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An oak Norfolk type drop trunk weight driven eight day wall clock early 19th century the four pillar rack and bell striking movement with 13in white painted circular Roman numeral dial with subsidiary seconds and calendar dials and signed ‘Grinlaw Dunse’ to centre in a drum head case with shallow arch top trunk door flanked by moulded angles above chisel shaped base 140cm high.
A Meissen group allegorical of the arts circa 1880 modelled as three putti around a wooden stand on which sits a classical female bust, one putto drawing on a tablet, another examining a sculptural fragment, and the third standing holding a hammer and chisel, raised on a shaped base gilt with scrolls beneath a band of green leaves tied with pink ribbon. crossed swords in underglaze-blue and numeral 3, incised model number 4 20.6cm., 8.125;in. some damage and repair
A collection of cheese scoops comprising two 18th century steel "key" type scoops, a large 18th century scoop with 19th century handle attachment, a heavy chisel type scoop probably 18th century, a 19th century "wishbone" type scoop, a cased 19th century scoop by Herbert & Son, retailed by Hislop of Edinburgh with brass and rosewood bullet grip complete with leather scabbard and one other (7)
A late 19th century Meissen style figure group, modelled as a female sculptor, wearing a flower sprig decorated skirt, standing with chisel and mallet, modelling a bust on a veined marble plinth, underglazed blue crossed sword marks, 24.5cm high; also a smaller Meissen style figure of a flower seller with striped flower sprig skirt on a circular plinth with Greek key gilt frieze, blue underglazed crossed sword mark and impressed number mark, 18cm high (2)
A mahogany chisel based drop dial wall clock of early 19th Century design by Leslie Brundle, the 12ins silvered dial engraved with Roman and Arabic numerals and date aperture to the eight day fusee movement with anchor escapement and maintaining power, contained in case with turned bezel, the trunk with shaped ears to side and angled lower section, 24ins high.
A mahogany chisel based drop dial wall clock of early 19th Century design by Leslie Brundle, the 12ins silvered dial engraved with Roman and Arabic numerals and date aperture to the eight day fusee movement with anchor escapement and maintaining power, contained in case with turned bezel, the trunk with shaped ears to side and angled lower section, 24ins high
A mahogany chisel based drop dial wall clock of early 19th Century design by Leslie Brundle, the 12ins silvered dial engraved with Roman and Arabic numerals and date aperture to the eight day fusee movement with anchor escapement and maintaining power, contained in case with turned bezel, the trunk with shaped ears to side and angled lower section, 24ins high
A Victorian rosewood cased chisel base drop dial wall clock, the 12ins enamelled metal dial with Roman numerals to the eight day fusee movement with shaped plates and anchor escapement, contained in figured rosewood case with octagonal bezel inlaid in mother-of-pearl with bold leaf and scroll ornament, the drop case similarly inlaid, with carved fruiting vine ears, glazed panel and angled lower half, 32ins high.
A Meissen group Allegorical of the Arts circa 1880, modelled as three putti around a wooden stand on which sits a Classical female bust, one putto drawing on a tablet, another examining a sculptural fragment, and the third standing holding a hammer and chisel, raised on a shaped base gilt with scrolls beneath a band of turquoise edged leaves tied with pink ribbon, crossed swords in underglaze-blue, incised model number 4, 20.2cm., 8in. small chip to two fingers of seated putto
A COLLECTION OF CARPENTERS' TOOLS contained in a pine box fitted with two internal drawers and painted with initials of former owner. Bears "GWR" transit label and includes: Brass & Beech Brace & Bit; a Swansea J Howarth Lock Mortice Chisel; various Chisels by Sorby, Marples, John Hall etc., a Rosewood Rebate Plane and others, Hammers, Squares etc..
A mahogany trunk dial wall timepiece, circa 1820, the 12" painted wood dial, signed Vulliamy, London 785?, with cast brass concave moulded bezel, four pillar fusee movement with deadbeat escapement, the case with moulded dial surround and well figured short trunk door of rich colour and chisel foot base, with doors to each side and base, distressed, 23" high
A fine Aborigine hardwood parrying shield of narrow oval form, each side carved with broad parallel grooves, the face with diagonal central panel, decorated in red and white ochre, pierced grip, dry patination, 26in long; together with a tula adze (woodcarving chisel used for decorating artefacts), the grooved wood shaft with flaked stone blade set with triodia resin, 28in long, Western Australia, 19th century. (2)
Late 19th century Daum silver mounted glass bowl, of compressed ovoid form, the acid etched foliate textured body carved in relief with trailing flowers and foliage with gilt highlights, the mounted rim and spreading foot embossed and chased with flowers, foliate scrolls and shells, base marked in black enamel 'Daum Nancy' and bearing the cross of Lorraine, the mounts with maker's mark 'E.R. flanking a chisel and protractors', the rim engraved with the retailers mark 'E. Roger, 71 Fb. St. Honore', 25cm diameter.
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1759 item(s)/page