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A PAIR OF 19TH CENTURY FRENCH ORMOLU AND WHITE MARBLE FIGURAL CANDELABRA modelled as semi-nude putti holding twin branch acanthus leaf sconces and mounted on ormolu panelled white marble oval bases raised on turned feet28cm highBoth are in very good undamaged and unrestored condition., There are some losses to the gilding, but it is a very good quality casting.
A 20th Century Italian ormolu and bronze candelabra of large size. The two tone candelabra having ornate botanical sconces with flowers & leaves. Central ormolu candlestick surrounded by six blackened bronze arms with ormolu sconces. Raised on a trefoil naturalistic base with golden leaves. Measures approx; 85cm x 50cm. COLLECTION; Anyone wishing to collect this item in-person, please note this lot is located offsite and collection will be required from a 'BA' (Bath) postcode, by appointment only. Exact location given after payment received. For anyone else, our usual courier service is available as usual, please find details on the shipping tab .
A contemporary Steampunk / upcycled three arm candelabra / candlestick holder constructed from copper pipes and fittings creating an industrial feel. Raised on a copper Simplex No.6 base. Signed by the maker to the base in black marker. Measures approx; 43cm x 25cm. COLLECTION; Anyone wishing to collect this item in-person, please note this lot is located offsite and collection will be required from a 'BA' (Bath) postcode, by appointment only. Exact location given after payment received. For anyone else, our usual courier service is available as usual, please find details on the shipping tab .
Pair of Napoleon III gilt bronze figural candelabra, stamped H. Picard, each with eight later electrified lights on foliate scroll branches, held aloft by male and female figures on shell and scroll bases, stamped under the feet RR or R and H. Picard, 80 cm highHenri Picard was a significant fondeur and doreur working in Paris from 1831 to 1884, with a number of important patrons, including Emperor Napoleon III.Condition Report: Wear to gilt.Cracks and small repairs to candelabra arms.Candelabra attached to figures with a nut and bolt and screws.A few sconces missing.Should be easy to convert back to candles.
† A pair of French style ormolu Candelabra, each with central candle holder and five branches on urn shaped stems with floral garlands on square bases, 58 cm high Provenance: From a large listed country house located in Surrey. Please note that VAT at the current rate (20%) is additionally payable on top of the hammer for this lot as well as on our standard buyers premium which is also payable.
A late 19th century French brass and alabaster mantel clock garniture, the clock with eight day movement striking on a bell via an outside countwheel, the circular enamel dial with blue Roman hour numerals and outer black Arabic minutes, the arched case with quiver and foliate surmount above a glazed bowfront lenticle, on toupie feet, height 30.5cm, with pendulum, together with a pair of matching twin branch candelabra, height 23.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Paar Louis XV-Weinkühler als SalonleuchterHöhe mit dem Leuchteraufsatz: 63 cm. Höhe ohne Leuchteraufsatz: 25,5 cm.Bodenseitige unterglasurblaue Sèvresmarke mit Jahresbuchstabe „G“.Paris, um 1759-1760.Porzellankorpus mit polychromen Frucht- und Blumenbouquets auf weißem Fond mit königsblauen Profilringen mit Goldblattzier. Diese findet sich in den anliegenden Blatthenkeln und der überreichen à jour gearbeiteten Ormolumontierung wieder, welche den Korpus umspielt. Einzusetzender Leuchteraufsatz mit je 7 Brennstellen und applizierten staffierten Porzellanblüten. Besch. und rest. (†)Provenienz:Sotheby´s, Paris, 12. September 2018, Lot 63. (12901450) (13)A pair of Louis XV wine coolers as salon candelabras Height incl. candelabra attachment: 63 cm.Height excl. candelabra attachment: 25.5 cm.Underglaze blue Sèvres mark on underside with year letter “G”.Paris, ca. 1759-1760. (†)Provenance:Sotheby´s, Paris, 12 September 2018, lot 63.
Paar elegante Vasenkandelaberin Louis XVI-Stil Höhe: 120 cm. Durchmesser: 58 cm.Frankreich, um 1880.Ganz dem Stil von Sèvres folgendes Vasenpaaar mit tiefblauer Glasur über balustriertem Korpus. Montiert in vergoldeter und ziselierter Bronze, dem Stil Louis XVI entsprechend. Über vier Akanthusblattfüßen der plastisch ornamentalisierte Fuß den Vasenkorpus aufnehmend. Dieser mit zwei seitlich ansetzenden Blattwerkhandhaben mit Festons. Der Kandelaberaufsatz zweistufig mit Vasentüllen, reichem Prismenbehang und Elektrifizierung. Minimal besch. (1330503) (1) (13)A pair of elegant candelabra vases in Louis XVI styleHeight: 120 cm.Diameter: 58 cm.France, ca. 1880A pair of baluster-shaped vases with a deep blue glaze in the style of Sèvres. With gilt and chased bronze mounts in the style of Louis XVI.
Paar Ormolu-Kandelaber mit KristallbehangHöhe: 52 cm. Breite: 36 cm.Frankreich, erste Hälfte 19. Jahrhundert.Bronze, gegossen, ziseliert und vergoldet, Behang in Bergkristall und facettiertem Glas. Über konisch zulaufendem gestuftem und ornamental verziertem Rundfuß der balustrierte Schaft mit vier geschwungenen Armen in Vasenbrennstellen endend, die von gegossenen Widderköpfen überfangen werden. Die Arme durch Kristallglasketten und facettiertem Behang miteinander verbunden, durch zentrale Brennstelle überhöht, sowie von großen Bergkristalltropfen geschmückt. (13318115) (13)A pair of ormolu and crystal candelabraHeight: 52 cm.Width: 36 cm.France, first half of the 19th century.Bronze; cast, chased and gilt.
Harness. France, late 19th century.Marble and bronze.Measurements: 47 x 67 x 18 cm (clock); 47 cm (candlestick).This garniture consists of a table clock and a pair of candlesticks. The clock consists of a moulded podium, in which marble is combined with gilt-bronze fillets. The clock case sits on the podium or base, with a white porcelain dial and Roman numeral hour-markers. A slender figure rests on the clock case. The figure is a man wearing a long robe and a wide cloak, who writes while seeming to hold something in his other hand, which is no longer preserved. His stern character and elderly build suggest that he may be a philosopher. The candelabra, for their part, have rectangular bases on which the moulded shafts and arms of lights rest.
Pair of French Napoleon III candlesticks, ca. 1860-70. After "CLODION" (Claude Michele, Nancy, 1738 - Paris, 1814).Patinated and gilded bronze.Marble base.Measurements: 120 cm (height) x 40 cm (diameter).Following the Louis XV style, characteristic of the renowned French sculptor Clodion, we are in front of a pair of bronze candelabra, each one of them with a body of lights with five curved arms, gilded and decorated with vegetal motifs. They have flaming lampshades. The light bodies are supported by round sculptures of patinated putti, whose grace and classicism are inspired by those of the prolific sculptor Clodion. They are a pair of curly-haired lovebirds, with carefully cared-for anatomies and soft, warm finishes. The naturalness of their gestures and postures is also remarkable. This type of candelabra was characteristic of the Paris of Napoleon III, when the Clodion style experienced a new boom.Claude Michel, known as Clodion, was born in Nancy, but in 1755 he moved to Paris to study in the workshop of his uncle, the sculptor Lambert Sigisbert Adam, with whom he remained for four years. After his uncle's death he became a pupil of Jean Baptiste Pigalle, Madame de Pompadour's favourite sculptor. His work soon began to be recognised and in 1759 he won the grand prize for sculpture at the Académie Royale. In 1761 he was awarded the first silver medal for studies on models, and a year later he was awarded the Grand Prix de l'Académie Royale, consisting of a pension to further his training in Italy. Clodion was very active in Rome between 1767 and 1771. On returning to Paris he set up his own studio, where he worked with his brothers depicting mythological scenes, groups of dancers, nymphs and bathers in a language somewhere between Rococo and Neoclassicism. His works were in great demand, from the Parisian salons to Catherine II of Russia. Clodion's works are held in the Louvre (Paris), the Metropolitan Museum of Art (New York), the Hermitage Museum (St. Petersburg), the Victoria & Albert Museum (London), the Art Institute of Chicago, the J. Paul Getty Museum (Los Angeles), the Frick Collection (New York) and the Kimbell Museum (Forth Worth, Texas), among many others.
Henry PICARD (XIX) A three-piece garniture clock and candelabra, gilt bronze with a Carrara marble figurine playing with dice. Movement marked 'Denire a Paris', Marble clockface, half-hour striking mechanism. 19th century. Signed H. Picard on the claw feet of the clock and candelabra. Height candelabra: 63 cm. Dimensions: (L: 29 x W: 38 x H: 38 cm)
A pair of gilt metal table candelabra, late 19th Century, each with five branches and six lights, on a triform support of leopard monopodia flanked by shells, 31cm high/Provenance: The Estate of Anthony J Beeson/see illustration CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
ONE BOX OF METALWARE AND CERAMICS, to include a set of Librasco kitchen scales with two brass pans and a full set of weights, a silver plate tray, candelabra and a pair of posy vases, a five piece pastel blue glass vanity set, small brass ornaments and horse brasses, a collection of commemorative mugs, King George Jubilee, 1977 Jubilee, Diana & Charles marriage, etc, a Royal Stafford 'Rose-Pansy-Forget-Me-Not' pattern cream jug and sugar bowl, four AJL collectable plates from the series commemorating the history of Cannock Chase, etc (s.d) (1 box +loose)

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29918 item(s)/page