himotoshi underneath and signed HACHIGYOKU. The wood bearing a superb, unctuous patina.HEIGHT 6.3 cmCondition: Very good condition, minor wear. Beautiful, dark patina.Provenance: Belgian private collection.According to Ueda Reikichi, Hachigyoku was born in Edo and was a mask carver, making netsuke as a hobby, which explains his extremely limited output, with only very few examples recorded in literature. Stylistically, he appears to be close to the early Edo carvers such as Gessho and Shugetsu.Literature comparison:For another netsuke by this rare artist, depicting a human-headed snake, see Lazarnick, George (1981) Netsuke & Inro Artists, and How to Read Their Signatures, vol. I, p. 435.

A FINE LAUNCHING CASKET FOR THE PROTECTED CRUISER H.M.S. ESSEX, 1901elaborately carved overall in oak, the lid with silver plaque inscribed H.M.S. “Essex” within foliate border, hinged lid, the interior lined throughout with navy blue plush velvet, fitted compartment for ornate boxwood gavel and chisel with silvered head etched ‘B’ with a double-headed eagle to the reverse, the lid with finely carved boxwood half model of Essex complete with masts, main and secondary armament and other details -- 7 x 16 x 12in. (18 x 40.5 x 30.5cm.)Essex was one of ten 9,800-ton Monmouth Class cruisers built to counter a general increase in such vessels by foreign navies. Launched at Pembroke DY by the Captain-Superintendant's wife, Mrs Charles Barlow on 29th August 1901, she was sent to Devonport for completion and arming which was achieved by March 1904. Assigned to the 4th Cruiser Squadron (Admiral Craddock), she was briefly involved in the Tampico Affair of the Mexican Revolution in April 1914 and was struck by small arms fire. A few weeks later when Craddock received the preliminary war warning on 27 July, he ordered Essex to join her sister Lancaster in Bermuda to protect British shipping and destroy any German commerce raiders but soon transferred to the Caribean where there was more German activity, and On 7 September, she captured the tender, SS Bethania (tender to an armed merchant cruiser) before escorting a troop convoy from Halifax to Queenstown. Re-assigned to the 7th Cruiser Squadron, she captured a German merchantman, SS Telde, on 3 May 1916 in the Canary Islands. Later she served as both a destroyer depot ship, training ship and accommodation ship before being paid off and sold in 1919 for break up in Germany in 1921.

A PARKSIDE LASER SPIRIT LEVEL in case with tripod and instruction manual along with three large drill bits, a tray of chisels and unused chisel blades, Stanley discus tape measure etc.

A REXON SM-16A BENCH MORTICER with 3/8in chisel fitted, a spare colllet and a chuck key (untested)

Vintage wooden tool box containing assorted tools to include spanners, chisel, etc 

Draper bench top hollow chisel mortiser

An Arts & Crafts beaten copper rectangular wall mirror decorated with raised fleur-de-lis motif and stylized rose with applied Ruskin art pottery type panel. 56 cm wide x 46 cm high. Together with an Arts & Crafts oxidised wall copper wall mirror of tapering form with chisel cut decoration and applied Ruskin art pottery type heart shape panel. 41 cm wide x 66 cm high.The rectangular mirror has some dents on its top edge, see the images provided.

Transitional Romanesque-Gothic Christ, 13th century.Bronze.On upholstered wood.Measurements: 17 x 10 cm. (figure); 22,5 x 22,5 cm.(support).Figure in bronze, representing a Christ with four nails, with the head inclined on the right arm. The body lacks naturalistic pretensions, as was usual in devotional art of the Romanesque period. The four nails (later reduced to three) and the long cloth (the cloth of purity is reduced by half, leaving the thighs uncovered) are also fully Romanesque solutions. Despite the fact that the period could be a Gothic piece, it remains faithful to Romanesque solutions: the body is resolved in a synthetic manner, abstracting from the elemental, enlarging the hands and heads as these are the parts that are mainly intended to be shown. A profusion of incisions chisel the body, outlining the ribs, the details of the crown and the drapery, adding great richness to the bronze.During the Romanesque period, sculpture was most often conceived as part of the architecture, as in the Gothic period. However, there were also examples of free-standing sculpture, the most common themes being the Crucified Christ and the Virgin and Child (the pantheon of saints was still small). There were two models, the "colobium" and the "perizonium". The first is a Christ nailed to the cross, still alive, with a talar robe and four nails. It is a rare model, as it was only made in certain European territories (in Spain, only in the Crown of Aragon, especially in Catalonia, but always coexisting with the second model). The "perizonium" is also a Christ on the cross with four nails, dead or alive, but dressed in a cloth of purity.

A wrought iron ‘chisel’ blade, 17th century, or possibly earlier, EnglishWith chamfered edge and maker’s mark deeply inset in a rectangle, length 32.5cm, widest point 4.5cmProvenance: Found in the River Thames, LondonFor a comparable example see the Museum of London Collection, item no. 82.383

Toolbox with drill bit and chisel contents. Not available for in-house P&P

A 28 piece punch and chisel set (TS-91)

A Freud Italian chisel set in fitted case

Boxed Silver Line 1500w Woodworking Router , Marples Chisel set & 2 vintage wooden planes(4)

A miniature brass cabinet maker's edge plane, with chisel type cutter, sole 6cm x 1 1/4cm.

A boxed Clarke 8 piece wood turning chisel set

Auguste Rodin, 1840 Paris – 1917 MeudonMAIN DE DIEU Modell um 1900, jedoch vor 1905, posthumer Guss von 1943Bronze, gegossen und schokoladenbraun patiniert.15,5 x 16,7 x 15,2 cm.Außen signiert „A. Rodin“, innen erhaben signiert „A. Rodin“, außen mit Gießerstempel „A. Rudier fondeur Paris“.Einer von nur zwei Güssen aus dem Jahr, bei einer weltweiten Gesamtauflage von fünf Güssen.Beigegeben ein Gutachten der Comité Auguste Rodin vom 5. Februar 2022, in Kopie. Aus dem Gutachten geht hervor, dass der Guss 1943 zu datieren ist, da in diesem Jahr Dokumente bezeugen, dass 11 Stunden an der Ziselierung und eine Stunde an der Montierung der Bronze gearbeitet worden sind und eine Reduktion eines größeren Marmorvorbildes darstellen, das im Musée Rodin verwahrt wird. Dier hier angebotene Bronze wird unter der Werkverzeichnisnummer 2022-6532B geführt.Die „Hand Gottes“ ist ursprünglich 1895 von Rodin nach der rechten Hand eines Bürgers von Calais, Pierre de Wissant, in Gips modelliert worden, welche ein sich umschlingendes Paar hält. Im Jahre 1905 entsteht eine große Marmorskulptur nach dieser Gipsausformung. Von diesem ersten Marmor ließ er dann eine halbgroße Verkleinerung anfertigen, dessen Größe mit den Maßen unserer Bronze übereinstimmt. „Hand Gottes“, „Hand des Schöpfers“, sie kann vor allem symbolisch als die Hand des Bildhauers, während dieser in vollem Ruhm steht und als der größte Künstler seiner Zeit anerkannt wird, interpretiert werden. Aus verlegerischer Sicht ist die Auflage des Modells gering, denn es sind nur fünf Exemplare bekannt. Unseres ist besonders, denn nicht nur der Guss wurde von Eugène Rudier, der der bevorzugte Gießer Rodins und des Museums war, hergestellt, sondern es ist auch das Exemplar aus dessen persönlichen Sammlung. Nach 1917 war Eugène Rudier sowohl Gießer als auch Händler von Rodin, kaufte Bronzen im Hôtel Drouot, um sie weiterzuverkaufen. Er war auch ein Sammler von Bronzegüssen, die häufig von ihm selbst hergestellt wurden. Die Erfahrung zeigt, dass es sich dabei immer um sehr schöne Güsse handelt.Provenienz: Musée Rodin, Paris.Sammlung Eugène Rudier.Privatsammlung, New Jersey, USA. (1330114) (13)Auguste Rodin,1840 Paris – 1917 MeudonMain de dieu,Model ca. 1900 however before 1905, posthumous casting ca. 1943Bronze casting, with chocolate brown patina. 15.5 x 16.7 x 15.2 cm.Signed on outside “A. Rodin”, raised signature on inside “A. Rodin”, outside with foundry mark “A. Rudier fondeur Paris”.One of only two castings dating to 1943 with a total global limited edition of five.Accompanied by the expert’s report by the Comité Rodin dated 5 February 2022, in copy. The expert’s report makes it clear that the casting dates to 1943, as documents during this year testify that it took eleven hours to chisel and one hour to mount the bronze, representing a reduction of a larger marble model held at the Rodin Museum. The bronze on offer for sale in this lot is listed in the catalogue raisonné with no. 2022-6532B. The “Hand of God” was originally modelled in plaster by Rodin in 1895 after the right hand of a citizen of Calais, Pierre de Wissant, holding an entwining couple. In 1905 a large marble sculpture was created from this plaster mould. He then had a half-sized reduction made from this first marble, the size of which corresponds to the dimensions of our bronze. Hand of God or Hand of the Creator as it can be interpreted symbolically, represents above all the hand of the sculptor at the zenith of his career and recognized as the greatest artist of his time. This is an extremely small number of a limited edition with only five copies ever produced. The casting on offer for sale in this lot is exceptional because not only was the casting made by Eugène Rudier, Rodin’s and the museum’s preferred founder, but it is also a specimen from his personal collection. After 1917, Eugène Rudier was both a founder and art dealer of Rodin, buying bronzes from Hôtel Drouot for resale. He was also a collector of bronze castings, often created by himself. Experience shows that these are always very beautiful castings.Provenance: Musée Rodin, Paris. Eugène Rudier collection. Private collection, New-Jersey, USA.

A box containing assorted boxed and cased toolkits, drill bits, Titan nailer, Powercraft chisel kit etc.

A selection of tools to include boxed Perform chisel set and mixed drill bits, Allan keys etc in a tool chest

Original vintage advertising poster for National Lottery – Strike the fountain of fortune in Malta. A ticket did the trick! Closing date 17 December 1973 – featuring a caricature of a happy couple with a hammer and chisel holding a lucky lottery ticket. Printed at the Central Office of Statistics (Printing Division). Good condition, creasing, staining. Country of issue: Malta, designer: Unknown, size (cm): 40x27, year of printing: 1973.

A Second War German Luftwaffe aluminium ladle marked "Fl.U.V."; German military marked cold chisel and a German rifle cleaning tin (3)

GEORGE PHILCOX, CANTERBURY. A RARE 6” DROP DIAL CONVEX FUSEE WALL CLOCK the painted convex dial with Roman numerals and offset winding hole fronting an eight-day fusee movement with baluster pillars. The case with moulded surround and chisel shaped drop box.The dial has been repainted but is original to movement and case, the wire on the movement has detached from the spring barel but ticks when pressure is applied to the fusee barel. Nice original clock of very unusual size.

A RECORD No21 VICE along with a boxed Record 044 plough plane in original box with spare blades, Record No077A bull nose plane and three brand new draper chisel

Parkside nine piece new old stock chisel carbide hole saw set 22-70mm. Not available for in-house P&P

A miscallaneous collection of vintage tools, to include: A large gunmetal screwdriver, length 19 1/4in., two pattern makers saddle planes, a pump drill, an Archimedean drill, a swan-necked lock mortise chisel, a pad saw, vintage hammers and others. (17)

Karl Ouren, "Mineral Spring"sommerliche Szene einer Frau mit Kind, am Little Calumet-River unter hohen Laubbäumen, rückseitig vom Künstler betitelt "Mineral Spring - Indiana USA", wohl Darstellung von "Knott´s Mineral Springs" im Städtchen Porter in Indiana am Michigansee, unweit von Chicago (Fotokopien beigefügt), hierzu bemerkt Glenny Alfson (im Norwegischen Künstlerlexikon): "... In Chicago war er vor allem für seine atmosphärischen Aufnahmen aus den Parks und der Umgebung der Stadt bekannt. ...", gering pastose, impressionistische Malerei, Öl auf Leinwand, links unten signiert "K. Ouren", rückseitig auf der Leinwand bezeichnet "Ouren" und "1935" sowie auf dem Keilrahmen betitelt und dänisch signiert und ortsbezeichnet "mald af [dt.: gemalt von] Carl Ouren - Chicago" sowie datiert "1913" und weitere Annotation "Elev af Kunsakademiet Kobenhavn [dt.: Student der Kunstakademie Kopenhagen]", schön in Goldstuckrahmen gerahmt, Falzmaße ca. 64 x 46 cm. Künstlerinfo: auch Carl Ouren, eigentlich Karl Peter Andreas Ouren, norwegischstämmiger us-amerikanischer Maler und Theatermaler (1882 Fredrikshald [heute: Halden Kreis Østfold] bis 1943 Chicago), studierte in Trondheim, durch ein Trøndelag-Stipendium 1900-02 Weiterbildung an der Technischen Hochschule Kopenhagen, wanderte 1902 nach Chicago/Illinois in den USA aus, studierte hier 1911-14 am School of the Art Institute Chicago bei Antonin Sterba (1875-1963), Schüler und Mitglied der Chicagoer Künstlerakademie "Palette and Chisel Academy of Fine Art", an deren Ausstellungen er teilnahm, erhielt hier 1919 eine Goldmedaille, beschickte zahlreiche Ausstellungen und Galerien in Chicago, 1927 Einbürgerung in die USA, ab 1937 schuf er Bühnenbilder für ein Chicagoer Theater sowie Altarbilder und Kirchenausmalungen, tätig in Chicago mit regelmäßigen, teils mehrjährigen Aufenthalten in Norwegen, Quelle: Vollmer, Saur "Bio-Bibliographisches Künstlerlexikon", Bénézit, Norwegisches Künstlerlexikon, Falk und englische Wikipedia.

A COLLECTION OF VINTAGE TOOLS to include a Stanley No 50 combination plane in original box with instruction manual and spare blades, J Rabone and sons of Sheffield spirit levels, Stanley No78 plane, t square, Ridgway hollow square mortice chisel and bi etc

A LARGE QUANTITY OF BREAKER CHISEL BITS

A Parker silver pen set in Chisel finish: fountain pen and roller ball (2)

Vintage joiners box and tools, chisel, set square, screwdrivers etc

A DRAPER wet & dry blade and chisel sharpener, Pat tested G+

A mortice lock chisel, 6 bevel edge chisels and a gouge G++

A small V chisel and two gouges all by PRESTON G+

A mortice chisel and eight other chisels G+

A large quantity of used files and chisel handles G

A wheelwright's bruzz, spoke tanger, heavy gouge and a chisel G

A 38mm bevel edge chisel by STANLEY and 12 other chisels with composite handles G+

A mortice lock chisel, screwdriver, axe and bevel G+

A chisel gauge by FOOTPRINT with brass lever F

A 2" paring chisel by MARPLES with rosewood handle G++

A 1/2" mortice lock chisel by WARD with boxwood handle G+

An unusually long and probably unused 1 1/2" bevel edge paring chisel 10" to the shoulder by JOHN SHAW & SONS Wolverhampton with boxwood handle, minor discolouration o/w G++

A SIP hollow chisel mortiser pillar drill

A Ryobi chisel mortiser, model DM-20 240v, serial number 08785.