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57875 Los(e)/Seite
Los 1977
A Victorian mahogany scotch chest of drawers, with three deep over four long graduated drawers with wooden knob handles, flanked by scrolling corbels and all raised on a plinth base with short bun feet, width 126 cm (see illustration). CONDITION REPORT: The top is flat. The main section of the top has no splits. The front left hand square block does have a gap between it and the main top panel. The moulded edge is in good condition all round. Both sides are in good order with no splits or scratches. All drawer fronts are in good condition. They are well figured, have all the cockbeading and original handles. The corbels are in good order. The plinth base is in very good condition all round with only very minor scratches and scuffs. The short bun feet are all present.
Los 522
FORTY FOUR BOXED LILLIPUT LANE SCULPTURES FROM BRITISH COLLECTION, (black backstamp), 'Burley Street Garage', 'All Things Bright and Beautiful' L2357, 'Smuggler's Rest' L2331, 'Little Splinters' L2423, 'Jewel in the Crown' L2437, 'Kensington Gardens' L2456, 'Morning Post' L2381, 'Going for a Song' L2489, 'Helter Skelter House' L2503, 'Bear Necessities' L2452, 'The Lion House' L2187, 'Scotch Mist' L2159 (Scotland), 'Tollborth Llanfair' L2548 (Wales), 'Whisky Galore' L2516 (Scotland), four 'Queen of Hearts' L2511, two 'Dream Catchers' L2439, 'Salmon's Leap' L2233, 'Castaway' L2402, 'Chatterbox Corner' L2333, 'Here Comes the Bride' L2424, 'The Anchor' L2011 etc
Los 1138
Dimple Haig (boxed) The Black Grousew 70cl, boxed, Ballantynes Finest Scotch Whisky in stoneware pot with wax seals, The Edradour Malt aged 10 years miniature in presentation box with glass, The Balvenie boxed set of three miniatures (Founder's Reserve, double wood, single barrel, 10, 12 and 15 years respectively), Glenfiddich Special Reserve 12yo miniature in tin (8)
Los 272
DAVID BOWIE UNRELEASED TRACK MASTER TAPE. A boxed reel of 2" Scotch tape, with Trident Studios labels on box indicating that the contents of tape include a 30th July 1971 recording session at Trident, with David Bowie listed as a producer for recordings of Fill Your Heart and Changes. The tape is an incredible listening experience and includes the solo recordings of the instruments and Bowie’s vocals on the 16 audio channels which culminates in 5 takes of Changes and 3 takes of Fill Your Heart With Love.There are 4 instrumental takes of Changes with Bowie stopping recording and speaking to musicians and engineers in between takes. His explanations as to how he would like it played are fascinating and he was obviously in good spirits with quips such as “Good Luck Chaps!” prior to counting down the start. At one point he also loses a little patience being heard saying “Do another one!” followed by swearing at the response of one of the musicians/engineers.When listening to his vocal solos for both Changes and Fill Your Heart he can be heard breathing softly and humming tunes before breaking into the vocals. The sound quality is that good that it almost feels like you are there in the studio with him.Much of this tape contains previously unheard recordings of two significant Bowie tracks making it an incredible opportunity for a Bowie fan and collector to hear this amazing recording.The tape has been professionally transferred to digital and a USB data stick with the recording on will be provided with the lot.A detailed history of the provenance of the tape has been provided courtesy of the vendor. What follows is an abridged account, recounted by the vendor:"In the 1970s Bowie’s management rented a studio in what Brian Eno describes as “palatial Gunter Grove in Chelsea”. Bryan Wharton, internationally renowned photo journalist and award-winning photographer, was a neighbour in an adjacent unit at Gunter Studios and remembers, “They were there for about six years. He remembers that when they vacated the offices in the late 70s that there were skip loads of stuff left behind. Tania had been visiting Bryan at Gunter studios since 1968 when she met him as a 17-year-old actress wannabe. She had a white convertible but only a provisional licence and Bryan was one of the friends she would call on to sit with her when she wanted to go for a drive. Their friendship with the L-plate chaperone endured even after she passed her test and, over a decade later, in 1981, Bryan introduced her to his new neighbour Mike Norris, a photographer who had recently bought the old Church hall, the largest of the studios.Within 18 months, Bryan was the Best Man at Mike and Tania’s wedding in the Boltons. By 1985, the couple also had a weekend cottage in Wiltshire and Tania was spending more and more time there with their young children. One weekend, Mike arrived with a battered carrier bag and handed it to Tania. “Inside was this old box containing a Bowie master tape. I had no idea what to do with it so I put it in an un-used cupboard with my mother’s mink.” “He had found it in Gunter Hall when he moved in, covered in plaster dust and cobwebs at the back of an alcove piled with junk from the previous owner,” said Tania. “He was not somebody in the bit of giving me anything valuable! I didn’t quite know what to do with this strange gift and assumed it was another of his white elephants and had little value.” “But I kept hold of it through various house moves and it’s been under my bed for years now. It was only when I read a recent article in the Guardian about another discovered recording of Bowie’s that I realised I might be sleeping on a gold nugget!” "**Please note that the tape and its contents are being sold as an artefact only. No copyright is included with the sale and any reproduction of the material is strictly forbidden under UK Copyright Law.**
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57875 Los(e)/Seite