A Chinese Scroll Painting by Su Shi Song Dynasty. 30 1/4 x 14 1/2 in.(77cm x 37cm) Prince Qingmi Yikuang (1838-1917) was the great-grandson of Emperor Qianlong and the Prince Gong. On the lunar new year of the 20th Guangxu era (February 6, 1894), Empress Dowager Cixi bestowed the title of Prince Qing upon him to celebrate his sixtieth birthday. He served as the leader of the military and political affairs, and after the abolition of the Grand Council and the Grand Secretariat, he became the first Prime Minister of the Cabinet. In the 26th year of Guangxu (1900), during the invasion of China by the Eight-Nation Alliance (The Siege of the International Legations), he was appointed, along with Li Hongzhang, to represent the Qing government in signing the "Boxer Protocol" the following year. After the Wuchang Uprising, he invited Yuan Shikai to serve as Prime Minister in his place and assumed the position of President of the Beiyang Government. Later, he worked with Yuan Shikai to persuade Empress Dowager Longyu to agree to Emperor Puyi's abdication. As the last hereditary Prince and a favorite of Empress Dowager Cixi, Yikuang received a large number of royal treasures from her as rewards. During his lifetime, he held a high position and had a significant influence. He also collected and received numerous valuable royal artworks. In the 6th year of the Republic of China (1917), Yikuang passed away due to illness, and his eldest son inherited his title and a substantial amount of family wealth. Yizhen (1876-1947), the eldest son of Yikuang, succeeded his father's title and became the last Prince Qing. In 1924, when Puyi was expelled from the palace, Yizhuan feared for his own safety and moved to the Tianjin British Concession. He invested 300,000 yuan and formed a partnership with Gaoxingqiao to build three buildings in the French Concession: the Quanyechang Market, the Transportation Hotel, and the Bohai Building. He engaged in business and investment activities, distancing himself from politics. The name of the Tianjin Quanyechang Market was derived from a poetic verse composed by Zaizhen, and the golden signboard of "Tianjin Quanyechang Market" was calligraphed by Hua Shikui, the calligrapher who wrote the edict of Emperor Puyi's abdication. Relying on bank interest and the sale of inherited assets, Yizhuan lived a luxurious life in Tianjin. A large number of artworks from the family collection were sold in Tianjin. Damien de Martel, the French Minister to China (Count Martel) (1878-1940), lived in China and other Asian countries for a long time. From 1933 to 1939, he served as the Plenipotentiary Minister to China, Latvia, and Japan, and he was an avid collector of Asian art. During his time in Tianjin, Damien de Martel acquired a large number of Chinese artworks that were sold from the Prince Qing's residence. After his death in his hometown in France in 1940, many of the artworks he collected were inherited by his family and are still preserved to this day. Most of these artworks purchased from the Prince Qing's residence are marked with the words Prince Qing's Residence in paint and labeled with the logo of the Tianjin Quanyechang Market.
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A Chinese Blue and White Dragon Globular Vase Qing Dynasty. H: 18 1/2 in. W: 12 1/2 in. (47 cm x 32 cm) Prince Qingmi Yikuang (1838-1917) was the great-grandson of Emperor Qianlong and the Prince Gong. On the lunar new year of the 20th Guangxu era (February 6, 1894), Empress Dowager Cixi bestowed the title of Prince Qing upon him to celebrate his sixtieth birthday. He served as the leader of the military and political affairs, and after the abolition of the Grand Council and the Grand Secretariat, he became the first Prime Minister of the Cabinet. In the 26th year of Guangxu (1900), during the invasion of China by the Eight-Nation Alliance (The Siege of the International Legations), he was appointed, along with Li Hongzhang, to represent the Qing government in signing the "Boxer Protocol" the following year. After the Wuchang Uprising, he invited Yuan Shikai to serve as Prime Minister in his place and assumed the position of President of the Beiyang Government. Later, he worked with Yuan Shikai to persuade Empress Dowager Longyu to agree to Emperor Puyi's abdication. As the last hereditary Prince and a favorite of Empress Dowager Cixi, Yikuang received a large number of royal treasures from her as rewards. During his lifetime, he held a high position and had a significant influence. He also collected and received numerous valuable royal artworks. In the 6th year of the Republic of China (1917), Yikuang passed away due to illness, and his eldest son inherited his title and a substantial amount of family wealth. Yizhen (1876-1947), the eldest son of Yikuang, succeeded his father's title and became the last Prince Qing. In 1924, when Puyi was expelled from the palace, Yizhuan feared for his own safety and moved to the Tianjin British Concession. He invested 300,000 yuan and formed a partnership with Gaoxingqiao to build three buildings in the French Concession: the Quanyechang Market, the Transportation Hotel, and the Bohai Building. He engaged in business and investment activities, distancing himself from politics. The name of the Tianjin Quanyechang Market was derived from a poetic verse composed by Zaizhen, and the golden signboard of "Tianjin Quanyechang Market" was calligraphed by Hua Shikui, the calligrapher who wrote the edict of Emperor Puyi's abdication. Relying on bank interest and the sale of inherited assets, Yizhuan lived a luxurious life in Tianjin. A large number of artworks from the family collection were sold in Tianjin. Damien de Martel, the French Minister to China (Count Martel) (1878-1940), lived in China and other Asian countries for a long time. From 1933 to 1939, he served as the Plenipotentiary Minister to China, Latvia, and Japan, and he was an avid collector of Asian art. During his time in Tianjin, Damien de Martel acquired a large number of Chinese artworks that were sold from the Prince Qing's residence. After his death in his hometown in France in 1940, many of the artworks he collected were inherited by his family and are still preserved to this day. Most of these artworks purchased from the Prince Qing's residence are marked with the words Prince Qing's Residence in paint and labeled with the logo of the Tianjin Quanyechang Market.
A Chinese Falangcai Lotus Scrolls Vase Qing Dynasty. H: 12 7/8 in. W: 5 7/8 in. (33 cm x 15 cm) Prince Qingmi Yikuang (1838-1917) was the great-grandson of Emperor Qianlong and the Prince Gong. On the lunar new year of the 20th Guangxu era (February 6, 1894), Empress Dowager Cixi bestowed the title of Prince Qing upon him to celebrate his sixtieth birthday. He served as the leader of the military and political affairs, and after the abolition of the Grand Council and the Grand Secretariat, he became the first Prime Minister of the Cabinet. In the 26th year of Guangxu (1900), during the invasion of China by the Eight-Nation Alliance (The Siege of the International Legations), he was appointed, along with Li Hongzhang, to represent the Qing government in signing the "Boxer Protocol" the following year. After the Wuchang Uprising, he invited Yuan Shikai to serve as Prime Minister in his place and assumed the position of President of the Beiyang Government. Later, he worked with Yuan Shikai to persuade Empress Dowager Longyu to agree to Emperor Puyi's abdication. As the last hereditary Prince and a favorite of Empress Dowager Cixi, Yikuang received a large number of royal treasures from her as rewards. During his lifetime, he held a high position and had a significant influence. He also collected and received numerous valuable royal artworks. In the 6th year of the Republic of China (1917), Yikuang passed away due to illness, and his eldest son inherited his title and a substantial amount of family wealth. Yizhen (1876-1947), the eldest son of Yikuang, succeeded his father's title and became the last Prince Qing. In 1924, when Puyi was expelled from the palace, Yizhuan feared for his own safety and moved to the Tianjin British Concession. He invested 300,000 yuan and formed a partnership with Gaoxingqiao to build three buildings in the French Concession: the Quanyechang Market, the Transportation Hotel, and the Bohai Building. He engaged in business and investment activities, distancing himself from politics. The name of the Tianjin Quanyechang Market was derived from a poetic verse composed by Zaizhen, and the golden signboard of "Tianjin Quanyechang Market" was calligraphed by Hua Shikui, the calligrapher who wrote the edict of Emperor Puyi's abdication. Relying on bank interest and the sale of inherited assets, Yizhuan lived a luxurious life in Tianjin. A large number of artworks from the family collection were sold in Tianjin. Damien de Martel, the French Minister to China (Count Martel) (1878-1940), lived in China and other Asian countries for a long time. From 1933 to 1939, he served as the Plenipotentiary Minister to China, Latvia, and Japan, and he was an avid collector of Asian art. During his time in Tianjin, Damien de Martel acquired a large number of Chinese artworks that were sold from the Prince Qing's residence. After his death in his hometown in France in 1940, many of the artworks he collected were inherited by his family and are still preserved to this day. Most of these artworks purchased from the Prince Qing's residence are marked with the words Prince Qing's Residence in paint and labeled with the logo of the Tianjin Quanyechang Market.
A Chinese Hand Scroll Painting by Zhao Mengfu Yuan Dynasty. 362 1/8 x 12 1/2 in.(920cm x 32cm) Prince Qingmi Yikuang (1838-1917) was the great-grandson of Emperor Qianlong and the Prince Gong. On the lunar new year of the 20th Guangxu era (February 6, 1894), Empress Dowager Cixi bestowed the title of Prince Qing upon him to celebrate his sixtieth birthday. He served as the leader of the military and political affairs, and after the abolition of the Grand Council and the Grand Secretariat, he became the first Prime Minister of the Cabinet. In the 26th year of Guangxu (1900), during the invasion of China by the Eight-Nation Alliance (The Siege of the International Legations), he was appointed, along with Li Hongzhang, to represent the Qing government in signing the "Boxer Protocol" the following year. After the Wuchang Uprising, he invited Yuan Shikai to serve as Prime Minister in his place and assumed the position of President of the Beiyang Government. Later, he worked with Yuan Shikai to persuade Empress Dowager Longyu to agree to Emperor Puyi's abdication. As the last hereditary Prince and a favorite of Empress Dowager Cixi, Yikuang received a large number of royal treasures from her as rewards. During his lifetime, he held a high position and had a significant influence. He also collected and received numerous valuable royal artworks. In the 6th year of the Republic of China (1917), Yikuang passed away due to illness, and his eldest son inherited his title and a substantial amount of family wealth. Yizhen (1876-1947), the eldest son of Yikuang, succeeded his father's title and became the last Prince Qing. In 1924, when Puyi was expelled from the palace, Yizhuan feared for his own safety and moved to the Tianjin British Concession. He invested 300,000 yuan and formed a partnership with Gaoxingqiao to build three buildings in the French Concession: the Quanyechang Market, the Transportation Hotel, and the Bohai Building. He engaged in business and investment activities, distancing himself from politics. The name of the Tianjin Quanyechang Market was derived from a poetic verse composed by Zaizhen, and the golden signboard of "Tianjin Quanyechang Market" was calligraphed by Hua Shikui, the calligrapher who wrote the edict of Emperor Puyi's abdication. Relying on bank interest and the sale of inherited assets, Yizhuan lived a luxurious life in Tianjin. A large number of artworks from the family collection were sold in Tianjin. Damien de Martel, the French Minister to China (Count Martel) (1878-1940), lived in China and other Asian countries for a long time. From 1933 to 1939, he served as the Plenipotentiary Minister to China, Latvia, and Japan, and he was an avid collector of Asian art. During his time in Tianjin, Damien de Martel acquired a large number of Chinese artworks that were sold from the Prince Qing's residence. After his death in his hometown in France in 1940, many of the artworks he collected were inherited by his family and are still preserved to this day. Most of these artworks purchased from the Prince Qing's residence are marked with the words Prince Qing's Residence in paint and labeled with the logo of the Tianjin Quanyechang Market.
Honolulu is the capital and largest city of the state of Hawaii in the United States. Located on the island of Oahu, Honolulu is known for its stunning natural beauty, vibrant culture, and world-class amenities. Here's an overview of Honolulu:Geography: Honolulu is situated on the southeastern coast of the island of Oahu, along the shores of the Pacific Ocean. It is surrounded by the Koʻolau Range to the east and the Waianae Range to the west. The city enjoys a tropical climate, with warm temperatures and abundant sunshine throughout the year.Tourism: Honolulu is a major tourist destination, attracting millions of visitors each year. Its iconic Waikiki Beach is renowned for its golden sands, crystal-clear waters, and picturesque views of Diamond Head, a volcanic crater. The area is lined with luxury hotels, resorts, restaurants, and shops, catering to the needs of tourists from around the world.Cultural Hub: Honolulu is a melting pot of cultures, blending Native Hawaiian, Asian, Pacific Islander, and Western influences. This diversity is celebrated through various cultural events, festivals, and cuisine. The city is home to historical sites like the Iolani Palace, the only royal palace in the United States, and the Bishop Museum, which showcases the history and heritage of Hawaii and the Pacific.Arts and Entertainment: Honolulu boasts a thriving arts and entertainment scene. The city is home to numerous galleries, theaters, and performance venues that showcase traditional Hawaiian arts, as well as contemporary art and music. The Honolulu Museum of Art houses an extensive collection of Asian, European, and American art, while the Neal S. Blaisdell Center hosts concerts, shows, and events.Historical Significance: Honolulu has a rich history intertwined with the Kingdom of Hawaii, the overthrow of the monarchy, and its eventual statehood. Historical sites such as Pearl Harbor and the USS Arizona Memorial are important reminders of World War II and attract visitors from around the world.Outdoor Activities: Honolulu offers a plethora of outdoor activities due to its stunning natural surroundings. From surfing and snorkeling to hiking and exploring rainforests, there are endless opportunities for outdoor adventures. Nearby attractions include the Hanauma Bay Nature Preserve, Manoa Falls, and the Makapuu Lighthouse Trail.Shopping and Dining: The city boasts a wide range of shopping options, from high-end boutiques to local markets. Ala Moana Center, one of the largest open-air shopping malls in the world, is a popular destination for shopping enthusiasts. Honolulu is also renowned for its diverse culinary scene, offering a fusion of flavors from various cultures, including traditional Hawaiian cuisine, Asian influences, and international fare.Honolulu is a vibrant and multicultural city that offers a blend of natural beauty, cultural experiences, and modern amenities. Whether you're seeking relaxation on pristine beaches, immersing in rich history and culture, or indulging in exciting outdoor activities, Honolulu has something to offer for everyone.Measures 54 x 36.
A Collection of Mainly Asian Art, including a pair of Japanese Meiji period cloisonne vases, a similar pair of bronze vases, a Qianlong famille rose teabowl, a pair of mixed metals miniature vases, various Yixing stoneware pieces; together with English ceramics including Derby and a reproduction blue and white porcelain ring handled vase, (one shelf)
A collection of Asian collectibles and works of art, including: Japanese Kutani cream jug, sucrier, saucer and vase; eggshell cup and saucer; pair of Chinese cloisonné enamel vases; two smaller cloisonné enamel vases; cloisonné enamel bowl and a cloisonné enamel ginger jar with cover; also a small selection of hardwood stands.
Ca. 12th century BC.A bronze fangyi, a ritual wine vessel crafted from bronze characterized by its unique and intricate design. The rectangular shape of the vessel resembles a small hut or granary, and it is adorned with a fitted roof-like lid and a central knob that mimics the shape of a roof. The edges of the vessel are embellished with vertical flanges, which not only serve as decorative elements but also contribute to the overall structural integrity. These flanges showcase meticulously incised patterns that add a touch of sophistication to the piece. One of the most striking features of this bronze fangyi is the presence of taotie masks on each wall. The taotie is a mythical creature commonly depicted in ancient Chinese art and is characterized by its distinctive facial features, typically comprising large, bulging eyes, a protruding snout, and stylized horns or antlers. In the context of this fangyi, the taotie masks serve as a significant symbolic representation, perhaps conveying notions of protection or auspiciousness. Fangyi, refers to a specific type of bronze vessel primarily used for ritualistic purposes. These vessels were utilized in various ceremonial activities, including ancestral worship and banquets hosted by the ruling elite. The fangyi served as a prestigious container for wine, a symbol of wealth and social status during the Shang Dynasty. Its significance extends beyond its utilitarian function, as these vessels were integral to the performance of rituals and the establishment of religious connections with ancestral spirits. Possible Restoration. For a similar, see The Metropolitan Museum of Art, Accession Number: 49.135.4a, b. Size: L:205mm / W:115mm ; 1.76kg Provenance: UK private collection of Asian Art; formerly acquired in the early 1990s in Hong Kong.
A collection of Art Deco mementoes. Seven hatpins, two pewter shoe pin cushions, two shoe shaped pocket knives with rubber covers, a snakeskin shoe needle-case, four necklaces, seven glass miniature perfume decanters with stoppers, a French purple kid-suede tango bag with quartz clasp, a black silk belt and two black chokers with marcasite clasps, a Victorian chrome skirt holder, Two Asian tapestry sock-purses, a beaded coaster and napkin ring, a thimble, a quill nib, a whist marker and a miniature tape measure depicting The Boathouse at Crystal Palace and a brass lucky horseshoe and a black metal bangle. Also six good quality Art Deco enamel and brass powder compact cases Including VOGUE VANITIES, STRATTON, ARDENETTE, ATKINSONS, GUELDYCondition Report: Good condition commensurate with age
The Kalo Shop, United States. Handwrought sterling silver trophy vase with a scalloped rim, ca. 1912-1916. Monogramed along the side and inscribed "Cottager's Cup Age-Class Tournament Won by Louis E. Asher." Stamped along the underside with maker's marks, 773A, G, and marked sterling. The Kalo Shops were founded in Chicago by six young women: Clara Pauline Barck Welles, Bertha Hall, Rose Dolese, Grace Gerow, Ruth Raymond, and Bessie McNeal.Provenance: From the collection of Frederick and Catherine Asher, Minneapolis, Minnesota.Frederick M. Asher and Catherine E. Asher were prominent scholars in the field of Art History. Both dedicated their lives to the education of students, teaching for many years as professors at the University of Minnesota. They both had a passion for South Asian art, traveling extensively throughout India, Asia, and the Middle East. Selections from their travels and careers as avid art historians are offered in this auction. Their collection includes Indian jewelry, Japanese woodblock prints, an incredible slide collection, and much more.Height: 10 1/2 in x diameter: 6 in. Weight: 19.89 Troy oz.Condition: Light wear throughout. No visible dents to the rim. No visible cracks or losses. Along the interior, there is visible oxidation. Toward the underside, there is a 1-inch dent to the exterior. No visible signs of restoration under UV light. Light surface scratches along the underside, consistent with age and use.
Group of 41 pieces of miscellaneous sterling silver, silverplate, and silver objects including:Whiting Manufacturing Co., United States. Pair of sterling silver marked serving spoons, each monogramed with the letter D along the handle. Both inscribed with a date along the underside of the handle of October 5, 1908.One small silver tray with an attached ring or handle. With an illegible mark along the side.Towle, United States. Sterling silver marked serving spoon monogramed with a D along the handle.Christofle, France. One pie or cake server, marked along the edge.Gorham, United States. Two sterling silver marked serving forks; one monogramed with an E along the handle.William Rogers, United States. Small silverplate ladel.Group of six gold-tone small spoons, each with a different colored enamel along the handle. Unmarked.Mary Chawner, London, England. One sterling pie server, 1914. Marked along the underside of the handle.William Eaton, London, England. One large sterling silver spoon, 1911. Marked along the underside of the handle.John Osment, Exeter, England. One large sterling silver spoon. Marked along the underside of the handle. Monogramed along the front and back of the handle.One British sterling silver serving fork, marked along the underside of the handle.John Blake, London, England. One sterling silver ladle, 1798. Marked along the underside of the handle. Monogramed MK along the handle and stamped K along the underside of the base of the handle.Alvin Manufacturing Co., United States. One sterling silver soup or serving spoon. Marked along the underside of the handle.John Power, Dublin, Ireland. One sterling silver ladle, 1801. Marked along the underside of the handle.One small trident serving fork. Marked sterling and "SSMC" along the underside of the handle. Possibly The Sterling Silver Manufacturing Co., United States.One 830 silver serving spoon. Marked along the underside of the handle.One British silverplate serving tongs. Marked along the handle.Set of mother-of-pearl handled sterling silver flatware. Sheffield, England, 1875. Maker's mark RMEH. Each marked along the sterling utensil. Consisting of six knives and six forks. Each monogramed along the mother-of-pearl handle.Set of mother-of-pearl handled silver flatware. Marked with a castle and maker's mark "B&G." Consisting of two knives and two forks.Set of two mother-of-pearl handled serving ware in a velvet-lined box. The serving knife marked along the silver with the letters L, B, S, and A, a crown, and a cross.Provenance: From the Estate of C. Curtis "Curt" Dunnavan, Long Lake, Minnesota.C. Curtis "Curt" Dunnavan (1926-2022) was a passionate world traveler and avid collector. It was through his travels that he was inspired to begin a lifelong relationship with the Minneapolis Institute of Art (Mia), becoming a major sponsor of the institute and facilitating the growth of their Asian art department, which is now one of the best in the country. His generous donations to Mia allowed them to establish a fund for the Deputy Director and Chief Operating Officer, one of the few endowed positions of this type in the museum field. He additionally served as a trustee of the institute, advocating for its operational growth. In its turn, the museum established a gallery named in his honor in recognition for his endowment fund and numerous contributions to their collection. The selections here showcase his talent and breadth of collecting, ranging from ancient statues to 19th-century woodblock prints. His appreciation for art persisted throughout his life and we are honored to offer items from his collection in this auction.Gross weight of sterling (not including M.O.P. handled items and unmarked or non-sterling items): 30.76 Troy oz.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Johannes Kip (Dutch, 1653-1722) after a painting by Leonard Knyff (Dutch 1650-1722). Engraving depicting a view of Burlington House and surroundings. Burlington House is a building on Piccadilly in Mayfair, London which now houses the Royal Academy and five learned societies.Provenance: From the Estate of C. Curtis "Curt" Dunnavan, Long Lake, Minnesota.C. Curtis "Curt" Dunnavan (1926-2022) was a passionate world traveler and avid collector. It was through his travels that he was inspired to begin a lifelong relationship with the Minneapolis Institute of Art (Mia), becoming a major sponsor of the institute and facilitating the growth of their Asian art department, which is now one of the best in the country. His generous donations to Mia allowed them to establish a fund for the Deputy Director and Chief Operating Officer, one of the few endowed positions of this type in the museum field. He additionally served as a trustee of the institute, advocating for its operational growth. In its turn, the museum established a gallery named in his honor in recognition for his endowment fund and numerous contributions to their collection. The selections here showcase his talent and breadth of collecting, ranging from ancient statues to 19th-century woodblock prints. His appreciation for art persisted throughout his life and we are honored to offer items from his collection in this auction.Sight; height: 15 in x width: 19 1/2 in. Framed; height: 25 1/2 in x width: 29 1/2 in.Condition: Overall no visible losses, tears, or restorations. The colors are bold and bright. There is a vertical crease along the center of the sheet. The sheet has toning throughout. There is foxing throughout, particularly in the margins. There is undulation and wear throughout the sheet. Window mat. Framed under glass. Light wear to frame. Not inspected out of frame.
Christofle, France. Set 67 pieces of silverplate flatware in the pattern "Vendome Arcantia" including: 12 dinner forks, eight salad forks, four lunch forks, four small spoons, eight lunch spoons, eight dinner spoons, four large serving spoons, a pie server, a ladle, a meat fork, four small knives, and 12 large knives.Provenance: From the Estate of C. Curtis "Curt" Dunnavan, Long Lake, Minnesota.C. Curtis "Curt" Dunnavan (1926-2022) was a passionate world traveler and avid collector. It was through his travels that he was inspired to begin a lifelong relationship with the Minneapolis Institute of Art (Mia), becoming a major sponsor of the institute and facilitating the growth of their Asian art department, which is now one of the best in the country. His generous donations to Mia allowed them to establish a fund for the Deputy Director and Chief Operating Officer, one of the few endowed positions of this type in the museum field. He additionally served as a trustee of the institute, advocating for its operational growth. In its turn, the museum established a gallery named in his honor in recognition for his endowment fund and numerous contributions to their collection. The selections here showcase his talent and breadth of collecting, ranging from ancient statues to 19th-century woodblock prints. His appreciation for art persisted throughout his life and we are honored to offer items from his collection in this auction.Gross weight of silver: 4,882 grams.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Set of six sterling silver mint julep cups, each marked sterling and 925 along the underside and stamped "E.M. Hnos Hecho en Mexico."Provenance: From the Estate of C. Curtis "Curt" Dunnavan, Long Lake, Minnesota.C. Curtis "Curt" Dunnavan (1926-2022) was a passionate world traveler and avid collector. It was through his travels that he was inspired to begin a lifelong relationship with the Minneapolis Institute of Art (Mia), becoming a major sponsor of the institute and facilitating the growth of their Asian art department, which is now one of the best in the country. His generous donations to Mia allowed them to establish a fund for the Deputy Director and Chief Operating Officer, one of the few endowed positions of this type in the museum field. He additionally served as a trustee of the institute, advocating for its operational growth. In its turn, the museum established a gallery named in his honor in recognition for his endowment fund and numerous contributions to their collection. The selections here showcase his talent and breadth of collecting, ranging from ancient statues to 19th-century woodblock prints. His appreciation for art persisted throughout his life and we are honored to offer items from his collection in this auction.Height: 3 3/4 in x diameter: 3 in. Gross weight: 30 troy oz.Condition: No major dents, deep scratches, or restorations. There is light tarnishing and light scratches throughout.
John Scott Bradstreet (American, 1845-1914). Entire room of Asian inspired "jin-di-sugi" carved cypress wood paneling including a fireplace and the ceiling. The fireplace with a carved panel of a sun among waves and two monopodial faux-legs with dragon heads and ball and claw feet. The wainscoting with carved panels, each depicting unique flora and fauna including: a crab, a dragon, lotus pods and flowers, water lilies, a bat, a kingfisher, chrysanthemums, and a turtle. There are a total of eight panels along the walls; two along each wall. The wainscoting is divided into three registers: a low horizontal lower register; a tall rectangular divided middle register; and a square upper register with alternating plain and carved panels. The ceiling with three beams and 12 panels; six panels slightly shorter than the length of the room due to the presence of the fireplace.Please note that this lot must be removed from its location by the end of August, 2023.Born in Massachusetts in 1845, John S. Bradstreet moved to Minnesota in 1873 and began working for the furniture firm Barnard, Clark, and Cope. With a heavy emphasis on late Victorian styles, Bradstreet felt that the items they were selling were too old-fashioned. Throughout the late 1870s and into the turn of the century, he worked with various partners to create furniture more in line with the growing popularity of the Gothic Revival and English Arts & Crafts movements. By 1901 he had founded his own business which focused primarily on his growing love of Asian inspired furniture and architecture - in particular, Japan. After opening the Minneapolis Crafthouse he was able to finally display and design his own works including his favorite line called "jin-di-sugi." This was a combination of Japanese carving techniques and American Arts & Crafts style, shown in the room offered in this lot.With his involvement in the growing aesthetic style of Minneapolis and as a heavy promoter of the arts in the city, he would go on to become one of the founders of the Minneapolis Fine Arts Society in 1883. This society would eventually evolve into the Minneapolis Institute of Art. He died only five months short of the institute's opening, and a room was opened in his honor, the John Scott Bradstreet Memorial Room, on January 7th, 1915.(Entire Room) 12 ft 2 in x 13 ft 2 in. (Mantle) height: 54 1/4 in x width: 76 in x depth: 25 in. Carved panel on mantle; height: 10 in x width: 13 1/4 in. (Wainscoting, 8 total panels) height ranges from 24 in to 54 1/2 in. [height ranges include below the window and include variance from panel to panel due to the room settling]. Total length of all wainscoting excluding the fireplace: 25 ft 10 in. (Carved panels excluding fireplace panel) height ranges from 10 in to 10 1/4 in; width ranges from 10 in to 11 in. (Chair rail) depth: 1 1/4 in.Condition: The wood in the room is in overall fairly good condition. There is light wear throughout as expected with a room of this age. Dust collected in the recessed areas of the works. There are small finishing nails throughout the wainscoting to affix the paneling to the wall of the room. There are four spaces for outlets, two spaces for light switches, and four areas where lights have been affixed to the panels. Several small areas where cord clips have been nailed/drilled into the paneling. There is one panel with an approx. 2 inch chip to the wood along the lower edge. The following carved panels have splits to the wood: the crab, the water lilies, the bat, and the chrysanthemums. The carved panel depicting a sun and waves along the mantle also has several splits along the center. There is wear to the top of the mantle. Numerous wax accretions, likely from candles, light scratches, a few small divots, dust, and an approx. 1 inch chip. Wear to the edges of the mantle throughout. There appears to be an extension added to the back of the mantle where it has been extended outwards to accommodate for modern use. This addition along the back measures approx. 8.75" x 63.25". There are six vents on the fireplace; two on either side and two along the top in the addition area.
Two antique Windsor armchairs. Each with a sack-back design, baluster and ring turnings, and H-stretcher bar between the angled legs. New England, late 18th century.Provenance: From the Estate of C. Curtis "Curt" Dunnavan, Long Lake, Minnesota.C. Curtis "Curt" Dunnavan (1926-2022) was a passionate world traveler and avid collector. It was through his travels that he was inspired to begin a lifelong relationship with the Minneapolis Institute of Art (Mia), becoming a major sponsor of the institute and facilitating the growth of their Asian art department, which is now one of the best in the country. His generous donations to Mia allowed them to establish a fund for the Deputy Director and Chief Operating Officer, one of the few endowed positions of this type in the museum field. He additionally served as a trustee of the institute, advocating for its operational growth. In its turn, the museum established a gallery named in his honor in recognition for his endowment fund and numerous contributions to their collection. The selections here showcase his talent and breadth of collecting, ranging from ancient statues to 19th-century woodblock prints. His appreciation for art persisted throughout his life and we are honored to offer items from his collection in this auction.Each, height: 36 in x width: 25 in x depth: 14 1/2 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Roy Lichtenstein (American, 1923-1997). Offset lithograph on wove paper titled "Sunrise," 1965, depicting a sunrise over the mountains in Lichtenstein's iconic pop art style. Pencil signed along the lower right. From an edition of unknown size published by Leo Castelli Gallery, New York.Provenance: From the collection of Frederick and Catherine Asher, Minneapolis, Minnesota.Frederick M. Asher and Catherine E. Asher were prominent scholars in the field of Art History. Both dedicated their lives to the education of students, teaching for many years as professors at the University of Minnesota. They both had a passion for South Asian art, traveling extensively throughout India, Asia, and the Middle East. Selections from their travels and careers as avid art historians are offered in this auction. Their collection includes Indian jewelry, Japanese woodblock prints, an incredible slide collection, and much more.Unframed; height: 18 1/2 in x width: 24 1/2 in. Framed; height: 25 1/4 in x width: 30 3/4 in.Condition: The colors are somewhat faded. There is toning and undulation to the sheet throughout. Running horizontal through the center of the print there is a network of creases; most visible at a critical angle. To the extreme edges of the sheet there is wear. There is a small circular stain along the upper left corner. The artwork is hinged with two pieces of framing tape along the upper edge. The artwork is floated in the frame. Along the four corners of the verso there are four square areas with adhesive residue; likely from a previous framing, does not affect the recto. Light wear to the frame. Framed under glass. The paper backing has been cut along three edges to inspect the piece.
Folk art gouache painting on paper depicting a crowd of individuals gathered outside Charles Dickens' Bleak House in Broadstairs, Kent. Inscribed along the lower right "Victorian Festival / Dickensian Garden Party at Bleak House, Broadstairs" and signed illegibly.Provenance: From the collection of Frederick and Catherine Asher, Minneapolis, Minnesota.Frederick M. Asher and Catherine E. Asher were prominent scholars in the field of Art History. Both dedicated their lives to the education of students, teaching for many years as professors at the University of Minnesota. They both had a passion for South Asian art, traveling extensively throughout India, Asia, and the Middle East. Selections from their travels and careers as avid art historians are offered in this auction. Their collection includes Indian jewelry, Japanese woodblock prints, an incredible slide collection, and much more.Sight; height: 14 in x width: 20 in. Framed; height: 20 1/2 in x width: 26 3/4 in.Condition: No visible creases, losses, or signs of restoration under UV light. The color is bold and bright. The sheet has undulation throughout the recto. There is a tear to the upper right corner, measuring approximately 2 inches. Throughout the recto, there are minute fibers adhered to the surface, possibly paint brush, not visible at arm length; please see the listing image. Framed under plexiglass; not inspected out of frame. Very light wear to the frame.
Tuttle Silver Company, United States. Set of 62 sterling silver flatware pieces including 12 lunch forks, 12 dinner forks, 12 spoons, 8 soup spoons, six sterling-handled butter knives, and 12 sterling-handled dinner knives.Also included is the following:Towle, United States. Large sterling silver serving fork, marked along the underside of the handle.Set of three Mexican sterling silver small two-prong serving forks, each marked along the underside of the handle and stamped with an illegible maker's mark, possible reading "MC-173."Alvin Manufacturing Co., United States. Sterling silver tongs, marked along the interior of the utensil.One small silver Swedish two-prong serving fork, marked along the underside of the handle.One silver tongs, marked along the handle.Provenance: From the collection of Frederick and Catherine Asher, Minneapolis, Minnesota.Frederick M. Asher and Catherine E. Asher were prominent scholars in the field of Art History. Both dedicated their lives to the education of students, teaching for many years as professors at the University of Minnesota. They both had a passion for South Asian art, traveling extensively throughout India, Asia, and the Middle East. Selections from their travels and careers as avid art historians are offered in this auction. Their collection includes Indian jewelry, Japanese woodblock prints, an incredible slide collection, and much more.Gross weight of sterling (not including 24 sterling-handled knives and two unmarked pieces): 67.16 Troy oz.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Victorian Davenport desk, likely mahogany. Well-carved with profuse scrollwork panels and two monopodial scrolling supports in the form of winged women. With a six drawers along one side, hidden by a panel, and a slant-top leather writing service that hinges open to reveal a space for storing writing supplies. A fine and excellent example of this type of desk.Provenance: From the collection of Frederick and Catherine Asher, Minneapolis, Minnesota.Frederick M. Asher and Catherine E. Asher were prominent scholars in the field of Art History. Both dedicated their lives to the education of students, teaching for many years as professors at the University of Minnesota. They both had a passion for South Asian art, traveling extensively throughout India, Asia, and the Middle East. Selections from their travels and careers as avid art historians are offered in this auction. Their collection includes Indian jewelry, Japanese woodblock prints, an incredible slide collection, and much more.Height: 36 1/2 in x width: 21 in x depth: 24 1/2 in.Condition: The desk is structurally sound and stable. The carved/pierced decoration along the back along the top is broken and shows signs of previous attempted repairs. The finials are detached but included. Several other small losses to the carved decoration throughout. There are several large splits to the wood: along the leather writing top there is a notable split, visible in the lot listing; along the interior of the writing desk there is a large horizontal split to the bottom, visible in the lot listing; there is a short split extending vertically downwards along the front panel from the top; there are short splits along the top border along the three side panels. Splits and losses to the veneer along the interior of the desk and the drawers. All drawers open, though some are somewhat tight. Heavy wear, splits, and bowing to the veneer along the interior of the door that hides the drawers.
Sutton Nicholls (British, active 1680-1740). Hand-colored lithograph depicting a bird's eye view of Hanover Square in London. From John Stowe's "Survey of London," ca. 1754. With notable streets and locations labeled. Labeled in plate along the lower center margin "Published according to Act of Parliament 1754 for Stowes Survey."Provenance: From the Estate of C. Curtis "Curt" Dunnavan, Long Lake, Minnesota.C. Curtis "Curt" Dunnavan (1926-2022) was a passionate world traveler and avid collector. It was through his travels that he was inspired to begin a lifelong relationship with the Minneapolis Institute of Art (Mia), becoming a major sponsor of the institute and facilitating the growth of their Asian art department, which is now one of the best in the country. His generous donations to Mia allowed them to establish a fund for the Deputy Director and Chief Operating Officer, one of the few endowed positions of this type in the museum field. He additionally served as a trustee of the institute, advocating for its operational growth. In its turn, the museum established a gallery named in his honor in recognition for his endowment fund and numerous contributions to their collection. The selections here showcase his talent and breadth of collecting, ranging from ancient statues to 19th-century woodblock prints. His appreciation for art persisted throughout his life and we are honored to offer items from his collection in this auction.Sight; height: 14 in x width: 18 in. Framed; height: 25 in x width: 29 1/2 in.Condition: Overall no visible losses, tears, or restorations. The colors are bold and bright. There are several vertical creases along the sheet, most noticeably along the center, the center of the left quadrant, and the bottom left corner. The sheet has toning throughout. There is discoloration and foxing throughout, especially in the margins.There is undulation and wear throughout the sheet. Light wear to the frame. Framed under glass. Not inspected out of frame.
Baker Furniture, United States. Banded edge mahogany dining table from the "Historic Charleston Collection," ca. 1980s. Double pedestals carved with Acanthus leaf decoration. With original metal plaques affixed along the underside. With brass lion-claw feet with castors. The table comes with a protective tabletop cover.Provenance: From the Estate of C. Curtis "Curt" Dunnavan, Long Lake, Minnesota.C. Curtis "Curt" Dunnavan (1926-2022) was a passionate world traveler and avid collector. It was through his travels that he was inspired to begin a lifelong relationship with the Minneapolis Institute of Art (Mia), becoming a major sponsor of the institute and facilitating the growth of their Asian art department, which is now one of the best in the country. His generous donations to Mia allowed them to establish a fund for the Deputy Director and Chief Operating Officer, one of the few endowed positions of this type in the museum field. He additionally served as a trustee of the institute, advocating for its operational growth. In its turn, the museum established a gallery named in his honor in recognition for his endowment fund and numerous contributions to their collection. The selections here showcase his talent and breadth of collecting, ranging from ancient statues to 19th-century woodblock prints. His appreciation for art persisted throughout his life and we are honored to offer items from his collection in this auction.Without the leaves, height: 29 in x width: 69 in x depth: 45 1/2 in. Leaves, each; width: 16 1/4 in x depth: 45 1/2 in.Condition: The table is structurally sound and stable. There are no major chips, cracks, or losses. A few minor areas of wear along the extreme edges of the table. The leaves are in good condition; some wear and scratches along the underside. Minor wear to the table cover. Some slight discoloration to the feet and castors. Light wear to the legs.
Cornelius de Bruyn (Dutch, 1652-1726/27). Engraving depicting a bird's eye view of Constantinople from the Bosporus, 1698. From "Travels of Cornelis de Bruyn" published in 1698 in Delft by Henrik van Korrneveld. With notable locations labeled. Also called Cornelis de Bruijn or Corneille Le Brun, the artist travelled the world in two large tours and published the people, plants, animals, and places he saw in books.Provenance: From the Estate of C. Curtis "Curt" Dunnavan, Long Lake, Minnesota.C. Curtis "Curt" Dunnavan (1926-2022) was a passionate world traveler and avid collector. It was through his travels that he was inspired to begin a lifelong relationship with the Minneapolis Institute of Art (Mia), becoming a major sponsor of the institute and facilitating the growth of their Asian art department, which is now one of the best in the country. His generous donations to Mia allowed them to establish a fund for the Deputy Director and Chief Operating Officer, one of the few endowed positions of this type in the museum field. He additionally served as a trustee of the institute, advocating for its operational growth. In its turn, the museum established a gallery named in his honor in recognition for his endowment fund and numerous contributions to their collection. The selections here showcase his talent and breadth of collecting, ranging from ancient statues to 19th-century woodblock prints. His appreciation for art persisted throughout his life and we are honored to offer items from his collection in this auction.Sight; height: 10 in x width: 12 1/2 in. Framed; height: 18 1/2 in x width: 21 in.Condition: Overall no major visible losses, tears or restorations. There is a vertical crease through the center. There is slight undulation throughout the sheet. There is discoloration and foxing throughout. Light wear throughout the sheet. Light wear to the frame. Framed under glass. Not inspected out of frame.
Jan Mckeachie Johnston (American, 20th/21st c). Group of three ceramic studio pottery trays. Glazed stoneware, each of rectangular shape with a stamp along the underside.Provenance: From the collection of Frederick and Catherine Asher, Minneapolis, Minnesota.Frederick M. Asher and Catherine E. Asher were prominent scholars in the field of Art History. Both dedicated their lives to the education of students, teaching for many years as professors at the University of Minnesota. They both had a passion for South Asian art, traveling extensively throughout India, Asia, and the Middle East. Selections from their travels and careers as avid art historians are offered in this auction. Their collection includes Indian jewelry, Japanese woodblock prints, an incredible slide collection, and much more.Height ranges from 4 in to 5 3/4 in; width ranges from 5 3/4 in to 10 3/4 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Maria Martinez (San Ildefonso Pueblo, 1887-1980) and Popovi Da (Antonio Martinez) (San Ildefonso Pueblo, 1923-1971). Blackware ceramic pot with one decorative band. Signed "Martinez" and "Popovi" and dated 6/60 (June 1960) along the underside.Maria Martinez was a member of the San Ildefonso Pueblo in New Mexico. She is credited with the rediscovery of the method for making blackware pottery such as this piece, and received two honorary doctorates for her pottery work. Popovi Da, born Antonio Martinez, was her son.Provenance: From the collection of Frederick and Catherine Asher, Minneapolis, Minnesota.Frederick M. Asher and Catherine E. Asher were prominent scholars in the field of Art History. Both dedicated their lives to the education of students, teaching for many years as professors at the University of Minnesota. They both had a passion for South Asian art, traveling extensively throughout India, Asia, and the Middle East. Selections from their travels and careers as avid art historians are offered in this auction. Their collection includes Indian jewelry, Japanese woodblock prints, an incredible slide collection, and much more.Height: 4 in x diameter: 4 1/4 in.Condition: There are no visible chips, cracks, losses, or restorations. Light wear and scratching throughout consistent with age and use. There is a network of minute white accretions with several larger accretions throughout.
After Johannes Nieuhof (Dutch, 1618-1672). Engraving titled "City of Pellacata with its Castle" depicting a bird's eye view of the city of Pulicat in India, 18th century. Printed in Awnsham and John Churchill's "A Collection of Voyages and Travels" published in London in 1744 by Henry Lintot and John Osborne. Originally features between pages 213 and 214. Pulicat, also called Pazhaverkadu, is a historic seashore town in Chennai Metropolitan Area at Thiruvallur District, of Tamil Nadu state, India.Provenance: From the Estate of C. Curtis "Curt" Dunnavan, Long Lake, Minnesota.C. Curtis "Curt" Dunnavan (1926-2022) was a passionate world traveler and avid collector. It was through his travels that he was inspired to begin a lifelong relationship with the Minneapolis Institute of Art (Mia), becoming a major sponsor of the institute and facilitating the growth of their Asian art department, which is now one of the best in the country. His generous donations to Mia allowed them to establish a fund for the Deputy Director and Chief Operating Officer, one of the few endowed positions of this type in the museum field. He additionally served as a trustee of the institute, advocating for its operational growth. In its turn, the museum established a gallery named in his honor in recognition for his endowment fund and numerous contributions to their collection. The selections here showcase his talent and breadth of collecting, ranging from ancient statues to 19th-century woodblock prints. His appreciation for art persisted throughout his life and we are honored to offer items from his collection in this auction.Sight; height: 11 3/4 in x width: 14 3/4 in. Framed; height: 20 in x width: 22 3/4 in.Condition: Overall no major visible losses, tears, or restorations. There is a vertical crease through the center. There is a diagonal crease along the bottom right quadrant. There is undulation throughout the sheet. Along the center top margin, above the word "Pellacata" there is a small hole. Light wear throughout the sheet. Light wear to the frame. Framed under glass. Not inspected out of frame.
Spode, Copeland, England. China service set in the pattern "Trade Winds Red" depicting ships in red and rimmed with gold. The set includes four serving dishes, one bowl, one tea kettle, one small dish, two saucers, one gravy boat, eight teacups, one large dish, eight fruit dishes, eight salad dishes, eight lunch dishes, eight dinner dishes. Each marked along the underside; each ship depicted is noted along with the date it was built.Provenance: From the Estate of C. Curtis "Curt" Dunnavan, Long Lake, Minnesota.C. Curtis "Curt" Dunnavan (1926-2022) was a passionate world traveler and avid collector. It was through his travels that he was inspired to begin a lifelong relationship with the Minneapolis Institute of Art (Mia), becoming a major sponsor of the institute and facilitating the growth of their Asian art department, which is now one of the best in the country. His generous donations to Mia allowed them to establish a fund for the Deputy Director and Chief Operating Officer, one of the few endowed positions of this type in the museum field. He additionally served as a trustee of the institute, advocating for its operational growth. In its turn, the museum established a gallery named in his honor in recognition for his endowment fund and numerous contributions to their collection. The selections here showcase his talent and breadth of collecting, ranging from ancient statues to 19th-century woodblock prints. His appreciation for art persisted throughout his life and we are honored to offer items from his collection in this auction.Height ranges from 1/4 in to 8 1/2 in; diameter ranges from 3 in to 10 1/4 in; width ranges from 3 in to 14 1/2 in.Condition: There is light wear throughout the set, mostly located along the footrims, consistent with light use. To the creamer there is a large crack and repair near the handle; see lot listing photo. There are two spots of discoloration to the spout of the teapot. There is heavy crazing to the glaze of the smallest platter.
Group of two antique map engravings including:Johannes Kip (Dutch, 1653-1722) after a painting by Leonard Knyff (Dutch 1650-1722). Etching on paper titled "Badminton in the County of Gloucester" depicting a bird's eye view map. Published in London in 1705.Olfert (Olivier) Dapper (Dutch, 1636-1689). Engraving on paper titled "Nagapatam (Rynlandsche Roeden)" depicting a bird's eye view map, published in 1672.Provenance: From the Estate of C. Curtis "Curt" Dunnavan, Long Lake, Minnesota.C. Curtis "Curt" Dunnavan (1926-2022) was a passionate world traveler and avid collector. It was through his travels that he was inspired to begin a lifelong relationship with the Minneapolis Institute of Art (Mia), becoming a major sponsor of the institute and facilitating the growth of their Asian art department, which is now one of the best in the country. His generous donations to Mia allowed them to establish a fund for the Deputy Director and Chief Operating Officer, one of the few endowed positions of this type in the museum field. He additionally served as a trustee of the institute, advocating for its operational growth. In its turn, the museum established a gallery named in his honor in recognition for his endowment fund and numerous contributions to their collection. The selections here showcase his talent and breadth of collecting, ranging from ancient statues to 19th-century woodblock prints. His appreciation for art persisted throughout his life and we are honored to offer items from his collection in this auction.Nagapatam; sight; height: 14 1/2 in x width: 11 1/2 in. Framed; height: 23 in x width: 20 in. Gloucester; sight: height: 14 1/2 in x width: 19 1/2 in. Framed; height: 24 in x width: 29 in.Condition: Nagapatam: there are no major visible rips, tears, losses, or restorations. There is a horizontal crease through the center of the sheet. There is light undulation to the sheet throughout. Some light soiling, located primarily along the margins. There is a light discoloration along the right upper quadrant. Light wear to the frame. Framed under glass. Not inspected out of frame.Gloucester: no major visible rips, tears, losses, or restorations. There is a vertical crease through the center of the print. Toning to the sheet. Foxing and light discoloration to the sheet throughout. Light wear to the frame. Framed under glass. Not inspected out of frame.
Continental school gouache on paper genre scene depicting two figures seated at a table, 19th century. Painted in a dusty blue, brown, with hints of the red preparatory drawing beneath.Provenance: From the collection of Frederick and Catherine Asher, Minneapolis, Minnesota.Frederick M. Asher and Catherine E. Asher were prominent scholars in the field of Art History. Both dedicated their lives to the education of students, teaching for many years as professors at the University of Minnesota. They both had a passion for South Asian art, traveling extensively throughout India, Asia, and the Middle East. Selections from their travels and careers as avid art historians are offered in this auction. Their collection includes Indian jewelry, Japanese woodblock prints, an incredible slide collection, and much more.Sight; height: 7 1/2 in x width: 9 3/4 in. Framed; height: 15 in x width: 17 1/2 in.Condition: There is extensive craquelure throughout the painting. Undulation to the sheet throughout. It is likely that the colors have faded somewhat. Abrasion to the surface throughout, especially the upper left corner along the man's face. Some small paint losses throughout. Light wear to the frame; framed under plexiglass; not inspected out of frame.
Engraving depicting a map of Colombo Fort as an octagon in Colombo, Sri Lanka. From Awnsham and John Churchill's "A Collection of Voyages and Travels" published in 1744 in London by Henry Lintot and John Osborne. Originally published in Philippus Baldaeus', also known as Philips Baelde, "The True Exact Description of the East Indian Countries of Malabar, Coromandel, Ceylon," ca. late 17th century.Provenance: From the Estate of C. Curtis "Curt" Dunnavan, Long Lake, Minnesota.C. Curtis "Curt" Dunnavan (1926-2022) was a passionate world traveler and avid collector. It was through his travels that he was inspired to begin a lifelong relationship with the Minneapolis Institute of Art (Mia), becoming a major sponsor of the institute and facilitating the growth of their Asian art department, which is now one of the best in the country. His generous donations to Mia allowed them to establish a fund for the Deputy Director and Chief Operating Officer, one of the few endowed positions of this type in the museum field. He additionally served as a trustee of the institute, advocating for its operational growth. In its turn, the museum established a gallery named in his honor in recognition for his endowment fund and numerous contributions to their collection. The selections here showcase his talent and breadth of collecting, ranging from ancient statues to 19th-century woodblock prints. His appreciation for art persisted throughout his life and we are honored to offer items from his collection in this auction.Sight; height: 12 in x width: 14 1/4 in. Framed; height: 20 in x width: 23 in.Condition: Overall no major visible losses, tears or restoration. There is a vertical crease through the center of the sheet. There is discoloration particularly along the lower right quadrant. There is slight foxing throughout, particularly in the center of the sheet. Light wear throughout the sheet. Light wear to the frame. Framed under glass. Not inspected out of frame.
Group of two Prussian gold (.900) marks, each from the reign of the Kingdom of Prussia's King Wilhelm II. One 20 mark coin and one 10 mark coin. Each featuring a bust - uniformed on the 20 mark coin - of King Wilhelm II on the obverse and an Imperial Eagle under a crown facing left on the reverse. The 20 mark coin dated to 1914 and the 10 mark coin dated to 1903.Provenance: From the Estate of C. Curtis "Curt" Dunnavan, Long Lake, Minnesota.C. Curtis "Curt" Dunnavan (1926-2022) was a passionate world traveler and avid collector. It was through his travels that he was inspired to begin a lifelong relationship with the Minneapolis Institute of Art (Mia), becoming a major sponsor of the institute and facilitating the growth of their Asian art department, which is now one of the best in the country. His generous donations to Mia allowed them to establish a fund for the Deputy Director and Chief Operating Officer, one of the few endowed positions of this type in the museum field. He additionally served as a trustee of the institute, advocating for its operational growth. In its turn, the museum established a gallery named in his honor in recognition for his endowment fund and numerous contributions to their collection. The selections here showcase his talent and breadth of collecting, ranging from ancient statues to 19th-century woodblock prints. His appreciation for art persisted throughout his life and we are honored to offer items from his collection in this auction.10 mark; diameter: 19.5 mm. 20 mark; diameter: 22.5 mm. Gross weight of lot: 11.95 grams.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Group of five silver objects including:Pair of sterling silver convertible candlesticks/candelabras with weighted bottoms. Each marked "Sterling Weighted" along the underside. The top three-stick candelabra can be removed to leave a single candlestick.Pair of silver convertible candlesticks/candelabras with weighted bottoms. Numbered along the underside of the removable candelabra section.One silverplate lidded vessel with a gold-washed interior. Marked along the rim with a right facing lion in a shield and along the other side with a Chinese character above the letters V.A. Stamped with the same mark along the underside.Provenance: From the Estate of C. Curtis "Curt" Dunnavan, Long Lake, Minnesota.C. Curtis "Curt" Dunnavan (1926-2022) was a passionate world traveler and avid collector. It was through his travels that he was inspired to begin a lifelong relationship with the Minneapolis Institute of Art (Mia), becoming a major sponsor of the institute and facilitating the growth of their Asian art department, which is now one of the best in the country. His generous donations to Mia allowed them to establish a fund for the Deputy Director and Chief Operating Officer, one of the few endowed positions of this type in the museum field. He additionally served as a trustee of the institute, advocating for its operational growth. In its turn, the museum established a gallery named in his honor in recognition for his endowment fund and numerous contributions to their collection. The selections here showcase his talent and breadth of collecting, ranging from ancient statues to 19th-century woodblock prints. His appreciation for art persisted throughout his life and we are honored to offer items from his collection in this auction.(Vessel) Each, height: 6 in x width: 6 1/2 in x depth: 4 1/2 in. Gross weight of vessel: 384.9 grams. (Smaller Candelabras) height: 10 1/4 in x width: 9 1/2 in x depth: 4 1/2 in. Gross weight of smaller candlesticks: 1,997.1 grams. (Larger Candelabras) Each, height: 16 1/2 in x width: 14 1/2 in x depth: 5 in. Gross weight of larger candlesticks: 4,607.2 grams.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Baker Furniture, United States. Set of six reproduction Governor Alston armchairs from the "Historic Charleston Collection." Painted wood with caned seats and conforming silk cherry blossom embroidered cushion. The back with four intertwined circles. This set is derived from the original painted and gilt English Regency chairs that were owned by Governor Robert Francis Withers Alston, the second owner of the Nathaniel Russell House in Charleston, ca. 1800.Provenance: From the Estate of C. Curtis "Curt" Dunnavan, Long Lake, Minnesota.C. Curtis "Curt" Dunnavan (1926-2022) was a passionate world traveler and avid collector. It was through his travels that he was inspired to begin a lifelong relationship with the Minneapolis Institute of Art (Mia), becoming a major sponsor of the institute and facilitating the growth of their Asian art department, which is now one of the best in the country. His generous donations to Mia allowed them to establish a fund for the Deputy Director and Chief Operating Officer, one of the few endowed positions of this type in the museum field. He additionally served as a trustee of the institute, advocating for its operational growth. In its turn, the museum established a gallery named in his honor in recognition for his endowment fund and numerous contributions to their collection. The selections here showcase his talent and breadth of collecting, ranging from ancient statues to 19th-century woodblock prints. His appreciation for art persisted throughout his life and we are honored to offer items from his collection in this auction.Arm Chairs, each; height: 21 1/2 in x width: 23 in x depth: 32 1/2 in. Side Chairs, each; height: 20 in x width: 22 3/4 in x depth: 32 1/2 in.Condition: The chairs are structurally sound and stable. The caning is mostly intact; there is one minute spot, only visible along the underside of one chair, where there is a small break in the caning. There is light wear throughout consistent with age and use.
Original leaf from the Polychronicon, 1482, printed in London by William Caxton (British, ca. 1422-ca. 1491). With a label from Henry Sotheran Books, London affixed along the verso.Provenance: From the Estate of C. Curtis "Curt" Dunnavan, Long Lake, Minnesota.C. Curtis "Curt" Dunnavan (1926-2022) was a passionate world traveler and avid collector. It was through his travels that he was inspired to begin a lifelong relationship with the Minneapolis Institute of Art (Mia), becoming a major sponsor of the institute and facilitating the growth of their Asian art department, which is now one of the best in the country. His generous donations to Mia allowed them to establish a fund for the Deputy Director and Chief Operating Officer, one of the few endowed positions of this type in the museum field. He additionally served as a trustee of the institute, advocating for its operational growth. In its turn, the museum established a gallery named in his honor in recognition for his endowment fund and numerous contributions to their collection. The selections here showcase his talent and breadth of collecting, ranging from ancient statues to 19th-century woodblock prints. His appreciation for art persisted throughout his life and we are honored to offer items from his collection in this auction.Unframed; height: 11 in x width: 7 1/2 in. Framed; height: 21 3/4 in x width: 18 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Chinese famille rose porcelain tankard or mug, mid-18th century. A large cartouche depicts a scene of a harbor with figures standing near a waterside with domed hills in the background. Intricately painted floral and foliate motifs throughout in pink, green, and gold interspersed with four cartouches depicting birds perched on branches. With an applied dragon-form loop handle.Provenance: From the Estate of C. Curtis "Curt" Dunnavan, Long Lake, Minnesota.C. Curtis "Curt" Dunnavan (1926-2022) was a passionate world traveler and avid collector. It was through his travels that he was inspired to begin a lifelong relationship with the Minneapolis Institute of Art (Mia), becoming a major sponsor of the institute and facilitating the growth of their Asian art department, which is now one of the best in the country. His generous donations to Mia allowed them to establish a fund for the Deputy Director and Chief Operating Officer, one of the few endowed positions of this type in the museum field. He additionally served as a trustee of the institute, advocating for its operational growth. In its turn, the museum established a gallery named in his honor in recognition for his endowment fund and numerous contributions to their collection. The selections here showcase his talent and breadth of collecting, ranging from ancient statues to 19th-century woodblock prints. His appreciation for art persisted throughout his life and we are honored to offer items from his collection in this auction.Height: 6 in x diameter: 4 3/4 in.Condition: No visible chips. No major cracks or losses. No visible sign of restoration under UV light. Light wear throughout. Color glazing faded throughout. No visible chips to the rim and footrim. Original firing flaws throughout. Along the rim, there is a minute area where the surface is not smooth; however, it appears to be original. Along the areas where the dragon handle and the tankard's body meet, there is a minute crack near the head and near the foot. However, the dragon is firmly attached. The tongue of the dragon has a loss. Along the underside, the center is slightly recessed inward, which does not appear to be damaged but original. Along the underside, the area is lightly discolored and has unidentified accretions; please see the listing image.
Chinese ceramic sancai roof tile in green and ochre pigments in the form of a Qilin or Kylin. The mythical beast is modelled in the round with a scaled body and sitting perched atop the half-cylinder tile. A similar example is held in the collection of the Minneapolis Institute of Art.Provenance: From the Estate of C. Curtis "Curt" Dunnavan, Long Lake, Minnesota.C. Curtis "Curt" Dunnavan (1926-2022) was a passionate world traveler and avid collector. It was through his travels that he was inspired to begin a lifelong relationship with the Minneapolis Institute of Art (Mia), becoming a major sponsor of the institute and facilitating the growth of their Asian art department, which is now one of the best in the country. His generous donations to Mia allowed them to establish a fund for the Deputy Director and Chief Operating Officer, one of the few endowed positions of this type in the museum field. He additionally served as a trustee of the institute, advocating for its operational growth. In its turn, the museum established a gallery named in his honor in recognition for his endowment fund and numerous contributions to their collection. The selections here showcase his talent and breadth of collecting, ranging from ancient statues to 19th-century woodblock prints. His appreciation for art persisted throughout his life and we are honored to offer items from his collection in this auction.Height: 14 1/2 in x width: 11 in x depth: 6 in.Condition: No visible chips, cracks or losses. There is light wear throughout, consistent with age and use. Dust has collected in the recessed areas and dirt/residue has pooled, behind the figure.There are losses to the glaze along the figure's eyebrows. Crazing throughout. There is a circle of adhesive residue along the right bottom edge of the tile. There is a minute chip along the front right of the figure's shoulder. There is a minute chip atop the crest on the figure's head. There is a minute loss to the figure's left eye and left side of mouth. There is a crack where the figure's tail and spine ornamentation meet. There is a pooling of glaze along unglazed ceramic section. The glaze does not cover the front of the edge of the tile. Along the underside of the tile there is drillhole that does not affect the topside/figure. The underside of the tile is not glazed.
Group of two ceramic mingqi mortuary or spirit tomb figures in sancai green and ochre glazes, possibly Ming dynasty. In the form of court officials with tall, brimmed hats in loosely fitting robes. Each figure stands upon a hexagonal base.Provenance: From the Estate of C. Curtis "Curt" Dunnavan, Long Lake, Minnesota.C. Curtis "Curt" Dunnavan (1926-2022) was a passionate world traveler and avid collector. It was through his travels that he was inspired to begin a lifelong relationship with the Minneapolis Institute of Art (Mia), becoming a major sponsor of the institute and facilitating the growth of their Asian art department, which is now one of the best in the country. His generous donations to Mia allowed them to establish a fund for the Deputy Director and Chief Operating Officer, one of the few endowed positions of this type in the museum field. He additionally served as a trustee of the institute, advocating for its operational growth. In its turn, the museum established a gallery named in his honor in recognition for his endowment fund and numerous contributions to their collection. The selections here showcase his talent and breadth of collecting, ranging from ancient statues to 19th-century woodblock prints. His appreciation for art persisted throughout his life and we are honored to offer items from his collection in this auction.Each, height: 15 1/4 in x width: 4 1/4 in x depth: 4 3/4 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Chinese huanghuali recessed-leg side table. With multi-panel top set within a rectangular frame with everted ends above plain aprons and spandrels, the legs of rounded section joined to mate with two high stretchers.Provenance: From the Estate of C. Curtis "Curt" Dunnavan, Long Lake, Minnesota.C. Curtis "Curt" Dunnavan (1926-2022) was a passionate world traveler and avid collector. It was through his travels that he was inspired to begin a lifelong relationship with the Minneapolis Institute of Art (Mia), becoming a major sponsor of the institute and facilitating the growth of their Asian art department, which is now one of the best in the country. His generous donations to Mia allowed them to establish a fund for the Deputy Director and Chief Operating Officer, one of the few endowed positions of this type in the museum field. He additionally served as a trustee of the institute, advocating for its operational growth. In its turn, the museum established a gallery named in his honor in recognition for his endowment fund and numerous contributions to their collection. The selections here showcase his talent and breadth of collecting, ranging from ancient statues to 19th-century woodblock prints. His appreciation for art persisted throughout his life and we are honored to offer items from his collection in this auction.Height: 35 in x width: 42 in x depth: 14 in.Condition: Possibly restored. Throughout the piece, along the areas where different pieces meet, there is a visible sign of glue restoration that is fluorescent under UV light. However, given that it is visible throughout the piece, it is difficult to disregard the possibility that it is original. No major dents, losses, or visible cracks. Consistent with age and use, wear throughout; finish color has faded along the top; please see the listing image. Wear along the underside as expected.
Silver Maharashtra Indian traditional wedding belt. Lacking the lock pin. Two strands with ornate beadwork and decoration throughout.Provenance: From the collection of Frederick and Catherine Asher, Minneapolis, Minnesota.Frederick M. Asher and Catherine E. Asher were prominent scholars in the field of Art History. Both dedicated their lives to the education of students, teaching for many years as professors at the University of Minnesota. They both had a passion for South Asian art, traveling extensively throughout India, Asia, and the Middle East. Selections from their travels and careers as avid art historians are offered in this auction. Their collection includes Indian jewelry, Japanese woodblock prints, an incredible slide collection, and much more.Length: 29 3/4 in. Weight: 284.9 grams.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Large Indian Madurai bronze urli vessel or pot used for cooking food.Provenance: From the collection of Frederick and Catherine Asher, Minneapolis, Minnesota.Frederick M. Asher and Catherine E. Asher were prominent scholars in the field of Art History. Both dedicated their lives to the education of students, teaching for many years as professors at the University of Minnesota. They both had a passion for South Asian art, traveling extensively throughout India, Asia, and the Middle East. Selections from their travels and careers as avid art historians are offered in this auction. Their collection includes Indian jewelry, Japanese woodblock prints, an incredible slide collection, and much more.Height: 7 1/4 in x diameter: 26 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Indian Punjabi Sainchi Phulkari embroidered with figures and animals surrounded by geometric borders, ca. late 19th to early 20th century. Handspun cotton plan weave (khaddar) textile with silk and cotton embroidery. Depicting protective snake symbols, wedding jewelry, and other symbols of a joyful marriage. With a central lotus medallion. Likely pre-partition, eastern Punjab.Provenance: From the collection of Frederick and Catherine Asher, Minneapolis, Minnesota.Frederick M. Asher and Catherine E. Asher were prominent scholars in the field of Art History. Both dedicated their lives to the education of students, teaching for many years as professors at the University of Minnesota. They both had a passion for South Asian art, traveling extensively throughout India, Asia, and the Middle East. Selections from their travels and careers as avid art historians are offered in this auction. Their collection includes Indian jewelry, Japanese woodblock prints, an incredible slide collection, and much more.Length: 86 in x width: 48 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Chinese famille rose porcelain round box with lid, Guangxu period. Painted with figures of a mother with a child and children with banners in a landscape. The underside and lid marked with a four-character stamp in red.Provenance: From the Estate of C. Curtis "Curt" Dunnavan, Long Lake, Minnesota.C. Curtis "Curt" Dunnavan (1926-2022) was a passionate world traveler and avid collector. It was through his travels that he was inspired to begin a lifelong relationship with the Minneapolis Institute of Art (Mia), becoming a major sponsor of the institute and facilitating the growth of their Asian art department, which is now one of the best in the country. His generous donations to Mia allowed them to establish a fund for the Deputy Director and Chief Operating Officer, one of the few endowed positions of this type in the museum field. He additionally served as a trustee of the institute, advocating for its operational growth. In its turn, the museum established a gallery named in his honor in recognition for his endowment fund and numerous contributions to their collection. The selections here showcase his talent and breadth of collecting, ranging from ancient statues to 19th-century woodblock prints. His appreciation for art persisted throughout his life and we are honored to offer items from his collection in this auction.Height: 4 3/4 in x diameter: 4 1/4 in.Condition: No visible, cracks, or losses. There are minute firing flaws throughout. There are areas where the coloration of the paint has faded over time; there are losses to the gilding. There is a minute red spot along the exterior of the body; as seen in listing image. The bottom edge of the lid and the top edge of the box have wear, as expected from age and use. The footrim has wear, consistent with age and use. No visible signs of restoration under UV light.
Unusually large Chinese Han dynasty green-glazed pottery boshan lu hill-form incense burner or lian. The lid molded in the shape of hills or mountains, depicting five sacred mountains between earth and paradise. The exterior molded with a landscape filled with beasts, likely big cats, birds, and monkeys. Resting on a tripod of three bear-form legs.Provenance: Tai Sing Fine Antiques Ltd., Hong Kong, 2000; From the Estate of C. Curtis "Curt" Dunnavan, Long Lake, Minnesota.C. Curtis "Curt" Dunnavan (1926-2022) was a passionate world traveler and avid collector. It was through his travels that he was inspired to begin a lifelong relationship with the Minneapolis Institute of Art (Mia), becoming a major sponsor of the institute and facilitating the growth of their Asian art department, which is now one of the best in the country. His generous donations to Mia allowed them to establish a fund for the Deputy Director and Chief Operating Officer, one of the few endowed positions of this type in the museum field. He additionally served as a trustee of the institute, advocating for its operational growth. In its turn, the museum established a gallery named in his honor in recognition for his endowment fund and numerous contributions to their collection. The selections here showcase his talent and breadth of collecting, ranging from ancient statues to 19th-century woodblock prints. His appreciation for art persisted throughout his life and we are honored to offer items from his collection in this auction.Height: 12 in x diameter: 9 1/2 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Silver Indian choker necklace with beads. Two medallions with stars surrounded by a beaded border. Two further half-circle medallions with floral motifs.Provenance: From the collection of Frederick and Catherine Asher, Minneapolis, Minnesota.Frederick M. Asher and Catherine E. Asher were prominent scholars in the field of Art History. Both dedicated their lives to the education of students, teaching for many years as professors at the University of Minnesota. They both had a passion for South Asian art, traveling extensively throughout India, Asia, and the Middle East. Selections from their travels and careers as avid art historians are offered in this auction. Their collection includes Indian jewelry, Japanese woodblock prints, an incredible slide collection, and much more.Length: 14 in. Weight: 86.5 grams.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Group of three artworks including two Indian Jain manuscript pages and one painting. The manuscript paintings filled with text along the left side and with illuminations along the right. Possibly belonging to the Kalpa-sutra "Book of Ritual" meant to be read daily. The painting depicting three figures working in a field, possibly weaving.Provenance: From the collection of Frederick and Catherine Asher, Minneapolis, Minnesota.Frederick M. Asher and Catherine E. Asher were prominent scholars in the field of Art History. Both dedicated their lives to the education of students, teaching for many years as professors at the University of Minnesota. They both had a passion for South Asian art, traveling extensively throughout India, Asia, and the Middle East. Selections from their travels and careers as avid art historians are offered in this auction. Their collection includes Indian jewelry, Japanese woodblock prints, an incredible slide collection, and much more.(Painting) Sight; height: 5 1/4 in x width: 7 1/2 in. Framed; height: 10 in x width: 12 in. (Manuscript pages) Each, sight; height: 4 1/4 in x width: 10 in. Framed; height: 13 3/4 in x width: 15 1/4 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Utagawa Kunisada (Japanese, 1786-1865). Ukiyo-e woodblock print titled "Haru no yoru no on-asobi (Elegant Amusements on a Spring Evening)" depicting three individuals seated in an enclosed garden enjoying the music from the flute player. Seals along the lower left corner.Provenance: From the collection of Frederick and Catherine Asher, Minneapolis, Minnesota.Frederick M. Asher and Catherine E. Asher were prominent scholars in the field of Art History. Both dedicated their lives to the education of students, teaching for many years as professors at the University of Minnesota. They both had a passion for South Asian art, traveling extensively throughout India, Asia, and the Middle East. Selections from their travels and careers as avid art historians are offered in this auction. Their collection includes Indian jewelry, Japanese woodblock prints, an incredible slide collection, and much more.Sight; height: 13 1/4 in x width: 9 1/2 in. Framed; height: 19 in x width: 15 in.Condition: There are no visible rips, tears, losses, or restorations. Toning and slight undulation to the sheet throughout. Some Small stains throughout, most visible along the woman's face in the lower half of the work. Light wear to the frame; framed under glass; not inspected out of frame.
Chinese famille rose porcelain lighthouse teapot, 19th century Tongxi Period. The upper register decorated with children serving seated elders and the lower register decorated with ribboned precious objects and floral sprigs. Of conical shape with a short spout, loop handle, and a domed lid with a knob finial. Marked along the underside with an apocryphal six-character Yongzheng red seal.Provenance: From the Estate of C. Curtis "Curt" Dunnavan, Long Lake, Minnesota.C. Curtis "Curt" Dunnavan (1926-2022) was a passionate world traveler and avid collector. It was through his travels that he was inspired to begin a lifelong relationship with the Minneapolis Institute of Art (Mia), becoming a major sponsor of the institute and facilitating the growth of their Asian art department, which is now one of the best in the country. His generous donations to Mia allowed them to establish a fund for the Deputy Director and Chief Operating Officer, one of the few endowed positions of this type in the museum field. He additionally served as a trustee of the institute, advocating for its operational growth. In its turn, the museum established a gallery named in his honor in recognition for his endowment fund and numerous contributions to their collection. The selections here showcase his talent and breadth of collecting, ranging from ancient statues to 19th-century woodblock prints. His appreciation for art persisted throughout his life and we are honored to offer items from his collection in this auction.Height: 8 in x diameter: 4 in.Condition: There is a small restored chip along the lower rim measuring approx. 5/8" in length. There is a repaired chip to the knop along the lid. There is a small hairline crack measuring approx. 1" in length going upward from the lower rim. Some residual adhesive affixed along the exterior near the upper rim and along the lid. There is a minute firing flaw along the underside of the handle. Some losses to the painted decoration and gilt throughout. Light wear throughout consistent with age and use.
Group of six Indian Pankha fans from the region of Saurashtra, Gujarat. Each profusely beaded throughout. Depicting Krishna with the Gopis, a figure riding a camel, a flowering tree, and geometric designs. With metal or woven bases; one with gold foil backing; and with mashru silk fabric additions.Provenance: From the collection of Frederick and Catherine Asher, Minneapolis, Minnesota.Frederick M. Asher and Catherine E. Asher were prominent scholars in the field of Art History. Both dedicated their lives to the education of students, teaching for many years as professors at the University of Minnesota. They both had a passion for South Asian art, traveling extensively throughout India, Asia, and the Middle East. Selections from their travels and careers as avid art historians are offered in this auction. Their collection includes Indian jewelry, Japanese woodblock prints, an incredible slide collection, and much more.Each, height: 9 1/2 in x width: 11 1/4 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Group of two Cambodian silver betel nut boxes in the form of elephants. Their trunks are raised above their heads and they rest on bent legs. The larger box is marked along the underside "T90" (90%) silver.Provenance: From the Estate of C. Curtis "Curt" Dunnavan, Long Lake, Minnesota.C. Curtis "Curt" Dunnavan (1926-2022) was a passionate world traveler and avid collector. It was through his travels that he was inspired to begin a lifelong relationship with the Minneapolis Institute of Art (Mia), becoming a major sponsor of the institute and facilitating the growth of their Asian art department, which is now one of the best in the country. His generous donations to Mia allowed them to establish a fund for the Deputy Director and Chief Operating Officer, one of the few endowed positions of this type in the museum field. He additionally served as a trustee of the institute, advocating for its operational growth. In its turn, the museum established a gallery named in his honor in recognition for his endowment fund and numerous contributions to their collection. The selections here showcase his talent and breadth of collecting, ranging from ancient statues to 19th-century woodblock prints. His appreciation for art persisted throughout his life and we are honored to offer items from his collection in this auction.Larger elephant; height: 8 3/4 in x width: 10 1/2 in x depth: 5 in. Smaller elephant; height: 4 1/4 in x width: 5 1/2 in x depth: 2 3/4 in.Condition: Wear and minute dents throughout both items; dust collected along the recessed areas. Both items open and close easily. Light discoloration throughout both items as shown in the listing image. The bigger elephant has minute dents along the area where the lid and the body meets. Along the interior, there are several scattered areas with old polish; please see the listing image. There is a 1/4 in. minute crack to the back of the tail, which is only visible under careful inspection. The smaller elephant has minute dents along the area where the lid and the body meets. Along the interior, the surface is covered with old polish as shown in the listing. To the tip of the nose, there is green residue collected; along where the tusk and the face of the elephant meet, there is green residue adhered. To the side of the body, there is a minute loss. Both items do not have visible signs of restoration under UV light.
Chinese lacquered seal chest or scholars box, 19th century.Provenance: From the Estate of C. Curtis "Curt" Dunnavan, Long Lake, Minnesota.C. Curtis "Curt" Dunnavan (1926-2022) was a passionate world traveler and avid collector. It was through his travels that he was inspired to begin a lifelong relationship with the Minneapolis Institute of Art (Mia), becoming a major sponsor of the institute and facilitating the growth of their Asian art department, which is now one of the best in the country. His generous donations to Mia allowed them to establish a fund for the Deputy Director and Chief Operating Officer, one of the few endowed positions of this type in the museum field. He additionally served as a trustee of the institute, advocating for its operational growth. In its turn, the museum established a gallery named in his honor in recognition for his endowment fund and numerous contributions to their collection. The selections here showcase his talent and breadth of collecting, ranging from ancient statues to 19th-century woodblock prints. His appreciation for art persisted throughout his life and we are honored to offer items from his collection in this auction.Height: 13 in x width: 16 1/4 in x depth: 11 1/2 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Chinese Guangxu famille rose porcelain covered kamcheng food pot, ca. 1900. Barrel shape with a fluted body painted with scenes of figures in garden landscapes and floral sprigs. With two handle loops along the body and a metal ring disc along the lid. With an apocryphal Qianlong four-character red seal along the underside.Provenance: From the Estate of C. Curtis "Curt" Dunnavan, Long Lake, Minnesota.C. Curtis "Curt" Dunnavan (1926-2022) was a passionate world traveler and avid collector. It was through his travels that he was inspired to begin a lifelong relationship with the Minneapolis Institute of Art (Mia), becoming a major sponsor of the institute and facilitating the growth of their Asian art department, which is now one of the best in the country. His generous donations to Mia allowed them to establish a fund for the Deputy Director and Chief Operating Officer, one of the few endowed positions of this type in the museum field. He additionally served as a trustee of the institute, advocating for its operational growth. In its turn, the museum established a gallery named in his honor in recognition for his endowment fund and numerous contributions to their collection. The selections here showcase his talent and breadth of collecting, ranging from ancient statues to 19th-century woodblock prints. His appreciation for art persisted throughout his life and we are honored to offer items from his collection in this auction.Height: 6 in x diameter: 7 in.Condition: Overall no visible major losses. There is light wear throughout. There are minute chips along the toprim of the body piece. There are minute firing flaws throughout in particular long the interior of the rim. Throughout the item there are areas where the painting has faded. There are losses to the gilding, in particular along the handle loops upon the body. Along the interior of the lid piece there is adhesive residue. The footrim has wear consistent with age and use. No visible signs of restoration under UV light.
The Frederick M. Asher and Catherine E. Asher photograph collection of Indian, Southeast Asian, and Middle Eastern 35mm color and black and white slides. Depicting architecture, art, and artifacts. There are likely over 10,000 slides. Additionally included is their organizational catalog which includes black and white prints of each slide affixed to an index card indicating the location. Additional film negatives are included with this collection. Miscellaneous books, notebooks, and ephemera from their archive is also included in this lot.A sample of locations include, among thousands more, the following: From India, Hilal Khan Qazi’s Mosque; Dak Bungalow Mosque Complex; Dargah of Bu Ali Qalandar and Tomb and Mosque of Shah Jalal al-Din in Panipat; Mosque and Tomb of Imam Nasir in Sonepat; Tomb and Madrasa of Sheikh Chilli in Thanesar; Jal Mahal and the Tomb of Shah Quli Khan in Narnaul; Moth ki Mosque, the Tomb of Adham Khan, Dargah of Bakhtiyar Kaki, Sher Shah or Lal Dawaza, and Humayun Darwaza in New Delhi; Mariyam’s House and Diwan-i-Am in Fatehpur Sikri; Qila-i-Kuhna Mosque in Purana Qila; Khusro Bagh in Prayagraj; Chowk Masjid in Faizabad; Atala Mosque and Shahi Qila in Jaunpur; Saadat Ali Khan’s Tomb in Lucknow; the Tomb of Itmad-ud-Daulah in Agra. From Afghanistan, the Mosque at Lashkar Gah. From Pakistan: Rawat Fort and Shah Chand Wali Gate (Rohtas Fort) in Punjab; Badshahi Mosque, Baradari of Wazir Khan, Asif Khan’s Tomb, and Jahangir’s Tomb in Lahore; and Hiran Minar in Sheikhupura. From Bangladesh: Kherua Mosque in Sherpur; Lalbagh Fort and Khan Mohammad Mirza/Mridha Mosque in Dakha; Bagha Mosque in Bagha; Choto Sona Mosque in Shahbazpur; Kusumba Mosque in Naogaon.Provenance: From the collection of Frederick and Catherine Asher, Minneapolis, Minnesota.Frederick M. Asher and Catherine E. Asher were prominent scholars in the field of Art History. Both dedicated their lives to the education of students, teaching for many years as professors at the University of Minnesota. They both had a passion for South Asian art, traveling extensively throughout India, Asia, and the Middle East. Selections from their travels and careers as avid art historians are offered in this auction. Their collection includes Indian jewelry, Japanese woodblock prints, an incredible slide collection, and much more.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Tatsuro Yamamoto, Matsuo Ara, and Tokifusa Tsukinowa. "Delhi: Architectural Remains of the Delhi Sultanate Period, Detailed Report of Archaeological Survey Carried out by the Mission for Indian History and Archaeology." Tokyo: The University of Tokyo Press, 1967. Three volumes. Published by the University of Tokyo in conjunction with the Institute of Oriental Culture.Provenance: From the collection of Frederick and Catherine Asher, Minneapolis, Minnesota.Frederick M. Asher and Catherine E. Asher were prominent scholars in the field of Art History. Both dedicated their lives to the education of students, teaching for many years as professors at the University of Minnesota. They both had a passion for South Asian art, traveling extensively throughout India, Asia, and the Middle East. Selections from their travels and careers as avid art historians are offered in this auction. Their collection includes Indian jewelry, Japanese woodblock prints, an incredible slide collection, and much more.Each, height: 16 1/2 in x width: 12 in x depth: 1 1/4 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Silver circular pendant with four small lapis stones inset along the center. Possibly from Afghanistan or Turkmenistan.Provenance: From the collection of Frederick and Catherine Asher, Minneapolis, Minnesota.Frederick M. Asher and Catherine E. Asher were prominent scholars in the field of Art History. Both dedicated their lives to the education of students, teaching for many years as professors at the University of Minnesota. They both had a passion for South Asian art, traveling extensively throughout India, Asia, and the Middle East. Selections from their travels and careers as avid art historians are offered in this auction. Their collection includes Indian jewelry, Japanese woodblock prints, an incredible slide collection, and much more.Diameter: 50.2 mm. Weight: 23.2 grams.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Utagawa Hiroshige (Japanese, 1797-1858). Group of three woodblock prints from the series "Gojusan tsuji meisho zue (The Fifty-three Stations of the Tokaido Road)," 1855. Including:Number 5 from the series, "Hodogaya: Distant View of the Kamakura Mountains from the Boundary Tree Posthouse."Number 11 from the series, "Traveling at Night Through the Hakone Mountains."Number 24 from the series, "The Suruga Bank of the Oi River near Shimada."Provenance: From the Estate of C. Curtis "Curt" Dunnavan, Long Lake, Minnesota.C. Curtis "Curt" Dunnavan (1926-2022) was a passionate world traveler and avid collector. It was through his travels that he was inspired to begin a lifelong relationship with the Minneapolis Institute of Art (Mia), becoming a major sponsor of the institute and facilitating the growth of their Asian art department, which is now one of the best in the country. His generous donations to Mia allowed them to establish a fund for the Deputy Director and Chief Operating Officer, one of the few endowed positions of this type in the museum field. He additionally served as a trustee of the institute, advocating for its operational growth. In its turn, the museum established a gallery named in his honor in recognition for his endowment fund and numerous contributions to their collection. The selections here showcase his talent and breadth of collecting, ranging from ancient statues to 19th-century woodblock prints. His appreciation for art persisted throughout his life and we are honored to offer items from his collection in this auction.Each, unframed; height: 14 1/2 in x width: 10 in. Framed; height: 21 in x width: 16 1/2 in.Condition: Overall there is no visible foxing or tears. No major creases or losses. No visible signs of restoration under UV light. The sheet is affixed to the mat along the top margin with framer's tape along the verso. The sheet is toned as seen in the listing image; all four margins are visible under the frame. There is light soiling along the margins. The margins do not appear to be trimmed. The bottom left, upper left and upper right corners have light creases that do not affect the center image. There is a minute hole in the lower left margin; please see listing image. To the lower right corner, there is a light gray accretion; however, it appears to be a part of the original texture. Along the verso, there is light soiling along the edges and the original texture of the paper is visible. Along the lower right corner, handwritten in pencil there is a "7006". Framed under museum glass; very light wear to the frame.
Persian Karaja (Iran) hand knotted wool pile on cotton rug, second quarter of the 20th century. With three central guls with stylized flora in blue, pink, and yellow on a red field. Navy blue ground border. Approximately 120 knots per square inch.Provenance: Oriental Rug Co., Edina, Minnesota, 1997; From the Estate of C. Curtis "Curt" Dunnavan, Long Lake, Minnesota.C. Curtis "Curt" Dunnavan (1926-2022) was a passionate world traveler and avid collector. It was through his travels that he was inspired to begin a lifelong relationship with the Minneapolis Institute of Art (Mia), becoming a major sponsor of the institute and facilitating the growth of their Asian art department, which is now one of the best in the country. His generous donations to Mia allowed them to establish a fund for the Deputy Director and Chief Operating Officer, one of the few endowed positions of this type in the museum field. He additionally served as a trustee of the institute, advocating for its operational growth. In its turn, the museum established a gallery named in his honor in recognition for his endowment fund and numerous contributions to their collection. The selections here showcase his talent and breadth of collecting, ranging from ancient statues to 19th-century woodblock prints. His appreciation for art persisted throughout his life and we are honored to offer items from his collection in this auction.Length: 6 ft 4 in x width: 4 ft 8 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
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