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The Clones of Bruce Lee, Original Cinema Movie Poster starring Dragon Lee, Bruce Le, Bruce Lai, Bruce Thai. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
A collection of miscellaneous items, including examples of a large loose pink tourmaline, approximately measuring 16.8 x 15.7 mm; a ruby-set Thai princess domed ring, size O½; a Capri hinged bangle set with polychromatic paste, a mother-of-pearl lipstick holder, a mother-of-pearl atomiser, a large glass brooch, a cheroot holder and a necklace.
A group of twenty four small bronze Asian seated Buddhas, 20th century, including Thai and Chinese examples. the largest - 12cm high; together with a Chinese bronze censer, 20th century, 11cm high (25)All the Buddahs in apparently good overall condition with no apparent losses or restorations. Some with small casting faults.The censer with casting faults to the cover.
A Tudor Oyster wristwatch, the circular black dial with Thai numerals and subsidiary seconds dial to six 'o' clock, set to a silver coloured case, Rolex coronet monogram to crown wind, the reverse engraved 'By Rolex Geneva Original Oyster Case' and numbered '315547' and '7958', case 32mm diameter, upon a later leather strap with buckle fastening Your attention is drawn to our important notice regarding the Trevanion sale of watches found in our Terms & Conditions, please read this prior to bidding. CR: Your attention is drawn to our important notice regarding the Trevanion sale of watches found in our Terms & Conditions, please read this prior to bidding.Some wear and loss to the enamel numbers and letters, visible under 10x magnification. Dial in good order, no cracks, chips, fracture or loss. Moderate scratching and wear to the hands. Heavy scratching to the glass. Moderate scratching and wear to the case, with heavier wear to the ridges on the reverse cover. Reverse case cannot be removed, however their does appear to be deterioration to the rubbed seal sticking out of the cover under 10x. Heavy wear to the leather strap, one of the leather loops securing the strap has split. This watch ticks when wound. See additional images for illustration.Both hour and minute hands are present - please view pictures six and seven for illustration.There is no indication that this dial is a later replacement.
Large Lladro Gres figure group of two Thai dancers, "Thailandia" of Danza Thailandeses, modelled by Vincente Martinez, no. 2058, impressed and printed marks, 54cm high. Condition report:Damage to fingers, as images. Boy missing one finger, girl missing one finger, thumb on other hand restuck/repaired. Needs wash/wipedown for dust/dirt.
**PLEASE NOTE COLLECTION OF THIS LOT WILL BE FROM BISHTON HALL STAFFORDSHIRE**A set of four Thai Winsome wood meat serving platters, each shaped and mounted with aluminium animal mounts for pig, turkey, chicken and bull, largest 61cm wide: a “ You rang M’ Lord” wood lazy susan, a cheese board, and a two cut glass bottle vinegar cruet circa 1920 (7) Condition: used but fair state
Three Thai paintings on card, probably 19th century, gouache on card, framed and glazed,together with a gilt-heightened painting of a horse on silk,each 23 x 32cm (4)Condition ReportHorse frame size - 27.5 x 37cm. Some bubbling to the fabric laid on board. There is some sort of long vertical pluck to the fabric in the lefthand third and another small one to the centre. Smudges to the areas of grass.All three Thai paintings with a horizontal crease/fold, some light wear to paint surface.
A gilt-metal Buddha in the Rattanakosin style, 20th century, Thai, seated in dhyanasana on a stepped throne, with hands in dhyanamudra,19cm wide12cm deep32cm highCondition ReportSome general knocks and slightly misshapen areas. Some loss to gilding. General wear commensurate with age and use. Overall in fair cosmetic condition.
Palmblatthandschrift mit Texten des buddhistischen Kanons. Thailand um 1900. 130 Bl. 59 x 6,5 cm. Die Blätter mit jeweils 2 Löchern auf geflochtener blau-weißer Kordelschnur (300 cm) mit silbernem Halteknopf (ø 3,7 cm) aufgefädelt und zwischen zwei ca. 1 cm starken lackierten Hartholzdeckeln eingehängt. (von minimalen Kratzspuren abgesehen wohlerhalten). Thailand um 1900.Vorzüglich erhaltenes Exemplar einer wohl aus Thailand stammenden Palmblatthandschrift mit Texten des buddhistischen Kanons in altem Thai-Duktus, einem südostasiatischen Zweig der indischen Schrift wie die birmanische, Khmer- und laotische Schrift, die als Abugida zwischen Alphabet- und echter Silbenschrift steht. Der Buddhismus breitete sich von Birma nach Thailand aus und mit ihm kam auch die Form des Palmblatt-Manuskriptes dorthin.Anstatt von Papier oder Papyrus benutzte man im Südasiatischen Raum häufig halbgetrocknete Palmblätter, auf die die Schrift mit einem spitzen Griffel gewissermaßen „eingraviert" wurde, bevor sie ganz getrocknet wurden. Die Schrift - als Wunde in der zarten Oberfläche - schwärzte aus und bildete einen Kontrast zur hellbraunen Fläche. Besonders religiöse Texte wurde vor dem Aufkommen des Buchdrucks in Palmblatthandschriften kopiert und somit überliefert.Bei dem vorliegenden handelt es sich um ein besonders hübsches Exemplar dieser Buchgattung: die vollständigen, kaum irgendwelche Gebrauchsspuren zeigenden Blätter sind zwischen zwei Holzdeckeln mit einer Kordel zusammengehalten, an deren Schluss ein reich ornamentierter Silberkopf sitzt (oxidiert). Die Deckel sind außen rot lackiert und mit zahlreichen floralen Ornamenten in Gelb und Grün verziert, in deren Mitte Texte erscheinen. Die Innenseiten sind schwarz lackiert und zeigen 13 besonders fein gemalte Chedis (Stupas, thailändische glockenförmige Kuppelgräber), einen prächtigen Lebensbaum (durch dessen Astgabelung die Schnur geht) sowie eine liegenden Buddha-Figur (auf Kissen gelagerter Wat Pho- oder Ang Thong-Buddha in Strahlengloriole), zwischen den Chedis stilisierte Blüten. - Durchgehend von sehr frischer Erhaltung. Die Blätter sind bis auf das erste und letzte Blatt doppelseitig in einer höchst feinen, gratigen Handschrift beschriftet.
Rectangular model with Niëllo decoration depicting an Asian elephant and two Thai temple guards. Works by means of a click closure and the inside is equipped with a cigarette holder. This pencil case is made in Siam, which is now called Thailand. Until 1939 this was called Siam. After the Second World War and at the same time as the end of the Japanese occupation, the name Siam was used again from 1946 to 1949. Thailand, early 20th century, hallmarks: made in Siam, sterling 925, ZI - light signs of wear and dents. 120 grams, 925/1000. Dim. L 8.8 cm, W 10 cm.
Bodhisattva couple. Thailand, 17th-18th century.Patinated bronze, with traces of gilding (fine gold).It shows wear due to the passage of time.Modern bases.Measurements: 43 x 17 x 10 cm. figures; 5 cm. high bases.Pair of bronze sculptures, of Thai origin, representing two monks in prayer or Bodhisattvas. They are remarkably refined, as can be seen in the modelling and the stylised description of every detail. The two praying figures are seated on a lotus flower and join hands in prayer. Lotuses, a symbol of purity, traditionally accompany Bodhisattvas. The almost closed eyelids, leaving only a crack, are a symbol of spiritual concentration and purity because of their similarity to the lotus petals. The serene face is illuminated by a barely hinted smile. A sinuous line follows the lip profile, marking with similar delicacy the perfect arch of the eyebrows, the almond-shaped eye sockets and the bridge of the nose. Each curve has been carefully considered and balanced to convey the serenity characteristic of a perfect being. The elongated earlobes allude to the large earrings worn by members of the noble classes and represent the concepts of greatness, nobility and wisdom. The figures wear long robes and necklaces indicative of their status.
Pair of Foo "sang de boeuf" dogs, Qing dynasty. China, 19th century.Hand-polychromed porcelain.Red export wax seals on the back.Measures: 29 x 11 x 25 cm .Wear and tear. This lot can be seen in the SetdartBarcelona Gallery located in C/Aragón, 346.Pair of Foo "sang de boeuf" dogs, Qing dynasty. China, 19th century. In hand painted porcelain. These pieces were made in China for the foreign market (export to other countries). This is confirmed by the sealing wax seals on the back.Sang de boeuf enamel, a deep red ceramic glaze, first appeared on Chinese porcelain in the early 18th century. The name means "ox's blood". Sang de boeuf is a flamed and glazed glaze, marked by unpredictable but highly decorative and varied effects.The foo dog, similar to a lion, is an important symbol in Chinese Taoist culture and, through its influence, also in Japanese and Thai culture. It is identified with protection against evil spirits, and hence they are often depicted in pairs at the entrance of temples, imperial tombs, palaces, government buildings, etc. They are also known as Imperial Guardians, and were very common in traditional Chinese art. They are attributed with mythical powers of protection, and appear as early as the Han Dynasty (206 BC - 220 AD) at the entrance of important buildings.
Bodhisattva head. Possibly Thai, 17th-18th century.In bronze.Part of the skull is missing.Wooden base.Size: 17 x 14 x 13 cm. head; 13 x 11,5 x 11,5 cm. pedestal.Representation of Buddha or bodhisattva in bronze, possibly Thai. The serene face, with a sketched smile, symbolises the balance of a perfect being. The lowered eyelids are a symbol of spiritual concentration and purity, due to their similarity to the petals of the lotus. The hairstyle also identifies the iconography of the Buddhas and bodhisattvas: the curls that cover the skull like small snails and form a double skull (ushnisha), which is a symbol of meditation and spiritual life, because it is meant to evoke a temple. However, in this piece the bun has been lost due to a breakage.
Two Foo dogs, Qing dynasty. China, 18th century.Carved, polychromed and gilded wood.Some flaws and flaws in wood and polychromy.Measurements: 27 x 20 x 30 cm (largest).Two of Foo dogs, from the Qing dynasty, China, 18th century, carved, polychromed and gilded wood.The foo dog, similar to a lion, is an important symbol in Chinese Taoist culture and, through its influence, also in Japanese and Thai culture. It is identified with protection against evil spirits, and hence they are often depicted in pairs at the entrance of temples, imperial tombs, palaces, government buildings, etc. They are also known as Imperial Guardians, and were very common in traditional Chinese art. They are attributed with mythical powers of protection, and appear as early as the Han Dynasty (206 BC - 220 AD) at the entrance of important buildings. Today, foo dogs are still used as decoration and symbolic elements at the entrance of all kinds of buildings, from hotels to supermarkets. In fact, they can be found both in China and in other countries with a Chinese emigrant population.
Four Corgi Aviation Archive aircraft, comprising AA33505 Boeing Stratofortress 328 BS, 93 BW, Castle AFB California, 1971, AA33502 Boeing B-52D 'Diamond Lil' SAC, Utapao Royal Thai Naval Airfield 1972, AA33503 Boeing B-52D Stratofortress, 56-0689 American Air Museum, Duxford, and AA33504 Boeing NB-52B with X-15 research aircraft, Edwards AFB, California, all boxed (some boxes lightly creased and torn).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
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7629 item(s)/page