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An Arts & Crafts beaten copper rectangular wall mirror decorated with raised fleur-de-lis motif and stylized rose with applied Ruskin art pottery type panel. 56 cm wide x 46 cm high. Together with an Arts & Crafts oxidised wall copper wall mirror of tapering form with chisel cut decoration and applied Ruskin art pottery type heart shape panel. 41 cm wide x 66 cm high.The rectangular mirror has some dents on its top edge, see the images provided.

Transitional Romanesque-Gothic Christ, 13th century.Bronze.On upholstered wood.Measurements: 17 x 10 cm. (figure); 22,5 x 22,5 cm.(support).Figure in bronze, representing a Christ with four nails, with the head inclined on the right arm. The body lacks naturalistic pretensions, as was usual in devotional art of the Romanesque period. The four nails (later reduced to three) and the long cloth (the cloth of purity is reduced by half, leaving the thighs uncovered) are also fully Romanesque solutions. Despite the fact that the period could be a Gothic piece, it remains faithful to Romanesque solutions: the body is resolved in a synthetic manner, abstracting from the elemental, enlarging the hands and heads as these are the parts that are mainly intended to be shown. A profusion of incisions chisel the body, outlining the ribs, the details of the crown and the drapery, adding great richness to the bronze.During the Romanesque period, sculpture was most often conceived as part of the architecture, as in the Gothic period. However, there were also examples of free-standing sculpture, the most common themes being the Crucified Christ and the Virgin and Child (the pantheon of saints was still small). There were two models, the "colobium" and the "perizonium". The first is a Christ nailed to the cross, still alive, with a talar robe and four nails. It is a rare model, as it was only made in certain European territories (in Spain, only in the Crown of Aragon, especially in Catalonia, but always coexisting with the second model). The "perizonium" is also a Christ on the cross with four nails, dead or alive, but dressed in a cloth of purity.

A wrought iron ‘chisel’ blade, 17th century, or possibly earlier, EnglishWith chamfered edge and maker’s mark deeply inset in a rectangle, length 32.5cm, widest point 4.5cmProvenance: Found in the River Thames, LondonFor a comparable example see the Museum of London Collection, item no. 82.383

Toolbox with drill bit and chisel contents. Not available for in-house P&P

A 28 piece punch and chisel set (TS-91)

A Freud Italian chisel set in fitted case

Boxed Silver Line 1500w Woodworking Router , Marples Chisel set & 2 vintage wooden planes(4)

A miniature brass cabinet maker's edge plane, with chisel type cutter, sole 6cm x 1 1/4cm.

A boxed Clarke 8 piece wood turning chisel set

Auguste Rodin, 1840 Paris – 1917 MeudonMAIN DE DIEU Modell um 1900, jedoch vor 1905, posthumer Guss von 1943Bronze, gegossen und schokoladenbraun patiniert.15,5 x 16,7 x 15,2 cm.Außen signiert „A. Rodin“, innen erhaben signiert „A. Rodin“, außen mit Gießerstempel „A. Rudier fondeur Paris“.Einer von nur zwei Güssen aus dem Jahr, bei einer weltweiten Gesamtauflage von fünf Güssen.Beigegeben ein Gutachten der Comité Auguste Rodin vom 5. Februar 2022, in Kopie. Aus dem Gutachten geht hervor, dass der Guss 1943 zu datieren ist, da in diesem Jahr Dokumente bezeugen, dass 11 Stunden an der Ziselierung und eine Stunde an der Montierung der Bronze gearbeitet worden sind und eine Reduktion eines größeren Marmorvorbildes darstellen, das im Musée Rodin verwahrt wird. Dier hier angebotene Bronze wird unter der Werkverzeichnisnummer 2022-6532B geführt.Die „Hand Gottes“ ist ursprünglich 1895 von Rodin nach der rechten Hand eines Bürgers von Calais, Pierre de Wissant, in Gips modelliert worden, welche ein sich umschlingendes Paar hält. Im Jahre 1905 entsteht eine große Marmorskulptur nach dieser Gipsausformung. Von diesem ersten Marmor ließ er dann eine halbgroße Verkleinerung anfertigen, dessen Größe mit den Maßen unserer Bronze übereinstimmt. „Hand Gottes“, „Hand des Schöpfers“, sie kann vor allem symbolisch als die Hand des Bildhauers, während dieser in vollem Ruhm steht und als der größte Künstler seiner Zeit anerkannt wird, interpretiert werden. Aus verlegerischer Sicht ist die Auflage des Modells gering, denn es sind nur fünf Exemplare bekannt. Unseres ist besonders, denn nicht nur der Guss wurde von Eugène Rudier, der der bevorzugte Gießer Rodins und des Museums war, hergestellt, sondern es ist auch das Exemplar aus dessen persönlichen Sammlung. Nach 1917 war Eugène Rudier sowohl Gießer als auch Händler von Rodin, kaufte Bronzen im Hôtel Drouot, um sie weiterzuverkaufen. Er war auch ein Sammler von Bronzegüssen, die häufig von ihm selbst hergestellt wurden. Die Erfahrung zeigt, dass es sich dabei immer um sehr schöne Güsse handelt.Provenienz: Musée Rodin, Paris.Sammlung Eugène Rudier.Privatsammlung, New Jersey, USA. (1330114) (13)Auguste Rodin,1840 Paris – 1917 MeudonMain de dieu,Model ca. 1900 however before 1905, posthumous casting ca. 1943Bronze casting, with chocolate brown patina. 15.5 x 16.7 x 15.2 cm.Signed on outside “A. Rodin”, raised signature on inside “A. Rodin”, outside with foundry mark “A. Rudier fondeur Paris”.One of only two castings dating to 1943 with a total global limited edition of five.Accompanied by the expert’s report by the Comité Rodin dated 5 February 2022, in copy. The expert’s report makes it clear that the casting dates to 1943, as documents during this year testify that it took eleven hours to chisel and one hour to mount the bronze, representing a reduction of a larger marble model held at the Rodin Museum. The bronze on offer for sale in this lot is listed in the catalogue raisonné with no. 2022-6532B. The “Hand of God” was originally modelled in plaster by Rodin in 1895 after the right hand of a citizen of Calais, Pierre de Wissant, holding an entwining couple. In 1905 a large marble sculpture was created from this plaster mould. He then had a half-sized reduction made from this first marble, the size of which corresponds to the dimensions of our bronze. Hand of God or Hand of the Creator as it can be interpreted symbolically, represents above all the hand of the sculptor at the zenith of his career and recognized as the greatest artist of his time. This is an extremely small number of a limited edition with only five copies ever produced. The casting on offer for sale in this lot is exceptional because not only was the casting made by Eugène Rudier, Rodin’s and the museum’s preferred founder, but it is also a specimen from his personal collection. After 1917, Eugène Rudier was both a founder and art dealer of Rodin, buying bronzes from Hôtel Drouot for resale. He was also a collector of bronze castings, often created by himself. Experience shows that these are always very beautiful castings.Provenance: Musée Rodin, Paris. Eugène Rudier collection. Private collection, New-Jersey, USA.

A box containing assorted boxed and cased toolkits, drill bits, Titan nailer, Powercraft chisel kit etc.

A selection of tools to include boxed Perform chisel set and mixed drill bits, Allan keys etc in a tool chest

Original vintage advertising poster for National Lottery – Strike the fountain of fortune in Malta. A ticket did the trick! Closing date 17 December 1973 – featuring a caricature of a happy couple with a hammer and chisel holding a lucky lottery ticket. Printed at the Central Office of Statistics (Printing Division). Good condition, creasing, staining. Country of issue: Malta, designer: Unknown, size (cm): 40x27, year of printing: 1973.

A Second War German Luftwaffe aluminium ladle marked "Fl.U.V."; German military marked cold chisel and a German rifle cleaning tin (3)

GEORGE PHILCOX, CANTERBURY. A RARE 6” DROP DIAL CONVEX FUSEE WALL CLOCK the painted convex dial with Roman numerals and offset winding hole fronting an eight-day fusee movement with baluster pillars. The case with moulded surround and chisel shaped drop box.The dial has been repainted but is original to movement and case, the wire on the movement has detached from the spring barel but ticks when pressure is applied to the fusee barel. Nice original clock of very unusual size.

A RECORD No21 VICE along with a boxed Record 044 plough plane in original box with spare blades, Record No077A bull nose plane and three brand new draper chisel

Parkside nine piece new old stock chisel carbide hole saw set 22-70mm. Not available for in-house P&P

A miscallaneous collection of vintage tools, to include: A large gunmetal screwdriver, length 19 1/4in., two pattern makers saddle planes, a pump drill, an Archimedean drill, a swan-necked lock mortise chisel, a pad saw, vintage hammers and others. (17)

Karl Ouren, "Mineral Spring"sommerliche Szene einer Frau mit Kind, am Little Calumet-River unter hohen Laubbäumen, rückseitig vom Künstler betitelt "Mineral Spring - Indiana USA", wohl Darstellung von "Knott´s Mineral Springs" im Städtchen Porter in Indiana am Michigansee, unweit von Chicago (Fotokopien beigefügt), hierzu bemerkt Glenny Alfson (im Norwegischen Künstlerlexikon): "... In Chicago war er vor allem für seine atmosphärischen Aufnahmen aus den Parks und der Umgebung der Stadt bekannt. ...", gering pastose, impressionistische Malerei, Öl auf Leinwand, links unten signiert "K. Ouren", rückseitig auf der Leinwand bezeichnet "Ouren" und "1935" sowie auf dem Keilrahmen betitelt und dänisch signiert und ortsbezeichnet "mald af [dt.: gemalt von] Carl Ouren - Chicago" sowie datiert "1913" und weitere Annotation "Elev af Kunsakademiet Kobenhavn [dt.: Student der Kunstakademie Kopenhagen]", schön in Goldstuckrahmen gerahmt, Falzmaße ca. 64 x 46 cm. Künstlerinfo: auch Carl Ouren, eigentlich Karl Peter Andreas Ouren, norwegischstämmiger us-amerikanischer Maler und Theatermaler (1882 Fredrikshald [heute: Halden Kreis Østfold] bis 1943 Chicago), studierte in Trondheim, durch ein Trøndelag-Stipendium 1900-02 Weiterbildung an der Technischen Hochschule Kopenhagen, wanderte 1902 nach Chicago/Illinois in den USA aus, studierte hier 1911-14 am School of the Art Institute Chicago bei Antonin Sterba (1875-1963), Schüler und Mitglied der Chicagoer Künstlerakademie "Palette and Chisel Academy of Fine Art", an deren Ausstellungen er teilnahm, erhielt hier 1919 eine Goldmedaille, beschickte zahlreiche Ausstellungen und Galerien in Chicago, 1927 Einbürgerung in die USA, ab 1937 schuf er Bühnenbilder für ein Chicagoer Theater sowie Altarbilder und Kirchenausmalungen, tätig in Chicago mit regelmäßigen, teils mehrjährigen Aufenthalten in Norwegen, Quelle: Vollmer, Saur "Bio-Bibliographisches Künstlerlexikon", Bénézit, Norwegisches Künstlerlexikon, Falk und englische Wikipedia.

A COLLECTION OF VINTAGE TOOLS to include a Stanley No 50 combination plane in original box with instruction manual and spare blades, J Rabone and sons of Sheffield spirit levels, Stanley No78 plane, t square, Ridgway hollow square mortice chisel and bi etc

A LARGE QUANTITY OF BREAKER CHISEL BITS

A Parker silver pen set in Chisel finish: fountain pen and roller ball (2)

Vintage joiners box and tools, chisel, set square, screwdrivers etc

A DRAPER wet & dry blade and chisel sharpener, Pat tested G+

A mortice lock chisel, 6 bevel edge chisels and a gouge G++

A small V chisel and two gouges all by PRESTON G+

A mortice chisel and eight other chisels G+

A large quantity of used files and chisel handles G

A wheelwright's bruzz, spoke tanger, heavy gouge and a chisel G

A 38mm bevel edge chisel by STANLEY and 12 other chisels with composite handles G+

A mortice lock chisel, screwdriver, axe and bevel G+

A chisel gauge by FOOTPRINT with brass lever F

A 2" paring chisel by MARPLES with rosewood handle G++

A 1/2" mortice lock chisel by WARD with boxwood handle G+

An unusually long and probably unused 1 1/2" bevel edge paring chisel 10" to the shoulder by JOHN SHAW & SONS Wolverhampton with boxwood handle, minor discolouration o/w G++

A SIP hollow chisel mortiser pillar drill

A Ryobi chisel mortiser, model DM-20 240v, serial number 08785.

A stained oak carpenter's table-top chest of drawers, filled with various tools, drill bits, woodworking chisel handles etc, and another smaller chest (2)

40+ woodworking tools. Early to mid 20th Century tools including; clamps, adjustable bevels, chisels, scrapers, mortise chisel, drill brace, soldering iron, auger bit, pliers, adjustable spanner, saw set gauge, etc. Generally GC with some wear. £50-70

A JUMBO PUNCH AND CHISEL SET -ALL PROCEEDS TO FRANCIS HOUSE CHILDRENS HOSPICE

A box of vintage hand tools, Stanley no.4 woodworking plane, chisel set and spanner set

Box full of vintage tools inculding wood smith toold, hammers, chisel etc

Railwayana - Derby Locomotive Works - an interesting collection of tools and equipment, mainly Midland Railway, including steel measuring callipers marked PS; four tyre bolts, 7 x 15/8in, 51/2 x 2in, 51/2 x 7/8in and 51/2 x 5/8in; an LMS tyre bolt stamped 16/THDS/11/4; two LMS railway telegraph ceramic insulators 12.5cm x 7cm; LMS arched steel tool marked Motion die/for use on slotting/L 2.645/H 2.650 O/6807, 14 x 12.5cm; LMS double ended steel 1in & 11/4in spanner 45cm long; LMS 1in & 111/16in double ended spanner 26cm long, stamped LMS/5/8 on shank, a double ended steel spanner consisting of a Lion Brand 3/8[in] and Snail Brand 5/16[in] single ended spanners welded together as a single double ended tool 27cm long; LMS DL gauge stamped G/17/8/G/I; LMS steel cold chisel, 18cm long, stamped NS/B/LMS; BR LMR steel 415/16in slotting tool 12.5 x 18cm; BR circular iron plaque marked Re/bodied/Derby/1970 12.3cm; another, aluminium and octagonal, marked Inter repair/lifted/3000/5-1978 10cm; BR original Midland Region metal and maroon enamel totem cap badge British Railways, on rev. J. R. Gaunt/London; GWR workshop (marked) metal bar 53.5 x 4cm; GW steel ‘T’ key 9cm square recess 5/16in (qty)

A Meissen Porcelain Figure Group Representing Architecture, 19th century, as three putti about an entablature, one holding a rule, another a chisel, the third a scroll, on a shaped base, crossed swords mark in underglaze23cm highThe right-hand cherub with some professional restoration to left hand and loss to the object in his right hand, some gilt wear to the base

A fine and rare late 18th/early 19th century mahogany Tavern clock with passing strikeJohn Dwerrihouse Berkley Square, LondonThe 19.5 inch white painted Roman and Arabic dial with brass counterpoised hands within a heavy cast brass bezel on a wood surround, hinged doors on either side of the box, the trunk with short door and stylised ears at the throat, over a chisel-shaped foot. The weight driven movement with tapered plates and four robustly knopped pillars, five-wheel train, anchor escapement and passing strike on the bell mounted on the front plate. Together with wide-bob pendulum and lozenge-shaped weight. 110cms (43 ins) highThis lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A fine and rare third quarter of the 18th century Chinoiserie decorated striking tavern clockThomas Grignion, Covent Garden The 22 inch painted Roman and Arabic dial with gilt-heightened bezel framing the matching brass heart-shaped hands, over the gilt signature flanked by a pair of shaped 'ears' above the tear-drop trunk with removable central door (key lacking) decorated with chinoiserie scenes of figures in a landscape, to a moulded chisel foot, further heightened by gilt sprays of flowers to the sides and base. The movement united by five knopped pillars, both trains of five wheels in order to offer a duration of eight days, the going train with anchor escapement and counterbalanced hands (the hour counterbalanced by a shaped brass weight screwed directly to the hour wheel; the minute hand counterbalance by a brass shaped weight fitted to the arbor of the reverse wheel on the backplate), the strike train with snail on an independent star wheel mounted, acting on the bell above. 1.45m (4ft 9ins) high.Footnotes:Provenance:The collection of Jacquelyn Nouveau, USA. At some stage in its life, this clock had been overpainted with a 'scumbled' finish, but expert restorers 'completed a wonderful forensic uncovering of the underlayer which was largely intact..' - see Gatto 'The Tavernicus Tavern Clock Archive' 2021, page 117.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A Ryobi chisel mortiser, model DM-20 240v, serial number 08785.

A teak three drawer tool chest, comprising clamps, spanners, sanders, chisel bits, etc., on wheeled base, 80cm high, 59cm wide, 53cm deep.

K. STEINER, KARLSTHAL A FINE 28-BORE PINFIRE DOUBLE-BARRELLED SPORTING-GUN OF EXHIBITION GRADE, no visible serial number, circa 1865, with etched 29 1/4in. damascus barrels, bead fore-sight, standing breech with pin-guards, full engraved long top-tang featuring a standing stag surrounded by a gold inlayed borderline, gold inlaid initials 'FD' to centre of tang, carved and shaped back-action isolated locks signed in gold 'K. STEINER' on the right and 'KARLSTHAL' on the left hand side, the locks further embellished with chisel engraved foliage accented in gold and scenes of dogs chasing deer and foxes, gamescene engraved Lefaucheux action, highly figured walnut straight-hand butt-stock carved and chequered at the wrist, engraved heel-plate, horn grip-piece applied to lower tang, engraved scrolled trigger-guard bow, walnut splinter fore-end and horn covered Lefaucheux patent swing under-lever Sold as an exempt item under Section 58 (2) of the 1968 Firearms Act, to be held as a curiosity or ornament

A small British Bronze Age early form axe chisel with flanged sides, length 9.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

‡ A JAPANESE ARMY OFFICER~S COURT SWORD IN BLACK LEATHER SCABBARD, LATER MEIJI PERIOD, 1875-1912with copper gilt fittings with decoration of sakura (cherry blossom) and scrolling leaves on a nanako ground (~fish roe~ pattern of small dots beaten out with an indented chisel); pommel decorated with raised dragonflies; sword guard with Rising Sun motif on a nanako ground and with an inner folding plate for easier wear; ribbed black wood grip; gilt wire wrapped cord and tassel. Western blade with central longitudinal ridge52.5 cm; 20 5/8 in blade

‡ A JAPANESE ARMY OFFICER~S COURT SWORD IN BLACK LACQUERED SAYA (SCABBARD), LATER MEIJI PERIOD, 1875-1912with copper gilt fittings with decoration of karakusa (Chinese grasses) on a nanako ground (~fish roe~ pattern of small dots beaten out with an indented chisel); hilt wrapped in gilded copper alloy wire; guard of pieced clam-shell form decorated with a kiri (paulownia) crest, a motif used in various forms by the imperial court and by important samurai families, and with an inner folding plate for easier wear; the knucklebow has a ho-o head (phoenix) quillon - the ho-o is an imperial symbol; the hilt wrapped in gilded copper wire (hilt pommel present but detached, chape missing)56 cm; 22 in bladeThe blade is possibly western which has then been decorated in Japan with etched details of stylised flowers and the kiri (paulownia) crest.

Collectors lot including harmonica, flint chisel and Lloyd's money bank etc

Donato Barcaglia (1849-1930)Marble sculpture of a young girl with her hand raised, on a circular plinth, inscr. D Barcaglia to the base, 94cm highNote:- the sculpture was purchased by the vendor's family circa 1950 in Southport at auction. The well-carved figure originally held a butterfly and is looking up towards it.Some fingers are missing, as is the original butterfly. There are further losses to the flower heads and garland, and some further wear to the edges. Some of the this may be just the chisel head marks. The patina appears to be original.

Bomford chisel tines, etc.,

Home furnishings consisting of two 'Block and Chisel' interior pineapple cushions, coral coloured material remnants of a swag, tails and foliage pattern, a pair of green leaf Sanderson curtains measuring 260cm drop x 155cm wide having a gathered heading and cream lining, another pair in the same fabric measuring 180cm drop x 93cm wide and a quantity of white curtains with tab top heading, Location: Rail

A group of car and electronic tools, comprising a Black & Decker 13mm drill, a 300psi air compressor, Mazda lamp lights, British Automobile lamp lights, Black & Decker cased chisel set, mitre saw parts, drill bits, etc. (3 boxes)

A quantity of tools and other items to include a fourteen piece air compressor accessory set, 150mm air hammer and chisel set, two trolley jacks, a power tool rating 2000, Pirelli cable, a Thule car bicycle rack and other items

A quantity of Hilka SDS chisel bits

ARTIST: Frank T M Beatty (Illinois, Canadian, 1899 - 1984)NAME: Rockport HarborMEDIUM: oil on boardCONDITION: Minor paint losses along edges. No visible inpaint under UV light.SIGHT SIZE: 9 x 12 inches / 22 x 30 cmFRAME SIZE: unframed (In-House framing available)SIGNATURE: unsignedSKU#: 120244US Shipping $42 + insurance.BIOGRAPHY:Artist Frank T M Beatty had a long and varied career. He received his art training in Winnipeg, Canada, and then in Chicago, Illinois, the latter becoming his home base. Joining the Art Staff of the publication Popular Mechanics in 1931, he led the group as Art Director for twenty years. Upon his retirement in 1961, he devoted full time to his painting and sketching in oil, pastel and pencil, with occasional commercial art commissions. In Chicago his studio address was 6017 N. Nassau Avenue.Beatty exhibited at the Art Institute of Chicago and Winnipeg Galleries, had solo shows at many galleries in and around Chicago and won many awards. His work is included in a number of private collections.He was a member of the Artists Guild of Chicago, the Salmagundi Club in New York City, the North Shore Art Group of East Gloucester, the Canadian Club, the Chicago Art Club, the Northwest Art League, and a member and President of the Palette and Chisel Academy.He loved to travel throughout the sixties and nearly every year achieved prolific trips to paint "on the spot" (plein air) in farflung locations including New York, London, Paris, Rome and Lucerne, northeast to Cape Ann, Bar Harbor and Quebec, northwest to San Francisco, Seattle, Vancouver and Victoria, southwest to Texas, Acapulco and Mexico City, and south to Bermuda, Nassau, Palm Beach, Key West and Jupiter, Florida.