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Lot 318
Star Wars 'The Empire Strikes Back' Serigraph by Eric Tan, fine art serigraph, exclusive release by Disney Store, limited edition No.74 of 100, signed and numbered in pencil, image dimensions 36" x 12", in original contemporary matt black frame with certificate to rear, framed dimensions 44" x 20", E
Lot 319
Star Wars 'Return Of The Jedi' Serigraph by Eric Tan, fine art serigraph, exclusive release by Disney Store, limited edition No.28 of 100, signed and numbered in pencil, image dimensions 36" x 12", in original contemporary matt black frame with certificate to rear, framed dimensions 44" x 20", E
Lot 49
John Lennon (1940?1980) British 'I've been getting into jazz man', rare limited edition serigraph, no. 74 out of 300, numbered in pencil, with red seal stamp and embossed signature 'John Lennon' bottom right, depicting a cartoon scene with John Lennon 'I've been getting into Jazz, man' 'I've been trying to avoid it all my life', within a glazed white painted frame, 76 cm x 98 cm
Lot 229
Valerio Adami (1935 in Bologna geb.)"Bosco di Cipressi" (Weibliche Rückenansicht vor Zypressen), 1990er Jahre, Farbserigraphie, u.r. handsign. "Adami", Ex. 567/700, ca. 47,5x36cm, gerahmt (ca. 60x47,5cm), Rahmen m. Gebrauchsspuren Valerio Adami (b. 1935, Bologna)"Bosco di Cipressi" , 1990s, colour serigraph, signed "Adami" bottom right, Ex. 567/700, ca. 47,5x36cm, framed (ca. 60x47,5cm), frame with signs of age
Lot 232
Die Kunst der GraphikSammelmappe der Edition Volker Huber/Offenbach am Main, mit 6 von 7 Graphiken: Esteban Fekete, "La Poule", Farbholzschnitt, Ernst Fuchs, "Flora Okuli", Aquatintaradierung, Rudolf Hausner, "Adams Lebensbaum", Farb-Serigraphie, Horst Janssen, "Selbstporträt", Kaltnadelradierung, Karl Rössing, "Toskanische Landschaft", Farb-Linolschnitt u. Paul Wunderlich, "Kleiner Steindruck", Farblithographie, alle Graphiken von 1975 u. Ex 8417/10000 sowie handsign., Blattgröße ca. 41,5x30cm, min. Gebrauchsspuren Die Kunst der Graphikfolio edition Volker Huber/Offenbach am Main, containind 6 of 7 prints: Esteban Fekete, "La Poule", woodcut in colours, Ernst Fuchs, "Flora Okuli", aquatinta, Rudolf Hausner, "Adams Lebensbaum", colour-serigraph, Horst Janssen, "Selbstporträt", drypoint etching, Karl Rössing, "Toskanische Landschaft", colour linolcut a. Paul Wunderlich, "Kleiner Steindruck", colour-lithograph, each 1975 a. Ex 8417/10000, each signed, sheet ca. 41,5x30cm, min. signs of age
Lot 1051
The Grateful Dead - five limited edition posters including Mardi Gras 1995, numbered 2310 / 7500 with a certificate of authenticity, four different designs for the 50th Anniversary celebration concert 2015 'Fare Thee Well', all numbered, two are also signed by the artist, four rolled. (5)Provenance: from a private collector.Condition Report: Very slight rubbing to corners, black in the Status Serigraph is very slightly scuffed, most near mint.
Lot 49
After Pablo Picasso (1881-1973),'Etude Pour Yuri Gagarin' (Study For Yuri Gagarin),A woman and dove,serigraph,unsigned,16 x 27 cm CONDITION REPORT: Dimensions excluding frame. Framed and glazed. This picture shows a signature which forms part of the print itself, it has not been signed by hand after the printing process.
Lot 151
Gudmendr Erro (1950-) - La Saint Charlemagne, Paris Le Soleil Noir, 1976, folio edition no.8/250 containing two serigraphs signed by Erro, with introductory script in French, signed in pencil by Robert Lebel, each serigraph beneath a Perspex panel, 51cm x 33cm - Artist Resale Right may apply Condition: Damage to front, back covers and spine, with stains present as well, the serigraphs having some creases and stains present to both of the pieces, please check extra images provided prior to bidding. **Due to current lockdown conditions, bidders are unable to view lots in this online-only sale. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Lot 286
Sadamasa Motonaga, Japanese figure, screenprint, signed and numbered 60/100; Otto Herbert Hajek, Geometric Composition, screenprint, signed and numbered 80/150; Ludwig Wilding, untitled serigraph, signed and numbered 62/100; Ado, screenprint, signed and numbered 178/250; together with Akira Kurosaki, untitled lithograph, numbered 11/100 (5)
Lot 112
HENRY MILLER (American 1891-1980) AND BEZALEL SCHATZ (Palestinian 1912-1978) A GROUP OF THREE BLUE PAPER PRINTS, FROM "Into the Night Life," FIRST EDITION, UNBOUND, BERKELEY, CALIFORNIA, 1947, comprising three color serigraph on blue paper, the pages with serigraph text reproducing Henry Miller's manuscript, the original text an excerpt from Black Spring used in Into the Night Life, artwork and serigraph by Bezalel Schatz, unbound, the present published independently by the artists in an original edition of 800. 15 1/4" x 24 1/2" Provenance: Collection of Kasey Rhodes, Houston, Texas. Condition: A chew mark and hole to one at top, fading at edges to all, expected surface wear and tone, and overall in good to very good condition, wear commensurate with historically noted poor storage conditions of the original printings. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
Lot 114
BEZALEL SCHATZ (Palestinian 1912-1978) AND HENRY MILLER (American 1891-1980) A GROUP OF TWO BLACK AND WHITE PAPER PRINTS, FROM "Into the Night Life," FIRST EDITION, UNBOUND, BERKELEY, CALIFORNIA, 1947, two color serigraph respectively on black paper and white paper, the pages with serigraph text reproducing Henry Miller's manuscript, the original text an excerpt from Black Spring used in Into the Night Life, artwork and serigraph by Bezalel Schatz, unbound, the present published independently by the artists in an original edition of 800. 15 1/4" x 24 1/2" Provenance: Collection of Kasey Rhodes, Houston, Texas. Condition: A few expected chew marks and holes, toning mostly on white paper pieces, white paper piece with stain in margin, expected surface wear and tone, some rubbing and transfer soil on surface, and overall in good to very good condition, wear commensurate with historically noted poor storage conditions of the original printings. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
Lot 146
GEORGE RODRIGUE (American/Louisiana 1944-2013) A PRINT, "Truly Rudy," color serigraph on paper, signed L/L, "Rodrigue," and special edition number, verso a pencil inscribed number. 20" x 15 1/2" Note: America's favorite "Blue Dog" celebrates the holiday season dawning some cheerful antlers and a Rudolf the Rednosed Reindeer nose. Condition: In very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
Lot 147
HENRY MILLER (American 1891-1980) AND BEZALEL SCHATZ (Palestinian 1912-1978) A GROUP OF PRINTS AND BOOK COVER, FROM "Into the Night Life," FIRST EDITION, UNBOUND, BERKELEY, CALIFORNIA, 1947, serigraphs on paper, rice paper and cloth, fifty-three unbound paper pages with serigraph text reproducing Henry Miller's manuscript, the original text an excerpt from Black Spring used in Into the Nightlife, serigraph and illustrations by Bezalel Schatz, accompanied by one rice paper sheet serigraph in blue and red ink, signed in plate, and a blue cloth board cover with felt applique, all unbound, the present published independently by the artists in an original edition of 800, cover: 26 1/2" x 16 1/2", sheets: 20" x 13", rice paper: 15 1/4" x 13". Provenance: Collection of Kasey Rhodes, Houston, Texas. Condition: Some tears and toning throughout, creases to rice paper with some small tears, losses and chewed at edges, clipped blue cover corners with bends and some wear, and overall in good to very good condition, wear commensurate with historically noted poor storage conditions of the original printings. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
Lot 165
PATRICK CAULFIELD (British 1936–2005) A PRINT, "Pink Jug," 1981-1982, screenprint on paper, signed and numbered 29/80 L/R in pencil. 30" x 23 1/2" Note: Pink Jug was designed by the British artist Patrick Caulfield in London in 1981. As with all of his prints, Caulfield initially composed the work in the form of an acrylic painting. It was printed in 1982 at Kelpra Studio, a fine art print workshop in London, on white, heavy-weight, machine-woven paper using serigraph inks, which may have been oil-based. Colour was applied at a uniform thickness across the composition. It was published within an edition of eighty by Waddington Graphics, London, in 1982, although the edition number of this particular print is not known. The work is float-mounted on museum board using paper hinges and has been framed for display by Tate. The critic Mel Gooding has written that the ‘simple, schematic and direct’ style of Caulfield’s prints from the early 1980s represented a shift from the highly complex compositions in his prints and paintings of the mid-to-late 1970s (such as Still Life Ingredients 1976, Estate of Patrick Caulfield, London; Caulfield and Gooding 1998, p.14). Pink Jug is one of a group of four screenprints made by Caulfield in 1981–2, all of which depict jugs in the same stylized manner From the Tate Collection website Provenance: Estate of David E. Brauer, Houston, Texas. Condition: Light mat stain, tape verso, overall good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
Lot 206
LEROY NEIMAN (American 1921-2012) A PRINT, "Kenya Leopard," color serigraph on paper, signed in pencil in L/R margin, and marked, "A.P.," artist proof L/L margin. 21 1/2" x 37 1/2" Provenance: Property belonging to Parmer and Aileen D. Freeman, Houston, Texas. Condition: Mild expected surface wear and tone throughout margins, but overall in good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
Lot 213
HENRY MILLER (American 1891-1980) AND BEZALEL SCHATZ (Palestinian 1912-1978) A GROUP OF SIX BLACK, BLUE, AND WHITE PAPER PRINTS, SIGNED, FROM "Into the Night Life," FIRST EDITION, UNBOUND, BERKELEY, CALIFORNIA, 1947, comprising six color serigraphs; on one blue paper, one half sheet on black paper, and four on cream white papers, one page signed, "Henry Miller," in black ink and "Bezalel Schatz," in blue ink, pages with serigraph text reproducing Henry Miller's manuscript, the original text an excerpt from Black Spring used in Into the Night Life, artwork and serigraph by Bezalel Schatz, unbound, the present published independently by the artists in an original edition of 800. 15 1/4" x 24 1/2" Provenance: Collection of Kasey Rhodes, Houston, Texas. Condition: Some expected chew marks and holes, fading at edges, the black paper with a surface stain, expected surface wear and tone, and overall in good to very good condition, wear commensurate with historically noted poor storage conditions of the original printings. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
Lot 327
GEORGE RODRIGUE (American/Louisiana 1944-2013) A PRINT, "Midnight Surprise," color serigraph on paper, signed L/R, "Rodrigue," and numbered 6/150, verso pencil inscribed with numbers. 20" x 16" Condition: In very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
Lot 34
BEZALEL SCHATZ (Palestinian 1912-1978) AND HENRY MILLER (American 1891-1980) A GROUP OF TWO PRINTS, FROM "Into the Night Life," FIRST EDITION, UNBOUND, BERKELEY, CALIFORNIA, 1947, color serigraph, one on black paper with introduction and printing details, and the other on translucent paper, signed and dated in plate; the pages with serigraph text reproducing Henry Miller's manuscript, the original text an excerpt from Black Spring used in Into the Night Life, artwork and serigraphy by Bezalel Schatz, unbound, the present published independently by the artists in an original edition of 800. 15 1/4" x 24 1/2" Provenance: Collection of Kasey Rhodes, Houston, Texas. Condition: Some mild surface wear, creases, rubbing, some edge wear, and two tears (1 3/4", 2 3/4") upper left to the thin paper, expected surface wear and tone, and overall in good to very good condition, wear commensurate with historically noted poor storage conditions of the original printings. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
Lot 64
HENRY MILLER (American 1891-1980) AND BEZALEL SCHATZ (Palestinian 1912-1978) A GROUP OF TWO PRINTS, FROM "Into the Night Life," FIRST EDITION, UNBOUND, BERKELEY, CALIFORNIA, 1947, comprising two color serigraph on paper, text by Henry Miller, artworks by Bezalel Schatz, from an unbound edition, the present published independently by the artists in an original edition of 800. 15 1/4" x 24 1/2" Provenance: Collection of Kasey Rhodes, Houston, Texas. Condition: Some expected worm or pest holes, mild expected tone, and some mild bends near edges and corners, the wear though present is desirable and consistent with historically documented poor storage, and overall in good to very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
Lot 151
Untitled (paste up) (2009)Not signedBlack, watercolored serigraph on light wallpaperTotal sheet size: 73 x 50 cm (Framed and behind glass)NOTEMade for the LA Art Show, 2009 editionPROVENANCEFrom a private Dutch collector(Please refer to department for Condition report. You can find the biography of this artist in our digital catalogue for this sale)
Lot 152
Untitled (paste up) (2009)Black, watercolored serigraph on light wallpaperTotal sheet size: 73 x 50 cm (Framed and behind glass)NOTEMade for the LA Art Show, 2009 editionPROVENANCEFrom a private Dutch collector(Please refer to department for Condition report. You can find the biography of this artist in our digital catalogue for this sale)
Lot 8085
Peter Brüning (1929-1970), o.T., Farbserigraphie aus der Mappe: Künstlerkalender - Druckgrafik 71, Albrecht Dürer Gesellschaft Nürnberg, Moos Verlag München, zum Dürer Jahr 1971, u. re. handsign. u. dat. (19)70, u. li. num. 81/200, Blattmaße 59,5 x 40 cm Peter Brüning (1929-1970), o.T., color serigraph from the portfolio: Künstlerkalender - Druckgrafik 71, Albrecht Dürer Gesellschaft Nürnberg, Moos Verlag München, for the Dürer year 1971, u. r. signed and dated (19)70, u. l. numbered 81/200, sheet dimensions 59.5 x 40 cm
Lot 8144
Gustavo, d.i. Gustavo Penalver Vico (*1939), spanischer Maler, tätig auf Mallorca, sehr große Serigraphie ''Udo Lindenberg'', u. re. handsign., u. li. als Ex. E.A. bez., 113 x 84 cm, hinter Glas ger. 140 x 100 cmGustavo, d.i. Gustavo Penalver Vico (*1939), Spanish painter, active in Mallorca, very large serigraph ''Udo Lindenberg'', u. r. handsigned, u. li. as Ex. E.A. inscribed, 113 x 84 cm, framed behind glass 140 x 100 cm
Lot 8177
Jörg Immendorff (1945-2007), ''Maueraffe'', große Farbserigraphie auf schwerem Velin, u. re. sign. u. dat. (20)05, u. li. Ex. e.a., 100 x 70 cmJörg Immendorff (1945-2007), ''Maueraffe'', large color serigraph on heavy wove paper (papier vélin), signed & dated (20)05 lower right, ex. e.a. lower left, 100 x 70 cm
Lot 8187
Jörg Immendorff (1945-2007), ''Rotes Pferd, Affe und Augenkugel'', große Farbserigraphie auf schwerem Velin, u. re. handsign. u. dat. (20)02, u. li. Ex. e.a., 60 x 50 cmJörg Immendorff (1945-2007), ''Red Horse, Monkey and Eyeball'', large color serigraph on heavy wove paper (papier vélin), u. r. signed and dated (20)02, u. l. ex. e.a., 60 x 50 cm
Lot 8188
Jörg Immendorff (1945-2007), ''Herzaffe'', Farbserigraphie auf schwerem Velin, u. re. handsign. u. dat. (19)97, u. li. Ex. e.a., 76 x 55 cmJörg Immendorff (1945-2007), ''Heart Monkey'', color serigraph on heavy wove paper (papier vélin), u. r. signed and dated (19)97, u. l. ex. e.a., 76 x 55 cm
Lot 8189
A.R. Penck (1939-2017), verpixelter Kopf, Farbserigraphie, 1992, Ex. h.c. außerhalb der Auflage, u. re. mit Bleistift handsign., Blattmaße 29 x 39 cmA.R. Penck (1939-2017), pixelated head, color serigraph, 1992, ex. h.c. outside the edition, signed in pencil lower right, sheet dimensions 29 x 39 cm
Lot 8338
Andy Warhol (1928-1987), Marylin, Farbserigraphie auf leichtem Karton, verso mit den Stempeln 'published by sunday b. morning' sowie 'Fill in your own signature', farbfrisch in schönem Zustand mit nur minimalen Gebrauchsspuren, 90 x 90 cm, hinter Glas ger.Andy Warhol (1928-1987), Marylin, color serigraph on light cardboard, verso with the stamps 'published by sunday b. morning' as well as 'Fill in your own signature', fresh in color in nice condition with only minimal signs of wear, 90 x 90 cm, framed behind glass
Lot 8350
Monogrammist A.E., Op-Art Künstler 2. H. 20. Jh., Serigraphie auf leichtem Karton, verso monogr., dat. (19)79 u. num. 11/50, 46 x 46 cm, ger. 53 x 53 cmMonogrammed A.E., Op-Art artist 2nd h. 20th c., serigraph on light cardboard, verso monogrammed, dated (19)79 a. numbered 11/50, 46 x 46 cm, framed 53 x 53 cm
Lot 139
ALEXANDER CHEN. Framed, signed and titled ‘Central Park Bridge - Winter’, mixed media serigraph, icy lake in New York park, marked I106/550, 27.5cm x 43cm. Important: Online viewing and bidding only. No in person collections, an additional charge of £30 (inc. VAT) applies to this lot to cover postage to registered UK only address.
Lot 1867
Kiki Kogelnik* Bathing in green, 1978 Serigraphie; gerahmt, 101,5 x 66 cm (Blattmaß) Signiert, datiert, bezeichnet und nummeriert unten: 175/200 Kiki Kogelnik 78 österreichischer Privatbesitz Kiki Kogelnik* Bathing in green, 1978 serigraph; framed, 101,5 x 66 cm (sheet size)signed, dated, inscribed and numbered at the bottom: 175/200 Kiki Kogelnik 78 private property, Austria
Lot 1866
Kiki Kogelnik* Doctors wife, 1979 Serigraphie; gerahmt, 61 x 75 cm Nummeriert, bezeichnet, signiert und datiert unten: 86/200 Doctors wife Kiki Kogelnik 79 österreichischer Privatbesitz Kiki Kogelnik* Doctors wife, 1979 serigraph; framed, 61 x 75 cmnumbered, inscribed, signed and dated at the bottom: 86/200 Doctors wife Kiki Kogelnik 79 private property, Austria
Lot 1883
Andy Warhol* Renée Rauschenbusch, 1979 Serigraphie auf Papier; gerahmt, 120,5 x 89,3 cm Rechts unten Copyright-Stempel: © Andy Warhol Rückseitig mit dem Stempel der Andy Warhol Art Authentication Board, Inc. sowie der Identifikations-Nummer versehen: A178.046 Unikat Sammlung Horst Weber von Beeren, New York, USA; Sammlung Rosini Gutman, Riccione, Italien; dort vom derzeitigen Besitzer erworben Andy Warhol, Museo d'Arte Moderna Vittorio Colonna, Pescara, Italien, 2007; Andy Warhol, Sammlung Rosini Gutman, Riccione, Italien, 2008; Andy Warhol, Chiang Kai Shek Memorial Hall Museum, Taipei, Taiwan, 2009; Andy Warhol, Kaohsiung Museum of Fine Arts, Kaohsiung, Taiwan, 2009; Andy Warhol, Palazzo SUMS, Republik San Marino, 2009; Andy Warhol, Centro Servizi Camerali Galeazzo Alessi, Perugia, Italien, 2009; Andy Warhol, Dall’ Apparenza alla Trascendenza, Aosta, Italien, 2012; Andy Warhol, Galleria di Arte Contemporanea, Arezzo, Italien, 2015; Andy Warhol, Mazzacurati Fine Art, Ferrara, Italien, 2016 Vgl. Andy Warhol. A Catalogue Raisonné, Frayda Feldman and Jörg Schellman, S. 303; Andy Warhol, Chiang Kai Shek Memorial Hall Museum, Taipei, Taiwan 2009, Abb. S. 9; Andy Warhol, Rosini Gutman, Riccione, Italien 2011, Abb. S. 30; Andy Warhol, Galleria di Arte Contemporanea, Arezzo, Italien, 2015, Abb. S. 79; Eine Bestätigung der Andy Warhol Art Authentication Board, Inc. liegt vor. Eine Bestätigung von Gianfranco Rosini liegt vor. Andy Warhol produzierte einige der berühmtesten Porträt-Bilder des 20 Jahrhunderts: Seine Siebdrucke mit den Köpfen von Marilyn Monroe, Liz Taylor, Mao Tse Tung oder Elvis Presley sind weltweit bekannt und hängen in den wichtigsten Museen, wurden aber auch millionenfach auf T-Shirts, Tassen oder Plakaten reproduziert. Warhol beschäftigte sich intensiv mit dem Phänomen der Celebrity- bzw. Star-Besessenheit der Massenmedien, die ihn einerseits faszinierte – war er schließlich selbst Teil davon – andererseits machte er sich aber auch durchaus gerne darüber lustig. Nach seinem berühmten Zitat aus dem Jahr 1968 “In the future, everyone will be world-famous for 15 minutes.” wurde er in Interviews derart häufig befragt, dass er, genervt davon, begann, es mit der Zeit bis zur Sinnlosigkeit zu variieren. Gemeint war aber, dass die Medien es jedem ermöglichen sollten (bzw. können), berühmt zu werden – ein Phänomen, das sich bewahrheitet hat, aber gleichzeitig die Kurzlebigkeit und Vergänglichkeit von Ruhm veranschaulicht. Ein gutes Beispiel ist das wechselnde „Gefolge“ Warhols in den 1960er und 70er Jahren von ansonsten eher unbekannten Personen, die er selbst seine „Superstars“ nannte. Abgesehen davon betätigte sich Warhol für viele seiner Künstler-Freunde als Mentor und verhalf einigen von Ihnen tatsächlich zu (dauerhaftem) Ruhm und Erfolg – wie zum Beispiel Keith Haring oder Jean-Michel Basquiat. Für seine ikonenartigen Portraits verwendete Warhol ab Beginn der 60er Jahre den Foto-Siebdruck, um die charakteristischen, klaren Umrisse und die starke Flächigkeit zu erzeugen. Das Verfahren war außerdem einfach und schnell, sodass Warhol immer wieder kleine Veränderungen an ein und demselben Foto vornehmen konnte. Bei den Motiven für seine Bilder entschied er sich bewusst für jene, die bereits so berühmt waren, dass jeder sie wiedererkennen würde. (Ina Waldstein) Andy Warhol* Renée Rauschenbusch, 1979 serigraph on paper; framed, 120.5 x 89.3 cmcopyright stamp on the lower right: © Andy Warhol stamp of the Andy Warhol Art Authentication Board, Inc. on the reverse, as well as an identification number: A178.046 unique collection Horst Weber von Beeren, New York, USA; collection Rosini Gutman, Riccione, Italy; acquired there Andy Warhol, Museo d'Arte Moderna Vittorio Colonna, Pescara, Italy, 2007; Andy Warhol, collection Rosini Gutman, Riccione, Italy, 2008; Andy Warhol, Chiang Kai Shek Memorial Hall Museum, Taipei, Taiwan, 2009; Andy Warhol, Kaohsiung Museum of Fine Arts, Kaohsiung, Taiwan, 2009; Andy Warhol, Palazzo SUMS, Republik San Marino, 2009; Andy Warhol, Centro Servizi Camerali Galeazzo Alessi, Perugia, Italy, 2009; Andy Warhol, Dall’ Apparenza alla Trascendenza, Aosta, Italy, 2012; Andy Warhol, Galleria di Arte Contemporanea, Arezzo, Italy, 2015; Andy Warhol, Mazzacurati Fine Art, Ferrara, Italy, 2016 cf. Andy Warhol. A Catalogue Raisonné, Frayda Feldman and Jörg Schellman, p. 303; Andy Warhol, Chiang Kai Shek Memorial Hall Museum, Taipei, Taiwan 2009, ill. p. 9; Andy Warhol, Rosini Gutman, Riccione, Italy 2011, ill. p. 30; Andy Warhol, Galleria di Arte Contemporanea, Arezzo, Italy, 2015, ill. p. 79; confirmation by the Andy Warhol Art Authentication Board, Inc. provided. confirmation by Gianfranco Rosini also provided.
Lot 1774
Andy Warhol* Cars Mercedes 300 SL Gulwing, 2007 Serigraphie auf Papier; gerahmt, 85,2 x 68,8 cm Stempel der Andy Warhol Foundation / DaimlerChrysler AG mit Nummerierung rechts unten: 104 / 500 Prägung links: Andy Warhol Schriftzug / Andy Warhol Konterfei Auflage: 500 Stück Privatbesitz, Wien Andy Warhol* Cars Mercedes 300 SL Gulwing, 2007 serigraph on paper; framed, 85.2 x 68.8 cmstamp of the Andy Warhol Foundation / DaimlerChrysler AG with numbering on the lower right: 104 / 500 embossing on the left: Andy Warhol lettering / Andy Warhol likeness edition: 500 pieces private property, Vienna
Lot 319
Willi BaumeisterMontaru mit Gondel Farbserigraphie auf Leinwand 56,3 x 47,7 cm (59,3 x 50,5/51,4 cm) Unter Glas gerahmt. Signiert. Exemplar einer unbekannten Auflagenhöhe. Strukturdruck nach dem gleichnamigen Gemälde von 1954. Druck Nr. 1 aus einer Folge von Strukturdrucken verschiedener Künstler, gedruckt von der Pausa AG, Mössingen, herausgegeben vom Verlag Gerd Hatje, Stuttgart 1954 (rückseitig auf dem Unterlagekarton mit dem Editionsetikett). - Teils geringfügig gebräunt.Spielmann/Baumeister 234 Willi BaumeisterMontaru mit Gondel Colour serigraph on canvas 56.3 x 47.7 cm (59.3 x 50.5/51.4 cm) Framed under glass. Signed. Proof from an unknown number of prints. Texture print from the eponymous painting from 1954. Print no. 1 from a series of texture prints by various artists, printed by Pausa AG, Mössingen, published by Gerd Hatje, Stuttgart 1954 (verso on card support with edition label). - Partly with minor browning.Spielmann/Baumeister 234
Lot 448
Hard-Edge - - Ausstellungskatalog und Portfolio. Formen der Farbe. Mit 8 Serigraphien (davon 1 Umschlag) von Noland, Kelly, Indiana, Pfahler, Turnbull, Vasarely und Held. Stuttgart, Württembergischer Kunstverein. 1967. 4°. OUmschlag (mit minimalen Läsuren). Seltener Ausstellungskatalog der wichtigen Ausstellungen, zu dem in der Edition Domberger ein Portfolio im Format 65 x 50 cm erschien. Mit Serigraphien von Kenneth Noland (Early Fall), Ellsworth Kelly (Red-Blue), Robert Indiana (Love Wall), Georg Karl Pfahler (Drei-Tex Blau), William Turnbull (Double Red), Victor Vasarely (Säule HK (Detail), Al Held (White Goddess). Die zusätzliche Umschlagsserigraphie von Pfahler etwas berieben und fleckig. - Sehr selten. Rare exhibition catalog of the important exhibition for which the Edition Domberger published a portfolio in the format 65 x 50 cm. Serigraphs by Kenneth Noland (Early Fall), Ellsworth Kelly (Red-Blue), Robert Indiana (Love Wall), Georg Karl Pfahler (Three-Tex Blue), William Turnbull (Double Red), Victor Vasarely (HK Column (detail), Al Held (White Goddess). The additional cover serigraph of Pfahler minimally rubbed. - Very rare.
Lot 1052
Imi Knoebel ('Klaus Wolf Knoebel') 1940 Dessau - lebt in Düsseldorf Rot Gelb Blau. 1995 Rechts unten mit Bleistift monogrammiert, links nummeriert. Farbserigraphie auf dünnem Karton. Eines von 44 Exemplaren. Aus einer Serie mit 6 Farbserigraphien. 102 x 101 cm. Blattgröße: 126 x 126 cm. Rahmen (nicht ausgerahmt). Provenienz: Privatsammlung NRW Imi Knoebel ('Klaus Wolf Knoebel') 1940 Dessau - lives in Dusseldorf Red yellow blue. 1995 Monogrammed in pencil lower right, numbered left. Colour serigraph on thin cardboard. One of 44 copies. From a series of 6 colour serigraphs. 102 x 101 cm. 126 x 126 cm. Framed (the item was not deframed for the description). Provenance: private collection, North Rhine-Westphalia
Lot 1072
Jasper Johns 1930 Augusta (Georgia) - lebt in New York Painting with two balls. 1971 Plakat für die Ausstellung: Die Graphik - Jasper Johns - Galerie Christoph Dürr München Stuck Villa 3. Dez. 71 - 30. Jan. 72. Rechts unten mit Bleistift signiert und datiert: Jasper Johns 10 may 1973. Farbserigraphie auf dünnem Karton. Eines von 2 Exemplaren. 74,5 x 62 cm. Blattgröße: 99,5 x 70 cm. Blattkanten min. gestaucht, leicht gewellt (das Blatt war gerollt). Provenienz: vom Künstler direkt erworben. Privatsammlung Süddeutschland Jasper Johns 1930 Augusta (Georgia) - lives in New York Painting with two balls. 1971 Signed and dated in pencil lower right: Jasper Johns 10 may 1973. Colour serigraph on thin cardboard. One of two copies. 74.5 x 62 cm. Sheet size: 99.5 x 70 cm. Minor damage to sheet edges, slightly wavy (the sheet was rolled). Provenance: acquired directly from the artist. Private collection, South Germany
Lot 1074
Robert Indiana 1928 New Castle - Vinalhaven, Maine LOVE. 1967 Rechts unten mit Bleistift signiert und datiert. Verso mit Copyright-Stempel des Künstlers. Farbserigraphie auf festem Velin. Eines von 2275 Exemplaren. 86 x 86 cm. Rechte Blattkante min. best. Leichte Kratzspuren rechts unten, winzige Flecken. Rahmen. Als Vorlage diente das gleichnamige Gemälde von 1966, das sich im Indianapolis Museum of Art befindet. Gedruckt von Sirocco Screenprinters, New Haven. Herausgegeben von Multiples, New York. Werkverzeichnis: Sheehan 39 Provenienz: Privatsammlung Südeutschland Robert Indiana 1928 New Castle - Vinalhaven, Maine LOVE. 1967 Signed and dated in pencil lower right. Artist's copyright stamp verso. Colour serigraph on firm vellum. One of 2275 copies. 86 x 86 cm. Minor damage to right sheet edge. Minor scratches lower right, slightly stained. Framed. Catalogue Raisonné: Sheehan 39 Provenance: private collection, South Germany
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