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Kawase Hasui (Japanese, 1883-1957) 'Snow at Hinuma Swamp, Mito' Ukiyo-E Print 1947, printed signature and seal upper right, depicting a solitary figure in a snowy landscape, matted and framed under acrylic Height: 9 1/2 inches, Width: 14 1/4 inches (image)Frame Size: 14 1/2 inches by 19 1/2 inches Condition: Very Good, no condition issues to artwork noted Disclaimers: not examined out of the frame Category: Fine Art > Asian Paintings & Prints Estimated Sale Time: 1:25 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5Photograph #6

Mughal Gouache on Paper Assortment (3) Rajasthani provincial Mughal miniatures including (2) depictions by the same hand of noble women in elaborately decorated garb having gold accents with (1) smelling a flower and the other petting a dog, on blank paper ground below a high horizon line and loosely painted sky, matted behind glass in gold lacquered frames; and a graphite and ink drawing having touches of white gouache, depicting (3) women beneath a tree, attending a lingam and yoni, symbols of Shiva and Parvati, floated in mat behind glass in a gold lacquered frame Property from: a Chicago, Illinois (Streeterville) estate Height: 6 1/2 inches, Width: 3 3/4 inches (each noble woman)Frame Size: 16 inches by 11 3/4 inches Condition: Very Good, paper somewhat toned; (1) slipped in mat; light wear to frames Disclaimers: not examined out of frames Category: Fine Art > Asian Paintings & Prints Estimated Sale Time: 1:26 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5Photograph #6Photograph #7

Persian Illuminated Manuscript Assortment (3) items on paper including a crowded cavalry battle scene having Farsi text outlined in gold ink; a carpet decorated Quran page having text; a study of a peacock and a musician seated on rocks holding a bowed string instrument; all matted behind glass in similar gold lacquered wood frames Property from: a Chicago, Illinois (Streeterville) estate Height: 14 inches, Width: 9 1/2 inches (cavalry battle)Frame Size: 18 1/2 inches by 14 inches Condition: Very Good, minor warpage to paper at edges of cavalry scene; flattened creases and spots of discoloration to Quran page; small losses to paper at center right edge and lower left corner of musician study Disclaimers: not examined out of frames Category: Fine Art > Asian Paintings & Prints Estimated Sale Time: 1:27 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5Photograph #6Photograph #7

Sadanobu Hasegawa (Japanese, 1809-1879) Woodblock Prints (4) oban size, having printed signatures, depictions of (2) male and (2) female subjects, uniformly matted and framed behind glass in faux bamboo frames Property from: an Evanston, Illinois estate Height: 14 inches, Width: 9 5/8 inches (sight, each) Condition: Very Good, print of seated female having a small repaired hole top right quadrant near edge; a small spot of discoloration top right quadrant in pink area above standing female; occasional short flattened creases and areas of light surface wear and dirt Disclaimers: not examined out of frames Category: Fine Art > Asian Paintings & Prints Estimated Sale Time: 1:28 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5

A GROUP OF BOOKS ON ASIA AND ASIAN ART (4) Angkor, Exploring Cambodia's Sacred City, Asian Civilisations Museum 2018. Angkor, Celestial Temples of the Khmer Empire, Jon Ortner, Abbeville Press 2002.. Cheong Soo Pieng, Visions of Southeast Asia, Asian Artists Series, The National Art Gallery, Singapore 2010 And one further volume in Japanese language Condition: No obvious condition issues

Seltene Prunkschatulle Émile-Auguste Reiber (Entwurf), Christofle, Paris, um 1880 Quaderförmiger Korpus auf vier Füßchen. Rotbraun patinierter Fond mit vegetabil-floralen Auflagen, teils vergoldet und versilbert: Rollwerk, Maiglöckchenzweige, Rosenblüten, Fächerkartuschen und Blattwerk. Unterseite mit Wurmliniendekor. Schlüsselende in Form eines Rosenblütenkranzes. 9,3 x 18 x 10,5 cm Emile Reiber (1826 - 1893) stellte eine in der Machart vergleichbare Jardinière zusammen mit zwei Kandelabern auf der Weltausstellung 1878 in Paris aus. Die Orfèvrerie Christofle selbst ist ein französischer Hersteller von vornehmlich feinem Silberbesteck, aber auch von silbernen Bilderrahmen, Kristallvasen, Glaswaren, Porzellangeschirr und Silberschmuck. Das Unternehmen wurde 1830 gegründet. Christofle wurde wenige Jahre später Hoflieferant von Kaiser Napoleon III. Auf den Weltausstellungen in Paris 1867 und Wien 1873 stellte Christofle japanisch-inspirierte Silberwaren vor. 1883 stattete die Firma den Orient-Express mit Tafelsilber aus. Christofle is a French manufacturer of fine silver flatware and home accessories. They are renowned for their sterling, silverplate and stainless flatware. The origins of Christofle date to 1830. This overall design is reminiscent of 18th century Chinese table screens. It illustrates the significant Far Eastern influence on European decorative arts following the reopening of Japan to the West in 1854, and the restoration of Emperor Meiji in 1868. Subsequently, widespread interest in all things Asian was stimulated by Japanese displays at the International Exhibitions in London, 1862, in Paris, 1867, and in Philadelphia, 1876. In 1869, an Exhibition was held by the Union des Arts Décoratifs in Paris, where an entire museum of Oriental art was displayed. The Western hunger for this new taste is evident in a range of products, such as this lot, where romantic motifs and naturalism were combined with a mélange of styles to create an atmosphere, instead of simply attempting to produce accurate reproductions of Oriental articles. Designers and makers responded to the challenge of these new influences by studying forms and techniques of Asian decoration, and produced cloisonné enamel, marquetry of shell and ivory, patinated bronzes, and carved woods, all using the stylised vocabulary of the Far East. Makers such a Viardot, Lièvre, Giroux, L'Escalier de Cristal, Duvinage and Christofle, all conjured up images of the Orient in pieces of the utmost refinement and quality. Photographs of Christofle's stands at the 1878 and 1889 Paris exhibitions include items enamelled in the Japanese taste, a testament to the enduring market for Asian-inspired objects throughout the century (see H. Bouilhet, Christofle, Silversmith since 1830, Paris, 1981). Emile-Auguste Reiber imitated Japanese production techniques to satisfy the vogue for exotic styles. His much lauded designs were used by many of the leading artisans of the time, including Theodore Deck, and the ébéniste Jean-Michel Grohé who created two cabinets for La Païva. Interestingly, the bronzes and enamels for these cabinets were executed by Christofle, where Reiber was employed as chief designer. At the 1873 exhibition in Vienna, which was billed as a ''meeting of East and West'', Christofle exhibited a Chinese style enamelled vase designed by Reiber that received high accolades. In 1877 in Paris, he published Le premier volume des Albums-Reiber, a volume of 40 design prints concentrating on Japanese objects by Cernuschi, Bing, and Maron in Yokohama. Vgl.: M. Bascou; M.-M. Massé; P. Thiébaut (Hrsg.): Musée d'Orsay. Catalogue sommaire illustré des arts décoratifs, 1988, OAO 1017. Vgl.: E. Bergerat: Les Chefs-d'oeuvre d'Art à l'Exposition universelle 1878, 1878, S. 35. Emile Reiber (1826 - 1893) stellte eine in der Machart vergleichbare Jardinière zusammen mit zwei Kandelabern auf der Weltausstellung 1878 in Paris aus. Die Orfèvrerie Christofle selbst ist ein französischer Hersteller von vornehmlich feinem Silberbesteck, aber auch von silbernen Bilderrahmen, Kristallvasen, Glaswaren, Porzellangeschirr und Silberschmuck. Das Unternehmen wurde 1830 gegründet. Christofle wurde wenige Jahre später Hoflieferant von Kaiser Napoleon III. Auf den Weltausstellungen in Paris 1867 und Wien 1873 stellte Christofle japanisch-inspirierte Silberwaren vor. 1883 stattete die Firma den Orient-Express mit Tafelsilber aus. Lit.: E. Bergerat, LesChefs-d'oeuvre d'Art à l'Exposition universelle 1878, S. 35 Lit.: Catalogue sommaire illustré des arts décoratifs, Museè d'Orsay, 1988, OAO 1017.

A Meissen circular dish from the 'Gelber Löwe' service, circa 1729-31Painted in Kakiemon style with a tiger curling around bamboo facing flowering prunus branches issuing from a tree-stump, brown-edged rim, 21cm diam, crossed swords mark in blue enamel, incised Japanese Palace inventory number N=8-/ wFootnotes:Provenance:The Royal collections of Saxony, Japanese Palace, DresdenFor a comprehensive discussion of the history of the 'Gelber Löwe' service in the 18th century, see Julia Weber, Meißener Porzellane mit Dekoren nach ostasiatischen Vorbildern, vol. II (2013), pp. 265-274. The 'Gelber Löwe' pattern was first produced at Meissen after a Japanese porcelain original as part of the large order placed by the Paris merchant, Rudolph Lemaire, for copies of Asian porcelain. A large quantity of plates and dishes painted in this style were among the porcelain confiscated in April 1731 in the house of Lemaire's accomplice at the Dresden court, Count von Hoym, and subsequently sent to the Japanese Palace and entered in the inventory under no. 8. This present lot belongs to this group and is therefore one of the earliest examples of this decoration.The 1770 inventory of the Japanese Palace records: '..Nur 60. Stück..runde tiefe Schaalen, von differenter Größe, mit braunen Rändern, Löwen, blauen Rohr und andren Blumen nach alt Indianischer Art gemahlet, No. 8' [..only 60..round deep dishes, of different sizes, with brown rims, lions, blue tubes and other flowers painted in old Indian style] (quoted by C. Boltz, Japanisches Palais-Inventar 1770 und Turmzimmer-Inventar 1769, in Keramos 153 (July 1996), p. 72).Two others, slightly larger and both with the same Japanese Palace inventory number, were sold in these Rooms, 18 June 2014, lot 59, and 7 December 2017, lot 156.For further information on this lot please visit Bonhams.com

A group of catalogues of public and private collections Comprising: D. Von Bothmer, Glories of the Past; Ancient Art from the Shelby White and Leon Levy Collection, 1990; H. Hoffmann, Norbert Schimmel Collection, 1964; O. White Muscarella, Ancient Art; The Norbert Schimmel Collection, 1974; V.A. Hibbs, Iberian Antiquities from the Collection of Leon Levy and Shelby White, 1993; D. Von Bothmer, Ancient Art from New York Private Collections, 1959; N. Thomas and C. Oldknow, By Judgment of the Eye, The Varya and Hans Cohn Collection, 1991; S. Hooper, The Robert and Lisa Sainsbury Collection, part I, European 19th and 20th century Paintings, Drawings and Sculpture, 1997; S. Hooper, The Robert and Lisa Sainsbury Collection, part II, Pacific, African and Native North American Art, 1997; S. Hooper, The Robert and Lisa Sainsbury Collection, part III, Precolumbian, Asian, Egyptian and European Antiquities, 1997; I. Rubin, The Guennol Collection, vol I, 1975; G. Richter, Catalogue of Greek and Roman Antiquities in the Dumbarton Oaks Collection, 1956; M.C. Ross, Catalogue of the Byzantine and Early Medieval Antiquities in the Dumbarton Oaks Collection, vol I, 1970; J. Babelon, Choix de Bronzes de la Collection Caylus, 1928 (x2); J. Babelon, Choix de Bronzes et de Terres Cuites des Collections de Janze et Opermann, 1929 (x2); J. Babelon, Le Cabinet du Roi ou le Salon Louis XV de la Bibliotheque Nationale, 1927; B. Fedele, L. Todisco et al. (eds), Antichita della Collezione Guarini, 1984; L. Marangou, Ancient Greek Art from the Collection of Stavros S Niarchos, 1995; J. Sieveking, Bronzen, Terrakotten, Vasen der Sammlung Loeb, 1930; J.L. Kieth, The Pomerance Collection of Ancient Art, 1966; H. Bloesch, Greek Vases from the Hirschmann Collection, 1982 (x2); H. Jucker and D. Willers, Gesichter, Griechische und Romische Bildnisse aus Schweizer Besitz, 1982; Von Zabern, Antiquities from the Collection of Christos G Bastis, 1987; D. De Menil, The John and Dominique De Menil Collection, 1962; J. Boardman, Engraved Gems; the Ionides Collection, 1968; S.D. Campbell, The Malcove Collection, 1985; G.B. Waywell, The Lever and Hope Sculptures, 1986; E. Angelicoussis, The Woburn Abbey Collection of Classical Antiquities, 1992; A. Scholl, Die Antiken Skulpturen in Farnborough Hall, 1995; D. Boschung, H. Von Hesberg and A. Linfert, Die Antiken Skulpturen in Chatsworth, 1997; D. Grassinger, Antike Marmorskulpturen auf Schloss Broadlands (Hampshire), 1994; J. Fejfer, The Ince Blundell Collection of Classical Sculpture, vol I, the Portraits, part 2, Roman Male Portraits, 1997; J. Fejfer and E. Southworth, The Ince Blundell Collection of Classical Sculpture, vol I, the Portraits, part 1, Female Portraits, 1991; I. Love, The Ophiuchus Collection, 1989; M. True and K. Hamma (eds), A Passion for Antiquities; Ancient Art from the Collection of Barbara and Lawrence Fleischman, 1994; A. Macgregor, Antiquities from Europe and the Near East in the Collection of the Lord McAlpine of West Green, 1987; R.W. Hamilton, Antiquities from the Bomford Collection, 1966 (x2); R.W. Hamilton, Ancient Glass, Jewellery and Terracottas from the Bomford Collection, 1971; L. Marangou, The Nicholas P Goulandris Foundation, from the Private Collection to the Museum of Cycladic Art, 1991; R. Wehrli, Sammlung E und M Kofler-Truniger, Luzern, 1964; R. Nicholls, Classical Heritage, Greek and Roman art from the Cambridge College Collections, 1978; I. Caruso, Collezione Castellani, Le Ceramiche, 1985; A. Kozloff, Animals in Ancient Art from the Leo Mildenberg Collection, 1981; U. Gehrig, Tierbilder aus Vier Jahrtausenden, Antiken der Sammlung Mildenberg, 1983; A. Kozloff, D.G. Mitten and M. Sguaitamatti, More Animals from the Leo Mildenberg Collection, 1986; G. Zahlhaas, Aus Noah's Arche, Tierbilder der Sammlung Mildenberg aus Funf Jahrtausenden, 1996 (x2); E. Strong, Catalogue of the Greek and Roman Antiques in the Possession of the Right Honourable Lord Melchett, PC, DSc, FRS, 1928 (x2); C. Boerker, E. Reschke and E.E. Schmidt, Katalog der Antikensammlung des Prinzen Carl von Preussen im Schloss zu Klein-Glienicke bei Potsdam, 1972; M.B. Wyndham, The Leconfield Collection, 1915; Von Saldern, Glaser de Antike; Sammlung Oppenlander, 1974; J. Doring, Art Antique, Collections Privee de Suisse Romande, 1975; J.D. Beazley, The Lewes House Collection of Ancient Gems, 1920 (QTY)For further information on this lot please visit Bonhams.com

A large group of exhibition catalogues and miscellaneous reference books Comprising: Miho Museum, 1997; Sculpture Collection of the Cincinnati Art Museum, 1970; Kunsthalle Basel, Meisterwerke Griechischer Kunst, 1960; K. Schefold, Basler Antiken Im Bild, 1957; Stiftung zur Förderung der Hamburgischen Kunstsammlungen, 1961; Stiftung zur Förderung der Hamburgischen Kunstsammlungen, 1970; Ny Carlsberg Glyptotek, Antik Kunst i Dansk Privateje, 1974; Antikenmuseum Basel + Sammlung Ludwig, Etrukische Kunst, 1988; Antikenmuseum Basel + Sammlung Ludwig, Orient und Fruehes Griechenland, 1990; Antikenmuseum Basel + Sammlung Ludwig, Münzen, 1988; Masterpieces of the J Paul Getty Museum, Antiquities, 1997; Institut der Universität Zürich, Das Tier in der Antike, 1974; Antikenmuseum Berlin, Antiken aus Berliner Privatbesitz, 1976; Miho Museum, Connaissance des Arts, 1997; Sotheby's, Classical Antiquities from the Private Collections of Great Britain - a Loan Exhibition, 1986; Handbook to the Nicholson Museum, 1948; J. Chittenden and C. Seltman, Greek Art: A Commemorative Catalogue of an Exhibition held in 1946 at the Royal Academy, Burlington House, London, 1946; Nelson Gallery of Art, Atkins Museum, Handbook, vol II, 1973; Nelson Gallery of Art, Atkins Museum, Handbook, vol I, 1973; P. Getz-Preziosi, The Obsidian Trail, Museum of Cycladic and Greek Art, 1987; J.L. Zimmermann, Ancient Art from the Barbier Mueller Museum, 1990; G. Ortiz, In Pursuit of the Absolute; Art of the Ancient World, the George Ortiz Collection, 1996; B. Fleischman, No Substitute for Quality; the Many Worlds of Larry Fleischman, 1995; D. Scott Fox, Mediterranean Heritage, 1978; Bob Hecht by Bob Hecht; J. van der Kiste, Kings of the Hellenes, Greek Kings 1863-1974, 1994; R.H. Randall jr., Masterpieces of Ivory from the Walters Art Gallery, 1985; D.M. Wilson, Anglo-Saxon Ornamental Metalwork, 700-1100; Catalogue of Antiquities of the Later Saxon Period, British Museum, Vol. I, 1964; M. Artamonov, The Dawn of Art, The Hermitage Collection, 1974; S. Moscati (eds.), The Celts, 1991; J. Durand, Byzance; L'Art Byzantin dans les collections Publiques Francaises, 1993; Gens Antiquissima Italiae, Antichita dall'Umbria a New York, 1991; V.R. Desborough, The Last Mycenaeans and their Successors; an Archaeological Survey c1200-c1000 BC, 1964; L. Marangou, Bone Carvings from Egypt; I. Graeco-Roman Period, 1976; J. Nells, The World of Ceramics; Masterpieces from the Cleveland Museum of Art, 1982; H. Froning, T. Holscher & H. Mielsch, Kotinos; festschrift fur Erika Simon, 1992; N. Kunina, Ancient Glass in the Hermitage Collection, 1997; B. Bergmann and C. Kondoleon, The Art of Ancient Spectacle, 1999; C. Wagner and J. Boardman, A Collection of Classical and Eastern Intaglios, Rings and Cameos, 2003; K. Kilian, Fibeln in Thessalien, 1975; S.M. Heim, Ladders to Heaven: Our Judeo-Christian Heritage 5000BC - AD 500, 1979; F. Edgu, The Anatolian Civilisations part I, Prehistoric/ Hittite/ Early Iron Age, 1983; N. Asgari and S. Atasoy (eds), The Anatolian Civilisations part II, Greek/ Roman/ Byzantine, 1983; N. Tapan and F. Cagman (eds), The Anatolian Civilisations part III, Seljuk/ Ottoman, 1983; J. Boardman, Intaglios and Rings; Greek, Etruscan and Eastern from a Private Collection, 1975 (x2); H. Shetelig (eds), Viking Antiquities in Great Britain and Ireland, part V, 1940; H. Shetelig (eds), Viking Antiquities in Great Britain and Ireland, part VI, 1954; E. Simon and M. Gawlikowski, Die Goetter am Trajansbogen zu Benevent & Aus dem syrischen Goetterhimmel, 1979/80; H. Wrede, Der Antikengarten der del Bufalo bei der Fontana Trevi, 1982; B.H. Krause, Iuppiter Optimus Maximus Saturnus, 1983; J. Boardman, Island Gems; a Study of Greek Seals in the Geometric and Early Archaic Periods, 1963; F. Baratte, East and West: A Central Asian Silver Hoard from the Parthian Era, 2002; K. Polinger Foster, Aegean Faience of the Bronze Age, 1979; F. Canciani and F.W. von Hase, La Tomba Bernardini di Palestrina, 1979; K. Lehmann and P. Williams Lehmann, Samothrace, Excavations Conducted by the Institute of Fine Arts, New York, part 3, The Hieron, Text II, 1969; Samothrace, Excavations Conducted by the Institute of Fine Arts, New York, part 3, The Hieron, plates, 1969; Samothrace, Excavations Conducted by the Institute of Fine Arts, New York, part 4, The Altar Court, 1964 (58)For further information on this lot please visit Bonhams.com

An Amlash pottery bull rhyton Circa early 1st Millennium B.C.The hollow vessel with large rump and prominent neck hump, the muzzle extending into a long spout, with crescentic horns, small pierced ears and vertical ridges for the dewlap and tail, on four tapering legs, 20.5cm high, 32cm longFootnotes:Provenance:Mr Theodore Monell collection, Brooklyn, NY, whose collection was mostly formed in the 1970's-1980's. US art market, 2020. Accompanied by an Thermoluminescence Test from Oxford Authentication Ltd.It has been suggested that vessels such as this bull rhyton may have been used in a secular context for the drinking of wine. For a discussion on whether ceramic rhytons were used for the domestic consumption of wine and other fluids or as libation vessels at religious ceremonies see A. C. Gunter, 'The Art of Eating and Drinking in ancient Iran' in Asian Art, Arthur M. Sackler Gallery, Smithsonian Institution, vol. 1, no. 2, Spring 1988, pp.11-14. The rhyton first appeared in Iran in the 4th Millennium B.C. and continued to be used throughout the Pre-Islamic period. An 11th Century Persian dictionary gives the definition of the rhyton as 'a bull or cow formed of pottery, gold or other materials used for the drinking of wine'. However Hittite texts found in Turkey (circa 1450-1200 B.C.) refer to the use of animal-shaped rhytons for making ritual libations of wine or beer to certain deities. It is quite possible that rhytons were used for both purposes and that deities were being made offerings of drink in imitation of everyday domestic meals (ibid.).For further information on this lot please visit Bonhams.com

* BLAIR THOMSON,UNTITLEDoil on canvas, signedoverall size 92cm x 92cm Unframed, as intended.Note: Blair Thomson is a full-time artist inspired by Scotland and Japan. Exhibiting since age 18 and graduating from GSA in 2002, his practice has widened from landscape/figurative to abstraction, photography and installation encompassing a poetic approach and interests from Scotland beyond. Regular visits to Japan began in 2002, when he began studying Sho with calligrapher Shujo Wakabayashi, then in his eighties. Thomson exhibited with him and other Asian artists in 09 and the next year represented the UK at the ART/X/TOYAMA International Exhibition. He had been on the committee of the Royal Glasgow Institute arts organisation and is a meditator, trustee and sometimes Tenzo at Glasgow Zen Group. Thomson is a multiple award winner and his work has been widely exhibited in London, Japan and Scotland. He has consistently attracted critical praise resulting in extensive media coverage, especially in Scotland. His paintings are in prestigious collections in the UK, Japan, USA, France and Holland. Known corporate collectors include McKinsey & Co. and Scottish Widows.

LEV MESHBERG (RUSSIAN 1933-2007)Egyptian Scene with Camel and Old Man ,2003oil on board affixed to board97 x 107 cm (38 1/4 x 42 1/8 in.) initialed and dated lower right; inventory number on verso PROVENANCEFamily of the artistCONDITIONObserved in frame, the painting appears in good condition. Inspection under UV light show no apparent sign of restoration.framed dimensions: 101 x 112 cm (39 3/4 x 44 1/8 in.)Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

LE PHO (VIETNAMESE-FRENCH 1907-2001)Fleurs,oil on canvas 63 x 39 cm (24 3/4 x 15 3/8 in.)signed lower rightPROVENANCEWally Findlay Gallery, Chicago inventory number 49979Purchased at the above by the present owner in 1974 (copy of invoice available upon request).CONDITIONObserved in frame, the painting appears in good condition. Very fine and stable craquelure, most notably to the areas of impasto. Minor surface soiling visible to the lower left and right edges. Inspection under UV light shows no apparent sign of restoration.framed dimensions: 79 x 65.5 cm (31 1/8 x 25 3/4 in.)Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

SOLOMON BOIM (RUSSIAN 1899-1978)Kolkhoz Cattle ,1936watercolor and gouache on paper 44 x 53 cm (17 1/4 x 20 7/8 in.)signed with initials lower right; signed, titled and dated on verso in pencil PROVENANCECollection of Viktor KholodkovLOT NOTESBoim Solomon Samsonovich was a well-known Soviet artist of Jewish origin, is known mostly for his works in graphic techniques: watercolor, gouache, drawing, engraving, book illustrations and posters ("Agitplakat"). He lived in Ukraine, Leningrad, and Moscow. Studied in VKhUTEMAS from Kupreyanov. From 1926 on Boim participated in hundreds of exhibitions at home and abroad. He exhibited with such prominent artists as N. Altman, S. Chekhonin, G. Klutsis, V. Lebedev, El Lissitzky, K. Malevich, L. Popova, A. Rodchenko, V. Tatlin, P. Filonov, Stenberg Brothers, and V. Stepanova. His favorite subjects included architecture and cityscapes (mostly Leningrad/St. Petersburg and Moscow), nautical themes and the Navy, and Great Patriotic War. Boim's paintings were influenced by Socialist Realism and Russian Impressionism. Boim's works are widely recognized. They may be seen in the former Soviet Union in the Tretyakov Gallery, the Russian Museum, the Pushkin Museum of Fine Arts, and other major museums.This lot comes from the collection of Viktor Kholodkov (1948-2015), who fulfilled his passion for books, avant-garde design and paper memorabilia by devoting his life to collecting and dealing of prominent works of Russian graphic art of the first half of the 20th century. The dedicated collector acquired a multitude of books and artworks throughout decades, meticulously labeling and archiving every single item. Many came directly from the most preeminent artists of the time, as well as from their families and estates. He also possessed a vast number of drawings from the famous collection of another avant-garde enthusiast, Nikolai Khardzhiev. After leaving the USSR in 1989 and settling in California, Viktor continued his work as a Soviet art dealer and critic, actively publishing various articles and contributing to several major Russian avant-garde exhibitions across the U.S., such as the 1991 Russia Under Fire in the 40s on the West Coast and the 1992 Guggenheim exhibition The Great Utopia: The Russian and Soviet Avant-Garde. Kholodkov also contributed to the archives of the biggest American institutions. His sophisticated selection of over 2000 Russian sheet music covers was acquired by The Library of Congress, and an extensive amount of material related to VKhUTEMAS is now at the J. Paul Getty Museum.CONDITIONUnframed, the painting appears in good condition. Minor wear and bumping to the perimeter. A crease to the lower right corner. Not inspected under UV light.unframedKindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

A GROUP OF FOUR WORKS ON PAPER BY NIKOLAI TROSHIN (RUSSIAN 1897-1990)comprising:a)Red Square. Lenin's Mausoleum Covered in Frost,1946, graphite on paper, 44 x 60.5 cm (17 1/4 x 23 3/4 in.), signed and dated lower right in pencilb)Harnessing a Mare, 1931, gouache on paper, 62 x 44 cm(24 1/2 x 17 1/4 in.), signed with initials and dated lower left in pencilc)Portrait of a Woman,1931, gouache on paper, 64 x 44 cm (25 1/4 x 17 3/8 in.), signed and dated lower right in pencild) Portrait of a Woodworker, 1941, graphite on paper, 44 x 32 cm (17 1/4 x 12 5/8 in.), dated lower right in pencilCONDITIONa) Unframed, the paper appears in age-appropriate condition. A visible hard crease and tear to the upper left and right corners and along the lower edge. The largest tear measuring, 4 cm (1 5/8 in.)b) Unframed, the paper appears in age-appropriate condition. Scattered tearing visible to the perimeter, most notably along the top edge, a loss to the upper left corner. As apparent in photographs. Largest tear measuring, 4 cm (1 5/8 in.)c) Unframed, the paper appears in good condition. Pin holes visible to the corner of each. A light crease to the lower right corner. Scattering tearing along the top edge, a small tear to the lower left corner and a tear to the left edge, measuring 2.54 cm (1 in.) in length. As apparent in photographs.d) Unframed, the paper appears in good condition. Very minor scattering of fly specks, as apparent in photographs. With no significant issues to report otherwise.unframedKindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

GASTON VEUVENOT LEROUX (FRENCH 1854-1942)Musicienne,circa 1890cold-painted spelteroverall height: 97 cm (38 1/4 in.)stamped with 'B in a vase' and GeschutztCONDITIONThe sculpture appears in good condition. Scattered losses of paint endemic to age. Light surface scratches visible to the woman's front right arm. Visible crack to the back right of base.Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

PAIR OF ENAMELLED METAL KHODYNKA "CUPS OF SORROW"each cylindrical, enamelled with neo-Russian geometric designs, centered on the recto with the Imperial double-headed eagle, on the verso with the crowned Imperial cyphers of Nicholas II and Alexandra Feodorovna, and the coronation year 1896; height of each: 10.5 cm (4 1/8 in.) CONDITIONThe pair are in overall fair condition. Scattered scuffing and losses to the enamel. Inspection under UV light shows fill-in medium residue to the bumps along the rims.Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

SACHA MOLDOVAN (RUSSIAN 1901-1982)L'etreinte,oil canvas mounted on board 61 x 29 cm (24 x 11 3/8 in.) signed on verso; inscribed with inventory on verso PROVENANCEFamily of the artistCONDITIONObserved in frame, the painting appears in age-appropriate condition. Overall craquelure visible to the naked eye. Flaking along the upper edge. A loss to the upper left corner and to the woman's hat standing to the left. Inspection under UV light shows no apparent sign of restoration.framed dimensions: 75 x 43 cm (29 1/2 x 16 7/8 in.) Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

SACHA MOLDOVAN (RUSSIAN 1901-1982)Still Life with House Plant,1962oil on canvas65 x 81 cm (25 5/8 x 31 7/8 in.)signed upper left, signed and dated on versoPROVENANCEFamily of the artistCONDITIONObserved in frame, the painting appears in age-appropriate condition. Inspection under UV light shows no sign of restoration.framed dimensions: 83.5 x 100 cm (32 7/8 x 39 3/8 in.)Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

JAMES GALE TYLER (AMERICAN 1855-1931)Landscape,1921oil on canvas36 x 51 cm (14 1/8 x 20 1/8 in.)signed and dated lower right, inscribed on versoCONDITIONObserved in frame, the painting appears in age-appropriate condition. Inspection under UV light shows overpainting less than 50% of the canvas, most notably to the dune, sky and sand.framed dimensions: 44 x 59 cm (17 3/8 x 23 1/4 in.)Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

PAIR OF MOORCROFT FRUITS OF THE EARTH VASESthe pair one featuring Blueberries the other Acorns and Mushrooms, the vases of various shapes and sizes, each with impressed factory mark and MADE IN ENGLAND underglaze, the Blueberries vase signed with full signature in blue underglaze by Walter Moorcroft, dating circa 1947-1953, with possible date cypher impressed underglaze, the Acorns and Mushrooms vase initialed WM for Walter Moorcroft in brown underglaze, dated with copyright in brown underglaze, impressed date cypher for 1999, all marked under base; tallest measuring: 27cm (10 5/8 in.); shortest measuring: 22 cm (8 5/8 in.)CONDITIONThe pair appears in good condition. Overall crazing visible to the body of the Blueberries vase. Otherwise no significant issues to report. Each inspected under UV light showing no apparent sign of restoration.Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

1908 MIDSUMMER NIGHT'S DREAM, A. RACKHAMWILLIAM SHAKESPEARE (BRITISH 1564-1616), author, ARTHUR RACKHAM (BRITISH 1867-1939), illustrator, A Midsummer Night's Dream (New York: Doubleday Page &. Co., 1908), deluxe edition, bound in gold-pictorial full cloth, embossed with gilt lettering and text, 134 numbered pages 230 x 285 mm, 40 colour plates mounted on heavy brown paper with lettered tissue-guards, 30 drawings in black and white, size of page 185 x 245 cm (72 7/8 x 96 1/2 in.), colour plates mounted on tan paper, in a protective marbled paper box, measuring 27 x 21 (10 5/8 x 8 1/4 in.)CONDITIONThe book appears in very good condition. Toning visible to the pages, a crease to one of the introductory pages. Very minor wear to the bind and pages, consistent with age and use. With no significant issues to report otherwise. Please note this copy is unsigned, the signature page has been removed.Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

A TOWLE 100-PIECE STERLING SILVER FLATWARE SERVICEcomprising 100 pieces in the "King Richard" design (conceived 1932, the pattern is inspired by the architectural decoration of old English mansions), with a central ornamental knight's shield with pointed top, the neck framed by curling leaves, each piece stamped with STERLING SILVER standard and maker's mark to the underside; housed in a felt cloth, measuring 30 x 48 cm (11 3/4 x 18 7/8 in.), gross weight: 6.35 kg (223.98 oz), including:one pie knife; 17 cm (6 3/4 in.)one serving fork; 20 cm (7 7/8 in.)one serving spoon; 21.5 cm (8 1/2 in.)twelve dinner forks; 19 cm (7 1/2 in.)twelve cocktail forks; 14.5 cm (5 3/4 in.)twelve side forks; 16 cm (6 1/4 in.)twenty-five dinner spoons; 15 cm (6 in.)twelve soup spoons; 15 cm (6 in.)twelve dinner knives; 24.5 cm (9 5/8 in.) twelve butter spreads; 14 cm (5 1/2 in.)CONDITIONOverall, the service appears in good condition. Very light surface scratches, consistent with age and use. No significant issues otherwise apparent to the naked eye.Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

CIRCA 1905 TIFFANY STUDIOS FAVRILE VASE AND BOWLScomprising a miniature vase and pair of bowls with undulating rims in iridescent blue-green shading to gold with violet reflects, the vase inscribed with L.C.T. Favrile maker's mark and numbered 1743 H under base; the bowls each inscribed with L.C.T. Favrile maker's mark under base; height of vase: 8.2 cm (3 1/4 in.), diameter of larger bowl: 7 cm (2 3/4 in.)CONDITIONThe set is in good original condition. Some bumping to the underside of the vase. Scattered scuffs to the lustre in places. Otherwise, no significant issues apparent to the naked eye.Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

DAVID BURLIUK (RUSSIAN 1882-1967)Snow Bound,oil and collage on burlap127 x 99 cm (50 x 39 in.)signed and titled lower left PROVENANCEAcquired directly from the artist's familySotheby's New York, 11 October 2011, lot 184Acquired at the above by the present ownerCONDITIONObserved in frame, the painting appears in good condition. Inspection under UV light shows no apparent sign of restoration.framed dimensions: 152 x 123.5 cm (59 7/8 x 48 5/8 in.)Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

ARMAN (FRENCH-AMERICAN 1928-2005)Des Ramblas,1997bronze with medium and dark brown patina height including base: 41 cm (16 1/8 in.)signed and marked with Bocquel foundry mark and edition 4/99 (of a total edition 103) on baseLOT NOTESThe work registered at the A.R.M.A.N. Foundation of Geneva under inventory no. 152003 (MUL-I-018)CONDITIONThe sculpture appears in good condition. Patina visible around the base. With no significant issues to report otherwise.Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

EMILE ALBERT GRUPPE (AMERICAN 1896-1978)Autumn Forest,oil on board30 x 40 cm (11 3/4 x 15 3/4 in.)signed lower rightCONDITIONObserved in frame, the painting appears in good condition. Inspection under UV light shows no apparent sign of restoration.framed dimensions: 47 x 46.5 cm (18 1/2 x 18 1/4 in.)Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

PAIR OF CHINESE XIANFENG PORCELAIN PLATESeach circular with lifted edges, the rim featuring a lattice motif with a cloud cartouche with naturalistic designs, the interior featuring a garden scene, all in blue against a stark white ground, the exterior with a naturalistic motif in blue Xianfeng marks blue underglaze underside; height of each: 4 cm (1 5/8 in.), diameter: 26 cm (10 1/4 in.)CONDITIONThe pair appears in good condition. Scattering firing imperfections visible to each. A small crack visible to the underside of one the other with a small crack to the exterior. Scattering chipping to the rim of one. Inspection under UV light shows an overall even layer of varnish to each.Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

MARC CHAGALL (RUSSIAN 1887-1985)Nature Morte Bleu,circa 1957 lithograph29 x 25.5 cm (11 3/8 x 10 in.)signed lower right and edition 3/90 lower left each in pencil PROVENANCEPrivate Collection Costa RicaCONDITIONObserved out of frame, in matte and under plexi. The lithograph appears in good condition. Minor foxing to the lower left corner. The sheet appears laid down around the perimeter, due to the nature of the framing technique the cardboard backing cannot be removed without causing damage to the lithograph.framed dimensions: 68.5 x 65 cm (27 x 25 5/8 in.)Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

MYKOLA BABAK AND EVGENY MATVEEV (UKRAINIAN B. 1954 AND 1950)I'll Be Back from the "Time Capsule" Series,2018oil on canvas 135 x 200 cm (53 1/8 x 78 3/4 in.)initialed and dated lower right; signed, dated and titled on verso PROVENANCEAcquired directly from the artist by the present ownerPrivate Collection, New YorkCONDITIONUnframed, the painting appears in good condition. No apparent issues visible to the naked eye, with no significant issues to report otherwise. Not inspected under UV light.Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

GROUP OF FOUR RUSSIAN MATERIALS RELATED TO BORIS KOROLEV (RUSSIAN 1884-1963)comprising:a) AN ARTICLE BY BORIS KOROLEV (RUSSIAN 1884-1963), Monumental Construction and Revolution, letterpress, 34 x 14.5 cm (13 3/7 x 5 5/7 in.), text in Russian b)A PAIR OF SKETCHES BY BORIS KOROLEV (RUSSIAN 1884-1963), comprising: 1b.) Portrait of Aleksander Sergeyevich Pushkin, c. 1920, charcoal on thick paper, 30 x 23 cm (11 7/9 x 9 in.), inscribed with unfinished portrait on verso; 2b)Portrait of Unknown Man, c. 1920, charcoal on thick paper, 29.5 x 25 cm (11 3/5 x 9 6/7 in.) c) BORIS KOROLEV (RUSSIAN 1884-1963), Study of Male Nude with Sword, circa 1920s, charcoal on paper, 63 x 48 cm (24 3/4 x 18 7/8 in.), signed lower right d) BORIS KOROLEV (RUSSIAN 1884-1963), Study of Standing Male Nude, circa 1920s, charcoal on paper, 71 x 53 cm (28 x 20 7/8 in.), signed lower rightCONDITIONa) Unframed, the article appears in age-appropriate but fragile condition. Scattered tearing to the perimeter, most notably to the upper right corner.b) Unframed, the pair appears in age-appropriate but fragile condition. A hard crease to the upper left edge to Portrait of Unknown Man. Both with tearing, losses and toning to the perimeter.c) Unframed, the drawing appears in age-appropriate but fragile condition. A hard horizontal crease across the torso of the nude along with a hard crease to the upper and lower left corners. Toning, tearing and losses visible to the perimeter, longest tear measuring 2 cm (3/4 in.). Scattered foxing visible.d) Unframed, the drawing appears in age-appropriate condition. Hard creasing to the left edge, upper left and right corners. Scattered tearing, losses and toning to the perimeter. Longest tear measuring, 5 cm (2 in.) in length.unframedKindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

AN EARLY 19TH CENTURY WORCESTER PORCELAIN VASEovoid, with a slender neck, with two handles terminating from heads of goats, the cover with an acanthus finial, centered a scene with the Greek God Aion surrounded by for attendants, body with gilt foliate and floral accents against a crisp white ground, atop a gilt rectangular plinthhand-written poem in red, with factory name and address along with impressed manufactory mark all underside; height including cover: 46 cm (18 1/8 in.) CONDITIONThe vase appears in very good condition. Two chips where the body meets the base. Very light surface wear to the gilt. Inspection under UV light shows no apparent sign of restoration.Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

AN 18KT GOLD, DIAMOND, RUBY AND ENAMEL PENDANT, CAZZANIGA, ROMEformed as a tree, the trunk and branches of gold, the leaves of forty-six green enamel stones, with forty-five round-cut diamonds (one weighing approximately 0.45 ct, forty-four weighing appriximately 0.5 ct total), the roots of eleven rubies (weighing approximately 0.3 ct total) accented by silver, with an openwork back, stamped with 750 standard and maker's mark ROMA CAZZANIGA along back with a gold, silver and ruby cap (the eleven rubies weighing approximately 1.65 ct total), with a standard clasp, the clasp stamped with 585 standard, hanging from a twisted black silk cord; dimensions of pendant: 7 x 5.5 cm (2 3/4 x 2 1/8 in.), overall length including cord: 25 cm (9 7/8 in.), gross weight of pendant: 80.07 g (2.8 oz), pendant only: approximately 77.75 g (50 dwts)PROVENANCECazzaniga Roma, CapriAcquired at the above by the present owner, 1974CONDITIONThe necklace appears in good condition. Observed with a loupe, very fine and light surface scratches visible to the openback. A round-cut diamond is missing. Minor wear to the black silk. In original retailer's box. With no significant issues to report otherwise.Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

FOUR RUSSIAN SOCIALIST REALIST OIL PORTRAITScomprising:a) ALEKSANDRA IVANOVNA YAKUSHEV (RUSSIAN 1900-1986), Self-Portrait, 1934, oil on canvas, 53 x 47 cm (20 3/4 x 18 1/2 in.) [image], 59 x 51.4 cm (23 1/4 x 20 1/4in.) [canvas], inscribed and dated on versob) ANATOLIY IVANOVICH KUVIN (RUSSIAN B. 1931), Best Employee of the Vladimir Chemical Plant, Bessudnov Vasiliy Stepanovich, 1953, oil on paper board, 50 x 35 cm (19 5/8 x 13 3/4 in.), signed and dated lower right, inscribed on verso in penc) A RUSSIAN 20TH CENTURY ARTIST, Nude in Flower Crown, oil on card laid on board, 54 x 36 cm (21 1/4 x 14 1/8 in.)d) FYODOR VASILYEVICH ANTONOV (RUSSIAN 1904-1990), Portrait of a Militia Sergeant, 1957, oil on paperboard, 49 x 33 cm (19 1/4 x 13 in.), signed and dated lower right CONDITIONUnframed, the group appears in age-appropriate condition.a) Unstretched the painting appears in age-appropriate condition. The perimeter of the canvas has frayed along with minor discoloration. The portrait with very minor areas of craquelure. Not inspected under UV light.b) Unframed, the painting with scattered losses to the perimeter. Lifting visible to the corners. A hard crease to the lower right corner resulting in a fine and stable area of craquelure. Not inspected under UV light.c) Unframed, the painting with overall craquelure as apparent in photographs. Losses and chips visible to the perimeter and corners, largest loss visible to the upper left corner. Not inspected under UV.d) Unframed, the painting with pin holes visible to each corner. Minor losses to the perimeter along with rubbing. Not inspected under UV light.unframedKindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

GHANA HARDWOOD ASHANTE AKUA'BA DOLLshown standing, with large circular head, half-lidded eyes, cylindrical body, small breasts and outstretched arms, with black patina; height: 36 cm (14 1/8 in.)PROVENANCEPrivate collection, New York, since circa 1960sCONDITIONThe proper left arm has been broken and restored. Visible cracking and flaking to the head and body.Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

RUSSIAN ARTIST, LATE 20TH CENTURY View of Sevastopol,circa 1960soil on canvas 34 x 40 cm (13 3/8 x 15 3/4 in.)PROVENANCEPaul Hawkins Gallery, LondonAcquired at the above by the present owner in 2002. (Copy of invoice available upon request)CONDITIONObserved in frame, the painting appears in age-appropriate condition. The canvas has been relined and wax lined. Scattered flaking and discoloration. Minor convexing to the left upper center. Inspection under UV light shows repair with a filling putty to the center of the canvas.framed dimensions: 51 x 57 cm (20 1/8 x 22 1/2 in.) Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

ALEXANDER NEY (RUSSIAN B. 1939)Time in the Park ,2010acrylic on canvas 153 x 122 cm (60 1/4 x 48 in.)signed, dated and titled on verso with copyright symbol CONDITIONObserved in frame, the painting appears in good condition. No apparent issues visible to the naked eye, with no significant issues to report. Inspection under UV light shows no apparent sign of restoration.framed dimensions: 157 x 126 cm (61 3/4 x 49 5/8 in.)Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

JAPANESE SCHOOL (EARLY 20TH CENTURY)Lady in red kimono picking berries,ink and color on paper119 x 27 cm (46 7/8 x 10 5/8 in.) [image], 196 x 38 cm (77 1/8 x 15 in.) [full dimensions], 46 (l) x 8 (w) x 7.5 (h) cm (18 1/8 x 3 1/8 x 3 in.) [box]PROVENANCEPrivate collection, New York, since before 1967. (Copy of insurance appraisal available upon request)CONDITIONThe work appears in good condition. Minor surface soiling and toning visible primarily to the fabric. Slight waviness visible to the scroll due to storage. With no significant issues to report.Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

CIRCA 1920S COLD-PAINTED VIENNA BRONZEformed as a spring branch with three cold painted eurasian blue tits resting, all atop a green onyx square basedimensions: 17 x 25 cm (6 3/4 x 9 7/8 in.), dimensions of base: 7 x 25 cm (2 3/4 x 9 7/8 in.)CONDITIONThe bronze appears in good original condition. Rubbing visible to the cold-painted birds resulting in scattered losses. Light surface dust visible to the birds and branch. With no significant issues to report otherwise. Not inspected under UV light.Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

PIERRE-EUGENE MONTEZIN (FRENCH 1874-1946)Street Scene with Cart-pushing Lady and Dog,oil on canvas74 x 70 cm (29 1/8 x 27 1/2 in.)signed lower leftCONDITIONUnframed, the painting appears in age-appropriate condition. Minor flaking to the corners. Inspection under UV light shows a layer of varnish with no apparent sign of restoration.unframedKindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

POST 1945 MINI ORANGE LALIQUE VASErounded form, the body with a relief of tangerines against a foliate ground, all against a burnt translucent ground, signed R. Lalique in print under base; height: 9 cm (3 1/2 in.)CONDITIONThe vase appears in good condition. Very minor rubbing to the tangerines. With no significant issues to report otherwise.Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

ARSENE CHABANIAN (ARMENIAN-FRENCH 1864-1949)Moonlight on the Mediterranean,oil on canvas61.5 x 81.2 cm (24 1/4 x 32 in.)signed lower rightPROVENANCESotheby's New York, 22 April 2009, lot 73Acquired at the above by the present ownerCONDITIONObserved out of frame, the painting is in good condition. With no issues visible to the naked eye. Inspection under UV light shows no sign of restoration.framed dimensions: 74 x 95 cm (29 1/8 x 37 3/8 in.)Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

1908-1917 RUSSIAN SILVER-MOUNTED CRYSTAL PITCHERof narrow pear form, with slender handle, the neck featuring the coat of arms of the Kingdom of Kartli-Kakheti under the Russian imperial crown, the cover with a pine finial, with a fluted body cut with columns of six-point figures on the lower half, marked with kokoshnik, workmaster's mark I.Kh in Cyrillic; overall height: 36 cm (14 1/8 in.) , weight: 2.10 kg (74.1 oz)CONDITIONThe vessel appears in good condition. Overall tarnish and discoloration visible to the cover and handle. Would benefit from a polish. The crystal body with very light surface scratches.Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

JAMES ROSENQUIST (AMERICAN 1933-2017)Time Flowers,1974silkscreen46 x 76 cm (18 1/8 x 29 7/8 in.) [sight]signed and dated lower right, edition 17/80 and titled lower leftCONDITIONObserved in frame, the work appears in good condition. A slight visible waviness to the sheet. Due to the nature of the paper and printing process the work will not lay completely flat.framed dimensions: 66 x 86 cm (26 x 33 7/8 in.)Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

GROUP OF THREE QUEZAL ART GLASS DECORATIVE PIECES comprising: a) QUEZAL FAVRILE GLASS FLORIFORM FINGER BOWL, of rounded form with a gold iridescent interior; diameter: 12 cm (4 3/4 in.) b) QUEZAL FAVRILE GLASS VASE, of amphora form with gold iridescent exterior signed QUEZAL underside; height: 18 cm (7 1/8 in.) c) TIFFANY STUDIOS FAVRILE GLASS PERFUME BOTTLE, of amphora form with a gold iridescent exterior, signed on foot rim, possibly lettered VPO and numbered 27711 under base; height: 19 cm (7 1/2 in.)CONDITIONThe group appears in age-appropriate condition. Overall crazing visible to the naked eye along with light surface scratches. With no significant issues to report otherwise.Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

RUSSIAN NECKLACE WITH 17 MINIATURE EGG PENDANTS17 egg pendants on a gunmetal chain; length of chain: 37 cm (14 5/8 in.), smallest pendant: 2 cm (3/4 in.), including loop, largest: 2.7 cm (1 in.)comprising:a) an orange agate pendant with metal loopb) an enamelled pendant, possibly chalcedony, with blue, white, red and yellow striations, with brass loopc) an enamel Easter pendant in white and light blue with gold loop, marked with 56 standard and partly effaced workmaster markd) an enamel pendant featuring pink flowers with brass loope) an enamelled robin's egg-colored stone with red and gold swirls, with silver loop, marked with 84 standard, workmaster's mark F.A in Cyrillicf) a red guilloche enamel pendant with gold loop, marked with 56 standard and maker's mark KF in Cyrillic for Karl Fabergeg) a purpurine pendant with gold Russian imperial eagle mount and loop, work master's mark OP in Latin for Oskar Pihlh) an oyster white guilloche enamel pendant with gold loop, marked with 56 standard and assayer's mark AR in Cyrillic for Aleksandr Romanov, workmaster's mark FA in Cyrillic for Feodor Afanassievi) a bright blue guilloche enamel pendant with gold loop, marked with 56 standard and maker's mark KF in Cyrillic for Karl Fabergej) a silver pendant opening to reveal a snake with ruby eyes, marked with 84 standard and assayer's mark AR in Cyrillic for Aleksandr Romanov, workmaster's mark FB in Cyrillick) an ovoid silver pendant with an cloisonne enamel band of blue, white and red with silver loop, marked with 84 standardl) a blue glass pendant with brass loopm) a rock crystal pendant with gadrooned gold cap, marked with 56 standard and maker's mark KF in Cyrillic for Karl Fabergen) a mottled green enamel pendant with red swirlso) a dark orange agate pendant with metal loopCONDITIONObserved with a loupe the necklace appears in good condition. Save for minor light surface scratches and wear.Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

CHARLES WEBSTER HAWTHORNE (AMERICAN 1872-1930)Portrait of a Young Girl,pastel on paper58 x 48 cm (23 x 19 in.)CONDITIONObserved in frame. The work appears in age-appropriate condition. Visible creasing to the sheet, in three horizontal lines. Inspection under UV light shows no signs of restoration.unframedKindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

MEISSEN PORCELAIN ALLEGORICAL FIGURAL GROUPmodelled as an allegorical scene, a goddess stands the right of the plinth, dressed traditionally, a cupid stands to the left, a garland swag of rosettes drapes across the plinth, centered a flame, all atop an oval gilt detailed base,marked with factory mark in blue underglaze, model number H18 incised in paste, stamped with numeral 48 in paste under base; height: 36 cm (14 1/8 in.) CONDITIONThe figural group appears in good condition. Scattered chips and nicks to the garland swag of rosettes. Overall surface dust visible to the naked eye. Cracking visible to the oval base. Inspection under UV light shows retouching along the base as mentioned previously.Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

CONSOLIDATED LALIQUE-STYLE LOVEBIRDS GLASS VASEbulbous, with a continuous motif of parakeets sitting in pairs on budding branches against a opaque brown ground; overall height: 26 cm (10 1/4 in.)CONDITIONThe vase appears in age-appropriate condition. Light surface scuffs and scratches to the body of the vase. With no significant issues to report otherwise.Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

MIKHAIL CHEMIAKIN (RUSSIAN B. 1943)New York City,1983pastel on paper113 x 75.5 cm (44 1/2 x 29 3/4 in.)signed, dated and inscribed NY lower rightCONDITIONObserved in frame, the pastel appears in good condition. The sheet with minor waviness. Pin holes visible along the top and lower edge. Otherwise, no significant issues to report.framed dimensions: 144 x 107.5 cm (56 3/4 x 42 3/8 in.)Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

COLD-PAINTED VIENNA BRONZEformed as a wicker basket, with four chicks perched around the rim, each bird stamped with unique serial number under the taildimensions of basket: 20 x 25 cm (7 7/8 x 9 7/8 in.); overall height: 13 cm (5 1/8 in.)CONDITIONThe sculpture appears in good original condition. Rubbing visible to the painted birds and basket resulting in scattered losses. With no significant issues to report otherwise. Not inspected under UV light.Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

19TH CENTURY DUTCH SCHOOLWinter Skaters,oil on panel38.5 x 52.5 cm (15 1/8 x 20 5/8 in.)PROVENANCEAcquired through inheritance by the descendants of Alexander Ivanovich Nelidov (1835-1910), Russian Ambassador to Turkey, Italy, and FranceCollection of the Nelidov family to the present dayEXHIBITEDFar Gallery, New York (label on verso)CONDITIONObserved in frame, the painting appears in poor condition. The panel has been cradled. Scattered flaking resulting in losses. Inspection under UV light shows a heavy layer of masking varnish.framed dimensions: 55 x 69 cm (21 5/8 x 27 1/8 in.)Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

A CHINESE ARCHAIC-STYLE JUE RITUAL WINE VESSELthe deep, u-form body raised on three blade-like legs, the curved handle surmounted by a buffalo head; overall height: 24 cm (9 1/2 in.)CONDITIONThe vessel is in overall good conditionKindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

NATALIA NESTEROVA (RUSSIAN B. 1944)People on the Beach (Clock) Diptych,1997oil on canvas each: 145 x 180 cm (57 1/8 x7 0 7/8 in.); together: 290 x 360 cm (11 1/8 x 141 3/4 in.) signed, dated and titled on verso [each]PROVENANCEAcquired directly from the artist by the present ownerPrivate Collection, New YorkCONDITIONUnframed, the diptych appears in very good condition. Very minor chips and losses to the impasto figures. Minor wear and rubbing to the corners and perimeter. Not inspected under UV light.unframed Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

LEV MESHBERG (RUSSIAN 1933-2007)Greek Structure, Odessa,2004oil on board affixed to board61 x 92 cm (24 x 36 1/4 in.) [image size]; 63 x 94 cm (24 3/4 x 37 in.) [panel size]initialed and dated lower right; inventory number on verso PROVENANCEFamily of the artistCONDITIONUnframed, the work appears in good condition. A large scuff to the upper edge to the sky. Inspection under UV light shows no apparent sign of restoration.unframed Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

GRECO-ROMAN FIGURATIVE MARBLE FRAGMENTdepicting Dionysus holding a thyrsus (staff of fennel) and Pan holding a flute, both shown in profile facing left; dimensions of fragment only: 18 x 25 cm (7 1/8 x 9 7/8 in.), dimensions of modern lacquer wood base: 30.5 (h) x 30.7 (w) x 16.5 (d) cm (12 x 12 1/8 x 6 1/2 in.) PROVENANCEPrivate collection, New York, since before 1967. (Copy of insurance appraisal available upon request)CONDITIONThe fragment appears in stable age-appropriate condition. Overall wear and rubbing. Not inspected under UV.Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

PAIR OF LALIQUE HONFLEUR NESTED DISHESeach featuring a frosted honfleur pattern, each signed Lalique France in script around bottom rim, diameter of larger: 21 cm (8 1/4 in.), diameter of smaller: 15 cm (5 7/8 in.)CONDITIONThe nesting plates appears in good condition. Minor rubbing to the frosted glass. With no significant issues to report otherwise.Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

DAVID BURLIUK (RUSSIAN 1882-1967)Capri,oil on canvas51 x 76 cm (20 1/8 x 29 7/8 in.)signed and titled lower leftPROVENANCEACA Gallery, New York (label on verso)CONDITIONObserved in frame, the painting appears in good condition. Very minor surface dust, most notably to the areas of impasto. Inspection under UV light shows no apparent sign of restoration.framed dimensions: 71 x 96 cm (28 x 37 3/4 in.)Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

RAPHAEL BENAZZI (SWISS B. 1933)Untitled,1986carved and stained woodlength: 65.5 cm (25 3/4 in.), height: 40 cm (15 3/4 in.)signed [BR] and dated undersideCONDITIONThe sculpture appears in good condition. Scattered surface scuffs and light scratches visible, most notably to the front edge and underside. With no significant issues to report otherwise.Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

LOUIS VIVIN (FRENCH 1861-1936)Montmartre, La Place du Tertre sous la neige,oil on canvas38 x 55 cm (15 x 21 5/8 in.)signed lower leftPROVENANCEJames Vigeveno Galleries Los Angeles (by 1956)Christie's New York, 21 September 2010, lot 154Acquired at the above by the present owner CONDITIONObserved out of frame, the painting is in good condition. Two patches visible to the verso, largest measuring 5 x 5.5 cm (2 x 2 1/8 in.). Inspection under UV light shows scattered retouching to the upper left quadrant of the sky.framed dimensions: 47.5 x 64.5 cm (18 3/4 x 25 3/8 in.)Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.