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Box of vintage accessories to include a brown leather art deco bag with mirror inside, a tapestry jewellery box, a cream satin beaded bag, a black fabric purse, a floral tapestry handbag by Anzmann, a 60's beaded and sequin purse, a black beaded belt with gold tassels, a floral tapestry cushion cover, a red leather key wallet, a blue Asian fold out hat, two pairs of crochet gloves (one cream, one black), cream wool gloves and white fabric gloves and a paper oriental fan. (15)(B.P. 24% incl. VAT)

2nd-3rd century AD. A carved schist figural frieze fragment with lotus-petal entablature above six columns with arches in the intervals, each arch surrounding a bust with raised right hand; rosette panel to the end; mounting socket to the reverse; mounted on a custom-made stand. 7.5 kg, 60cm including stand (23 1/2"). From an important collection of Asian art; acquired in the 1960s-1970s. Fine condition.

12th-16th century AD. A green-glazed ceramic figurine of a nude seated female suckling a baby in her arms; hollow to the underside. See Rooney, D.F. A Field Guide to Glazed Thai Ceramics in Asian Perspectives, Vol.28, No.2. 179 grams, 10.5cm (4"). UK art market, acquired prior to 2000. [No Reserve] Fine condition.

4th-3rd century BC. A trapezoid-shaped slightly curved ceramic funerary(?) mask with two eye-holes and incised stylised facial details; pierced at the outer edges for attachment. See discussion of ceramics in Mijares, A.S.B. The Archaeology of Peñablanca Cave Sites, Northern Luzon, Philippines in Journal of Austronesian Studies 1(2), December 2005; and Thiel, B. Excavations at Musang Cave, Northeast Luzon, Philippines, in Asian Perspectives Vol. 28, no. 1. 260 grams, 17.8cm (7"). Property of a South East Asia collector; formerly acquired on the Asian art market before 2000. Fine condition.

4th-3rd century BC. A slightly domed ceramic funerary(?) mask with two eye-holes and incised intersecting curved lines; attachment hole to the outer edges. See discussion of ceramics in Mijares, A.S.B. The Archaeology of Peñablanca Cave Sites, Northern Luzon, Philippines in Journal of Austronesian Studies 1(2), December 2005; and Thiel, B. Excavations at Musang Cave, Northeast Luzon, Philippines, in Asian Perspectives Vol. 28, no. 1. 236 grams, 16.5cm (6 1/2"). Property of a South East Asia collector; formerly acquired on the Asian art market before 2000. [No Reserve] Fine condition.

4th-3rd century BC. An asymmetrical ceramic funerary(?) mask with two eye-holes and incised intersecting curved lines; attachment hole to the upper edge. See discussion of ceramics in Mijares, A.S.B. The Archaeology of Peñablanca Cave Sites, Northern Luzon, Philippines in Journal of Austronesian Studies 1(2), December 2005; and Thiel, B. Excavations at Musang Cave, Northeast Luzon, Philippines, in Asian Perspectives Vol. 28, no. 1. 197 grams, 19cm (7 1/2"). Property of a South East Asia collector; formerly acquired on the Asian art market before 2000. [No Reserve] Fine condition.

4th-3rd century BC. A large asymmetrical ceramic slightly domed funerary(?) mask with incised linear face detail, two large eye holes, 'bat-wing' profile. See discussion of ceramics in Mijares, A.S.B. The Archaeology of Peñablanca Cave Sites, Northern Luzon, Philippines in Journal of Austronesian Studies 1(2), December 2005; and Thiel, B. Excavations at Musang Cave, Northeast Luzon, Philippines, in Asian PerspectivesVol. 28, no. 1. 601 grams, 35.5cm (14"). Property of a South East Asia collector; formerly acquired on the Asian art market before 2000. [No Reserve] Fine condition.

4th-3rd century BC. A ceramic funerary(?) mask with two eye-holes and incised intersecting curved lines. See discussion of ceramics in Mijares, A.S.B. The Archaeology of Peñablanca Cave Sites, Northern Luzon, Philippines in Journal of Austronesian Studies 1(2), December 2005; and Thiel, B. Excavations at Musang Cave, Northeast Luzon, Philippines, in Asian Perspectives Vol. 28, no. 1. 199 grams, 15cm (6"). Property of a South East Asia collector; formerly acquired on the Asian art market before 2000. [No Reserve] Fine condition.

4th-3rd century BC. A slightly domed ceramic funerary(?) mask with two eye-holes and incised intersecting curved lines; attachment hole to the lower edge. See discussion of ceramics in Mijares, A.S.B. The Archaeology of Peñablanca Cave Sites, Northern Luzon, Philippines in Journal of Austronesian Studies 1(2), December 2005; and Thiel, B. Excavations at Musang Cave, Northeast Luzon, Philippines, in Asian Perspectives Vol. 28, no. 1. 246 grams, 19.5cm (7 3/4"). Property of a South East Asia collector; formerly acquired on the Asian art market before 2000. [No Reserve] Fine condition.

4th-3rd century BC. A mixed group ceramic funerary(?) masks of 'butterfly' and other forms with incised linear detailing. 384 grams total, 9-11cm (3 3/4 - 4 1/4"). Property of a South East Asia collector; formerly acquired on the Asian art market before 2000. [5, No Reserve] Fine condition.

4th-3rd century BC. A slightly domed ceramic funerary(?) mask with incised linear butterfly detailing; attachment hole to the lower edge. See discussion of ceramics in Mijares, A.S.B. The Archaeology of Peñablanca Cave Sites, Northern Luzon, Philippines in Journal of Austronesian Studies 1(2), December 2005; and Thiel, B. Excavations at Musang Cave, Northeast Luzon, Philippines, in Asian Perspectives Vol. 28, no. 1. 163 grams, 14.5cm (5 3/4"). Property of a South East Asia collector; formerly acquired on the Asian art market before 2000. [No Reserve] Fine condition.

4th-3rd century BC. A slightly domed ceramic funerary(?) mask with two eye-holes and incised facial detailing; attachment holes to the outer edges. See discussion of ceramics in Mijares, A.S.B. The Archaeology of Peñablanca Cave Sites, Northern Luzon, Philippines in Journal of Austronesian Studies 1(2), December 2005; and Thiel, B. Excavations at Musang Cave, Northeast Luzon, Philippines, in Asian Perspectives Vol. 28, no. 1. 154 grams, 12.5cm (5"). Property of a South East Asia collector; formerly acquired on the Asian art market before 2000. [No Reserve] Fine condition.

4th-3rd century BC. A slightly domed ceramic funerary(?) mask with two eye-holes and incised intersecting curved lines; attachment holes to the outer edges. See discussion of ceramics in Mijares, A.S.B. The Archaeology of Peñablanca Cave Sites, Northern Luzon, Philippines in Journal of Austronesian Studies 1(2), December 2005; and Thiel, B. Excavations at Musang Cave, Northeast Luzon, Philippines, in Asian Perspectives Vol. 28, no. 1. 162 grams, 14cm (5 1/2"). Property of a South East Asia collector; formerly acquired on the Asian art market before 2000. [No Reserve] Fine condition.

A Boyar cape, possibly for the character Igor-Svyatoslavich-the-Brave, designed by Nicholas Roerich for Diaghilev's 1914 production of 'Prince Igor', stamped to the interior, 'Property of Sir Joseph Beecham' and also handwritten 'Prince Igor, Boyars, Sketch 4, Russell', numbered 268, of ochre linen painted with linked patterned roundels, adorned with pearl beads, and domed beaten metal discs, brass clasp, edged in brown stencilled velvet and lined in pink cotton stencilled with black undulating bands, roundels and stripesSerge Diaghilev's Prince Igor was premiered in Paris in 1909, with Feador Chaliapin in the role of Galitsky and costumes designed by Nicholas Roerich. The impresario Gabriel Astruc who had backed this production over-stretched himself by building the new Theatre de Champs Elysees and went bankrupt. In 1910 Sir Joseph Beecham (the pharmaceutical giant and father of renowned conductor - Thomas) came to Diaghilev's aid by sponsoring a season in London's Drury Lane theatre, but as he was more interested in opera than ballet it was agreed that in addition to the ballets that Diaghilev would produce four operas - one of which was 'Prince Igor'. With this new funding Diaghilev was able to transport from Russia the small army of orchestra, chorus and soloists required for his lavish opera productions. He staged highly successful annual opera seasons at London's Drury Lane Theatre and the Victoria & Albert Museum holds posters for productions of 'Prince Igor's' Polovtsian dances on March 1st and June 22nd 1913 with principal dancers Mme. Sophie Fedorova and M. Adolf Bolm. In 1914 Diaghilev reprised the full Paris opera production in four acts with prologue with conductor Thomas Beecham, starring Chaliapin who was paid £400 a night (a fortune at the time) in the role of Vladimir/Khan Konchak and Bolm and Tchernicheva as principle dancers. It premiered on 8th June, 1914 at the Theatre Royal, Drury Lane.Roerich was again invited to provide the full set and costumes beginning work in late 1913 and finishing in early 1914. They corresponded with stage director Alexander Sanin's vision: 'Christian feelings, beliefs intermingling with elements of paganism'.The costumes reflected Roerich's interest in Russian folk art and nomadic tribal history. He used patterns inspired by Central Asian folk dress and textiles and incorporated braids and trimmings purchased from southern Russian nomadic tribal traders at markets in St Petersburg. The vibrantly patterned costumes perfectly combined with Borodin's savage rhythms. Designer and friend Orest Allegri wrote to Roerich (who was unable to attend the first night):'Prince Igor was mounted last night to a full house. It was a staggering success. The British were screaming with delight'.Beecham's opera company struggled through the war years and Roerich was never fully paid for his work. In 1920 the company went bankrupt which resulted in a 'fire sale' of all the company's scenery and costumes. Jacques Rouche, the director of the Paris Opera at the time went to the sale and acquired scenic material from Beecham-Diaghilev productions, notably costumes designed by the artist Leon Bakst for Boris Godunov, which are now in the Moulins archives. There is a 'Prince Igor' costume with identical stamp in the collection of the Victoria & Albert Museum S.77-1998 CONDITION REPORT: exterior is generally good condition, lacking half of the brass closure clasp

LITERATURE A COLLECTION OF REFERENCE BOOKS RELATING TO ASIAN ART Including The S C Ko Tianminlou Collection, The Riesco Collection and various Transactions of the Oriental Ceramic Society. (78)

LITERATURE A COLLECTION OF TRADE CATALOGUES Mostly relating to Asian art. (65)

LITERATURE A COLLECTION OF REFERENCE BOOKS Relating to Asian art, including D S Howard, Chinese Armorial Porcelain, 1974 and D Howard & J Ayers, China for the West. (43)

LITERATURE A COLLECTION OF REFERENCE BOOKS Relating to Asian art, including The S C Ko Tianminlou Collection. (46)

LITERATURE A COLLECTION OF BOOKS AND CATALOGUES Relating to Asian art, including T Misugi, The Ardebil Shrine Collection, and various Transactions of the Oriental Ceramic Society. (97)

λ A CHINESE RHINOCEROS HORN 'NINE DRAGON' LIBATION CUP 17TH CENTURY Carved in the form of a large veined lotus leaf with swirling waves encircling its base, with nine chilong dragons emerging from water and climbing up the outer walls and over the flared rim, the horn with a rich, dark patina, 15.5cm long, 9cm high, 280g. Provenance: from the collection of William Cleverley Alexander (1840-1916) and thence by descent. William Cleverley Alexander (1840-1916) was one of the most noted connoisseurs of his day, an accomplished draughtsman and a member of the Burlington Fine Arts Club, he was renowned for his taste in Western paintings and Asian works of art. The collection was started in 1867 and included items form the Tang, Song, Ming and Qing dynasties. Cf. T Fok, Connoisseurship of Rhinoceros Horn Carving in China, p.50, no.3 for a similar libation cup; see also Los Angeles County Museum of Art, accession no.44.8.2, for a rhinoceros cup of a very similar design. 十七世紀犀角雕螭龍杯 來源：William Cleverley Alexander（1840-1916）收藏

A CHINESE BLUE AND WHITE 'MASTER OF THE ROCKS' PLATE KANGXI 1662-1722 Decorated with figures in a mountainous landscape and in a small sampan, a skein of geese in the sky, the rim painted with pine branches, with a six character Chenghua mark to the base, 20.3cm. Cf. The Museum of East Asian Art in Bath, Inaugural Exhibition, Vol.I, Chinese Ceramics, p.220, no.171 for a similar plate.

A CHINESE FAMILLE ROSE REVOLVING VASE REPUBLIC PERIOD Constructed in three sections, the ovoid body with three openwork panels each with a red dragon amidst clouds set against a dark blue ground decorated with stylised lotus scrolls. The rim, shoulder and foot painted with colourful enamels with bands of lappets, key frets and stylised lotus and bats, the internal section decorated with flowering camelia, bamboo, clouds and bats against a white ground, a six character Qianlong mark to the base, 23.5cm. (3) Provenance: from the collection of Hugh Malcolm (1886-1961) and thence by descent. Hugh Malcolm (1886-1961) was the Managing Director of the Rising Sun Petroleum Company in Japan (today known as Shell) from 1924-1936. He lived in Kobe and Yokohama between 1913-1936. His collection of Asian art included Korean, Chinese and Japanese works of art such as screens, scrolls, furniture, silver, ceramics, prints, lacquer and iron work. It was displayed in his family house built after the Great Kanto Earthquake in 1923 and designed by the Czech architect Antonin Raymond who was an assistant to Frank Lloyd Wright. Cf. Z Lili, The Shanghai Museum Collection: Qing Dai Yongzheng- XuanTong Guan Yao Ci Qi, pp.84-85, no.3-51 for a prototype from the Qianlong period, see The Complete Collection of Treasures of the Palace Museum, Porcelains with Cloisonné Enamel and Famille Rose Decoration, p.174-175, no.155 for Qianlong prototypes of revolving vases with reticulated decoration. 民國粉彩開光花卉螭龍轉心瓶 來源：Hugh Malcolm（1886-1961）亞洲藝術品收藏

A GROUP OF THIRTY ONE CHINESE & ASIAN ART AUCTION CATALOGUES. (31)

A collection of Asian Art catalogues

Modern Asian & African Art. 10 various vols.

Asian & Oriental Antiques & Works of Art. 14 various books & catalogues.

MISCELLANEOUS 20TH C ASIAN MINIATURE WORKS OF ART, INCLUDING A CHINESE CARVED GREEN STONE SNUFF BOTTLE, 5CM H AND A CHINESE INTERIOR PAINTED GLASS SNUFF BOTTLE, MINIATURE JADE CARVING OF A LUOHAN, ETC

*Ethnographic Art. A group of approximately 300 gelatin silver print photographs, circa 1960s/1970s, including images of tribal art, sculptures, masks, etc., including African, Oceanic, South American and Asian, many press photos with stamps to versos, some damp fraying to lower rignt corners, various sizes but mostly 25 x 20 cm and slightly smaller (approx. 300)

A Chinese Imari fruit bowl, an East Asian art pottery vase, possibly Korean, a set of three modern Japanese decorative vases, a a group of three Chinese carved hardwood vase stands

Sculpture d'un oiseau sur une branche fleurie en New Jade vert.H. 17 cm. Arts d'Asie Asian Art Chine - China - China;Sculptures - Sculptures - Skulpturen

Plat en porcelaine à décor en famille rose et verte, décor central d'une scène de famille, Chine, XIXe siècle. D. 37.5 cm. Arts d'Asie Asian Art Porcelaine - Céramique - Ceramics - Porzellan und Fayence;Chine - China - China;Arts d'Asie - Asian Art - Asiatica

Chapelet mongol en ambre et billes de métal.L. 66 cm. Poids : 206 g. Arts d'Asie Asian Art Tibet Népal - Tibet and Nepal - Tibet und Nepal;Arts d'Asie - Asian Art - Asiatica

Deux boîtes à thé en étain à pans coupés, à décor de caractères chinois, signés sous la base, comprenant :- une ronde. H. 15.5 & D. 9.8 cm.- une rectangulaire. H. 20x13x8 cm. Arts d'Asie Asian Art Arts d'Asie - Asian Art - Asiatica;Chine - China - China;Boîtes - Boxes & Caddies - Dosen und Schachtel

Trubus Soedarsono (1924-1966), "La danseuse balinaise". Huile sur toile, s.b.d.53x67.5 cm. Référence:Trubus Soedarsono (né à Yogyakarta (Indes néerlandaises), le 23 avril 1926 - décédé en septembre 1966) est un sculpteur et peintre naturaliste indonésien connu pour son réalisme puissant. Dans le domaine politique, Trubus a été membre du Parti communiste indonésien (PKI). Issu d’une famille d’ouvriers agricoles, il n'a pas terminé l'école primaire(SD), faute de moyens financiers. Dès sa troisième année d'école élémentaire, Trubus a dessiné et fabriqué ses propres marionnettes. Il est par la suite devenu marionnettiste lors des cérémonies de circoncision de ses amis. Trubus a également Trubus Soedarsono (né à Yogyakarta (Indes néerlandaises) (1926-1966) est un peintre et sculpteur naturaliste indonésien connu pour son réalisme puissant. Il est aussi connu pour avoir été un peintre résistant indonésien. Durant l’occupation japonaise (1942-1945), il fut l’élève de Sindoesoedarsono Sudjojono, fondateur et théoricien du Persagi, et Affandi, grand maître historique de l’art moderne indonésien. Membre du SIM (Seniman Indonesia Muda), un groupe de peintres qui fournissait notamment des images de propagande anti-hollandaise saisissantes, il fut emprisonné en 1948 pour ses activités politiques. Il deviendra par la suite professeur à l’Académie indonésienne des Beaux-Arts de 1950 à 1960. Ses œuvres figurent dans les collections du Président Sukarno. Il meurt en 1966 lors de la purge qui succéda à la tentative ratée du coup d’Etat communiste de septembre. Ses œuvres font partie de celles qui intégreront le futur musée d’art moderne à Jakarta, le MACAN, qui ouvrira ses portes en novembre 2017. Arts d'Asie Asian Art Tableaux - Encadrés - Paintings - Gemälde;Huile - Acrylique - oil - acrylic - Ölfarbe - Acrylfarbe

Vase en porcelaine de Nankin, à décor en famille rose de personnages. Chine. H. 33.5 cm. Arts d'Asie Asian Art Porcelaine - Céramique - Ceramics - Porzellan und Fayence;Chine - China - China

Tapis d'orient en soie. Médaillon central à décor de fleurs et végétaux sur champ principal vert et écoinçons sur fond beige. Champ secondaire à décor de caissons en alternance, dans la longueur, de décor végétal sur fond rouge, arbres fleuris sur fond bleu, et de mihrab ; et dans la largeur, de rinceaux sur fond beige, végétaux sur fond vert et de mihrab sur fond bleu nuit. Bordure principale en alternance de frise végétale. Bordure secondaire à décor en alternance de fleurs et feuilles, Chine. 244x156 cm. Tapis & Textiles Rugs & Textiles Tapis - Textiles - Rugs - Textiles - Teppiche - Textilien;Chine - China - China;Arts d'Asie - Asian Art - Asiatica

Ensemble de 4 boîtes rondes dont 3 émaillées de Thaïlande et 1 de Gaba. Varia Collectibles Boîtes - Boxes & Caddies - Dosen und Schachtel;Arts d'Asie - Asian Art - Asiatica;Asie du Sud-Est - Southeast Asian Art - Südostasiatische Kunst

Paravent japonais d'époque Meiji à quatre panneaux, avers en bois noirci et panneaux de laque de coromandel à décor de fleurs estampées, au pochoir, avec des parties peintes, représentant le Mont Fuji ; revers avec incrustations de corne, d'os et de nacre noir et blanche à décor d'oiseaux et paons, sur panneau laqué noir. Parties de panneau sculptés en haut-relief non ajouré à décor de dragons. Présence d'un sceau sous le paon. Arts d'Asie Asian Art Japon et Corée - Japan and Korea - Japan und Korea;Arts d'Asie - Asian Art - Asiatica;Meubles - Furniture - Möbel

Tambour de pluie du Yunnan en bronze à patine noire de type IV. Chine.Le plateau dépassant le tore présente en son centre une étoile à 12 branches entourée de zones concentriques et sur la périphérie, 4 groupes d'animaux superposés par 3. Les cercles concentriques sont ornés de frises géométriques. Le décor du plateau est similaire à celui du tronc composé d'une base décorée de motifs de vannerie, légèrement inclinée, un cylindre légèrement incliné à léger décor de bandes sur sa partie supérieure puis une partie bombée appelée tore sur laquelle repose le plateau. La caisse porte 2x2 anses à motifs tressés complété d'un train d'animaux, boutons et éléphants descendant jusqu'à la base.H. 47 cm & D. 61 cm. Arts d'Asie Asian Art Chine - China - China

Théière en porcelaine émaillée capucin, Chine famille rose à décor en médaillon de fleurs, branchages et pêches.Epoque Qianlong, Chine, XVIIIe.12x17 cm. Arts d'Asie Asian Art Chine - China - China;Porcelaine - Céramique - Ceramics - Porzellan und Fayence;Arts d'Asie - Asian Art - Asiatica

Vase en porcelaine de Chine carré, décor famille rose, représentant des immortels et lettrés, masque aux chiens de Fô, étoile dans le fond.H. 40x15x15 cm. Référence:La vente de cet objet est au profit de la Fondation romande pour chiens guides d'aveugles. Arts d'Asie Asian Art Arts d'Asie - Asian Art - Asiatica;Chine - China - China;Porcelaine - Céramique - Ceramics - Porzellan und Fayence

Tripode Ding en bronze à patine noire à décor de trois masques taotie.Chine, Epoque Song.H. 15 & D.11 cm. Arts d'Asie Asian Art Chine - China - China

Gong chinois avec support en bois ajouré. Chine, XIXe.H. 75x35x20 cm. Arts d'Asie Asian Art Chine - China - China;Arts d'Asie - Asian Art - Asiatica

Soldat en ivoire de style Sassanide. Perse, XXe.H. 40 cm. Poids : 1.460 kg, avec son socle. Arts d'Asie Asian Art Arts du Moyen-Orient - Middle East - Mittelosten;Sculptures - Sculptures - Skulpturen;Ancien - ancient - alt

Vase cornet en porcelaine de Chine, décor en famille rose de fleurs et chauves-souris, caractère de la double joie sur le col.Chine XIXe.H. 23.5 & D. 12.5 cm. Arts d'Asie Asian Art Chine - China - China;Arts d'Asie - Asian Art - Asiatica

Coupe en porcelaine de Canton avec montures. Chine, début XIXe. D. 26 cm & H. 12 cm. Arts d'Asie Asian Art Arts d'Asie - Asian Art - Asiatica;Chine - China - China;Porcelaine - Céramique - Ceramics - Porzellan und Fayence

Petit coffre de montagne en pin.Probablement Corée ou Japon.H. 24.5x48.5x24.5 cm. Arts d'Asie Asian Art Japon et Corée - Japan and Korea - Japan und Korea;Arts d'Asie - Asian Art - Asiatica

Paire de vases en grès de Nankin, haut de panse et lèvre imitant le bronze, à décor de scène de bataille.Chine. H. 35 cm. Arts d'Asie Asian Art Porcelaine - Céramique - Ceramics - Porzellan und Fayence;Chine - China - China

Vase en porcelaine de Chine à couverte sang de bœuf, Chine, XIXe siècle.H. 38 cm. Arts d'Asie Asian Art Arts d'Asie - Asian Art - Asiatica;Chine - China - China;Porcelaine - Céramique - Ceramics - Porzellan und Fayence

Rongbaozhai book of poems and paintings, a collection of woodblock prints. Deux volumes dans un emboîtage. Beijing : Rongbaozhai, 1951.31.5 x 22 cm Arts d'Asie Asian Art Chine - China - China;Arts d'Asie - Asian Art - Asiatica

Grand plat en porcelaine de Chine à décor en famille rose de pêches, vers 1900.D. 38 cm. Arts d'Asie Asian Art Arts d'Asie - Asian Art - Asiatica;Porcelaine - Céramique - Ceramics - Porzellan und Fayence;Chine - China - China

Couvercle de brûle-parfum en laiton ajouré à décor d'emblèmes bouddhistes et surmonté d'un chien de Fo.H. 21 & D.20 cm. Arts d'Asie Asian Art Chine - China - China

Plaque d'écran en ivoire gravé représentant le palais de "zhe sen yan" dans la province du Gansu, datée 1976.18.5x26 cm.Ivoire : 12.5x20.5 cm. Lot vendu sans CITES. - We do not provide any CITES for this lot. Il ne sera délivré aucun CITES d'exportation de la part de Dognyauction pour les objets en ivoire ni ne sera effectué aucun envoi à l'étranger pour ce genre de pièce. Aucun remboursement ne sera accepté pour un éventuel refus d'exportation. Arts d'Asie Asian Art Arts d'Asie - Asian Art - Asiatica;Objet de vitrine - Collectables - Varia- Nippsachen;Chine - China - China

Ensemble de quatre fixés sous-verre représentant des scènes de vie quotidienne, images du bonheur familial; la promenade dans la campagne; sortie dans le jardin; préparation à la nuit de noce; les jeux d'enfants.Chine, XXe.53x85cm & 52x82cm & 52x82cm & 53x81 cm. Arts d'Asie Asian Art Tableaux - Encadrés - Paintings - Gemälde;Chine - China - China

Ensemble de deux pièces comprenant : -une boîte cylindrique à couvercle en porcelaine de Chine à décor de guerriers à cheval dans un paysage de montagne en famille rose et couvercle à décor d'un troisième guerrier en charge. Chine, XIXe. H.11.5 & D.9 cm.-un socle Ningbo en bois doré sculpté ajouré à décor de chauve-souris et fleurs de lotus. XIXe H. 15.5 cm. Condition: Un éclat sur le couvercle et plusieurs éclats à la lèvre intérieure. Arts d'Asie Asian Art Porcelaine - Céramique - Ceramics - Porzellan und Fayence;Chine - China - China

Plaque en porcelaine de Chine à décor en famille rose de papillons, XXe. 37x27 cm. Arts d'Asie Asian Art Porcelaine - Céramique - Ceramics - Porzellan und Fayence;Arts d'Asie - Asian Art - Asiatica;Chine - China - China

Sculpture rectangulaire en bois de Ningbo représentant une scène de vie quotidienne en bois laqué doré.H. 13.5x38 cm. Arts d'Asie Asian Art Tableaux - Encadrés - Paintings - Gemälde;Chine - China - China

Manche d'habit en soie brodé représentant des scènes de vie quotidienne, sous cadre.Chine, vers 1900. H. 58.5x11.3 cm. Arts d'Asie Asian Art Chine - China - China;Arts d'Asie - Asian Art - Asiatica

Ensemble de six assiettes octogonales en porcelaine de Chine à décor en bleu et blanc, bordure à décor de fleurs et motifs géométriques, décor central à décor de temples et pagodes sur des rivages et paysage lacustre.Compagnie des Indes, XVIIIe. D. 22.5 cm. Arts d'Asie Asian Art Chine - China - China;Porcelaine - Céramique - Ceramics - Porzellan und Fayence

Vase en porcelaine à décor en famille rose aux cent biches sur son socle en bois. Chine, début XXe. H. 51 cm. Arts d'Asie Asian Art Chine - China - China;Porcelaine - Céramique - Ceramics - Porzellan und Fayence;Arts d'Asie - Asian Art - Asiatica