AN EXCEPTIONAL CHINESE 'OIL-SPOT' (YOUDIYOU) GLAZED WAN BOWL, of gently rounded form, the rich dark brown glaze suffused with numerous small silvery markings, pooling more thickly in places, the lower body and foot unglazed, Northern Song - Jin Dynasty, 11.5cm diameter. Provenance: The James Baird Collection. Bluett and Sons London 1926. George de Menasce Collection. Spink and Son Ltd London 1975. An Important Private Collection of Chinese and other East Asian Art. Exhibited: Oriental Ceramic Society Exhibition 1952. Mostra d'Arte Cinese Venezia 1954. This bowl is a rare and superb example of the 'oil-spot' technique developed by Northern Song potters, where tiny metallic particles added to the glaze settle near the surface during firing to produce a variety of stunning yet subtle effects reminiscent of the iridescent patches found on the surface of oil. The term 'oil-spot' actually derives from Japanese connoisseurship, where such glazes have been highly prized since at least the first half of the 15th century, being referred to as yuteki temmoku (oil-spot temmoku). Northern Song potters probably first experimented with the technique to imitate and compete with their Southern Song counterparts. Within the oil-spot group there exists a variety of effects, which can be classified according to the arrangement, shape and size of the spots. The present lot has numerous small spots which might be best described as resembling snowflakes because of their shape and individuality. This revelation of great beauty upon close inspection summarises so much that is noble in connoisseurship of Song Dynasty ceramics. The provenance of this bowl is also of great interest. It was sold by Bluetts in 1926 as part of the James Baird Collection (see illustration) to Baron George de Menasce for £200. A commentary about the exhibition from The Morning Post on May 25th 1926 mentions the bowl and shows how highly regarded it was at the time: "... a small tea bowl of greyish stoneware, with a black "oil spot" glaze of high quality, probably from Honan, is an outstanding piece of this type of ware." Examples of Northern Song oil-spot bowls can be found in major collections. For a comparable pair of slightly deeper bowls with larger spots from the Arthur M Sackler Museum see 'Hare's Fur, Tortoiseshell, and Partridge Feathers' by Robert Mowry et al, 1996, no. 44, pp. 150-152. A slightly smaller example appeared at Sotheby's Hong Kong on 5th April 2015, lot 2888.
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A CHINESE LONGQUAN CELADON OCTAGONAL DISH, the centre with a moulded flower and two-character mark, within an ogee cavetto and foliate scroll border, the underside carved to simulate petals, Ming Dynasty, 21.5cm diameter. Provenance: Dunt King Hong Kong 1950's. Bluett & Sons Ltd London 1958. An Important Private Collection of Chinese and other East Asian Art.
A CHINESE LONGQUAN CELADON BOWL, the centre with a moulded chrysanthemum flower within a stylised foliate border, the exterior with conforming decoration, Ming Dynasty, 28cm diameter. Provenance: John Sparks Ltd London 1955. An Important Private Collection of Chinese and other East Asian Art.
A LARGE CHINESE LONGQUAN CELADON JAR of baluster form, the exterior decorated with a band of chrysanthemum flowers and scrolling foliage above a lappet band, Ming Dynasty, 32cm diameter; with a modern hardwood stand and cover. Provenance: The Collection of Mrs JG Bennett. Bluett & Sons Ltd London 1976. An Important Private Collection of Chinese and other East Asian Art.
A CHINESE LONGQUAN CELADON TRIPOD CENSER with a waisted neck above the rounded body with cross-hatched decoration, beneath a greyish-green glaze with crackles, the lower body and foot unglazed, Ming Dynasty, 30cm diameter. Provenance: An Important Private Collection of Chinese and other East Asian Art.
A CHINESE LONGQUAN CELADON TRIPOD CENSER with a waisted neck above the rounded body with cross-hatched decoration, beneath a glassy glaze pooling darker near the unglazed foot, Ming Dynasty, 32cm diameter Provenance: John Sparks Ltd. London (label). An Important Private Collection of Chinese and other East Asian Art.
A LARGE CHINESE LONGQUAN CELADON DISH, with a broad rim and gently rounded body, the centre decorated with a phoenix within a cavetto of two dragons chasing flaming pearls beneath a glassy glaze, Ming Dynasty, 39.5cm diameter. Provenance: An Important Private Collection of Chinese and other East Asian Art.
A LARGE CHINESE LONGQUAN CELADON DISH, the broad rim above the gently rounded body, the centre and cavetto decorated with dragons beneath a glassy glaze, Ming Dynasty, 42.5cm diameter. Provenance: John Sparks Ltd London 1955. An Important Private Collection of Chinese and other East Asian Art.
TWO CHINESE FAMILLE VERTE SAUCERS, one of octagonal form decorated with precious objects on a table within a foliate border, the other of circular form decorated with flowers, Kangxi, 13cm and 13.4cm diameter (2). Provenance: An Important Private Collection of Chinese and other East Asian Art.
A SET OF FIVE CHINESE PAINTED POTTERY FEMALE FIGURES, each kneeling and wearing long robes, three holding musical instruments, one a fish, Northern Wei Dynasty, 12cm high. Provenance: Spink and Son Ltd London 1957. Exhibited: Manchester City Art Gallery 1936. An Important Private Collection of Chinese and other East Asian Art. The dating of this lot is consistent with thermoluminescence testing by Oxford Authentication.
TWO CHINESE DEHUA CUPS, one of libation form with relief prunus decoration, the other decorated with foliage above a lotus petal band, the base with a Fu mark, Qing Dynasty, 17th/18th century, 6.5 and 7cm high (2). Provenance: An Important Private Collection of Chinese and other East Asian Art.
A CHINESE YIXING OCTAGONAL TEAPOT, the cover with a faceted finial surrounded by relief cloud scrolls, the body decorated in relief with two flower meanders, the base with two impressed seal marks, Qing Dynasty, 17th / 18th century, 12cm long. Provenance: An Important Private Collection of Chinese and other East Asian Art.
A JAPANESE CERAMIC INRO by Kenya (Miura Totaro, 1825-1889), the inro decorated on each side with landscape scenes and inscribed with place names from the Tokaido Highway, signed Kenya, the manju signed Tenrokudo, the inro 9cm long. Provenance: An Important Private Collection of Chinese and other East Asian Art.
A JAPANESE CALLIGRAPHIC SETO WARE DISH by Shunzan (Kato Kagenori) of waisted rectangular form with three feet, signed underneath Shunzan and dated 1806, the sides and interior with poetic inscriptions by Shiro, Shingetsu and others, Edo period, 21cm long. Shunzan was a noted potter of the late Edo period. The Metropolitan Museum of Art in New York holds three examples of his work (93.1.46 / 93.1.62 / 36.120.650). Provenance: An Important Private Collection of Chinese and other East Asian Art.
A CHINESE SILVERED BRONZE FOLIATE-FORM MIRROR decorated in relief with Immortals riding cranes and horses, the eight-lobed border with insects and flowers, Tang Dynasty, 12.4cm diameter. Provenance: Roger Keverne Ltd London 2000. An Important Private Collection of Chinese and other East Asian Art.
TWO CHINESE BRONZE SCROLL WEIGHTS, one of a hound, the other a lion with a frog on its back, Ming -Qing Dynasty, 4cm and 5cm long (2). Provenance: The lion Spink and Son Ltd London 1977; the hound Gerard Hawthorn Ltd 2002. Provenance: An Important Private Collection of Chinese and other East Asian Art.
A CHINESE 'HARE'S FUR' GLAZED BOWL, of conical form with a metal-bound everted rim, the rich glaze with subtle 'hare's fur' vertical markings, the lower body and footrim unglazed, Northern Song - Jin Dynasty, 13.5cm diameter. Provenance: An Important Private Collection of Chinese and other East Asian Art
A PARCEL-GILT SAWASA WARE TOBACCO BOX, of rounded form, the cover and underside decorated with figures and pagodas in landscapes within ogee borders, the sides with foliate panels, late 18th/early 19th century, the interior of the cover monogrammed and dated 1823, 9.5cm long. Provenance: Gerard Hawthorn Ltd London 2003. An Important Private Collection of Chinese and other East Asian Art. Several boxes of this type are illustrated in 'Sawasa: Japanese Export Art in Black and Gold, 1650-1810', Rijksmuseum 1998, pp.57-62.
A CHINESE PARCEL-GILT BRONZE 'DOUBLE-PHOENIX' SCROLL WEIGHT, the two reclining winged creatures facing each other and seated on a scroll base, late Ming-early Qing Dynasty, 7.7cm long; on a hardwood stand. Provenance: Spink and Son Ltd London 1977. An Important Private Collection of Chinese and other East Asian Art.
A PAIR OF CHINESE CANTON ENAMEL SQUARE DISHES with canted corners, decorated with butterflies above baskets of flowers, the bases seal marks Zhuju (Bamboo House), Yongzheng - Qianlong, 12cm from corner to corner (2). Provenance: An Important Private Collection of Chinese and other East Asian Art.
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6731 item(s)/page