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Lot 1089

Large mortar with rectangular handles chisel decorated with foliage possibly Spain 17th century together with a pestle. Mortar height 14cm

Lot 443

A collection of miniature apprentice tools including wood saw, two hammers, two G clamps and a chisel and a screw driver.

Lot 405

Ephemera, two Colmans DSF Mustard, shelf edging signs, 3.5cm x 44.5cm, together with a selection of vintage wood working tools including block plane, spoke shaves chisel etc and a quantity of smoking materials inc pipe bowl cleaners cigarette packets, ash trays etc. Parcel

Lot 50

Four miniature treen tools, including: a saw and a chisel, together with a miniature brass smoothing iron with a treen handle, 19th century, 11cm long (max). (5)

Lot 550

AN AIR NEEDLE AND AIR CHISEL TOOL

Lot 263

A PRESTON No 1954 sash pocket chisel with boxwood handle G++

Lot 140

A little used 3/4" French mortice chisel by GOLDENBERG with orig ash handle G++

Lot 138

A bone handled button hole chisel 4 1/2" o/a G+

Lot 123

A set of 7 paring chisel by WARD & PAYNE 1/4" to 1 1/4" with ash handles G+

Lot 126

A 2" bevel edge paring chisel with boxwood handle G+

Lot 127

A probably unused 1/2" mortice lock chisel by MAWHOOD Sheffield with boxwood handle G++

Lot 120

An 18c leatherworkers buttonhole chisel with orig chamfered horn handle small chip to corner G

Lot 413

An unused LIE-NIELSEN No 97 1/2 small chisel plane with orig sock and box N

Lot 301

A PRESTON No 1964 5/8" lock mortice chisel with replaced handle G++

Lot 891

A fine pair of miniature boxwood smoother and chisel plane by CARTER London (Bill Carter) only 1" x 1/2" F DAW

Lot 174

A BOXED CHISEL SET TOGETHER WITH A QUANTITY OF SCREWS

Lot 71

2nd millennium BC-19th century AD. A large quantity of objects including five bronze casket keys, a miniature cannon, a bronze cosmetic grinder, a bronze axehead fragment, a bronze spear-tip, a bronze beehive thimble, a silver Jubilee badge, bronze buckles, bronze buttons, eleven lead loomweights, Roman bow brooches and fragments, a bronze crotal bell, bronze finger rings and a fragment, a bronze strap end with low-relief Trewhiddle Style decoration, a bronze chisel, eight lead musket and pistol balls, and other items. 1.9 kg total, chisel: 69mm (2 3/4"). The Chris Rudd collection, Norfolk, UK; formed since the 1970s; collection number N1-19; found South West Norfolk, UK. Chris Rudd has collected ancient coins and antiquities since the 1940s. As an amateur archaeologist he found many himself at Badbury Rings, Dorset, 1952-53. He also dug at Hod Hill with Professor Sir Ian Richmond and at Wroxeter with Dame Kathleen Kenyon and Dr Graham Webster. Today he is best known as a Celtic coin dealer. His catalogues have been described as ‘an important research source’ by Professor Sir Barry Cunliffe and ‘treasure houses of delight’ by Dr Anne Ross. Coins and artefacts associated with Chris Rudd – as a collector, dealer and valuer – can be seen in The British Museum and other museums. This collection was formed since the 1970s. [No Reserve] Fair condition.

Lot 884

Byzantine Empire Æ Three Unciae Commercial Weight. Circa 5th-7th Century AD. Γ° Γ; menorah above, all within wreath divided by four annulets; circular border containing annulets / Blank. Cf. Bendall 116. 74.62g, 38mm, 9mm thick. An attractive circular commercial weight with a pleasing patina. Recessed top, two grooves around the edge. Engraved on this remarkable Jewish-Byzantine three-unciae official imperial weight, in the typical ‘angular chisel’ technique often favoured in this period, is with what Christians at the time would have considered a blasphemous image replacing the usual Christian Holy Cross. It was conceivably engraved at the time of the Byzantine-Sasanian War of 602-628 CE, when many disgruntled Jews sided against the Byzantines in the Jewish revolt against Heraclius, which successfully assisted the invading Persians led by Khosru II in conquering the Byzantine Empire’s richest provinces in the Diocese of the East: Antioch in 611, Jerusalem in 614, Alexandria in 619 and the rest of Egypt by 621. Most of the Byzantine mints closed at this time, with the exception of that of the second city of the empire, Alexandria, which continued to produce imperial standard bronze coin denominations in the form of 12, 6, 3 and 1 nummi, without imperial titles, but with the characteristic Persian symbols of the sun and moon (cf. MIB 202, 211, 214 and 215). Another possible period for this Jewish-Byzantine weight might be after the death of Muhammad in 632 and the rise of the first Caliph Abu Bakr, who set in motion a military expansion that in a few short decades overwhelmed the whole the Levant, starting with the province of Syria in 634, the Exarchate of Africa in 686 and Visigothic Spain by 712-716. The new Islamic authorities in Syria, North Africa and Spain continued the Byzantine monetary system by issuing what we call Arab-Byzantine coins, until they were gradually replaced by the Umayyad Post-Reform coinage starting in 696/7 (77H) with its own well recorded weights and measures (cf. G. Bernardi, ‘Umayyad Caliphate Globular Coins’ in Arabic Gold Coins I, Trieste 2010, pp. 101-104 and S. Album, Checklist of Islamic Coins, Santa Rosa 2011, 115-124). These Muslim invaders were seen as a liberating force by the long suffering Jewish population within the Christian empire. Eager to aid the Arab invaders in administering the newly conquered territories many towns and garrisons were left in the hands of the Jews while the invaders proceeded further west and north. The destruction of the Second Temple by Titus in 70 CE and the subsequent triumphal procession in Rome was a momentous event celebrated by many coin issues over several years and the erection of a triumphal arch in the Forum. The renowned Arch of Titus depicts Roman soldiers carrying away the spoils of the Second Temple, in particular, the seven-branched menorah, or candelabrum. The menorah was then deposited in the temple of Pax, where it remained until it was looted by the Vandals in 455 and taken to their capital, Carthage. After the fall of Carthage in 533 to the Byzantine general Belisarius the menorah was removed to Constantinople and later sent to Jerusalem (Prociopius, Vandal Wars IV.9.5). There exists no record of it after this and it was probably destroyed when Jerusalem was sacked by the Sasanian Persians in 614, when the Holy Cross was carried off to Ctesiphon. After the destruction of Jerusalem at the end of the Bar Kokhba War in 135, the menorah had become the iconic symbol of the Jewish Diaspora and the festival of Sukkot. In a religiously tolerant pagan Roman Empire the menorah image was placed prominently on signet rings, lamps, and amulets and even appears in the roundels of prestigious Roman gold glass cups, along with other Jewish symbols. With Constantine I the empire became Christian, and under the Theodosian Code of 404 Jews were excluded from certain governmental posts and by 425 all public offices, both civilian and military - a prohibition that was repeated under the Justinian Code of 545. Although the Justinian Code remained in force in the Eastern Empire until the ninth century, the period following Justinian's reign was generally characterised by tolerance of non-Christians, particularly the Jews. However, the Jewish revolt against Heraclius provoked severe anti-Jewish measures to be enacted throughout the empire and applied as far away as Byzantine North Africa, Merovingian France and Visigothic Spain, the alleged provenance of this weight. The first Visigothic rulers of Spain were not much interested in the religious affairs of the kingdom until 506, when Alaric II (484–507) published his Breviarium Alaricianum or Lex Romana Visigothorum, which adopted the laws Byzantium. Following the conversion of the Visigothic royal family under Recared from Arianism to Catholicism in 587, the situation became far worse for Jews, now subject to forced conversion, resulting in the utter embitterment and alienation of Spanish Catholic rule by the time of the Muslim invasion in 711. Under Muslim rule Jews experienced tolerance and integration and given the status of dhimmi, by which they remained second class citizens, but were accorded many rights and protections as a “people of the book’.

Lot 211

A Twenty Eight Piece Punch and Chisel Set, Plus VAT

Lot 376

VINTAGE WHITE AND HAAG CELLULOID PIN BROOCH LABELLED 'GENERAL UNION', in traditional wing shaped frame, with black silk banner, printed in silver lettering 'In Memoriam Journeymen Stone Cutters Association of North America', the reserve of the ribbon in blue and has a second pendant gold ribbon embroidered with crossed flags and with attached on metal miniature stone cutters chisel and a pendant circular celluloid button depicting the Association emblems, the man ribbon having gold braided fringe, 9" long overall

Lot 305A

Electric Charnwood chisel morticer model W308 with attachments and a Clarke electric metalworker for operating drills

Lot 791

A German fitted toolbox - Channel Islands Occupation interest, with partial contents, the box painted in the regular German army colours with white painted lettering to top of lid 'Werkzeugkasten PK' (toolbox), the lid opening to reveal fitted compartments and hangers for the tools, each tool with a place to go, using black painted silhouettes, tools to include drill, drill bits, plane, chisel etc.

Lot 135

Tools - a miniature metal cabinet; another; screwdrivers, saws, bulk chisel; pitchforks; etc qty

Lot 1156

1st century BC. Obv: criss-cross chisel lines. Rev: horse left with rider above and lyre below. S. 9; Sills 343-351; ABC 37. 1.88 grams. . Very fine. Scarce.

Lot 89

A wood carving chisel set

Lot 88

A box of vintage tools to include box plane, long handled chisel etc

Lot 76

28 piece chisel and punch set

Lot 523

A 2 1/2" slick by BARTON and a 1 1/2" chisel G+

Lot 516

A 1/2" lock mortice chisel requires handle and two mortice chisels G+

Lot 411

An early steel tooth key and chisel G

Lot 316

A lock mortice chisel by MARPLES and six mortice chisels G

Lot 235

A 2" sash pocket chisel by MARPLES G+

Lot 863

A lock mortice chisel by SORBY and three other mortice chisels by SORBY, NURSE and MARPLES all with boxwood handles G+

Lot 180

A swan neck lock mortice chisel by HOWARTH G

Lot 408

Two rolls of bits, three squares and a lock mortice chisel G

Lot 379

A Bronze Age Dagger, Luristan, Persia, with 24cm double edge blade extending to the waisted grip (lacks grip scales), 37.5cm overall, together with a certificate of authenticity from the Sygun Museum of Wales, dated 26.10.2005; a Bronze Age Palstaff, with bevelled chisel type blade and hollowed out tang for grip scales (missing), one side with a suspension lug, 15.5cm overall (2)

Lot 6

A Neilsen 12 piece carving chisel set, together with a Dekton 6 piece chisel set *

Lot 233

Flint tools, to include: a hand-axe from Rygate, a chisel, from the Ex. Collection of Prof. H. Otley, Bayer; a Mesolithic grinding stone from Ashmore, Dorset; a hand-axe from Mullerup, Sealand Denmark; and other items, some on wooden brackets.

Lot 1012

AN ECU COMPRESSOR AIR SANDER, air chisel, an air drill, three spray guns and an air clearing gun (8)

Lot 130

A box of an anchor, boxed chisel set, cased binoculars, spray guns etc

Lot 168

A 28 piece punch and chisel set and four assorted bolster chisels*

Lot 587

A mixed lot _ sewing comprising a good ivory tambour hook with steel mount, 13cm, two mother of pearl stilettos, an 18th Century seam chisel lacking button top, a silver engraved fish bodkin, two others, a silver mounted ribbon threader, three others and a bone crochet hook (12)

Lot 63

28 piece chisel and punch set

Lot 94

28 piece chisel and punch set

Lot 67

New 4 piece wood chisel set

Lot 117

GROUP OF CHEMISTS SHOP ROUNDS ETC. Pair cobalt blue glass rounds, chisel stoppers both with labels under glass. Plus green glass ribbed shop round with label under glass, 3 clear glass rounds one with label under glass & blue glaze ceramic drug jar. Tallest 9ins. (7) Good. (9/10) NR

Lot 123

CHEMIST SHOP ROUND POISON BOTTLE. (DP pg 153) 10.5ins tall to top of chisel stopper heavy cobalt blue glass shop round horizontally ribbed with LIN/ A.B.C. in white enamel lettering POISON below near base in red. Very good. (9/10) NR

Lot 102

28 piece chisel and punch set

Lot 35

New 4 piece wood chisel set

Lot 36

New 4 piece wood chisel set

Lot 70

1st-3rd century AD. A mixed group of artefacts comprising: an iron billhook with split socket; an iron spearhead; an iron chisel with split socket; a fragment of bronze vessel; the finial from a bronze crossbow brooch; a domed stud; two bronze coins. 352 grams total, 1-27cm (1/4 - 10 1/2). Property of a European gentleman; acquired on the German art market in the 1990s. [8, No Reserve]. Fair condition.

Lot 47

12th-15th century AD. A mixed group of iron arrow heads comprising: one leaf-shaped, square-section tang with right-angled tip; four chisel-shaped, collared tang; one leaf-shaped with round-section tang. 131 grams total, 7-16.5cm (2 3/4 - 6 1/2). Property of a professional; acquired on the European art market in the 1980s. [6, No Reserve]. Fine condition.

Lot 156

Wood carving chisel set

Lot 161A

28 piece chisel and punch set

Lot 53

Professional chisel set in wooden box

Lot 1185

A Far Eastern Pedang, 21ins plain chisel pointed blade, heavily decorated wood and metal grip, wood scabbard, 28ins overall

Lot 592

A chisel set, together with a set of wood carving chisels

Lot 58

New four piece wood chisel set

Lot 42

A BAKER OF LONDON MAHOGANY CASED BRASS MONOCULAR MICROSCOPE having additional lenses and glass slides, the chisel shaped foot stamped 'Baker, 244 High Holborn, London', the case with top carry handle and lockable door with key, 51 cms high to top of handle complete, 22 cms wide

Lot 1471

2nd-3rd century AD.A mixed group comprising: a square stone palette with chamfered edges; a bronze chisel with rounded edge; a bronze probe with leaf-shaped blade; a bronze pin with spherical finial; two small spoons, one with twisted shank; two bronze tweezers. 236 grams total, 3.5-20cm (1 1/2 - 8"). Fine condition.Property of a Middlesex gentleman; ex Lennox Gallery, London, UK; in 1995. [8 No Reserve] 

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