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A pair of French gilt-bronze candlesticks adapted from candelabra bases, first half 19th century, each of column form, cast with trelliswork enclosing flowerheads, on cylindrical plinth base with band of stiff leaf decoration, on square base, 41cm high (2)

A pair of Restauration ormolu and white marble twin-branch candelabra, c.1820-30, each modelled as a putto with arms aloft supporting an urn issuing s-scroll branches, on waisted socles with oak-leaf border, the stepped base with beaded edge, on bun feet, 41cm high (2)

A pair of French gilt-bronze mounted white marble three light candelabra, of Louis XVI style, early 20th century, wired for electricity, the bodies with ram's head monopodiae, 49cm high incl. fitment (2)It is the buyer's responsibility to ensure that electrical items are professionally rewired for use.

A pair of Empire gilt and patinated bronze twin-light candelabra, first half 19th century, each with a male or female classical winged figure standing on a sphere and fluted plinth supporting twin candle branches and a cornucopia, wired for electricity, with fabric shades, 62cm high excl. shades (2)It is the buyer's responsibility to ensure electrical items are professionally rewired for use. 

A 19th century wrought iron French ceiling light/candelabra with scrolling foliate decoration. (needs some repair as seen) H.58 L.165cm

Box of mixed items to include table top chest, candelabra, shaving mirror, table top vice etc

A collection of various brassware to include oil lamps, candelabra, bells and a Boy Scouts hat

Various plated ware to include a three light candelabra, syphon stand, ice bucket, hip flask individual whisky flask etc.

Collection of Pewter and Metal Candlesticks and Candelabra A varied collection of decorative candlesticks and candelabra, primarily made of pewter and metal alloys. The group includes: 1. **Single Pewter Candlestick** - With a scalloped, tiered base and a baluster-shaped, fluted stem, finished with a smooth metallic patina. 2. **Two Two-Armed Pewter Candelabra** - Featuring outward-curving scrollwork arms, each topped with candle holders, supported by round bases and chalice-style stems, with light tarnish visible. 3. **Two Individual Pewter Candlesticks** - Simplistic baluster-styled stems and flat candle-holding plates, matching the height of the single candlestick. 4. **Five-Armed Pewter Candelabra** - An elaborate design with scrolling arms symmetrically arranged to hold five candles, supported by a rounded base with polished detailing and patina. 5. **Triangular Pewter Candle Holder** - Unique in shape, with a decorated triangular base featuring engraved floral or scroll patterns, a matte finish, and visible oxidation. 6. **Figurative Metal Candle Holder** - Featuring two anthropomorphic frog figures in a whimsical pose, holding a small candleholder. The material appears darker, possibly cast iron or treated pewter. ### Notable Observations: - **Marks and Text:** One notable candlestick is marked "ALB MEYER," attributed to Albert Meyer, a known historical pewterware producer, suggesting late 19th to early 20th-century origins. - **Material:** Pewter dominates the material composition, consistent with items from the late Victorian to mid-20th century, with evidence of age-related tarnishing. - **Historical Context:** The designs range from traditional Victorian and Edwardian forms to whimsical Art Nouveau influences seen in the frogs' playful sculptural design. - **Condition:** The collection displays varying levels of tarnish and surface wear, typical of vintage or antique pewter. A versatile collection of candleware, potentially dating from the 19th to mid-20th century, showcasing a mix of utilitarian and decorative styles.

A pair of silver plated Candelabra, 56cm high  (2)

A wrought iron free standing three tier candelabra. H146cmAll items in this auction are sold as seen, We are unable to provide condition reports or additional photos.

A large collection of Herend Queen Victoria pattern tea and dinner wares, comprising two tureens, a coffee pot, a tea pot, a milk jug, a faceted specimen vase, a triform pierced dish, a pierced lidded pot, six small plates, a lidded sugar bowl, six teacups, two small dishes, a twin handled plate, a pierced plate, a twin handled and pierced bowl, eleven dinner plates, a meat plate and five shallow bowls, together with four other pieces of Herend porcelain decorated in green, comprising a pair of twin branch candelabra, a large pierced fruit bowl and a pierced plate (qty)

A pair of Regency style gilt and patinated bronze twin branch candelabra, each sconce sleeved with hobnail cut glass, over lobed glass drip pans hung with lustre drops, on gilt branches held by a figural column in the form of a winged putti, standing on a gilt socle base (2) 38cm high Provenance: From the estate of a private collector.

A Cased Silver Dressing Table Set, another silver dressing table set, plated triple branch candelabra, pair of silver salts, and plated wares etc. (qty)

Cockerel ornament, cups and saucers, Coca Cola glasses, candelabra etc

A large and impressive gilt metal and rouge marble three piece clock garniture comprising the lyre shaped clock with urn finial flanked by fauns, the dial set with Roman numerals, height 61cm, and a pair of six branch candelabra, height 69cm (3).

A pair of large and impressive Victorian style five branch candelabra, each with cast decoration of grapes, vine leaves and scrolling detail in a Rococo style, height 61cm (2).Condition Report: Tarnishing and scratches to both otherwise appear in good condition.

PAIR OF SILVER PLATED TWIN BRANCH CANDELABRA, ALONG WITH FURTHER ITEMS comprising a pair of Japanese vases, a bowlthe candelabra 19cm high

A Dresden porcelain Candelabra, modelled with two classical figures, approx. 44cms high (17"); together with a similar ditto with woman holding a basket, both as is, w.a.f. (2)

An attractive Egyptian Revival three branch silver plated Centre Candelabra, decorated with rams head reeded column, on a shaped base with winged horses, 51cms (20") high. (1)

A pair of four branch S light figural Candelabra, with classical lady supports with shaped bases, on paw feet, approx. 74cms high (29"). (2)

A pair of 19th Century French ormolu four branch five light Candelabra, each with bulbous porcelain hand painted body with ormolu lion mask handles, on shaped bases, each approx. 53cms (21") high; together with a smaller three branch four light porcelain floral decorated Candelabra, 37cms (14 1/2") high. (3)

A large pair of bronzed metal figural Candelabra, each with four arms and a centre light (one arm missing) each modelled as a classical maiden seated on a rock on a circular polished slate base. (2) O.R.M.

A pair of Continental claret ground urn shaped gilt highlighted Portrait Panels, a German Meissen floral encrusted and hand painted Model of a flower seller, a Sitzendorf Candelabra modelled as two cherubs and three other similar and a pair of large Italian floral encrusted Candlesticks (converted) as a lot, w.a.f. (9)

An electroplated four branch candelabra together with a glass tray and crowns

A pair of Ormolu and rock crystal four branch Candelabra with central "flame" finial on tapering rock crystal stems and ormolu mounted circular bases, 15in H

A pair of substantial Rococo Revival cast metal six-light, five-branch candelabra, cast throughout with scrolling acanthus, 64cm high, early 20th century

A pair of gilt ormolu candelabra, French, 19th Century, each in the form of a classically draped maiden upholding a cornucopia triple light sconce, standing upon grey marble socles with garlands of medallions, square plinths with acanthus borders, 60cm high (2)

A pair of 19th century gilt-brass 3-branch table candelabra, with removeable sconces and flame finials, 47cm

4th-6th century A.D. Octagonal in plan with chamfered edges to the marble surface; engraved central square with birds in the upper corners and spandrels below, enclosing a bilinear ring with menorah on a stand between etrog and lulav; mounted on a custom-made stand. Exhibited at the Harwich Museum, Harwich, Essex, UK, 21st January-10th March 2025; accompanied by a copy of a photograph of the artefacts on display. 577 grams total, 14.2 cm including stand (5 5/8 in.). From an important UK collection, London, 1970-1990s. Ex London, UK, collection. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12527-231879.An extremely rare and fine example of the type. The menorah is first mentioned in the Book of Exodus (25:31–40), according to which the design of the lamp was revealed to Moses by God on Mount Sinai. The candlestick was to be forged out of a single piece of gold and was to have six branches, ‘three on one side, and three on the other’, There are no extant images of the menorah from the First Temple period, but many examples dating from the Second Temple period have been recorded. The menorah was often depicted flanked by symbolic ritual objects. Here, with what appear to be the etrog (citron) and lulav (date-palm branch) of the festival of Sukkot (Feast of Tabernacles). A new Menorah was installed in the Second Temple, built after the return from exile in Babylon. This was looted by Antiochos Epiphanes in 169 BCE when he desecrated the Temple.  With tragic wit, the Jews named him Epimanes, or ‘the madman’, when it became apparent that his policies were violently anti-Jewish. However, after the Maccabean Revolt (167-160 BCE) Judas Maccabeus ordered the construction of a new seven-branched candelabra to be placed in the Temple. The rededication is still celebrated with the festival of Hanukkah (‘to dedicate’). According to rabbinic tradition, the victorious Maccabees could only find a small jug of pure olive oil uncontaminated by virtue of a seal, and although it only contained enough oil to sustain the Menorah for one day, it miraculously lasted for eight days, by which time further oil had been found. The Menorah was subject to Roman plunder after the destruction of the Second Temple in 70 CE; according to Josephus, it was displayed during the Roman triumphal march, the scene of which is famously depicted in a frieze on the Arch of Titus along with other spoils of the destroyed temple. For centuries, the Menorah and the other temple treasures were displayed as war booty in the Templum Pacis in Rome or in the Imperial Palace and was still there when the city was sacked by the Vandals in 455 CE. Although the Menorah disappeared and the Talmud forbade its reconstruction, it became a popular symbol signifying Judaism. Representations of the Menorah often decorated tombs, walls, floors of synagogues and amulets.

AN ORMOLU SEVEN LIGHT CANDELABRA IN THE LOUIS XV STYLE LATE 19TH CENTURY 70cm high, 55cm wide

A pair of silver three-branch candelabra, by Crichton Brothers, London 1929, each with scrolling arms on an octagonal stepped base,39cm wide 46cm high, 122ozt (2)Condition ReportThe bases are sealed and presumably weighted, image attached

A pair of large Gothic-style brass candelabra, in the manner of AWN Pugin, each with a central sconce over nine scrolled arms, over a knopped central column with cast fish-scale decoration, terminating on an engraved circular base and recumbent lion feet,88.5cm high (2)Condition Report1) One candle arm missing to the top tier. Screws to secure the lower arms not present, although the arms can comfortably support themselves without. Spacing of arms not perfectly even. General scuffs and wear. Top section not perfectly straight. Remnant wax present.2) One of the upper arms is bent a little low. One candle arms missing to the top tier. Two of the screws to secure the lower arms not present, although the arms can comfortably support themselves without. General knocks and wear.Please see the additional images.

A pair of Elizabeth II cast silver three branch, three light candelabra, by J.B. Chatterley & Sons Ltd, with waisted knopped stems, on fluted circular foot, Birmingham, 1965, height 28.6cm, 77.5oz. Overall condition is good. commensurate with age and mild use.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A Modern Three Branch Tall Candelabra, 73cms High

A Collection of Various Silver Plate to Comprise Walker & Hall Three Piece Tea Service, Galleried Tray, Three BRanch Candelabra (One Missing Inner Drips), Pierced Basket, Crumb Brush and Tray etc

A PAIR OF 20TH CENTURY AMERICAN 'FLANDERS' PATTERN CANDELABRA MUECK-CAREY, MARKED STERLING The candlesticks of tapered knopped form, stylised band above a spreading circular foot, engraved to the underside  '5-27-1937 M 5-27-1958' the twin-light branches of simple form, stylised band decoration to central stem (the branches reinforced with concrete); together with a candlesticks, Duncan & Scobie (of Glasgow), Chester 1917, of Art Decor tapered form, to a square base with canted corners (loaded) (4) 35cm, 26cm high

A PAIR OF GEORGE III TWIN BRANCH THREE LIGHT CANDELABRA AND TWO FURTHER CANDLESTICKS SMITH, TATE & CO., SHEFFIELD 1811 The candelabra, each set with a central light supporting twin scroll arms with socket sconces, the drip pans with gadrooned borders, the central light set with a flame finial to socket, the columns to candlesticks each of tapering form, with gadrooned detail at intervals, raised on a stepped domed foot (loaded) (4) 32cm high (candlestick), 54.5cm high (candleabra)

A MID-19TH CENTURY PAP FEEDER LATTEY BROS. CIRCA 1850 Of rounded boat form, to a ball terminal, the body set with centrally hinged lid 17.5cm long, 6.5oz  Literature: Literature: Wilkinson, Wynard Indian Colonial Silver, European Silversmiths in India (1790-186) and their marks, 1973, p. 86 illus. A108.1Note: Lattey Brothers were formed in 1842, from the earlier firm of Pittar Lattey & Co, and continued until they were succeeded in 1855 by Allan & Hayes. It was formed and variously constituted of Arthur P Lattey, Robert J Lattey, Joesph Hayes and Dugald Lattey.They were obviously held in high regard as in 1848 they receive the honour of supplying the present gifted by Field Marshal Henry Hardinge, 1st Viscount Hardinge, the Right Honourable the Governor General of India during his farewell tour of the country before leaving post in January 1848.In the same year they advertise promoting the wide variety and quality of their ‘Working Establishment for Silver Articles’ which they list including ‘richly chased silver breakfast sets, waiters, salvers, racing and presentation cups and vases, Bread baskets, tankards, candelabra, saucepans, beer mugs, inkstands, …… spoons and forks of every pattern manufactured’.

PAIR OF ORNATE PLATED THREE-BRANCH CANDELABRA, with floral and scroll embossed decoration, 42cms (h)Provenance: private collection Conwy

Two Victorian late 19th century brass garniture candelabra. Both features ornate detailing, four arms with candlestick holders and another candlestick holder atop, all raised on four moulded scrolled feet. Measuring approx. 45cm x 20cm.

An early 20th century 1920s Chinese stamped brass candelabra. The candelabra featuring three candle holders to top, raised on a rectangular base. Having pierced shaped body, with two figures to lower. approx. 26cm x 21cm x 6cm.

A Napoleon III style brass clock garniture. The clock dial stamped for G Sweron, Brussels, flanked by four branch candelabra. Height 54cm.

A French alabaster and gilt metal clock garniture. The clock with four column supports and surmounted with an eagle flanked by a pair of four branch candelabra. Having enamel dial and Arabic numeral markers. Movement marked for LP Japy. Height 51cm.

A GROUP OF THREE CAST IRON NINTEENTH CENTURY CANDELABRA comprising a cast iron double candlestick with a circular central panel decorated with pierced acanthus scrolls, supported by abstracted dolphins and an eagle with a snake in its beak, height 30cm x width 16cm (some rust in places, adhesive remains to the top), and a pair of black three branched candelabra of scrolling form with a square base, height 24cm x width 23cm (dusty, adhesive to the inside of the candle holders) (3) (Condition Report: itemised condition above)

A BOX OF ASSORTED ITEMS, to include a silver ingot pendant, suspended from a flat curb link chain, hallmarked Birmingham, approximate gross weight 45.4 grams, an assortment of three pence coins, approximate gross weight 37.2 grams, together with a three branch candelabra, a photo frame, assorted watches and other items

Beautiful hand-painted Moroccan Judaica ceramic set including a double-branched candelabra by LB Design (8"H), two Kiddush goblets (4.75"H), and a matching cup (4"H). Each piece is adorned with traditional blue and white motifs featuring the Star of David and intricate geometric patterns. The set is marked on the base with W.Z. and Made in Morocco, and Hungary, indicating its origin. A fine example of Moroccan and Hungarian craftsmanship, this set is ideal for ceremonial use or as a decorative Judaica collection.Issued: 20th centuryDimensions: See DescriptionCondition: Age related wear.

A cylindrical cut glass vase and another similar crocus shaped, two plated candelabra, an Adams 'Cries of London' bowl, a Mason's 'Regency' rectangular dish and two Mason's jugs including 'Kensington' and 'Chartreuse', a Native American style decorated pot signed K Victoria Acoma N.M. To base etc.

CANDELABRA, A PAIR, REGENCY STYLE FIGURAL DESIGN. each five branch, 71cm H approx. (2).

antique 3pc garniture in brass and ceramic with a pair of candelabra and a clock with marked workAntieke driedelige schouwgarnituur in koper en faïence bestaande uit een paar kandelaars en een klok met gemerkt werk - hoogtes : 51,5 en 64 cm

19th Cent. English Victorian occasional table with a candelabra in walnutNegentiende eeuws Victoriaans bijzettafeltje met kandelaar in notelaar - hoogte : 138 cm

Assorted silver plate inc. egg cup stand, toast rack, trays, candelabra etc, and a pewter hip flask set (boxed)

An Elizabeth II silver 3-light table candelabra, Mappin & Webb, Sheffield 1969, with octagonal removeable sconces and drip trays, width 32cm, 22.4oz, in original cardboard boxNo damage or repair, hallmarks clear

Pair of Dresden porcelain 3 branch candelbra, each with floral encrusted and gilt rococo scroll and foliate decoration, H.17cm; similar candelabra with a pierced base, and a Karl Ens model of a cockatoo perched on a branch, H.19.5cm. (4)

A vintage plastic box in the form of a pineapple, along with a metal framed wall mirror with candelabra and a painted wooden sheep 'Champion 'Suffolk Downs Eve' 1867' sign

A FRENCH GILT METAL MOUNTED BLUE PORCELAIN CLOCK GARNITUREin the Rococo style, the clock surmounted with cherubs above the floral swagged Arabic dial, terminating on foliate scrolled feet, 35cm high x 28cm long x 15cm deep, with two matching four-arm candelabra, 45cm high x 13cm long x 11cm deep (3)

Box of plated ware, including serving dishes, candelabra, cutlery, teapot etc

A large and impressive Victorian gilt-brass 6-branch wall-mounted candelabra, supported by a winged angel, converted to electricity, mounted on mahogany plaque, plaque height 67cm

A Plated Table Gong, together with further platedware including two twin branch candelabra, four piece Oneida plated tea set, decorative twin handled tray etc.

A Venetian Murano glass figurative candelabra, the column as a Blackamoor holding a pair of twist turned sconces in each hand, 34.5cm high overall