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Lot 1
A pair of late 19th Century porcelain four light candelabra decorated in turquoise and gilt with bold leaf capped scroll branches and reeded baluster centre column supported by three putti, on triangular base with acanthus swag ornament, 18.5ins high (unmarked - thought to be by Moore Brothers - with extensive restoration and flaking)
Lot 1
A pair of George IV gilt ormolu Colza oil candelabra by James Smethurst, the lobed campana vase reservoir with a domed top and large bud knop above three lotus wrapped reeded tapering branches supported by three adorsed cranes on a low circular plinth and a torchere with rams heads and stepped plinth, 177cm h, with oval brass embossed trade label of SMITHURST MANUFACTURER 138 NEW BOND ST. Neatly drilled in one place to facilitate wiring subsequently removed, but of very fine quality and in excellent condition
Lot 1
A pair of French gilt bronze candelabra, of six lights formed of lilies held aloft by Putto standing on a festooned drum plinth, 74cm h, late 19th c Neatly drilled where once converted to electricity but in otherwise fine original condition and not re-gilded/repatinated although rather dusty. Note one cornucopia detached where it meets Putto's hip
Lot 1
Henry Cahieux, A pair of gilt bronze candelabra, late 19th Century, in the form of classical urns, with relief decoration of classical figures below angular handles with female masks, surmounted by four scrolled branches and raised on fluted alabaster bases, engraved 'Henry Cahieux, F Barbedienne Fondeur', one branch damaged, 61cm high
Lot 1
A late 19th century French clock garniture, the ormolu cased mantel clock with urn and swag finial, raised on marble base, having circular white enamel dial with Roman hours and Arabic minutes, named 'Normandin, 15 Pge Choiseul', Japy Freres movement, engraved E.C. 1899, chiming on bell, 53cm (21in) high, together with a pair of four light candelabra with pineapple finial, 54cm (21 1/4in) high
Lot 1
A STERLING SILVER TWIN BRANCH THREE LIGHT CANDELABRA, scrolled arms, raised on a plain stem and circular foot-ring, stamped: Bailey, Banks & Biddle Co., Sterling .925, 8 1/2 ins high, an oval Sterling silver PHOTO FRAME, engraved 1915, and a Sterling silver CREAM JUG AND SUGAR BASIN, of circular form with a fluted motif, stamped STERLING, approximately 6 1/2 oz. (4).
Lot 1
A Victorian silver-gilt and glass seven-light candelabra-cum-centrepiece Charles Stuart Harris,London,1883 Corinthian column stems applied with figures representing four Ages of Man, inscribed Presented to John and Lucy Downes by their sons and daughters on the 27th November 1883 being the date of celebrating their `Golden Wedding', the six branches and seventh central light incribed with the names of the children, three smaller and a larger silver-gilt mounted cut-glass bowls for alternative assembly, in a fitted oak case inscribed Lambert Coventry Street London Silversmiths with orignal Lambert lable 74cm, 29in high 3060gr, 98oz 10dwt excluding mounted glass bowls
Lot 1
A pair of late 19th Century French bronze and ormolu candelabra, each modelled as bronze maidens holding aloft ormolu three light candelabra, each with a flaming torch finial supporting a garland of flowers, the three lights with beaded detachable sconces supported on stylised scrolling birds heads and scrolling supports, the maidens each standing on white marble bases, each with an ormolu frieze of classical cherub scenes and on square plinths, apparently unsigned, height 68cm
Lot 1
A pair of late 19th century Barbedienne style bronze candelabra, each surmounted by the figure of a crane, snake and tortoise, flanked by three candle branches suspended with chains, above a leaf lapetted column, on three panther head and claw monopodia supports, one finial detached, 50cm high
Lot 1
A rare and extremely interesting Ersari Turkmen ensi, south Turkmenistan, early to mid 19th century, 6ft.2in. x 5ft. 1.88m. x 1.52m. Areas of fairly heavy wear, principally in the centre, with crude repiling in places. At first glance, this would be thought a Saryk ensi, with all the motifs associated with the earliest and rarest type; other than the general spaciousness of the design, a particular characteristic of Saryk ensis, specific Saryk design elements include the distinctive form of shrub called kelle, the central four panels with a variant of the usual kush candelabra motif called the dogry darak, with the inner vertical kelle panels framed by small guards containing white 'S' or 'double S' motifs called algam and, below the central sections, the ten small 'boxes' each containing miniature versions of the central dogry darak motif (see, for example, the Cootner Saryk ensi in Mackie and Thompson, Turkmen, pl. 24). However, not only is our rug asymmetrically knotted, but such design elements as the 'vine meander' in the inner and outer blue ground guards (called shudur or 'almond blossom' in Farsi) are borrowed from the design repertoire of Persian tribal weaving; such borrowings are found only on Ersari weavings for reasons which have never been satisfactorily explained.
Lot 1
A MASSIVE PAIR OF FOUR LIGHT CANDELABRA with a pair of matching candlesticks, after the originals by Paul de Lamerie, the tapering columns with quilt decoration and shell capped shoulders, urn-shaped capitals with calyx leaf decoration, the scroll branches each supporting a spool-shaped capital with foliate borders, the whole on a square base within incurved corners, engraved trellis decoration and shell and foliate motifs, London 1960, by R. Comyns, height of candelabra 18.5", height of candelsticks 14", (c.368oz).
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29919 item(s)/page