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A box containing a typewriter; a pair of table lamps; a Rumtoft jar; a large bird ornament etc.

An Olivetti Dora typewriter in fitted case

An Olivetti typewriter

A typewriter in fitted case

A box of collectables to include Victorian indentures, pen knives, Simplex typewriter, cork screws, pewter etc.

Imperial 200 typewriter with original box & instructions

Groma Kolibri portable typewriter in carrying case with instructions

IMPERIAL GOOD COMPANION TYPEWRITER, in a fitted case, 30.5cm wide

An early 20th century Underwood typewriter

A Corona typewriter

Two sets of vintage scales (Vandome & Hart and Avery) plus an Underwood typewriter

A travelling typewriter and bakerlite notepad

A 20th century cased typewriter by Underwood.

An Imperial Good Companion Standard Model Typewriter In good order with instruction book and receipt dated 1957. Please see image.

Cased sewing machine with a cased vintage typewriter

A parcel lot to include, two Japanese laquer glove boxes, three framed cat depictions (tin can), two book ends, an Art Nouveau hair pins, two 19th Century horse brasses and a brass elephant, Doulton stoneware, ceramic, typewriter box and cover, two bases, a Copeland china, retailed Goode &Co Ltd, Armourial soapdish and a wooden box, a model of a fighter jet, an African figure, soldier etc (parcel lot)

Mettoy Playcraft petite typewriter in case and boxed, plus Pelham puppet, School teacher, and Cuisenaire numbers in colour, counting blocks (3)

AN EARLY 20TH CENTURY CASED SALTER STANDARD No. 10 MANUAL TYPEWRITER, possible serial No. 21605, the original Tole ware style case with matching painted embellishment

Olympia typewriter in case

A Silver Reed typewriter, a brass round clock and pair of binoculars

Retro Tab o Matic Imperial 320 typewriter

A mid 20th century Olivetti retro portable typewriter, bright red, in a carrying case

A Continental typewriter, made in Saxony, linen, bead trimmings, etc

A Cossor 1930's radio; a Singer sewing machine; an Imperial typewriter; an oak cake stand (4)

UK 1st Aerial Post 1911 Sept 9th brown card with Remington Typewriter advert on back ‘First postal Message by Aeroplane Post’ single KG5 ½d tied by code 2 commem hand stamp

A horn Gramophone, a Senior Monarch by the Gramophone & Typewriter Ltd, with Exhibition soundbox, triple-spring bevel-drive motor, yielding turntable, brass Morning Glory horn (repair to neck) and oak case (lacking winding handle, but motor runs)

An Adler typewriter, Model 7, by Adlerwerke vorm Heinrick Kleyer A.G, in excellent condition, in case

An Underwood typewriter, portable model, in case, with Warranty dated 1932

A vintage Corona portable typewriter.

Olivetti Studio typewriter, with turquoise body, housed in a red travelling case

Robotron Model 105 typewriter, housed in a travelling case

A Vintage Imperial Good Companion Portable Typewriter

Late C19th cased field typewriter

An Olivetti typewriter with cover

An LC Smith & Corona typewriter

An Imperial typewriter with cover

A Lettera 22 typewriter

Two vintage typewriter, Hermes Baby and Imperial

A vintage Imperial typewriter

A Gabrielle 25 cased typewriter

A 9ct. yellow gold curb link charm bracelet suspending an extensive collection of gold charms, bracelet links impressed "375", with 9ct. hallmarked heart padlock clasp. Charms include: A yellow metal matador, a yellow metal bull, a 9ct. hallmarked bull, a yellow metal matadors' jacket, a yellow metal "Spiderman", a yellow metal rugby ball, a 9ct. hallmarked sewing machine, a 9ct. hallmarked guitar, a yellow metal bell, a 9ct. hallmarked aeroplane, a 9ct. hallmarked poodle, a 9ct. hallmarked seahorse, a 9ct. hallmarked gas lamp, a 9ct. hallmarked circular "thistle" pendant, a yellow metal typewriter, a 9ct. hallmarked leaping mountain goat, a 9ct. hallmarked lidded tankard, a yellow metal bottle, a 9ct. hallmarked sailing ship, with hinged keel opening to reveal a gem stone set interior, a yellow metal,carnelian agate and blood stone swivel fob, a 9ct. hallmarked Elizabeth tower, a 9ct. hallmarked church, with pierced windows, door and spire, a 9ct. hallmarked "Jersey" charm, a 14ct. "California" charm, impressed "14K", a 9ct. hallmarked circular St,Christopher pendant and two other charms. (all yellow metal charms assessed as gold). (gross weight 89.8g),

BROTHER TYPEWRITER

OLIVETTI TYPEWRITER

A Bar-Lock typewriter

A Remington typewriter

Mixed Collection: includes Boxed Yamaha PSR400 electronic keyboard & stand, together with mid century typewriter and sewing machine. (4)

An Imperial typewriter

DSH [Dom Sylvester Houédard] begin again a book of reflections & reversals. Banks, Brampton, Cumbria: LYC museum & gallery, [1975]. Square 8vo, org. wrappers; pp. [7], blank, [3], [3 (blank)] [text], 3 plates, 8 pockets with loosely inserted art, [2 (imprint, blank)] with loosely inserted image on card and prospectus for LYC [Li Yuan-Chia]. Limited edition, no. 34 of 500. Houédard was a Benedictine monk, poet and theologian in the tradition of the greatest of medieval mystics. He was literary editor of the Jerusalem Bible and a dedicated scholar of religion, writing commentaries on Meister Eckhart and calling for a 'wider ecumenism'. He perceived the pursuit of the Truth of God as requiring a full engagement with Eastern traditions and Islamic thought. He was also an early and enthusiastic proponent of concrete poetry in Britain, exploring its links to cybernetics, Wittgensteinian linguistics and mystical truths. In his poetry, he sought to free text from its strict horizontal emplacement in order to find the Truth within words. The elements of this book seek the reader's physical as well as mental engagement, requiring manipulation to show their full depth. He wanted to push the experiencer to the moment when a word transformed, creating a new way to see - in this work alone MIND and ACHE become analogous simply looking in a different direction. DSH, as he signed himself, worked in a wide variety of media, but it was for his typographical work (especially the early 'typestracts') that he is most remembered. The Lisson Gallery suggested in the release for their 2018 exhibition of his work, that his time as an administrative clerk with British Military Intelligence 'may point to a possible origin of his interest in the subversive use of the typewriter. Finding in its functions the possibility to visualize language in a manner that relieved words of their bureaucratic function, Houédard constructed a pictorial plane and shaped their visual emergence.' Certainly, his early work as a champion of the form used the typewriter in strange and alluring ways, creating visual blocks in which the text was secondary (though critical) to the ultimate experience of meaning. Whilst comparisons to Dadaism are perhaps inevitable, Houédard preferred to see his works as transformative, moving the audience towards a better understanding, rather than destructive and seeking only to highlight absurd meaninglessness. His texts were to be used, not disposed of, recalling talismans and medals inscribed with sacred words.. A little edgewear and marking to covers, internally clean,

British Avant-Garde Torok, Karl The Swan. The Sepia Press, [nd]. No. 24 of 25 signed by Torok. 8vo, org. card wrappers, and a number of postcards to Torok from various figures such as American poets Ron Padgett and Kenward Elmslie - including from the latter a postcard showing an illustration by Torok in Elmslie's forthcoming Topiary Trek. Many postcards show work by Torok or other underground and revolutionary artists. Torok was a Bradford-born printmaker and painter of Hungarian descent. He was linked to many small press and avant-garde collectives such as Ian Gardner's New Arcadians and the many projects of Simon Cutts and Stuart Mills. The Blue Tunnel [Gardner, Ian] A collection of ephemeral works by Ian Gardner and others under the Blue Tunnel imprint, this includes a number of newsletters with contributions from old friends like Simon Cutts and odd works like Edwin Morgan's whimsical 'the blue tenniel'. Amongst the ephemera are Tom Meyer's Legends, inscribed to Karl; Rod Gathercole's Canal Water Lock Gates; and Gael Turnbull's poem for Wulfstan, the Saxon Bishop of Worcester. Meyer, Tom Material sent from Corn Close to Karl Torok, especially of Meyer's playing with computers and dot-matrix printers to create modern (1987) takes on the old typewriter work of the early concrete poets such as DSH. These are annotated by Meyer explaining the system. Along with three greetings cards and two letters to Torok. An intriguing piece, which simultaneously of an era of mechanical (or indeed digital) reproduction, whilst very likely being unique in this form and version.

A 1970's Silver Reed SR22 Portable Typewriter, in a mint green colour, black keys.

Early 1900's Corona Typewriter, coloured green, in black case.

A vintage cased Underwood typewriter together with a similar vintage Remington Rand cased typewriter

A vintage cased Imperial portable typewriter together with a portable Smith-Corona Calypso portable typewriter and a parcel of Spink auction catalogues

A Corona No 3 portable typewriter, in original case

A portable typewriter.

A Remington typewriter.

A Remington World Service portable typewriter with carry case

THREE CHARMS OR PENDANTS AND OTHER ITEMS INCLUDING A 9CT GOLD TYPEWRITER CHARM comprising; a 9ct gold travelling typewriter, London 1964, 0.8g; a Continental yellow-metal folding fan with pierced sticks, stamped 'L86B(?)' in a pentagonal punch, 3.4g; an 'unravelled' eight-piece puzzle ring, indistinctly stamped '9c(?), 3.2g; a damaged fine trace chin with a bolt ring clasp stamped'9ct', 1g; together with an engraved heart-shaped locket stamped '9ct Bk & Ft'

An early 20thC Oliver typewriter, in black with articulated keys, 39cm W.

An early 20thC Remington typewriter, in grey metal with articulated keys, 29cm W, in fitted case, and a further typewriter. (2)