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A lock mortice chisel and four others G

A 3/4"" bevel edge chisel by MARPLES with boxwood handle and three others G+

A lock mortice chisel and six others G

**A CONTINENTAL SEAL-MATRIX, 18TH/19TH CENTURY, A SMALL ANVIL AND THREE FURTHER STEEL TOOLS the first with a cypher incorporating the letter `M` beneath a coronet, the second with tapering shank to fit into a larger anvil or bench, and with near flat square head; the third probably a presentation piece, with chisel-shaped head and decorated over its surface with gilt flowers and a cornucopia, and the fourth and fifth rudimentary punches the first: 11 cm; 4 3/8 in (5) Provenance The first: Sumner Healey, New York, purchased by the Museum 20 March, 1931, his No. 5764 JWHA Inv. No. 1434, 533, 2005

A STANLEY No 97 chisel plane G++

A 1/2"" lock mortice chisel by MARPLES G+

An unusual 1"" bevel edge chisel by GILPIN with 10"" blade (18"" o/a) G+

A new Draper socket set, a five piece file set, chisel set, an Irwin record plane, and three crow bars

An antique oak refectory table of 17th/18th century type, some period and some later timbers, the rectangular top with moulded edges above chisel carved friezes and shaped aprons, raised on four baluster turned and block supports united by plain stretchers, 181x74cm

A good quality 17th/18th century style solid oak refectory table, of 20th century construction, the three plank top above chisel carved friezes and four baluster turned and block supports united by flat H-stretcher, approx. 244x97cm

A West African short sword of crude construction with broad double edged blade swelling to chisel point, blade length approx 32cm, hardwood grip with conical pommel.

ORIENTAL CARVED IVORY GROUP OF TWO FIGURES, one standing wearing a large straw hat, carrying an axe and basket of fruit on his back, the other small squatting figure holding a mallets and a chisel, on ivory circular base with two baskets of fruit, 5 1/4" high, 4 1/8" wide, incised signature on base (a.f.)

Collection of apothecary bottles to include a `TINCT. CHL. ET MORPH` ribbed poison bottle, each with chisel stoppers. Chips to one stopper (not visible, when in use) otherwise very good condition

A Wood Netsuke of a mask carver, he sits with chisel in hand and the mask he is fashioning in the other, traces of lacquer decoration to his robe, signed to the base Sandai (?), 19th century

Powercraft air chisel, pneumatic stapler and reversible air drill

A Neilsen 12 piece carving chisel set, together with another 8 piece chisel set (*)

A magnificent and fine quality 17th century Jacobean style carved and inlaid oak four poster bed, 20th century, the panelled tester carved with lozenges centred by flowerheads and chisel carved borders flanked by inlaid banding, the highly decorative headboard carved with the date 1985, above an array of well carved figures, birds, fruits and foliage, the three arcaded panels correspondingly carved and inlaid, the carved and turned foot posts standing solidly on geometrically moulded columns terminating on stepped square bases, complete with solid wood base structure to take a 5ft mattress (mattress not included) (illustrated)

An impressive 19th century Maws & Son glass chemist bottle of baluster form, with chisel stopper, pontil mark to base, height 90cm (illustrated)

A cased ''Snap-on'' Air Chisel set, Chisel plus four various bits, Oil and Key, etc.

A ''Snap-on'' air chisel and a Jet Push trolley 1/2 ton girder hoist mount

A box of odd tools incl. a ''Snap-on 8'' adjustable spanner, two 8'' x 3/8'' drive Snap-on extension bars, an ''Algo'' 300 mm adjustable spanner, a small mole style grips, Junior hacksaw, a cold chisel, etc.

A Black & Decker Jigsaw, a pair of pliers, a Phillips screwdriver and a wood chisel

A B R (STD) Duplex vacuum gauge, in brass case 18cm diameter, an English Electric 850H Diesel locomotive whistle, 24.5cm high, an LNER steel chisel, 18cm long and a water gauge glass from a steam train, 36cm long (4)

1864/1864 Large Motto Two Cent Piece. VP-004. The 18 of the date exhibits dramatic repunching. NGC MS63BN. Chisel-sharp design features complement chocolate-brown, satiny mint bloom. The NGC population report currently lists only 3 examples of this die variety (a VG, the currently offered MS63 BN, and an MS65RB) aside from any that have received only a details grading such as the example that follows in this section of the catalogue.

1925 California Diamond Jubilee Half Dollar. PCGS MS65. Chisel-sharp, glowing velvet-like fields and devices are just a trifle cloudy at the right obverse and corresponding area of the reverse.

A 5/8" mortice lock chisel by MATHIESON with orig handle G+

A rare and important 17c Nuremburg armourers combination tool of dividers, grips, hammer and chisel decorated on two faces with the head of a bearded gentleman and with engraved decoration to the sides (Russell collection) only 3" o/a, museum quality G+

An early STANLEY No 96 type 2 chisel gauge with Stanley stamped on the side G+

A 2" bevel edge paring chisel by RICHARD IBBOTSON Sheffield with boxwood handle G++

A heavy 2 1/4" paring chisel engraved J Tomson 1855 G+

A 9/16" mortice lock chisel by SORBY with boxwood handle G++

An early 1/2" hand forged mortice lock chisel by MOULSON Brothers with mahogany handle G

A little used 1/2" mortice lock chisel by J HOUSE Hammersmith with boxwood handle G++

A 9/16" mortice lock chisel by WARD with ash handle G+

A 1/2" mortice lock chisel by MARPLES G+

A very early beveled chisel with makers mark and blacksmith made adze distinctly showing the forming of the blade 8" o/a (Russell collection)

A most attractive early buttonhole chisel with rosewood handle 3 1/2" o/a G++

Record Chisel Morticer and Case of Four Morticing Shanks

A COLLECTION OF WOODWORKING TOOLS including thirty-five boxwood handled and eleven beech handled chisels and gauges by William Marples & Sons, C F Johnson, Isaac Sorby, Ward, J B Addis & Sons, C Hill and others, the handles all stamped with the owner`s name S C MASON, English and American iron and steel planes including Stanley Rule & Level Co 113 circular plane and 78 Duplex rabbet plane, Bailey No 5 jack plane and No 8 jointer plane and Record 3 in 1 chisel and shoulder plane, three hand saws, one by Diston and miscellaneous other tools, including squares, brace, rules, etc in black painted mahogany tool chest with various original photographs, silver fob shields, etc Provenance: The tools of the trade of Stanley Charles Mason (1903-1980) pattern maker of Chesterfield, Derbyshire. Mr Mason was apprenticed pattern maker at Markham & Co where he was employed for many years before working with his employer`s agreement for Plowright Bros.

An 18th century style carved and panelled oak side cabinet, 20th century, featuring central arcaded carved panelled cupboard door, flanked by geometric carved panels, above a chisel carved frieze, raised on front baluster turned and block supports, width 92cm

A George III ebonised tavern wall timepiece Unsigned, circa 1800 The four pillar single train weight-driven eight-day movement with large greatwheel for the four wheel train, anchor escapement and tapered plates, the 16 inch wooden convex gilt on black Roman numeral dial with gilt spade hands and slender moulded edge, the drop-trunk case with side doors above long concave-topped rectangular door to front and `chisel` foot, (case redecorated), 132cm (52ins) high

An unused cased eight piece professional chisel set.

Militaria: a Burmese Kukri knife with two miniatures knives, having horn grips, nickel bands and lion's head escutcheon to the butt, chisel work to blade, all contained in a tooled leather scabbard, 45cm long.

A vintage joiners folding desk, tog. with a wooden sheathed chisel

Karl Brandner January oil on masonite Karl Brandner (American, 1898-1961) "January," c. 1920, oil on masonite, 20" x 24", signed lower right, Chicago Galleries Association (Chicago, Illinois) label on verso, The Palette and Chisel Academy of Fine Arts (Chicago, Illinois) label on verso, framed no retouch; loss to board along upper edge; otherwise in good condition Starting Price: $250

BOGOLIUBOV, ALEXEI(1824-1896)View of the Venetian Lagoon from the Public Gardens, signed.Oil on canvas, 71.5 by 120 cm.Executed in the 1870s. Provenance: Galerie Laurencie, Geneva. Acquired from the above by the Swiss diplomat Henri Coursier, c. 1975. Thence by descent to the previous owner. Private collection, Europe. Authenticity certificate from the expert V. Petrov.Alexei Bogoliubov visited Venice three times in the course of his long career – in the autumn of 1854, winter and spring of 1863 and, lastly, in the February of 1872. View of the Venetian Lagoon from the Public Gardens was in all probability painted from an impression left by this last visit. The image of this wonderful island city captured Bogoliubov’s imagination when still a student at the Imperial Academy of Arts, where he would copy engraved vedute and his teacher Maxim Vorobiev’s Venetian sketches. Nevertheless, arriving in Venice in October 1854 after a long journey through Europe, Bogoliubov was completely overwhelmed by his new surroundings. He was later to recall: “Dressing quickly, I ran out into the narrow street, weaved left and right managing to emerge, more by luck than judgement, on St Mark’s Square,where I stood at length gaping in astonishment. I wandered around the square for about an hour looking now at the piazzetta, now the entrance to the Palazzo Ducale, then the cathedral doors, stopping over nothing... Thus, on the first day, I bowled along like a hoop, scooting from one view to another. The warm Venetian evening came and a full moon floated up as though by design; night fell like a curtain and suddenly Venice appealed even more. The black gondolas striped silver across the surface of the Grand Canal and lagoon. Everything seemed covered in a fine, pale-bluish gauze. I jumped into a public gondola and was taken to Custom House. There I sat for a long while on the marble steps, only setting off to dine at 10 in the evening... My first sketch was the waterfront — with the Doge’s palace in the foreground. It was difficult — very difficult — not only to paint but to sketch the details of this intricate building. Nowadays, I would restrict myself to sketching the perspective and dimensions of the building and take the details from a photograph. But in those days photography had only just replaced daguerreotype and the best local photographer was selling views at a hundred francs per copy and more, which was completely beyond my means. This is why I used my pen to chisel out every column, capital and cornice on the palaces and the buildings, doing the drawings in folio, which in no small way taught me how to make loose, natural drawings of architecture, for which I had always had a passion. There are 400 examples of these drawings which can be seen the Academy of Arts. Then I made studies of the church with the canal, and travelled to the Lido to paint the sea. I painted several views of Venice from the public gardens. I worked tirelessly for two months”. These recollections record with surprising accuracy Bogoliubov’s favourite views of Venice. One of the artist’s favourite viewpoints was of the lagoon seen from the public gardens, of which this landscape is a variation. The perspective has been altered somewhat to allow him to capture the magnificent panorama, from San Giorgio Maggiore and the church of Santa Maria Salute to the Schiavoni embankment. The warm lilac-grey, blue and gold tints of this canvas recreate the feel of a calm Italian morning and involuntarily convey that rapture with which Russian landscapists from Sylvester Shchedrin to Ivan Aivazovsky handled their depictions of Venice."

A late Georgian oak corner chair with later lunette and leaf carving, having drop in leather seat and supported on straight chisel carved legs.

CHEMIST SHOP ROUND POISON BOTTLE. 8.25ins tall to top of chisel stopper, heavy cobalt blue glass shop round horizontally ribbed with ‘TINCT./ HYDSCYAMI’ in white enamelled lettering ‘POISON’ below near base in red.Very good. NR

CHEMIST POISON BOTTLE. 5ins tall to top of chisel stopper, green glass, square shape vertically ribbed ‘POISON/ TINCTURE/ OF IODINE/ NOT TO BE TAKEN’ in white enamelled lettering. Very good. NR

A COLIN ~BEAVERMAN~ ALMACK OAK NAPKIN STAND of canted rectangular form centred by a carved beaver holding a mallet and chisel and flanked by recessed wells housing the four octagonal rings. 18cm(L) x 11.5cm(d) Generally good.

An adapted 18th century and later oak bible box on stand, with hinged sloping fall front above the chisel carved frieze, width approx 70cm.

A rare early 3" chisel (makers name unclear) with octagonal beech handle, found in a coachbuilders tool kit G

A 1 1/4" bevel edge paring chisel by MARPLES with octagonal boxwood handle G+

A 1/2" boxwood handled mortice lock chisel by JAMES HOWARTH with cover G+

A 1/2" boxwood handled mortice lock chisel by MARPLES G++

An unusually large 3/8" swan neck mortice lock chisel with ash handle G+

A 1 3/4" bevel edge paring chisel by WARD with three male faces naively etched onto the boxwood handle G

An unusual 1 3/4" socket chisel by HOLTZAPFFEL & Co (Russell collection) G

Heading !!!!!!! The following four planes are all stamped C Payne. These planes were purchased together from a gentleman in Plymouth c1980 who had inherited them from a relative, C Payne, who had worked as a plane maker in the Norris factory, apparently, the chisel plane was made by him during his time at Norris, perhaps a prototype. A probably unused 20 1/2" d/t steel NORRIS A1 jointer with rosewood infill and handle still with orig grease (illustrated Russell fig 1281) G++

A very fine quality d/t steel chisel plane 7 1/4" x 1 1/4" with single thread adjuster and ebony infill (illustrated Russell fig 1282) reputedly produced in the Norris factory as a prototype (see above) G++