Ben Vautier. (1935 Neapel). Art is a question of signature. Portfolio von 9 Arbeiten. 1977. Je Serigraphie (tls. mit werkimmanenten Fehlstellen), davon 8 auf leichtem Vélinkarton, 1 auf klarem Kunststoff. Je ca. 23 x 32 cm. Eingelegt in Original-HLeinen Portfolio mit Schließbändern, Lwd. Ecken u. DTitel. Überwiegend signiert, im Innendeckel stempelnummeriert. Die Arbeiten je mit Blindstempel des Atelier Laage sowie verso mit weiterem Editionsstempel. - Wenige Arbeiten mit minimal angestoßenen Kanten sowie materialbedingtem leichten Oberflächenabrieb. Der VDeckel der Mappe mit unwesentlicher Druckspur. Insgesamt sehr gut erhalten. Durchweg prachtvolle Arbeiten in Original-Portfolio. Eines von 80 nummerierten Exemplaren. - Wiederkehrend beschäftigt sich Vautier in seinem Schaffen mit dem Motiv der Künstlersignatur. Im Portfolio "Art is a question of signature" experimentiert der Künstler mit der Künstlerunterschrift, indem er verunstaltet, unkenntlich macht oder als Fehlstelle aufzeigt. portfolio of 9 works. Each serigraph (partly with inherent defects), 8 of them on light cardboard, 1 on clear plastic. Loosely inserted in original half cloth portfolio with closing bands, cloth corners and covertitle. The serigraphs mostly signed, the portfolio numbered with a stamp on the inside cover. The works each with blind stamp of the Atelier Laage as well as with another stamp on the verso - A few works with minimally bumped edges as well as slight surface abrasion due to the material. The front cover of the portfolio with insignificant pressure mark. Overall very well preserved. Splendid works throughout in original portfolio. - One of 80 copies. - Recurrently, Vautier deals with the motif of the artist's signature in his work. In the portfolio "Art is a question of signature", the artist experiments with the artist's signature by defacing it, making it unrecognisable or exposing it as a missing part.
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Wiener Aktionismus - - Arnulf Rainer. (1929 Baden b. Wien). Hirnsprung. 1970. Farbserigraphie auf leichtem Velinkarton. 53 x 87 cm (65 x 90 cm). Signiert und nummeriert. Unter Glas gerahmt (geöffnet). - Papierbedingt ganz leicht gebräunt. Im oberen linken Rand mit kleinem Wasserfleck, unten links mit oberflächlicher Kratzspur. Insgesamt gut. Prachtvoller, farbintensiver Druck mit Rand. Nicht bei Breicha. - Eines von 60 nummerierten und signierten Exemplaren. - Herausgegeben von der Edition Rottloff, Karlsruhe. Colour serigraph on light wove card. Signed and numbered. Framed under glass (opened). - Due to paper hardly browned. Small water-stain on upper left margin, surface scratch in lower left, all in all good. - One of 60 copies. - Published by Edition Rottloff, Karlsruhe.
Franz Gertsch. (1930 Möringen/Schweiz - 2022 Riggisberg/ Schweiz). Franz und Luciano. (1973). Farbserigraphie auf leichtem Velinkarton. 66,5 x 99,5 cm. Signiert und nummeriert. - Im Blattrand punktuell berieben und gering bestoßen. Insgesamt in sehr gutem Zustand. Prachtvoller farbsatter Druck der formatfüllenden Darstellung. Eines von 100 Exemplaren. Colour serigraph on light wove cardboard. Signed and numbered. - Isolated rubbed and hardly bumped in margin. All in all very good. Splendid, saturated impression of the format-filling depiction. - One of 100 copies.
Auguste F. J Herbin. o.T. (Geometrische Komposition). 1957. Farbserigraphie auf festem Velin. 60 x 40 cm (70 x 50 cm). Signiert, datiert und nummeriert. Mit zwei Trockenstempeln der "Guilde International de la Serigraphie". - Verso mit Spuren vorheriger Montierung, kleine Bleistiftannotation, Kanten minimal bestoßen. Insgesamt in sehr gutem Zustand. Ausgesprochen prachtvoller, satter Druck in leuchtender Farbigkeit mit Rand. Eines von 100 Exemplaren. Colour serigraph on strong wove paper. Signed, dated and numbered. With two dry stamps of the "Guilde International de la Serigraphie". - On the verso with traces of previous mounting, small pencil annotation, edges very slightly bumped. Overall in a very good condition. Extremely splendid, saturated impression in vivid colours with margin. - One of 100 copies.
Geometrische Abstraktion Vera Molnár (1924 Budapest)o.T. (carré noir). Serigraphie auf Velin. 15 x 14,6 cm (16 x 16 cm). Signiert. - Minimal angestaubt, insgesamt sehr gut und tadellos schön. Sehr ausgezeichneter, klarer Druck mit schmalem Rand. Serigraph on wove paper. Signed. - Minimally dusted, all in all very good and impeccably nice. Very excellent, clear impression with narrow margin.
Geometrische Abstraktion - Op Art Peter Brüning (1929 Düsseldorf - 1970 Ratingen)Zwei Arbeiten. 1966 bzw. 1969. Je Serigraphie auf Velin. 77,5 x 59,5 cm bzw. 53 x 57 cm (63 x 66 cm). Je signiert, datiert und nummeriert. - Ein Blatt im Rand leicht knickspurig. Insgesamt in sehr gutem Zustand. Prachtvolle, farbsatte Drucke, teils mit Rand. Enthält: - Rhein, 1966 - Umleitung, 1969. - Eines von 300 bzw. 150 Exemplaren. Two works. Each serigraph on wove paper. Each signed, dated and numbered. - One sheet slightly creased in margin. Overall in a very good condition. Splendid, colour saturated impression, partly with margin. - Contains: as listed above. - One of 300 and one of 150 copies.
Geometrische Abstraktion - Op Art Lothar Quinte (1923 Neisse - 2000 Wintzenbach (Frankreich))o.T. 1972. Farbserigraphie auf festem Velin. 70 x 50 cm. Signiert, datiert und nummeriert. Hinter Glas auf Spiegel liegend gerahmt (ungeöffnet). - Prachtvoller farbfrischer Druck der formatfüllenden Darstellung. Eines von 250 Exemplaren. Colour serigraph on strong wove paper. Signed, dated and numbered. Framed behind glass on mirror (unopened). - Splendid, colour-fresh impression of the format-filling depiction. - One of 250 copies.
Alex Katz. (1927 New York). Friendship to Flowers - Ikebana international. Plakat. 1968. Farbserigraphie auf Velin. 72 x 63 cm (84 x 63 cm). Signiert, mit typographischen Editionsangaben und dem Copyright-Vermerk. Punktuell auf Unterlage montiert und unter Glas gerahmt. - Ecken wenig merklich angestoßen. Insgesamt gut. Prachtvoller, farbintensiver Druck mit schmalem Rand. Schröder 21. - Anlässlich der North American Regional Conference in Boston, Massachusetts 1968 als Plakat erschienen. Colour serigraph on wove paper (poster). Signed, with typographic edition details and the copyright notice. Spot-mounted to mat and framed under glass. - Corners barely noticeably bumped. All in all good. Splendid, colour-intensive print with narrow margins. - Published as poster on the occasion of the North American Regional Conference in Boston, Massachusetts in 1968.
Informel Jean Miotte (1926 Paris - 2016 Pignans)o.T. (Abstrakte Komposition). 2003. Farbserigraphie auf festem Velin. 65 x 41 cm (68,2 x 48,6 cm). Signiert, nummeriert und bezeichnet "E.A." - Verso zwei sehr blasse Fingerflecken, insgesamt sehr gut und tadellos schön. Ausgesprochen prachtvoller, malerische Werte umsetzender Druck der nahezu formatfüllenden Darstellung. Eines von 37 èpreuve d'artiste-Exemplaren aus dem Portfolio Federico Garcia Lorca, Sammlung Politeo. Gedruckt bei Straza, Zagreb. - Das Portfolio entstand in Erinnerung an den spanischen Dichter und Dramatiker, der nach seiner Ermordung 1936 zur internationalen Symbolfigur politischer, künstlerisch-intellektueller und religiöser Freiheit wurde. Colour serigraph on strong wove paper. Signed, numbered and indicated "E.A.". - Verso two very faint finger spots, all in all very good and impeccably nice. Extremely splendid, picturesque-like impression of the almost format-filling depiction.
Informel Jean Miotte (1926 Paris - 2016 Pignans)o.T. (Abstrakte Komposition). Ca. 1990/2000. Farbserigraphie auf festem Velin. 65, x 46,9 cm (68,2 x 48,6 cm). Signiert und nummeriert. - Verso punktuell oberflächlich angeschmutzt, insgesamt sehr gut und tadellos schön. Ausgesprochen prachtvoller, malerische Werte umsetzender Druck der nahezu formatfüllenden Darstellung. Eines von 90 Exemplaren. Colour serigraph on strong wove paper. Signed and numbered. - Verso isolated soiled on the surface, all in all very good and impeccably nice. Extremely splendid, picturesque-like impression of the almost format-filling depiction.
Informel Fred Thieler (1916 Königsberg - 1999 Berlin)2 Arbeiten. 1957. Je Farbserigraphie auf festem Velin. 52,5 x 35,5 (59 x 43 cm) und 52 x 63 cm (68 x 77 cm). Je signiert, datiert und nummeriert. - Ganz leichte Knickspur oder Fleck im Rand. Insgesamt in sehr gutem Zustand. - Ausgezeichnete, farbkräftige Drucke mit Rand. Eines von 25 bzw. eines von 50 Exemplaren. Two works. Each colour serigraph on strong wove paper. Each signed, dated and numbered. - Very light crease mark or stain in margin. Overall ina very fine condition. Superb, colour-rich impressions with margin. - One of 25 and one of 50 copies.
Konkrete Kunst Max Bill (1908 Winterthur - 1994 Berlin)o.T. 1965/66. Farbserigraphie auf Velin. 28 x 28 cm (56,5 x 39,5 cm). Signiert, datiert und nummeriert. - In sehr gutem Zustand. Prachtvoller Druck in leuchtender Farbigkeit mit breitem Rand. Eines von 100 Exemplaren. Colour serigraph on wove paper. Signed, dated and numbered. - In a very fine condition. Splendid impression in bright colour with wide margin. - One of 100 copies.
Konkrete Kunst Günter Fruhtrunk (1923 - 1982 München)Gestautes Grün. Um 1965. Farbserigraphie auf leichtem Velinkarton. 40,5 x 40,5 cm (50 x 48 cm). Signiert und nummeriert. - Mit wenigen, oberflächlichen Bereibungsspuren. Insgesamt in sehr gutem Zustand. Prachtvoller Druck in leuchtender Farbigkeit mit Rand. Kirchhoff 29. - Eines von 230 Exemplaren. Colour serigraph on light wove cardboard. Signed and numbered. - A few superficial abrasions. Overall in a very good condition. Splendid impression in vivid colours with margin. - One of 230 copies.
Donald Sultan. (1951 North Carolina). Matisse Flowers and Vase. 1998. Farbserigraphie auf Bütten. 36 x 36 cm (41 x 41 cm). Monogrammiert und nummeriert. - In gutem Zustand. Der Abzug prachtvoll und sehr leuchtstark. Eines von 395 Exemplaren. - Hg. v. Marco Fine Art Atelier, Kalifornien (mit dem Blindstempel). Colour serigraph on laid paper. Monogrammed and numbered. - The print is magnificent and very luminous. - One of 395 copies. - Pub. by Marco Fine Art Atelier, California (with their blindstemp).
Minimalismus Imi Knoebel (d.i. Wolf Knöbel) (1940 Dessau - lebt in Düsseldorf)Mennigebilder 1976-1992. 1992. 54 weiße Kartonblätter mit geometrischer Ausstanzung über orangefarbener Serigraphie. Lose in Orig.-Leinwandkassette, mit Begleittext. 32 x 25 cm. Im Innendeckel monogrammiert und datiert, im Begleittext nummeriert. - Kassette außen punktuell angeschmutzt, insgesamt sehr gut. Eines von 60 Exemplaren der Vorzugsausgabe (GA 600). - Erschienen zur gleichnamigen Ausstellung in den Hamburger Deichtorhallen, hrsg. v. ebd. 54 white cardboard sheets with geometric punching over orange serigraph. Loose in original linen case, with accompanying text. Monogrammed and dated on inside cover, numbered on accompanying text. - Case isolated lightly soiled, all in all very good. - One of 60 copies from the deluxe edition.
Andy Warhol (nach). (1928 Pittsburgh - 1987 New York). 2 Plakate: Für die Grünen. 1980. Je Farbserigraphie in Schwarz und Grün bzw. in Grün auf Papier. Je 101 x 77 cm. - Vereinzelt mit leichten Griffspuren. Insgesamt gut. Ausgezeichnete, samtene Drucke der formatfüllenden Darstellungen. Die Serigraphien erschienen nach einem Entwurf von Andy Warhol für die von Joseph Beuys mitbegründete Partei Die Grünen in zwei Fabrvarianten: grüne Schrift auf weißem Grund und schwarze Schrift auf grünem Grund. 2 posters. Each colour serigraph in black and green resp. in green on paper. - Occasionally with slight traces of handling. Overall good. Excellent, velvety prints of the format-filling depictions.
Pop Art Joe Tilson (1928 London)Four elements Mudrà. 1972. Farbserigraphie und Collage auf Velin. 46 x 56 cm (51 x 61 cm). Signiert und nummeriert, im Druck datiert. Verso mit Bleistiftannotation. Insgesamt in sehr gutem Zustand. Ausgezeichneter Druck mit schmalem Rand. Eines von 90 Exemplaren. Colour serigraph and collage on wove paper. Signed and numbered, dated in print. Pencil annotation on the verso. Overall in a very fine condition. Superb impression with narrow margin. - One of 90 copies.
Roy Fairchild Woodard (British b. 1953) - A limited edition mixed media serigraph print painting entitled 'Dark Flowers'. To depict a bouquet of flowers atop tabletop with window behind. Signed and titled by artist. No. 85/250. Alexander Gallery label to verso. Framed and glazed. Measures 65cm x 50cm.
Lothar QUINTE (1923-2000)Ohne TitelSerigraphie auf Papier, 16/25/II, mit Bleistift signiert und datiert '6669 x 63 cmIm schweren Rahmen (70,5 x 65,5 cm), nicht ausgerahmt, scheinbar Risse im unteren Bereich.Lothar QUINTE (1923-2000)UntitledSerigraph on paper, 16/25/II, signed and dated '66 in pencil69x63 cmIn a heavy frame (70.5 x 65.5 cm), frame not opened, apparently cracks in the lower area.
Johnny Abrahams (American 1979-), 'Untitled', 2019, 1 colour serigraph on 335gsm Coventry Rag paper, signed and numbered from an edition of 25 in pencil recto, published by Louis Buhl & Co; 120 x 78cm inc frame120 x 78cm inc frameIn very good conditionNo visible knocks, creases or tears to the sheetThis work has been framed in a black frame using perspex grade acrylic anti-UVThis work has not been examined outside of the frame
Artist hand signed lower right in pencil on arches paper. A large serigraph print on arches paper, a limited unnumbered edition of an original Modernist work by Russian born artist Igor Galanin (b. 1937) whose work has been featured in Vanity Fair, The Christian Science Monitor, Penthouse Magazine, and The New York Times, and been exhibited at the Rose Art Museum in Boston, the London Gallery in Montreal, and Museum of Contemporary Art, La Jolla, CA. Artist signed in pencil lower right. Artist: Igor GalaninIssued: 1985Dimensions: 42.5"H x 35.25"WCountry of Origin: United StatesCondition: Few minor tears to edges other wise good, as-is.
Limited edition serigraph on paper. Artist signed and numbered lower left. Housed in dark wood frame with cream colored matte. Sight size: 24.5"H x 16.5"W. Frame size: 37.5"H x 30"W Artist: Anne AdermanIssued: c. 1990sEdition Number: 180/250 Country of Origin: United StatesCondition: Age related wear.
Limited edition Serigraph embellished Giclee. Artist signed and numbered lower right. Housed in dark wood frame with cream colored matte. Sight size: 17.5"H x 13"W. Frame size: 31"H x 26"W. Artist: Anne AdermanIssued: c. 1990sEdition Number: 327/395 Country of Origin: United StatesCondition: Age related wear.
FAILE, Brooklyn, New York. Serigraph on paper print depicting a coat of arms featuring a lion, a horse, and a pigeon. With a scroll reading "New York," underneath the animals. Pencil signed and dated 2003 along the lower right.FAILE is a Brooklyn-based collaboration between Patrick Miller, born in Minnesota, and Patrick McNeil, born in Alberta, Canada. The name comes from an anagram of their first project together, "A Life." Japanese street artist Aiko Nakagawa (Lady Aiko) was once a part of their collective.Provenance: from the collection of an important Minnesota institution.Unframed; height: 40 in x width: 31 1/2 in.Condition: There are no visible rips, losses, or restorations. Light creases throughout, possibly from handling or hinging. The work is floated in the frame. Light wear to the frame; framed under plexiglass - there is some wear and scratches to the plexi; not inspected out of frame.
LeRoy Neiman (American, 1921-2012). Serigraph on paper titled "Wine, Women, and Cigars" depicting a dapper supper club crowd. Hand signed along the lower right.Sight; height: 22 in x width: 27 in. Framed; height: 28 in x width: 34 1/4 in.Condition: No visible tears, creases, or losses. No visible sign of restoration. The color is bold and bright. Framed under plexiglass; not inspected out of frame. Very light wear to the frame.
Charley Harper (American, 1922-2007). Serigraph on paper titled "Serengeti Spaghetti" depicting an Op-art illusion of a herd of zebras, 1980. Pencil signed along the lower right; titled and dated February 21, 1980, along the lower center; numbered 1028/2500 along the lower left. Copyrighted along the lower left.Height: 21 1/2 in x width: 28 in.Condition: The artwork has been rolled in the past; the sheet curls somewhat. There are a few handling creases, most notably along the lower right. There is a slight undulation to the sheet throughout. There is a minute tear along the upper center edge along with some handling creases. There are a few minute areas of soiling along the verso.
Itzchak Tarkay (Israeli, 1935-2012). Serigraph on paper titled "Roaring 20's Review" depicting a woman in a red dress at a table, 2000. Pencil signed along the lower right; numbered 4/250 along the lower left.Sight; height: 23 1/2 in x width: 18 1/2 in. Framed; height: 34 1/2 in x width: 30 in.Condition: No rips, losses, or restorations. The sheet is lightly toned. The artwork is hinged to the mat along four spots: one along the upper right, one along the upper left, one along the lower left edge, and one along the lower right edge. Framed under glass; light wear to the frame.For additional photos please see the following link: https://www.dropbox.com/sh/ho9rjq6skfqauzr/AAB_2ZgVus0MRgMQv5MnstpOa?dl=0
Jean Claude Picot (French, b. 1933). Serigraph on paper print depicting a lovely nature scene with a beautiful pink sky in the background. Pencil signed along the lower right; edition 217/250 along the lower left.Sight; height: 21 1/2 in x width: 29 1/2 in. Framed; height: 30 in x width: 38 3/4 in.Condition: No visible tears, creases, or losses. The paper is very lightly toned. No visible sign of restoration under UV light. Framed under plexiglass; not inspected out of frame. Very light wear to the frame.
Title: Lady Liberty. Neo-expressionist serigraph depicting the Statue of Liberty in a burst of vibrant colors. Leroy Neiman was a prolific American artist making his first big break designing the Playboy Femlin and later creating dramatic paintings of major athletes and entertainers. Signed in pencil on lower right hand corner. Polished gold tone metal frame; white canvas matte. Sight size: 41""H x 33.5""W; frame: 51""H x 42.5""W. Artist: Leroy NeimanEdition Number: 573 of 600 Country of Origin: United StatesCondition: Age related wear.
Title: Stock Market. Framed serigraph print depicting an abstract expressionist landscape of the New York stock exchange trading floor. Leroy Neiman was a prolific American artist making his first big break designing the Playboy Femlin and later creating dramatic paintings of major athletes and entertainers. Signed in pencil on lower right hand corner. Dark brown wood frame with glaze; white matte. Sight size: 27.5""H x 40""W; frame: 38.5""H x 51""W. Artist: Leroy NeimanEdition Number: 72 of 300 Country of Origin: United StatesCondition: Age related wear.
Dale Faulstich 'Salmon/Crab' & 'Thunderbird' 1989Serigraph printsLimited edition No. 249/950 & 81/950Framed & glazedSigned to front41 x 26cm (16" x 10") Pair of Dale Faulstich serigraph prints for the Jamestown S'Klallam Tribe of Sequim, Washington. Dale Faulstich, a self-employed artist, has been producing both commercial and fine art since 1972. Dale’s home and studio are located on the North Olympic Peninsula in Washington State where he lives with his wife, Heather, and their two children. His fascination with the art form of the aboriginal people of the Northwest Coast has strongly influenced his work.This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Mackenzie Thorpe, British b.1956-Once In A Blue Moon; This Little Heart Of Mine, 2019; Playing with Baby; The Shepard;(i) serigraph on wove, signed, titled and numbered 166/195 in pencil, image: 76.2 x 76.2 cm,(ii) soft ground etching with aquatint on wove, signed, titled and numbered 63/75 in pencil, plate: 44.8 x 60.6 cm,(iii) soft ground etching with aquatint on wove, signed, titled and numbered 64/75 in pencil, plate: 44.8 x 60.6 cm,(iv) mixed media with soft ground etching and screen print on wove, signed, titled and numbered 63/75 in pencil, sheet: 105.8 x 74.5 cm,(framed)(ARR)(4)
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2222 item(s)/page