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Jessops tripod and Faithfull wood chisel 

Collection of wood working tools to include a selection of moulding planes, planes, clamps, hand saws, chisels, wood markers and more. Marks on planes to include I Sorby, Stanley, Parry & Son. Chisel makers names to include M Linley & co, Isaac Greaves and Stanley. 3 boxes.

Beaverman: Colin Almack (1930-1996) (Sutton-under-Whitestonecliffe): An Oak Napkin Ring Stand, with central carved standing beaver holding a hammer and chisel, 27cm wideA Set of Six Napkin Rings, 4cm wideSome of the napkin rings have a darker mark around the base from direct sun light? The front of the stand is lighter from direct sun light?

A garden wheelbarrow, an electric hedge trimmer, a pair of shears, a chisel, a tyre foot pump & a saw

A quantity of tools & accessories including a Stanley alloy portable vice, chisel sets & other items

W. A. S. BENSON (BRITISH, 1854-1924), MATCHED AND GRADUATED SET OF THREE HOT WATER JUGS, CIRCA 1900 Benson's Patent, the largest with copper sheathed body and swing handle, brass cover (this stamped W.A.S. BENSON PATENT) and hoop handle, with enamelled interior, the second in brasswith stamped BENSONS PATENT and WASB hammer and chisel mark to base, the smalles with copper sheathed body and stamped WASB mark to basethe tallest 37cm highCondition good to fair. Wear commensurate with use and age. This includes typical dents, dings, scratches. Two small perforations to the larger jug, also some splits to rubber at rim, and apparent to top of liner. Messy Soldering to bases of both smaller items. Plenty additional images detail.

Dekton wood chisel four piece set. Not available for in-house P&P

Marksman four piece wood chisel set. Not available for in-house P&P

Four piece mortice chisel set and a dial caliber. Not available for in-house P&P

A VICTORIAN OAK WEIGHT-DROP TRUNK WALL REGULATOR TIMEPIECEUNSIGNED, THIRD QUARTER OF THE 19th CENTURYThe four columnar pillar single train movement with tapered plates, Harrison's maintaining power and deadbeat escapement regulated by wood rod seconds pendulum with large diameter brass-faced lenticular bob suspended from the case backboard, the 13 inch cream painted Roman numeral dial with subsidiary seconds to centre and blued steel spade hands set behind hinged glazed cast brass bezel, the case with box-shaped hood fronted with generous concentric ring-turned dial surround over carved fan ear infill, the trunk with slender cavetto throat mouldings, plain frieze and bevel glazed rectangular door over a canted panelled 'chisel' base.154cm (60.5ins) high, 56cm (22ins) wide, 20cm (8ins) deep. Condition Report: Please see additional photosCondition Report Disclaimer

Württemberg - Silberne Preismedaille o.J., der gewerblichen Fortbildungsschulen, Karl Schwenzer (1843 - 1904), Av: KARL KOENIG VON WUERTTEMBERG, Kopf König Karl von Württembergs nach rechts, Rv: Die Rückseite zeigt drei männliche Figuren und ist „DEN ZÖGLINGEN DER GEWERBE“ gewidmet. In der Mitte steht ein junger Mann nach rechts gewandt. Seine rechte Hand hält einen Hammer, in der linken hat er einen Schild mit dem württembergischen Wappen, der auf einen Amboss gestellt ist. Rechts von ihm sitzt ein weiterer junger Mann auf einem Stein, Winkelmaß und Meißel haltend. Der dritte kniet links und zeichnet auf einer Tafel, ss. - vz., leichte Patina, Randkerben, leichter Berieb des Reliefs, leicht verschmutzt, Kratzer, ca. 33,1g rau.Die Medaille der gewerblichen Fortbildungsschulen Württembergs wurde auf Schulausstellungen als Preis verliehen. Ausgezeichnet wurden beispielsweise die Fächer Freihandzeichnen, Linearzeichnen und Modellieren|Wurtemberg - Silver prize medal from the industrial training schools, Karl Schwenzer (1843 - 1904), Obv: KARL KOENIG VON WUERTTEMBERG, head of King Karl von Württemberg to the right, Rv: The reverse shows three male figures and is dedicated "DEN ZÖGLINGEN DER GEWERBE". In the center is a young man facing right. His right hand holds a hammer, in his left he has a shield with the Wurtemberg coat of arms, which is placed on an anvil. To his right, another young man is sitting on a stone, holding a square and a chisel. The third kneels on the left and draws on a tablet, VF - EF., slight patina, edge nicks, slight rubbing of the relief, slightly soiled, scratches, approx. 33.1g rough.The medal of the Württemberg industrial training schools was awarded as a prize at school exhibitions. It was awarded, for example, for the subjects of freehand drawing, linear drawing and modeling

Hatchet, wall plugs, chisel set and wire brush.

13 Apothecary Jars: Seven green jars with fluted sides and chisel stoppers, 3 are 21cm x 8cm, one is 19cm x 8cm and Three are 18cm x 6cm Labels read, LIN: SAPONIS. TINCT: NUCIS.VOM:, TINCT: DIGITALIS., HYD: AMMON:, LIQ: ARSEN:HYD:, Four have ceased stoppers, Two have missing labels, one label has been damaged, some staining on one label. 3 jars have cracks to the necks the other four have no chips or cracks. Six Aqua jars, two are 19cm x 8cm, four are 17cm x 6cm, labels read PULV: CURCUMAE., OL: EUCALYPT:, CARMINE., SANTONIN:, BISM: SUBNIT:, FERRI etQUIN:CIT., four have ceased stoppers. one has a cracked neck. Four have traces of contents.

6 Cobalt Blue Apothecary Jars 24cm x 9cm, all 6 jars have chisel stoppers, one stopper has a chip on the rim. One jar has label reading SYR: TOLUT: Two jars have damaged labels reading SYR: SENNAE: SYR: RHEI: Three jars have missing labels. All six jars are in otherwise very good condition with no chips or cracks.

A GROUP OF TOOL CHESTS AND TOOLS, to include four wooden tool boxes and similar cases, a small metal trunk, a wooden brass covered box, a plastic hardware organiser, a galvanised watering can, a 72'' rule, various planes, saw, chisel, spanner, screwdrivers, etc (qty) (sd, af)

A STANLEY No50 PLOUGH PLANE with 17 cutters, a Robert Sorby bowl caliper, a solid brass chisel hammer and a vintage brass bodied and wood plane (stored elsewhere for safety)

A selection of hand tools, to include a Franklin spanner set, an Erwin chisel set, G-clamps, hammers and other tools. (3)

Bailey No.4, and Stanley 9½ adjustable mouth plate, Spear & Jackson brass backed saw, Stanley and Footprint drills, Spiralux screwdriver, chisel, Wynn and Timmins pliers.

Lot of electrical tools including cases with Bosch GSR 1440-Li cordless drill-screwdriver, Bosch PBH 2100 RE hammer drill, Bosch PSB 700 RE impact drill, Bosch PMF 180 E multi, Fairline FBH 6205 hammer drill and chisel with rotation stop, Optilux motor test set, Ferm FCT -300, Topcraft belt sander, Topcraft electric stapler, Einhell air pressure set Profi in box etc.

Barry De More (Northern British 1948-2023): 'Sculptor with Chisel', monochrome charcoal signed and titled verso 34cm x 27cmProvenance: direct from the family of the artist Notes: a Yorkshire Artist and Associate Member of Dean Clough Studio Artists, De More's works have been exhibited in galleries such as The Stirling Smith Art Gallery and The Whitaker Museum

Late Bronze age complete tanged chisel dating to c. 1000-800 BC. It is in good condition and undamaged. Lovely even deep green patina. H11.65mm. 30.34g.

To include axe sections and a chisel section, (8). *CR All missing parts and found condition.

Astronomie - - Apian Petrus u. Gemma Frisius. Cosmographicus liber Petri Apani Mathematici, restitutus per Gemmam Phrysium. Mit Titelholzschnitt, 4 beweglichen Volvellen und 42 (teils ganzseitigen) Holzschnitten und zwei separat gedruckte Holzschnittelemente auf Blatt LV. Antwerpen, Grapheus, 1533. (für Arnold Birckman). 66 Bll. Gr.-8°. Ldr. d. Zt. mit Rollen- und Plattenstempel und Streicheisenlinien (Beschabt, teils mit kleineren Bezugsschäden, Rückenbezug fehlt. Bindung fest.) Harrisse, Bibliotheca Americana Vetustissima, 179. JCB I, 106. - Karrow, Mapmakers of the Sixteenth Century, 64f. - Röttl, Peter Apian. Astronomie, Kosmographie und Mathematik am Beginn der Neuzeit. - Sabin 1742. - Dritte illustrierte Ausgabe (EA 1524). Hier mit 5 beweglichen Volvellen und der erstmals in den Ausgaben ab 1533 publizierten Abhandlung über die topographische Triangulation von Gemma Frisius, in der er sie erstmals als Mittel zur Lokalisierung und Kartierung von Orten vorschlägt: ein Meilenstein in der Geschichte der Kartographie. Peter Bienevitz (1501-52), besser bekannt als Petrus Apianus (1495-1552), war Professor für Mathematik und Astronomie und hatte Lehrstühle in Ingolstadt und Innsbruck inne. Die Cosmographia ist eines seiner bedeutendesten Schriften zur Physik, Astronomie und Karthographie. Es behandelt "die Einteilung der Erde in Klimazonen, die Verwendung von Parallelen und Meridianen, die Bestimmung der geographischen Breite, verschiedene Methoden zur Bestimmung der geographischen Länge, einschließlich der Mondentfernung, die Verwendung der Trigonometrie zur Bestimmung von Entfernungen, verschiedene Arten von Kartenprojektionen und viele andere Themen" (Karrow). Folio 34 und 51/52 mit einer Beschreibung von Amerika. Titelseite mit kleiner Fehlstelle am oberen Rand, nur seltenener minimal fleckig. Insgesamt gutes Exemplar der berühmten Schrift in einem zeitgenössischen Einband. With title woodcut, 4 movable volvelles and 42 (partly full-page) woodcuts and two separately printed woodcut elements on leaf LV. Contemporary leather binding with scroll and plate stamps and chisel lines (scuffed, some minor damage to covers, spine cover missing. Binding tight). Third illustrated edition (EA 1524). Here with 4 movable volvelles and the treatise on topographical triangulation by Gemma Frisius, first published in the editions from 1533 onwards, in which he proposes it for the first time as a means of localizing and mapping places: a milestone in the history of cartography. Peter Bienevitz (1501-52), better known as Petrus Apianus (1495-1552), was a professor of mathematics and astronomy and held chairs in Ingolstadt and Innsbruck. The Cosmographia is one of his most important writings on physics, astronomy and cartography. It deals with "the division of the earth into climatic zones, the use of parallels and meridians, the determination of latitude, various methods of determining longitude, including the distance to the moon, the use of trigonometry to determine distances, various types of map projections and many other topics" (Karrow). - Folios 34 and 51/52 with a description of America. Title page with small loss in upper margin, only rare minimal spotting. Overall a good copy of the famous work in a contemporary binding.

Medizin - - Galenus. Cl. Galeni Pergameni Omnia, Qvae Extant: In Latinvm Sermonem Conversa (...). 3 Tle. in 1 Bd. Mit figürlicher Holzschnitt-Titelbordüre, einigen weiteren ornamentalen Bordüren u. Initialen u. mehrfacher Holzschnitt-Druckermarke. Basel, Froben, 1561/62. 40 Bll., 686 S., 1 Bl., 222 S., 1 Bl., 387 S. Fol. Schweinsldr. d. Zt. über Holzdeckeln mit abgefasten Kanten, Streicheisenlinien, sowie Rollen- und Plattenstempeln recto u. verso mit Bordüren von Darstellungen personifizierter Tugenden sowie Kardinalstugenden, je von weiteren figürlich-ornamentalen Bordüren umgeben, mit 3 mont. RSchildchen (Schließen fehlen, berieben, angestaubt u. etw. fleckig, einige Wurmlöcher). VD16 G 129. - USTC 607714. - Selten, derzeit für uns im internationalen Handel nicht nachweisbar. - Titelblatt mit hs. Besitzeintrag "Collegij Societatis Jesu Heiligenstadij: 1588". - Enthält die Teile CL. Galeni Prima Classis. Naturam corporis humani, Secunda Classis. Materiam Sanitatis conservatricem und Tertia Classis. Quaecunque ad morborum omnium.. - Mit einem Vorwort des Artzes und Naturforschers Conrad Gessner sowie einer dreiteiligen Prolegomena über das Leben des Galenos. - Vorsatz mit hs. Eintragungen u. etw. wurmspurig. Nur wenig knickspurig, insgesamt äußerst wohlerhaltenes u. sauberes Exemplar. 3 parts in 1 vol. With figurative woodcut title border, some further ornamental borders and initials and repeated woodcut printer's marks. Cont. pigskin over wooden boards with bevelled edges, chisel lines, as well as scroll and plate stamps recto and verso with borders of depictions of personified virtues as well as cardinal virtues, each surrounded by further figurative-ornamental borders, with 3 mount. labels (clasps missing, rubbed, dusty and somewhat stained, some wormholes). - Rare, currently not verifiable for us in international trade. - Title page with handwritten inscription "Collegij Societatis Jesu Heiligenstadij: 1588". - Contains the parts CL. Galeni Prima Classis. Naturam corporis humani, Secunda Classis. Materiam Sanitatis conservatricem and Tertia Classis. Quaecunque ad morborum omnium. - With a preface by the physician and naturalist Conrad Gessner and a three-part prolegomena on the life of Galenos. - Endpapers with handwritten inscriptions and somewhat wormed. Only slightly creased, overall very well-preserved and clean copy.

A  mixed lot of seven: a 1920s to 1940s Ever Ready electric coil with therapeutic attachments a vintage plane, chisel and marker a brass compass set a sewing case a novelty tape measure

Marksman chisel set and a screwdriver set. Not available for in-house P&P

Dekton 4 piece chisel set. Not available for in-house P&P

THREE PLANES AND A SWAN NECK CHISEL, the wooden handled swan neck chisel by W Marples & Sons Sheffield, the largest smoothing plane with markings 'Made in USA' 'US Pat 2-17-20' and 'No G7', a Stanley plane and a coffin plane with metal handle (4) (Condition Report: generally ok, possible repairs, signs of wear, age and use)

A vintage collection of 25+ wood chisel tools. To include various sizes, lengths, all with wooden handles, along with sharpening stones and a coping saw. Largest measures 50cm (length). 

Dekton four piece wood chisel set and a closed shackle pad lock. Not available for in-house P&P

λ AN IVORY OKIMONO,Japan, Meiji period (1868-1912)Depicting a sculptor kneeling and holding a hammer and chisel, carving a giant Samurai head, on a bamboo ground.H: 4cmProvenance: Property of a noted collectorLots marked with a (λ) symbol may be subject to CITES Regulations when exported.  Several countries prohibit the importation of property containing materials from endangered species, such as rhino horn, ivory, coral and tortoiseshell. If you are interested in bidding on a lot containing these materials and you wish to export, please ensure you are familiar with all relevant customs regulations prior to bidding. It is the buyer’s sole responsibility to obtain any relevant export or import licence and ensure before bidding of their legal requirements concerning Cites regulations pertaining to their country.  Condition Report: - Natural cracks

A German Third Reich Rotes Kreuz (Red Cross) hewer dagger, the 27cm fullered blade with saw back and chisel point marked to the ricasso Ges Geschutz, having a nickel crossguard with DRK emblem with two piece grips one being chequered the other smooth, housed in a black painted steel scabbard with nickel mounts and leather frog, 40cm.PLEASE SEE TERMS AND CONDITIONS REGARDING IMPERIAL GERMAN/THIRD REICH ITEMS.

An Egyptian limestone statue of Sekhemankhptah Old Kingdom, 5th Dynasty, circa 2389-2255 B.C.Statue: 121cm high x 51cm wide x 40cm deep; plinth: 91cm x 71cm x 61cmFootnotes:Provenance:Tomb G7152 at Giza, excavated by George A. Reisner and the Harvard University-Boston Museum of Fine Arts Expedition, during the digging season of 1926-1927.This statue is referenced in Reisner's diary entry of 29 January 1927 (vol. 20, p. 667): 'uncovered the two seated statues at door of G 7152, and a broken standing statue at north side of door, fallen in several pieces'.Vincent (1886-1967) and Olga (1906-2000) Diniacopoulos collection, Canada, acquired from the Khawam Brothers, Cairo and likely brought to Canada in 1951.Property from a Canadian Private Collection, a portion of the proceeds intended for the benefit of Concordia University, Montreal; Sotheby's, New York, 5 June 1999, lot 25.Private collection, New York, acquired at the above sale, until 2018.Published: La Presse, Montreal, 15 May 1954 (illus.).V. and O. Diniacopoulos, Collection Monsieur et Madame D., Vincent et Fils, Valleyfield, 1954, p. 5, no. 6.R. Belle-Isle, Exposition d'art antique, Chambly, Quebec, 1965, p.5.J.E. Francis and G.W.M. Harrison, Life and Death in Ancient Egypt, The Diniacopoulos Collection, Montreal, 2004, p.59, fig. 5.6.J.M. Fossey and J.E. Francis, The Diniacopoulos Collection in Quebec: Greek and Roman Antiquities, Montreal, 2004, p. 22, fig. 1.4 for a photograph of Vincent and Olga unboxing pieces including Sekhemankhptah at the Séminaire de Valleyfield in 1955.Exhibited: Séminaire de Valleyfield, Quebec, Diniacopoulos Collection, from 1954. Ecole Gérard Filion, Chambly, Exposition d'art antique, 1965.The tomb of Sekhemankhptah is dicussed in the following publications:G.A. Reisner, A History of the Giza Necropolis I, Cambridge, 1942, pp. 210, 312. W.H. Smith, A History of Egyptian Sculpture and Painting in the Old Kingdom, London, 1946, p.200 (recording the decoration of the interior of the offering-room of the tomb: 'The east wall retains a fragment of an agricultural scene, and the north wall is decorated with scenes showing the care of cattle. The west wall has a presentation of animals').B. Porter & R.L.B. Moss, Topographical Bibliography of Ancient Egyptian Hieroglyphic Texts, Reliefs, and Paintings 3: Memphis, 1974, p. 191.A. Bedawy, The Tombs of Iteti, Sekhem'ankh-Ptah and Kaemnofret at Giza, Berkeley, 1976, pp.15-24, figs. 18-24, pls. 14-23, including detailed description of the decoration of the tomb and drawings of such. Sekhemankhptah's titles are listed on p.22.N. Strudwick, The Administration of Egypt in the Old Kingdom: The Highest Titles and Their Holders, London, 1985, pp.134-5. V.G. Callender, 'A Contribution to the Burial of Women in the Old Kingdom', in F. Coppens (ed.), Abusir and Saqqara in the year 2001. Proceedings of the Symposium, Prague, September 2001, Archiv Orientálni 70, no. 3, 2002, p. 303, no. 15.Sekhemankhptah was a highly important Egyptian official during the 5th Dynasty of the Old Kingdom. His mastaba tomb is located southeast of Khufu's pyramid in Giza, one of 'the most important necropolises for Egyptian royalty and the upper echelons of officialdom during the Old Kingdom' (P. Der Manuelian, 'Excavating the Old Kingdom, the Giza Necropolis and Other Mastaba Fields', in Egyptian Art in the Age of the Pyramids, New York, 1999, p. 139). It was excavated in 1926 by George Reisner, and the hieroglyphic texts on the interior demonstrate the pre-eminent role Sekhemankhptah played in the royal court. Sekhemankhptah is named as 'Count; Sole companion of Pharaoh; Chief judge, vizier; Staff of the people; Mouth of all the people of Pe; Royal chamberlain; Privy to the secret; Overseer of the scribes of the documents of the king; Scribe of the documents of the king; Overseer of all the works of the king; Overseer of the embalming house of Pharaoh; Overseer of the embalming house'. These titles suggest that Sekhemankhptah was second only to the king himself. His wife, Bwnefer, is named as 'Real royal daughter', suggesting she was the daughter of a Pharaoh (Reisner refers to Sekhemankptah as 'husband of a princess'). They had two children, a son named Seshemnefer and a daughter named Meritites.The extraordinary, monumental, size of this statue, highly unusual for a non-royal sculpture, is further testament to Sekhemankhptah's high status. It is also an exceedingly rare example of an unfinished Old Kingdom sculpture of a non-royal personage, which offers a fascinating insight to the technique and skill of the earliest sculptors of Pharaonic Egypt. Sekhemankhptah retains original chisel marks, and the carving of the wig and kilt are clearly unfinished. The surface has also not been polished to the typical degree. It has been suggested that the figure was coated in plaster, with the finer details rendered in paint, though it seems more likely that the statue was placed in front of the tomb prior to being finished (as no traces of plaster or pigment remain). The group of statuettes of King Menkaura of the 4th Dynasty at the Museum of Fine Arts, Boston (acc. no. 11.732), each in varying degrees of completion, further elucidate how these figures were finished after being installed in their final locations. Artists began by hammering out the approximate shape of the statue from a large block of stone, before refining details of the head and limbs with chisels in a series of stages of increasing refinement. After this carving and refining, rubbing stones and powdered abrasive were used to polish the surface, before an inscription was added to identify the owner. These last stages had not been completed before work on this statue of Sekhemankhptah seems to have ceased.The Diniacopoulos Collection of Ancient ArtVincent and Olga Diniacopoulos amassed one of the largest and most impressive private collections of antiquities in Canada during the 20th Century, of almost unparalleled breadth and quality. Vincent Diniacopoulos (1886-1967) was born in Constantinople to a Greek family, and was enamoured by the ancient world from childhood. From the 1920s he was participating in archaeological digs across the Middle East and undertaking art restoration, living between Paris and Cairo. His wife Hélène Olga Nicholas (1906-2000), was also Greek, and was born in Cairo. After moving to Paris in 1923 she studied archaeology at the Louvre and Sorbonne and met and married Vincent. In the late 1920s and 1930s the couple travelled extensively throughout the Middle East and Egypt, building their collection of antiquities as well as acquiring objects for major institutions including the British Museum, Louvre and Metropolitan Museum. During these formative years, they built up an extensive collection including ancient Egyptian, Babylonian, Assyrian, Hittite, Cypriot, Greek and Roman objects, ranging from sculpture and coins to ceramics, glassware and bronzes.For further information on this lot please visit Bonhams.com

Very rare early 20th century Stollwerck Bros Chocolate tools, two boxed sets - Tool Box comprising hammer, pinchers and half a chisel, date 1900 and Little Carpenter Tool Chest comprising axe, plane, saw, hammer, mallet and chisel, dated 1901, both in original illustrated boxes —9 1/2in. (24cm.) wide (each missing a tool and with some damage, boxes worn and slight loss)

A shell cameo brooch Depicting The Judgement of Paris, a pastoral scene of four figures and one putto, signed G.NoTo on reverse, to a plain mount, unmarked Dimensions:Width of Cameo brooch: 5.7cm Note: The cameo depicts The Judgement of Paris; a Greek myth in which Paris of Troy was called forth by the goddesses Hera, Athena, and Aphrodite to choose between them. This myth details the very beginnings of the Trojan war. The goddess of discord, Eris, was insulted by her exclusion from the wedding celebration of Peleus to Thetis to which other gods had been invited. In order to exact revenge, Eris carved 'To the fairest one' into a golden apple and threw the apple into the wedding celebration. The goddesses, Athena, Hera, and Aphrodite, all believed that they were the intended recipient of the apple, causing chaos and confusion among the gods. Paris of Troy agreed to choose between the three goddesses. To secure her position of 'fairest', Aphrodite bribed Paris with the love of Helen of Sparta. After choosing Aphrodite above the other goddesses, Paris carried Helen away from her husband Menelaus which then caused the Greeks to invade Troy.This cameo is an excellent example of the carving capabilities of Giovanni Noto (1902-1985). Noto, a master carver for many years, was also known as the 'professor' or 'Michelangelo's Chisel' for his outstanding abilities. He managed the Giovanni Apa Studio in Italy as artistic director for many decades. His pieces frequently refer to classic tales and mythology, as evidenced by this brooch. The minimal design of the frame is meant to highlight the story's depiction and showcase the skill of the carving. This cameo, or one very similar, was sold as part of a collection in Bonhams California; Period Art & Design, including Jewelry Featuring property of the Fabulous Harry Denton auction, lot 5643, 8th December 2013.

AN ASSORTMENT OF ITEMS TO INCLUDE A CHISEL SET AND A DRAPER BATTERY POWERED SCREW DRIVER ETC

Bronze Age, c. 800 BC, socketed chisel, 36mm x 17mm, with a curved cutting edge; together with Celtic bronze openwork strap junction, 1st century BC, 34mm diameter, decorated with a central bull’s head and four lobes connecting to a circular frame; Celtic bronze rouelle or ring money with multiple lobes [3]. All fine with green patina £80-£100 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK --- --- Eastern European in style

A box containing a small mitre saw, a tin containing drill measure stoppers, drill depth controller, chisel, angle grinder, plug cutter, point maker, biscuit cutter, springs, collett holder and drill water pump etc

Unusual Persian dagger. Chisel decoration to blade. Scabbard fittings inlaid with gold. Approx length 32 cm

A Chinoiserie decorated tavern timepieceWilliam Brooks, LondonThe 24-inch circular Roman and Arabic dial later signed to the centre Wm Brooks London 1796 under the counterweighted, heart-tipped brass hands, above a narrow throat and fantasy chinoiserie scene on the short trunk door with a decorated chisel tip foot. The weight-driven movement with tapered plates signed CB on the front plate, united by four knopped pillars, the five wheel train terminating in an anchor escapement with a steel-rod, brass-bob pendulum and rectangular lead weight. With a case key and a crank key. Parts late 18th/early 19th century, new hands and restored dial/case. 150cms (59ins) high.For further information on this lot please visit the Bonhams website

A JAPANESE SHIN GUNTO MOUNTED OFFICER'S SWORD WITH SIGNED SMITH-MADE ARSENAL BLADE, the 26in. blade in good polish with prominent hamon, the tang with signature to both sides and arsenal set-up stamp, cast and chisel-carved brass tsuba, cotton-bound ray-skin hilt without provision for scabbard lock, leather covered black laquered saya. This bladed product is not for sale to people under the age of 18. By bidding on this item you are declaring that you are 18 years of age or over.Please be aware that we are unable to send edged weapons or bladed products by postal courier to a UK residential address (Offensive Weapons Act 2019)

A MAGNIFICENT CASED PAIR OF 12mm PERCUSSION SILVER AND GILT DECORATED TARGET-PISTOLS SIGNED BLANCHARD, PARIS, no visible serial numbers, circa 1865, with 10 1/4in. octagonal barrels in the white with alternating broad and narrow blind flutes for much of their exposed length, the top-flat at breech signed in gilt script 'HOULLIER BLANCHARD BTE. A PARIS', bordered in silver wire with gilt arabesque terminal, the muzzle and breech flats bordered en-suite, the panels with silver stylised tulips, bar and bead fore-sights, standing notch rear-sights, the top-tangs with gilded top-nails and borders surrounding silver flowers, moulded and fenced snails, bar action hump-backed locks with dipped tails and inlaid with gilt wire borders filled with silver and gilt vine decoration, en-suite hammers, ebony half-stocks deeply chisel-carved with running vines against a stippled ground, moulded 'balon' style iron butt-caps inlaid with further silver and gilt vines and borders, en-suite spurred iron trigger guard bows and tangs, the guards with pierced mounts behind the plain triggers, barrel key escutcheons with gilt wire borders and no provision for ramrods, complete with their maker's original mahogany case lined and compartmented in the continental style in blue velvet, maker's details blocked in gilt to the inside of lid and containing a full complement of deluxe accessories including an ebony loading mallet, a scissors mould decorated en-suite to the pistols, a Boche of Paris powder flask with observation window, automatic action and white metal embossed panel to body, ebony cleaning and loading rods for each pistol, an ebony cap-pot, turn-screw and nipple-key, together with a nickel oil-bottle, the outside of case with fine brass stringing and inlet fretwork panels, the case in turn with its original leather protective outer.

AN UNSIGNED 9mm PINFIRE 'DELUXE' REVOLVER, serial no. 3217, in a later case, probably Spanish, with round 'in the white' 5in. barrel, octagonal throat mount with silver wire inlaid geometrics, plain cylinder with external ratchet locking and engraved with a checkerboard pattern inlaid with wire borders and dots, en-suite action body, double action mechanism with folding trigger, spurred hammer and chisel carved ebony bag-shaped grips, in a later walnut box lined and compartmented in burgundy velvet, probably adapted from an instrument case. Sold as an exempt item under Section 58 (2) of the 1968 Firearms Act, to be held as a curiosity or ornament

A CONTINENTAL STYLE 20-BORE PERCUSSION DOUBLE-BARRELLED SPORTING GUN SIGNED WILSON, LONDON, no visible serial number, circa 1790 with later percussion conversion, 35 1/4in. iron barrels (small dents), the breech end with carved raised flats to the top and sides, the top-flats inlaid with gold banners signed 'WILSON' and 'LONDON' together with gilt dots, London proofs and maker's mark 'R.W', applied boat-shaped fore-sight, moulded broad sighting notch to the top-tang, borderline engraved flat bevel-edged locks signed 'WILSON' in script and with chisel-carved stepped tails, further chisel-carving to the hammer breasts, hinged nipple protectors mounted on the original frizzen bridle points (both locks currently not holding on cock), walnut half-stock with carved panels of fish-scale in lieu of chequering (historic inlet repairs to butt), raised carved and moulded cheek-piece, iron heel-plate with complex engraved top-spur, broad pillar trigger guard bow with moulded and carved finial in the French fashion, turned ramrod pipes and probable original horn-tipped ramrod, fitted with iron swivels. * Please note this item is subject to 5% VAT on the hammer price (UK Buyers only).

Large, silver, Russian samovar made of 84 silver, trading house I.E. MOROZOV. Mounted on a stand with four figured legs in the form of paws. The samovar is decorated with a geometric ornament, as well as an openwork pattern over the entire surface, made with a chisel. The handle holders are made in the form of foliage, and the handles themselves are made of Bakelite. Hallmarks: MOROZOV and a double-headed eagle, corresponding to the hallmark of the supplier of the imperial court. Workshop of Ivan Ekimovich Morozov, goldsmith, founder of the trading house I.E. MOROZOV. Assay mark of master ASh. The stamp 84 is indicated in the upper part of the stamp, the city stamp contains two anchors and a scepter. The year 1896 is indicated at the bottom of the stamp. Traces of earlier restoration. Weight: 5640 g. Width: 28cm, Height: 48cm, Depth: 28cm, Weight: 5.640kg, Condition: Good, Material: Silver 84

New unused axe, mallet and chisel set. Not available for in-house P&P

Irwin marples chisel set and 2 other Irwin marples, 20 vintage wooden chisels, plus additional 21 Chisels and a Stanley chisel set

After Hans Keck, German (1875-1941) A fine quality bronze Figure of a stone mason at work, with hammer and chisel in hand standing over a block on an octagonal speckled marble base, approx. 48cms (19") high. (1)

THE LAUNCHING CASKET FOR THE LEANDER CLASS LIGHT CRUISER, H.M.S. NEPTUNE, 1933constructed in oak with carved dolphin corners, side panels with galleons, carved trident to front and the lid with carved crest, back inlaid and inscribed H.M.S. Neptune / launched at Portsmouth / by / Mrs D. Euan Wallace / 31 January 1933, the interior converted to a writing box and now containing historical data and emphemera including a cap tally for the Neptune and photograph of the box at the launch -- 9 x 14 x 11in. (23 x 35.5 x 28cm.) A cruiser of 7,200 tons, Neptune formed part of the Mediterranean's famous 'Force K' in an operation in December 1941 to disrupt Rommel's supply convoys off Tripoli, Libya. In company with the cruisers Aurora, Penelope, and the destroyer Kandahar and others when Neptune, who was leading, ran into a freshly laid minefield, striking three mines in rapid succession. Whilst the other cruisers withdrew, Kanhahar attempted to take Neptune in tow but struck a mine herself, whilst Neptune fouled a fourth mine which blew her propellers and rudder off. She sank rapidly taking 764 souls with her, 150 of which were New Zealanders.good overall, lacking original contents (hammer & chisel)

A FOX F14651 BENCH MORTICER fitted with a 1/2in chisel, chuck key and three T bar allen keys (PAT pass and working)

Draper 10 tonne hydraulic puller kit, Draper valve spring compressor, Silverline Mityvac, Sealey star bits, Nielsen cutters, KS chisel set, Blue Point oil filter removal straps

Unusual tools - knife, chisel, scraper, key and scissors. (5)

A QUANTITY OF AIR TOOLS TO INCLUDE A BOXED AIR CHISEL, A BOXED IMPACT WRENCH AND TWO SPRAY GUNS

A LARGE ASSORTMENT OF VINTAGE WOOD PLANES AND WOODEN CHISEL HANDLES ETC

FIVE BOXES CONTAINING TOOLS AND HARDWARE including a Clarke Drill stand, a Marples Irwin wood chisel set, a Tap and die set, a Stanley riveter, a drum sanding set, etc (5 boxes)

SIX BOXES AND LOOSE SEWING MACHINE, STATIONERY, TOOLS AND HARDWARE, to include a cased Singer sewing machine, a cased Parker Pen, sealed Staples and Xerox printer paper, a metal box file, lever arch folders, ring binders and box files, assorted pens and pencils, coloured ink, reels of twine, a plastic toolbox, a Marples 1in chisel, a Draper Screw Extractor Set in packaging, a Draper hacksaw, paint scrapers, screws, nails, rawl plugs, tile spacers, etc (6 boxes + loose) (sd)

YOSHIMINE FOR THE TENSHODO COMPANYAn Inlaid Silver Pear Vase Meiji (1868-1912) or Taisho (1912-1926) era, early 20th centuryDelicately worked in silver, gold and shakudo high relief with a crane and a mandarin duck about to alight among flowering stalks of reeds and chrysanthemums growing along the banks of a river, delineated in katakiribori (engraving with an angled chisel emulating brushstrokes), set on slightly splayed ring foot, signed on the reverse with chiselled characters [...]shusai Sozan Yoshimine koku, stamped on the underside with an impressed mark Jungin Tenshodo; with a wood storage box inscribed Ginsei kabin (silver flower vase) and a separate wood stand. 33.5cm (13 3/16in) high. (3).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Bryan of Cork An Irish 16-Bore Flintlock Overcoat Pistol by Bryan, Cork. 3.1" (not including breech of 0.6”) round Damascus twist barrel of 0.657” bore, inscribed 'CORK', case-hardened breech with platinum line and vent. Chisel engraved breech tang with thumb safety. Bevel edged stepped lock with foliage engraving on step, the lock engraved with borderlines, foliage, spark-burst, signed ‘BRYAN’ semi-rainproof pan, frizzen roller and foliage engraved swan-neck cock. Figured ¾ walnut stock with flared butt, part chequered grip, small floral decorated butt plate, floral decoration to steel t/guard bow, pineapple finial, and swivel ramrod. Detailed escutcheon to butt. 8” overall length. GWO.

Wm. Jackson of London A 48-Bore Double-Barrelled Side-By-Side Percussion Overcoat Pistol by Wm. Jackson (Wigmore St.) London. Two 6” octagonal barrels of 0.458” bore joined by sunken rib inscribed London. Stamped with Irish census WX-201 to side of left barrel. Chisel engraved breech tang. Back-action scroll engraved locks signed ‘W. Jackson’ with bolted safeties and scroll engraved hammers, platinum breech plugs. Walnut butt with finely chequered grip, silver escutcheon on wrist reading ‘Vincit amor Patria’ & crest, engraved steel fore-end, butt-cap incorporating hinged trap, and foliage engraved t/guard, proofs under barrels and swivel ramrod. A piece made to the highest London quality with every refinement and retaining most original colour overall. 12” overall. Leslie Martin notes: Crest?? – John Nolan-Wheelan, Milford House, Dublin (ex. ‘fairburns’)?

Henry Tatham of London A Very Rare Over/Under Tap Action Flintlock Pistol by Royal Gunmaker Henry Tatham, London. 1.65" barrels of 0.435" bore numbered ‘3’ & ‘4’ corresponding to the octagonal breech numbers. Foliage engraved border at breech end and muzzles cut with 8 key slots. Breech stamped with proof marks and signed ‘TATHAM, LONDON’. Trophies chisel engraved to both sides of frame with twisted rope border continuing down white metal grip. Decorated top strap features sliding safety to ring-necked flint-cock and frizzen; frizzen with twin rollers. Full white metal grip with gold lion head butt-cap and gold oval escutcheon bearing a ducal coronet and ‘O’ for the Earls of Ormonde and Ossory (Butler of Kilkenny) one of the most ancient families in Ireland. Mounts made c.1815. Overall length 7". GWO Leslie Martin research reveals: James Wandesford Butler, 1st Marquess of Ormonde, KP (15 July 1774 – 18 May 1838) was an Irish nobleman and politician. He was the second son of John Butler, 17th Earl of Ormonde and Frances Susan Elizabeth Wandesford. He was born at Kilkenny castle on 15 July 1774. Butler was a Member of Parliament (MP) for Kilkenny City in the Irish House of Commons in 1796 (he never took his seat and resigned after 3 months) and served then for Kilkenny County until the Act of Union in 1801. He sat subsequently for the Irish county constituency of County Kilkenny and was member of the UK House of Commons from 1801, until he succeeded to the peerage, as 19th Earl of Ormonde, in 1820, on the death of his elder brother, Walter, the 18th Earl and 1st Marquess of Ormonde in the Irish peerage (the latter title becoming extinct upon his death). He was a well-known advocate for the Irish people with his first speech at Westminster condemning the Irish Window tax and defending the right of Irish landowners. Following his brother’s death, James inherited some £450,000 in debts. As a result, The Ormonde Estates in Derbyshire were sold at auction on Thursday 27 November 1824. The Sutton Hall Estate, including the Manor House, some 5,500 acres of land (which included coal mines), generated some £5,800 in rents alone, and was sold for £216,000 to the Manchester Spinner John Arkwright Esq. The Chilcote Estate, comprising of 1,320 acres generating £2,200 annually, was sold to a Mr Robinson of Kingston, Surrey, for £87,000. The adjacent Cottage Park Farm, comprising 281 acres, was sold to a solicitor, Mr Cookney of Holborn (acting on behalf the brewer H. Worthington Esq). The sales generated £450,000. Having joined the fashionable society in London,[3] he became a companion of the Prince Regent. Subsequently, at the Prince's coronation as George IV, he was created a Peer of the United Kingdom, as Baron Ormonde, of Llanthony, in the county of Monmouth and in 1825, Marquess of Ormonde.