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A CELADON-GLAZED FIGURE OF BUDAISouth China/ Northern Vietnam, c. 1900. Seated in dhyanasana on a two-tiered base, the hands supporting his huge belly, the face with a meditative yet slightly humorous expression, flanked by pendulous ears, the hair in tight curls. Covered overall in a crackled celadon glaze darkening in the recesses and stopping unevenly above the foot, revealing the reddish ware.Condition: Good condition with some wear and firing flaws as well as glaze erosion and minor encrustations. Provenance: Ex-Collection of The Zelnik István Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above.Weight: 2062 g Dimensions: Height 21 cm

A KHMER SANDSTONE RELIEF OF A DEITYKhmer Empire, Angkor period, 13th-14th century. The deity carved wearing a short vertical striated sampot, a crown surrounding his hair and surmounted by an ushnisha, the neck and ears adorned with jewelry and in the right hand holding a club.Condition: Very good condition commensurate with age, extensive weathering, wear, and some losses. Provenance: The collection of The Zelnik István Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. István Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe.Weight: 4400 g Dimensions: Length 27 cm

A PAINTED POTTERY FIGURE OF A BACTRIAN CAMEL, TANG DYNASTYChina, 618-907. Standing foursquare atop the shaped base, the baying camel with an elegantly curved neck and raised head, the bulging pack in the form of two monster heads fitted between the humps, the tail swept to one side.Provenance: Galerie Zacke, Vienna, 1 October 1996. Dr. Mons Fischer, acquired from the above, sold for ATS 68,000 (approx. EUR 7,774 today after inflation). A copy of the invoice, dated 1 October 1996 and stating the aforementioned purchase price, accompanies this lot. A seasoned private collector of modern and contemporary art, Dr. Mons Fischer has also acquired fine Chinese works of art since the 1980s, eventually building one of the most important collections of its kind in Austria.Condition: Some old repair as generally expected from Han dynasty excavations. Extensive wear, soiling, losses, chips, holes, cracks and encrustations.Weight: 3,744 gDimensions: Height 40.3 cm, Length 33.5 cmAuction result comparison: Compare a closely related painted pottery figure of a camel, also dated to the Tang dynasty and with a similar monster-head pack, at Sotheby's New York in Asian Art on 14 September 2019, lot 1627, sold for USD 13,750. 唐代彩繪駱駝俑 中國, 618-907年。駱駝俑站在四方基座上，它引頸張口，後肢直立，前腿略彎，彷彿剛從臥姿直身而起，仰天長嘶。 來源：維也納Zacke藝廊，1996年10月1日。Dr. Mons Fischer購於上述藝廊，ATS 68,000 (通貨膨脹后換成今日歐元大約 EUR 7,774)。隨附一份1996年10月1日出具的發票 顯示了當時的價格。Mons Fischer 博士是一位經驗豐富的現代及當代藝術私人收藏家，自 1980 年代以來，他還收藏了衆多精美的中國藝術品，建立了奧地利最重要的一個藝術品收藏。 品相：一些從漢代考古發掘中普遍預期的舊修復。磨損嚴重，污跡，缺損，缺口、小孔、裂紋和結垢。 重量：3,744 克 尺寸：高40.3 厘米, 長 33.5 厘米 拍賣結果比較：一件唐代相近駱駝陶俑見紐約蘇富比Asian Art 2019年9月14日 lot 1627, 售價USD 13,750。

A LARGE 'BIRD SHAPE' BRONZE KHMER CONCH SHELLKhmer, Angkor period, late 12th - early 13th century. Large and well-cast conch shell with an impressive flaring tip in a form of a bird head, bordered by flaming leafy scrolls. Spiral base molded with lotus leaf borders. An interesting relief depiction of Hevajra flanked by dancing attendants and placed above the head of Kala (kirtimukha), the demon of passing time, is decorating the central panel, neatly bordered with flaming mandorla. The inside of the shell filled with the original casting core.Condition: Overall still fine condition with expected wear and an old, green patina. Some cracks to the back side. Provenance: The collection of The Zelnik István Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. István Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe. Weight: 2370 g Dimensions: 30 x 12 x 12.5 cm

A KHMER BRONZE FIGURE OF VISHNU, ANGKOR PERIODKhmer Empire, 12th - 13th century. The deity standing in samapada on a yoni, his four arms radiating around him holding four attributes, wearing a sampot secured with a decorative sash. The face with wide smiling features flanked by long foliate earrings. The hair secured into a high chignon.Provenance: De-accession of The Dr. István Zelnik Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. István Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe. Condition: Good condition, commensurate with age. The statue with wear, signs of erosion, miniscule nicks here and there, a hole on the upper side of the base. Fine, naturally grown malachite-green patina.Weight: 576.8 gDimensions: Height 18.4 cm, width 7.7 cm Vishnu is a deity of Vedic origin and along with Brahma and Shiva, forms part of the Trimurti or Triad in Hinduism. He represents the principle of preservation and, thanks to his various avatars, is able to intervene when the universal order is threatened.Auction result comparison: Compare a related, yet more refined and larger, bronze figure of Vishnu, dated to the 13th century, at Christie's New York in The Doris Wiener Collection on 20 March 2012, lot 168, sold for USD 12,500.

AN INDIAN MINIATURE PAINTING OF A NAYIKA AND HER SAKHIPahari, early 19th century. Ink, gilt, and watercolors on paper. The heroine holding fly-whisk in her left hand and raising her right, looking toward her sakhi, the two standing face to face in a palace terrace setting. Both wearing elaborate robes and richly adorned with fine jewelry. The background with a mountain landscape.Provenance: Old Swiss private collection, acquired before 1965, probably during the 1940s and 1950s at Arcade Gallery, London, and thence by descent.Condition: Excellent condition with minor wear.Dimensions: Image size 20 x 16.5 cm, Size incl. frame 41.3 x 36.3 cmMatted and framed behind glass.Auction result comparison: Compare a related Indian miniature painting of a nayika and her sakhi at Indian, Himalayan & Southeast Asian Works Of Art on 15 March 2017, lot 282, sold for USD 5,000.

A LARGE CARVED WOOD PANEL DEPICTING BUDDHACambodia, Oudongk, Post Angkor period (1618-1863). Deeply carved with Buddha seated in dhyanasana, the hands lowered in dhyanamudra holding an offering, richly adorned with jewelry and flanked by a halo of flowers and flames. All above dense floral patterns and a depiction of Garuda. Overall painted in polychrome colors.Condition: Good condition with minor surface scratches and wear to paintwork. Provenance: The collection of The Zelnik István Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. István Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe. Acquired by Dr. Zelnik directly at a monastery in Cambodia.Weight: 13.5 kg Dimensions: c. 206 x 50 x 2 cm

A SMALL AND FINE BUFFALO HORN STELE OF VAJRAPANISino-Tibetan, 19th century. Vajrapani, "holder of the thunderbolt" is lively displayed in typical wrathful iconography, holding his eponymous vajra upright in his right and snake in his left hand. Standing in pratyalidhasana, with the skull-crown and snakes for jewelry. Vajrapani is depicted as a terrifying guardian able to subdue the most dangerous of creatures. Framed by a flaming mandorla with small perforations to the sides.Condition: Good condition with expected surface wear, some minor notches and scratches. Provenance: The collection of The Zelnik István Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. István Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe.Weight: 100 g Dimensions: Height 8.4cm, Width 5.5 cm

AN OLD ELEGANT AND LONG 'CHUNG DZI' DARK CHOCOLATE AGATE BEADHimalayan region, presumably Tibet or India, around 500-1000 CE or later. Long and half translucent bead of a tubular shape in a beautiful dark-chocolate color. Well-polished and with central drilling showing ancient toolmarks. 'Chung dzi' beads are believed to have been created in ancient times by bead makers from agate or chalcedony and were worn as protective amulets. The prefix chung in this instance refers to a specific type of stone material that has unique healing properties. Condition: Good condition with some notches and minor weathering commensurate with age. Provenance: The collection of The Zelnik István Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. István Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe. Weight: 7.4 g Dimensions: 6.6 cm

AN EMBELLISHED SILVER SNUFF BOTTLEChina, 19th century. Decorated in high relief to one side with a dragon and inlaid with coral, lapis lazuli and filigree work to the other. Matching stopper applied with a coral cabochon and spoon.Condition: Good condition with expected surface wear. Provenance: The collection of The Zelnik István Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. István Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe.Weight: 85.3 g Dimensions: Height 7 cm incl. stopper

A LARGE CHAM SILVER REPOUSSE PLAQUE DEPICTING VISHNU AND CHILDChampa, 15th-16th century. The plaque finely executed in repousse depicting Vishnu, one of the principle deities of Hinduism, four-armed and holding the Sudarshana Chakra (war disk), a conch, a mace, and a divine jewel in his hands, wearing a high crown, richly adorned in jewelry, the face with a fine expression with arched brows, almond-shaped eyes, a broad nose, and slender lips, a halo behind his head, the attendant child to Vishnu's side holding a lotus flower high above his head.Provenance: Ex-Collection of The Zelnik István Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above.Condition: Good condition with some minor bending and tears, some small losses, and minor traces of age and wear.Weight: 98.0 gDimensions: Size 33.9 x 19 cmPublished: The Zelnik Istvan Southeast Asian Gold Museum, page 40, Budapest 2013. 

MASAYOSHI: AN EBONY NETSUKE OF A RECUMBENT OXBy Masayoshi, signed Masayoshi 正義Japan, Nagoya, 19th century, Edo period (1615-1868)Lying with its head turned to the side and its legs drawn in for compactness, the eyes double-inlaid with pale and dark horn. The underside with two symmetrical himotoshi and the signature MASAYOSHI.LENGTH 4.8 cmCondition: Very good condition with minor wear, few light scratches, and minute natural age cracks.Provenance: Ex-collection Richard R. Silverman. Richard R. Silverman (1932-2019) was a renowned Asian art collector with one of the largest private collections of netsuke outside of Japan. He lived in Tokyo between 1964 and 1979 and began to collect netsuke there in 1968. Since the 1970s, he wrote and lectured about netsuke and was an Asian art consultant for Christie's, Sotheby's, and Bonhams. His gift of 226 ceramic netsuke to the Toledo Museum of Art constitutes perhaps the largest public collection of these miniature clay sculptures in the world. After moving to California, Silverman became a member of the Far Eastern Art Council at the Los Angeles County Museum of Art in 1984. In 1993, he joined LACMA's Executive Board. He served on the board of directors for the International Society of Appraisers from 1986 to 1994 and served nine years as chair for the City of West Hollywood Fine Arts Commission. Richard Silverman was posthumously awarded the Order of the Rising Sun for his decades-long promotion of Japanese culture.Auction comparison: Compare a related ebony netsuke of a recumbent ox by Ikkan, also dated to the 19th century, at Bonhams, The Edward Wrangham Collection of Japanese Art Part I, 9 November 2010, London, lot 130 (sold for 10,200 GBP).

REIGEN: A WOOD NETSUKE OF A DRAGON HATCHLINGBy Geijo Reigen (born 1935), signed ReigenJapan, c. 1970Published: Lazarnick, George (1981) Netsuke & Inro Artists, and How to Read Their Signatures, Vol. 2, p. 866.An attractively compact netsuke, finely carved and stained as a dragon emerging from an egg and baying its head. The scales and flaming body are finely incised, the tail at the back sweeps to the side. Large, asymmetrical himotoshi underneath and signed REIGEN.HEIGHT 3.6 cmCondition: Excellent condition.Provenance: Ex-collection Richard R. Silverman, purchased from Wakayama, Tokyo, in 1976. Richard R. Silverman (1932-2019) was a renowned Asian art collector with one of the largest private collections of netsuke outside of Japan. He lived in Tokyo between 1964 and 1979 and began to collect netsuke there in 1968. Since the 1970s, he wrote and lectured about netsuke and was an Asian art consultant for Christie's, Sotheby's, and Bonhams. His gift of 226 ceramic netsuke to the Toledo Museum of Art constitutes perhaps the largest public collection of these miniature clay sculptures in the world. After moving to California, Silverman became a member of the Far Eastern Art Council at the Los Angeles County Museum of Art in 1984. In 1993, he joined LACMA's Executive Board. He served on the board of directors for the International Society of Appraisers from 1986 to 1994 and served nine years as chair for the City of West Hollywood Fine Arts Commission. Richard Silverman was posthumously awarded the Order of the Rising Sun for his decades-long promotion of Japanese culture.

A ROCK CRYSTAL 'ELEPHANT' TALISMANBurma/ Myanmar, 19th century or earlier. Well-polished and translucent talisman carved in the shape of an elephant with a short and lowered trunk. Central drilling showing ancient toolmarks and allowing for suspension as a pendant. The holes are handmade, irregular, funnel shaped. Simple, geometric carvings indicate the animal's collar, legs and tusks. Stone with natural inclusions. Condition: Good condition with some minor flaws and usual traces of age and wear. Provenance: The collection of The Zelnik István Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. István Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe. Weight: 42.6 g Dimensions: Height 2.6 cm, Length 3.8 cm

A LOT WITH FOURTY-FOUR LAPIS LAZULI BEADSHimalayan region, Tibet or Nepal, 19th century or earlier. Circular and flattened beads carved from indigo blue colored lapis lazuli. Most of the beads with etched decoration. With central drilling. Condition: Good condition with expected traces of age and wear. Provenance: The collection of The Zelnik István Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. István Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe. Weight: 26.2 g Dimensions: Diameter 1 - 1.4 cm

AN AMAZING LOT OF TWENTY-FIVE ANTIQUE ROCKCRYSTAL BEADSBurma/ Myanmar region, late Pyu city states, 10th-11th century. A beautiful lot consisting of twenty-five melon-shaped, varying in size beads, carved from translucent rock crystal with some natural inclusions. Central drilling showing ancient toolmarks. Condition: Good condition with some expected wear and minor weathering commensurate with age. Provenance: The collection of The Zelnik István Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. István Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe. Weight: 240 g (Total) Dimensions: 2.4 cm -1.7 cm

TWO GLAZED CERAMIC 'SHIPWRECK' POTSSouthern China, 12th-14th century. Two brown glazed ceramic pots on a ring base, globular bodies, one with handles.Condition: With expected surface wear, chipping and few sea life incrustations. Provenance: The collection of The Zelnik István Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. István Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe.Weight: 147 g in total Dimensions: Heights 4 - 4.5 cm

AN UNUSUAL BRONZE OIL LAMPSoutheast Asia, 17th - 19th century. Consisting of three parts, rising from a splayed foot and cast with several ornamental designs and a figure in the central piece depicting a deity on a winged bat-like creature, the top with a simplistic bowl.Condition: Good condition with traces of use and wear, small nicks here and there and malachite-green patina as well as few small losses.Provenance: The collection of The Zelnik István Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. István Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe.Weight: 1510 g Dimensions: Height 54 cm

A PAIR OF BRONZE BRACELETSSouthern China, Dong-Son culture (200 BC - 200 AD). The pair with both ends cast as a stylized dragon.Condition: Good condition commensurate with age, with traces of age and wear as well as a fine malachite-green patina. Provenance: Ex-Collection of The Zelnik István Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Weight: 90 g (both) Dimensions: Diameter 7.5 cm each

A POWERFUL KYOTO SCHOOL IVORY NETSUKE OF A TIGER ON BAMBOOUnsignedJapan, Kyoto, late 18th to early 19th century, Edo period (1615-1868)Similar to no. 49, yet carved from ivory and bearing a deep-yellow patina. The mighty animal strides across the bamboo rod with a leafy sprig growing from the separation point of the two nodes, and turns its head to the left, baring its fangs and snarling. The fur markings are finely incised and inked. Himotoshi through the bamboo rod.LENGTH 5 cmCondition: Very good condition, appealingly worn, minuscule nick to the tail, natural age cracks.Provenance: English private collection.Auction comparisons:A related netsuke was sold by Van Ham, Asian Art, 7 December 2017, Cologne, lot 2336 (sold for 3,000 EUR). Another was sold by Bonhams, Fine Japanese Works of Art, 19 March 2013, New York, lot 2133 (sold for 6,875 USD). Another was recently sold by Zacke, Fine Netsuke & Sagemono, 25 September 2020, Vienna, lot 66 (sold for 4,880 EUR).This motif is called take no tora, "tiger in bamboo". There are many different interpretations; the tiger has a strong nature, is flexible and resilient like the bamboo, but it is also said that the strong tiger is looking for shelter underneath the bamboo, as any earthly power is inferior to the forces of nature. Moreover, the tiger and bamboo represent the power of faith in Buddhism.This item contains or is made from elephant ivory and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Please note that in compliance with EU regulation effective January 19th, 2022, all items carved from elephant ivory before 1947 must carry a legal trade permit issued by the Austrian ministry of trade, or any other appropriate authority within the European Union. For this reason, any sale of such item can only be concluded after such permit has been granted. All payments made prior to the issuance of the respective permit will be held in escrow until the application for the permit has been approved. Please note that according to EU regulation it may take up to 3 months until the permit has been granted. In case the permit is declined, or not granted after 3 months, the payment will be returned to the client immediately.

A KHMER SANDSTONE VOTIVE PLAQUE OF BUDDHAKhmer Empire, Angkor period, 13th-14th century. Carved seated on a tiered pedestal, wearing a short loincloth around his waist, a crown surrounding his hair and surmounted by a conical ushnisha, the hands resting on his knees. All within an elaborate, lobed halo.Condition: Very good condition commensurate with age, extensive weathering, wear, and some losses. Provenance: The collection of The Zelnik István Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. István Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe.Weight: 2370 g Dimensions: Height 25 cm

A GILT BRONZE VAJRATibet, 18th - 19th century. The central flattened globular knob flanked by lotus petals and beaded edges extending to four pronged ends issuing from expressively cast, distinct makara heads.Condition: Very good condition with minor wear and casting flaws. Few minuscule nicks and light scratches. Provenance: Swiss private collection.Weight: 274 g Dimensions: Length 14.5 cmAuction result comparison: Compare a related gilt copper alloy vajra, dated to the 17th century, but of larger size (17.5 cm), at Bonhams New York in Indian, Himalayan & Southeast Asian Art on 17 March 2014, lot 59, sold for USD 11,250.

A ROCK CRYSTAL SET BRONZE PENDANT, ANGKOR PERIODKhmer Empire, 12th century. Of half loop shape with decoration to each side and top, with a tiered band and four hinges holding a rock crystal, with suspension loop.Condition: Good condition commensurate with age, old wear, minuscule nicks here and there, with a fine, naturally grown patina, encrustations, and corrosion. Provenance: Ex-Collection of The Zelnik István Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above.Weight: 232.5 cm Dimensions: Height 8 cm

A LOT OF FIFTEEN NEPHRITE 'TORTOISE' BEADSChina, Ming Dynasty (1368-1644). Fifteen beads, almost identical in size beads, hand carved in the shape of empty tortoise shells from opaque nephrite of greenish brown hue with some lighter inclusions. The color of the stone nicely mirrors the structure of a natural shell. The details are simplistically but neatly executed, the surface is well-polished. Central drilling showing ancient toolmarks. Condition: Excellent condition with some minor, expected wear. Provenance: The collection of The Zelnik István Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. István Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe. Weight: 29.2 g Dimensions: 1.4 cm - 1.6 cm

A 40 CARAT OPAL MINIATURE CARVING OF A BEAUTYChina, late Qing Dynasty to Republic period (1880 - 1930s). The approx. 40 carat gemstone of superb iridescent color carved to depict a beauty holding a flower basket.Condition: Very good condition with few microscopic nicks to exposed areas. Provenance: The collection of The Zelnik István Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. István Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe.Weight: 39 g Dimensions: Height 8 cm

AN AMAZING LOT OF NINETEEN ANTIQUE CARNELIAN BEADSSouth East Asia, presumably Cambodia, circa 1000 AD or later. Consisting of nineteen biconical and faceted beads, slightly different in size and carved from semi translucent carnelian. The stones of interesting hues showing subtle transition from iron red and pink coral to warm and yellowish creamy colors, enriched with darker inclusions. Central drilling showing ancient toolmarks. Condition: Good condition with some expected wear, natural inclusions, small notches, and minor weathering commensurate with age. Provenance: The collection of The Zelnik István Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. István Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe. Weight: 41.4 g Dimensions: 1.9 - 2.1 cm

A SILVER AND JADE BUTTER TEA SETTibet, the silver parts date to 19th century, the jade bowl dates to around 1900. The silver stand with the lobed saucer atop, embossed with a dense composition of blossoming flowers, birds, and the eight Buddhist treasures, encompassing a light green, yellow jade cup with black inclusions of translucent quality. The four-level tiered cover, delicately engraved and embossed with floral decor and Buddhist elements in high relief as well as a diaper-pattern band, surmounted by a ceramic knob. Two hallmarks to the underside.Condition: Very good condition, the silver shows minor surface wear, nicks, and slight warping. The jade cup with a tiny chip to the upper rim. Provenance: The collection of The Zelnik István Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. István Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe. Weight: 282 g Dimensions: Height 16.9 cm, Diameter 9.9 cm (Jade cup), 12.6 cm (Saucer)

A RARE SILVER `DRAGON' COCKTAIL SHAKERChina, c. 1920. Consisting of three parts, the shaker's body, the filter cup, and the top lid. The first two bear a hammer blow ground, the body is further decorated with an embossed and engraved dragon pursuing the magical pearl, the later showing an engraved monogram. The base stamped with two hallmarks and `NK'.Condition: Superb condition with minimal surface wear. Provenance: The collection of The Zelnik István Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. István Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe.Weight: 517 g Dimensions: Height 27.5 cm

A BURMESE IVORY STATUE OF BUDDHABurma, 18th century. Carved seated in dhyanamudra on a stepped throne, the hands held in his lap, wearing long robes draped over the left shoulder.Condition: Good condition with natural age cracks and few small chips to exposed areas as well as minor flakes to applied varnish. Provenance: Ex-Collection of The Zelnik István Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above.Weight: 144.5 g Dimensions: Height 13.5 cmThis item contains or is made from elephant ivory and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Please note that in compliance with EU regulation effective January 19th, 2022, all items carved from elephant ivory before 1947 must carry a legal trade permit issued by the Austrian ministry of trade, or any other appropriate authority within the European Union. For this reason, any sale of such item can only be concluded after such permit has been granted. All payments made prior to the issuance of the respective permit will be held in escrow until the application for the permit has been approved. Please note that according to EU regulation it may take up to 3 months until the permit has been granted. In case the permit is declined, or not granted after 3 months, the payment will be returned to the client immediately.

A KHMER SANDSTONE HEAD OF BUDDHAKhmer Empire, Angkor period, 12th-13th century. Sensitively carved with a serene expression, the rounded face shows outlined broad lips and a connected brow, all framed by large ears with pendulum earrings. The hair densely incised.Condition: Very good condition commensurate with age, extensive weathering, wear, and some losses Provenance: The collection of The Zelnik István Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. István Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe.Weight: 2409 g Dimensions: Height 18.5 cm

A ROCK CRYSTAL BHAIRAVA MASKNepal, 19th century. The face with a fierce expression and large bulging eyes, furrowed eyebrows below the third eye. The mouth open to reveal sharp teeth, all below a broad nose, flanked by long earlobes. His hair appears as an aureole of fire.Provenance: De-accession of The Dr. István Zelnik Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. István Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe. Condition: The mask with minor wear, few light scratches and minuscule nicks. The stone with natural fissures, of which some have developed into natural cracks over time. Some larger cracks on the front and back of the mask, with loss.Weight: 342.6 gDimensions: Height 11.9 cm, width 9.2 cmAuction result comparison: Compare a related rock crystal mask, dated to the 18th century and of slightly smaller size (7.5 cm), sold in these rooms in Fine Chinese Art, Buddhism & Hinduism on 6th March 2021, lot 446, sold for EUR 4,803.

A collection of auction catalogues, mostly Asian Art.

A collection of auction catalogues, mostly Asian Art, Pre-Columbian Art, etc.

A collection of reference books on Chinese ceramics and works of art including: Hi Li 'Chinese Ceramics'; L and C Locsin 'Oriental Ceramics Discovered in the Philippines'; The Museum of East Asian Art, Bath 'Inaugural Exhibition of Chinese Metalwares and Decorative Arts' two vols.; Duncan Macintosh 'Chinese Blue and White Porcelain' Third Edition; Gerald Davison 'Marks on Chinese Ceramics'; 'The British Museum Book of Chinese Art' and seven other volumes [14].

Circa 200-300 AD A remarkable example of Kushan artistry, richly carved in grey schist, combining naturalism of the classical Greek style with the Asian serenity of Buddhist art. He displays a serene expression recalling the compassionate disposition of the bodhisattva, who remains in the mortal realm to help sentient being free themselves from its grip of suffering. The head is finely shaped, the nose in aquiline, an elaborate coiffure that radiates from the top of the head and is fashioned in a loosely parted topknot, he has long curly hair and a moustache. The gemstone adornment that crowns the centre of the diadem, symbolise the Bodhisattva’s earthly return in the service of the enlightenment of all sentient beings. The bodhisattva is adorned with braided necklace, the forehead is centred by an incised urna. Size: L:330mm / W:200mm ; 14.5kg. Provenance: Property of a London Ancient Art gallery; formerly with H.G. private UK collection; acquired in Japan before 2003; previously in a Japanese collection since the 1960s.

Circa 200-300 AD A remarkable example of Kushan artistry, richly carved in grey schist, combining naturalism of the classical Greek style with the Asian serenity of Buddhist art. He displays a serene expression recalling the compassionate disposition of the bodhisattva, who remains in the mortal realm to help sentient being free themselves from its grip of suffering. A beautifully carved statue of a bodhisattva with finely carved head, the nose is aquiline, ears decorated with stylised earrings, an elaborate coiffure that radiated from the top of the head and is fashioned in a loosely parted topknot and a moustache just about his mouth. The bodhisattva is adorned with braided necklace, He is backed by a rounded stylised halo. He is standing on a rectangular plinth which is decorated with another central Bodhisattva and four attendants. For similar see The Metropolitan Museum of Art; Accession Number: 1991.75. Size: L:1140mm / W:380mm ; 30+kg. Property of a Middlesex collector; acquired on the London art market before 2000; formerly in an old English collection since the 1970s.

Circa 475-221 BC. A Chinese Warring States socketed spearhead; raised central ridge and decorated integral hollow handle. The handle has two vertical columns of incised wave-like decoration which has been elegantly added as decoration. Excellent patination. The military of Warring States region covers primarily to the military apparatuses of the seven Warring States who bought around 475 – 221 BC when the state of Qin conquered the other six regional states. Forming what we know today as China’s first imperial dynasty. The Qin Dynasty. Size: L:230mm / W:303mm ; 102g. Provenance: UK private collection of Asian Art; formerly acquired in the early 1990s in Hong Kong.

Circa 475 - 221 BC. A Chinese Warring States bronze socketed spearhead; raised central ridge and integral hollow handle. Excellent patination. For similar see University of Glasgow, accession number: 23.10.0. The military of Warring States region covers primarily to the military apparatuses of the seven Warring States who bought around 475 – 221 BC when the state of Qin conquered the other six regional states. Forming what we know today as China’s first imperial dynasty. The Qin Dynasty. Size: L:320mm / W:35mm ; 245g. Provenance: UK private collection of Asian Art; formerly acquired in the early 1990s in Hong Kong.

Circa 200-300 AD A remarkable example of Kushan artistry, richly carved in grey schist, combining naturalism of the classical Greek style with the Asian serenity of Buddhist art. The head is finely shaped, the nose in aquiline, an elaborate coiffure that radiates from the top of the head and is fashioned in a loosely parted topknot. The hair is stylised in such a way as to accentuate his princely status. The gemstone adornment that crowns the centre of the diadem, symbolize the Bodhisattva’s earthly return in the service of the enlightenment of all sentient beings. The heavy-lidded eyes similarly convey the contemplative serenity one associates with Buddhist imagery, while a narrow moustache grows outward from above the subtly curved upper lip just above a handsomely shaped chin. The forehead is centred by a raised urna. Size: L:300mm / W:190mm ; 10.3kg. Provenance: Property of a London Ancient Art gallery; formerly with H.G. private UK collection; acquired in Japan before 2003; previously in a Japanese collection since the 1960s.

Circa 200-300 AD A remarkable example of Kushan artistry, richly carved in grey schist, combining naturalism of the classical Greek style with the Asian serenity of Buddhist art. The scene depicts a centralised large standing buddha in abhaya mudra pose, with his left hand raised with palm flat, his right hand by his side (representing protection and peace). Surrounding buddha are eight worshippers wearing elaborate robes with numerous varieties of hairstyles including topknot. On the left, is a panel with a female dancer, with her left hand raised above her head. Mounted on a custom-display stand. Size: L:330mm / W:500mm ; 22kg. Provenance: Property of a London Ancient Art gallery; formerly with H.G. private UK collection; acquired in Japan before 2003; previously in a Japanese collection since the 1960s.

Circa 1200-800 BC A beautifully formed Chinese Warring States Period bronze socketed spear with nicely shaped, solid blade and conical socketed shaft for attaching to a piece of wood. The handle with blocked linear decoration and concentric circles. The military of Warring States region covers primarily to the military apparatuses of the seven Warring States who bought around 475 – 221 BC when the state of Qin conquered the other six regional states. Forming what we know today as China’s first imperial dynasty. The Qin Dynasty. Size: L:340mm / W:35mm ; 255g. Provenance: UK private collection of Asian Art; formerly acquired in the early 1990s in Hong Kong.

Circa 200-300 AD. A remarkable example of Kushan artistry, richly carved in grey schist, combining naturalism of the classical Greek style with the Asian serenity of Buddhist art. A finely polished dark grey schist statue representing a bodhisattva, his head now missing, his hands raised in Anjali Mudra pose, the pose of greeting and respect. The robe elegantly draping over both sides of his shoulders, undulating in high relief across the torso, gathering in folds over the legs, he is adorned with a braided necklace and stylised bracelet. Size: L:700mm / W:230mm ; 20kg. Provenance: Property of a UK Ancient Art Gallery; previously Henry Anavian, Sumer Gallery, NYC., 1980s.

A group of Chinese / Asian works of art to include: jadeite model of an elephant on carved stand as well as several other jadeite items; 4 scent bottles and a pair of lions.

Group of Asian art to include; cloisonne vases, gilt panels, etc

Etruscan votive head; 6th-5th century BC.Terracotta.Measurements: 21 x 15 x 11 cm.Feminine head of votive character that shows some idealized feminine features, although with a certain naturalism already, with short hair and open eyes, fixed to the front, maintaining a frontality habitual in some Etruscan works of art and some details that slightly remember Greek works. It is an example of the sculptural art of the Etruscan culture, which already in Antiquity was surrounded by an aura of mystery; even their Greek contemporaries were intrigued by the sudden emergence of this people as a maritime and commercial power, by this ancient people who, according to Dionysius of Halicarnassus, "resembles no other in their language and customs". While there are those who consider them as the people that gave rise to the Roman Empire, there are other experts who give more relevance to the differences that exist between the two peoples and consider them mere neighbors or "conqueror and conquered", depending on the time in which one speaks, recognizing a strong influence of some elements of Etruscan culture and art observed on the Romans. In any case, the Etruscans were great artists and craftsmen, known for what has come down to us from them: profusely decorated and very striking tombs, resembling homes in some cases; terracotta sculptures that, apparently, they polychromed with flat and bright tones (similar to ancient Egyptian works), and used to decorate temples, as sculptures etc.; goldsmithing, pottery, etc..Etruscan art received from its beginnings an important influence from Greek art, due to the cultural connection existing between both peoples throughout the history of Etruscan culture. This influence was combined with that of Eastern origin and, from the 1st century B.C. onwards, with Roman influence. However, it will be the Asian and Greek tendencies that will determine the development of Etruscan art to the greatest extent. On this basis, an art of its own was shaped, marked by a taste for stylization and lively colors. One of its main sculptural manifestations will be the portrait, which will have mainly a funerary purpose, since in Etruscan culture funeral rites and iconography will play a key role. However, there are also some examples of commemorative portraiture, such as the bronze head of Lucius Junius Brutus (ca. 300 BC), the legendary first consul of the Roman Republic. The Etruscan portrait is not a simple copy of the Greek one, but an original creation combining serenity and passion, a direct ancestor of the Roman portrait.

Fragment of foot belonging to an Etruscan sculpture, 5th century BC.Terracotta.Measurements: 11 x 24 x 12 cm.The Etruscan art received from its beginnings an important influence of the Greek, due to the cultural connection existing between both peoples throughout the history of the Etruscan culture. This influence was combined with that of Eastern origin and, from the first century B.C., with Roman influence. However, it will be the Asian and Greek tendencies that will determine the development of Etruscan art to the greatest extent. On this basis, an art of its own was shaped, marked by a taste for stylization and lively colors. One of its main sculptural manifestations will be the portrait, which will have mainly a funerary purpose, since in Etruscan culture funeral rites and iconography will play a key role. However, there are also some examples of commemorative portraiture, such as the bronze head of Lucius Junius Brutus (ca. 300 BC), the legendary first consul of the Roman Republic. The Etruscan portrait is not a simple copy of the Greek one, but an original creation combining serenity and passion, a direct ancestor of the Roman portrait.

ASIAN ART, modern reference books (6).

A collection of small Asian works of art19/20th centuryComprising a Japanese embossed tobacco pouch, four various Japanese netsuke and okimono, a Chinese amber snuff bottle and stopper, a small bronze seated Budai weight, etc. (a lot) (qty)This lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory. The United States Government has banned the import of ivory into the USA.For further information on this lot please visit Bonhams.com

A Franklin Mint Porcelain Chinese Vase Together with a Limited Edition Example, An Official Re-Creation from the Asian Art Museum The Ch'ing Dynasty Vase, 29.5cm high 30m high

Asian Blue and White Porcelain Assortment (8) items including a Japanese covered bowl having a shishi lion finial; (2) 'pea-vine' decorated Chinese Swatow small plates; a Canton ware small plate; a small jar; (3) ginger jars (2) having lids; together with a Quimper goose-neck handled bowl, a Quimper covered bowl, a Portuguese reticulated basket-bowl, an Italian Majolica bowl, a studio pottery bowl and an art pottery face plate by Suzanne Wallace Mears, signed on underside and accompanied by artist's statement sheet Property from: a Chicago, Illinois (Lincoln Park) estate Height: 6 1/2 inches, Diameter: 6 inches (Japanese bowl and lid) Condition: Very Good, no chips or cracks noted Category: Decorative Arts > Asian Estimated Sale Time: 11:52 am (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1

Asian Pottery and Porcelain Assortment (8) items including a vase having a rooster motif, (2) famille rose plates, (4) hand painted bowls and a lamp having a bird and floral motif; some pieces having mark on underside Property from: a Chicago, Illinois (Lincoln Park) estate Height: 27 inches, Diameter: 5 inches (to top of finial) Condition: Good, light wear, some scuffs, chips, fading, scratches; no shade; lamp working when tested Disclaimers: we cannot guarantee the operation or longevity; imperfections consistent with this form of art Category: Decorative Arts > Asian Estimated Sale Time: 11:59 am (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1

Japanese Satsuma Style Lidded Jar Hand-painted having a floral motif, a raised and folded drapery pattern to shoulder, gold trim and a flat lid in baluster form, markings on underside Property from: a Chicago, Illinois (Lincoln Park) estate Height: 20 inches, Diameter: 7 1/2 inches (with lid) Condition: Good, light wear consistent with age and use; scuffs, minor scratches, flea bits to glaze Disclaimers: production imperfections consistent with this form of art Category: Decorative Arts > Asian Estimated Sale Time: 12:09 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5

Siamese Benjarong Bowl 5-color porcelain Benjarong bowl having a floral motif Property from: a Chicago, Illinois (Lincoln Park) estate Height: 3 5/8 inches, Diameter: 7 1/8 inches Condition: Good, light wear; some fading and paint missing around inside rim; small chips on upper and lower rims; accretions over all Disclaimers: surface, glaze and production flaws typical of this art form Category: Decorative Arts > Asian Estimated Sale Time: 12:11 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3

'The Tomb of Akbar, Sikandra' Ink and Watercolor on Laid Paper British East India Company era or British Raj 'Company' style painting; matted and framed behind glass in a gold lacquered frame Property from: a Chicago, Illinois (Streeterville) estate Height: 4 inches, Width: 5 7/8 inches (sight)Frame Size: 8 1/2 inches by 10 1/8 inches Condition: Good, having flattened creases, surface wear and accretions; light wear to frame Disclaimers: not examined out of frame Category: Fine Art > Asian Paintings & Prints Estimated Sale Time: 1:18 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1Photograph #2

Asian Artwork Assortment (3) items including a scroll depicting 'Avalokitesvara' on a silk and canvas backing; a framed scroll having a silk background, writing in the upper quadrant, chop marks, a female figure riding a creature; and a framed floating in the center of a silk background of a meditating man Property from: a Chicago, Illinois (Streeterville) estate Height: 65 inches, Width: 25 inches (without handles) Condition: Good, light to moderate wear consistent with age and use; some having minor creases, fading, small tears on scroll; 4-inch by 3-inch sun / water damage to scroll bottom left; scroll handle broken; light dirt accumulation Category: Fine Art > Asian Paintings & Prints Estimated Sale Time: 1:19 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5Photograph #6

Indian Gouache on Paper Assortment (7) items including a Rajasthani School depiction of The Battle of Lanka, between Rama and Ravana, King of the Rakshasas, from the Ramayana; (2) pages on laid paper from an unidentified sutra, having sanskrit text, depicting Brahma and other deities paying homage to Shiva; a depiction of Gajalakshmi; above, all matted and framed behind glass; and (3) Company style copy gouaches having gold leaf highlights, unframed Property from: a Chicago, Illinois (Streeterville) estate Height: 10 1/4 inches, Width: 16 3/4 inches (sight, Ramayana)Frame Size: 16 1/2 inches by 23 inches Condition: Very Good, minor fading of margin upper left of Ramayana; wear at upper corners of Gajalakshmi; edge wear and occasional scuffs to (3) unframed Disclaimers: not examined out of frames Category: Fine Art > Asian Paintings & Prints Estimated Sale Time: 1:20 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5Photograph #6Photograph #7Photograph #8Photograph #9Photograph #10

Indian Gouache on Paper Illustration Assortment (4) unsigned and undated items including an image of (2) seated men writing and smoking, and (3) scenes of ladies in courtly settings, each of these having captions in cartouches above the image; all (4) pieces matted and framed under glass Property from: a Chicago, Illinois (Streeterville) estate Height: 10 1/4 inches, Width: 7 inches (largest sight)Frame Size: 12 1/2 inches by 9 1/4 inches Condition: Very Good, (2) of the captioned illustrations slipped within frames; stains to margins; mat burn to edges of horizontal image Disclaimers: not examined out of the frames Category: Fine Art > Asian Paintings & Prints Estimated Sale Time: 1:21 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5

Indo-Persian Gouache Assortment (4) items including (3) religious scenes, each having (2) figures; and a scene of a male and female figure seated in a courtyard; each framed under glass Property from: a Chicago, Illinois (Streeterville) estate Height: 6 1/2 inches, Width: 4 5/8 inches (largest sight)Frame Size: 8 3/4 inches by 6 7/8 inches Condition: Very Good to Good, chariot scene having paint losses throughout; paint losses and holes to margin of standing Krishna and Radha scene; creases, stains and tears to courtyard scene Disclaimers: not examined out of the frames Category: Fine Art > Asian Paintings & Prints Estimated Sale Time: 1:21 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5

Japanese 'Taima Mandala' Block Print 19th century after the 8th century original, paint and gilt-embellished block print on paper mounted on silk scroll, depicting a Buddhist religious scene of multiple figures in a landscape, in a gilt wood frame under glass Property from: a Chicago, Illinois (Andersonville) estate Height: 29 3/4 inches, Width: 26 1/2 inches (image)Frame Size: 71 1/4 inches by 41 7/8 inches Condition: Very Good, vertical cracks and wrinkles to image and silk; discoloration Disclaimers: not examined out of the frame Category: Fine Art > Asian Paintings & Prints Estimated Sale Time: 1:23 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3

Kawase Hasui (Japanese, 1883-1957) 'Snow at Hinuma Swamp, Mito' Ukiyo-E Print 1947, printed signature and seal upper right, depicting a solitary figure in a snowy landscape, matted and framed under acrylic Height: 9 1/2 inches, Width: 14 1/4 inches (image)Frame Size: 14 1/2 inches by 19 1/2 inches Condition: Very Good, no condition issues to artwork noted Disclaimers: not examined out of the frame Category: Fine Art > Asian Paintings & Prints Estimated Sale Time: 1:25 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5Photograph #6