We found 2225 price guide item(s) matching your search

Sister Mary Corita Kent (American, 1918-1986) "Vision of Ezekiel 1:4" - 1961 Serigraph in color on wove paper. Signed and titled in pen lower margin. Image Size: 22 x 29 in. Overall Framed Size: 33 x 40.5 in. Framed behind glass.

Artist hand signed lower right in pencil on arches paper. A large serigraph print on arches paper, a limited unnumbered edition of an original Modernist work by Russian born artist Igor Galanin (b. 1937) whose work has been featured in Vanity Fair, The Christian Science Monitor, Penthouse Magazine, and The New York Times, and been exhibited at the Rose Art Museum in Boston, the London Gallery in Montreal, and Museum of Contemporary Art, La Jolla, CA. Artist signed in pencil lower right. Artist: Igor GalaninIssued: 1985Dimensions: 42.5"H x 35.25"WCountry of Origin: United StatesCondition: Few minor tears to edges other wise good, as-is.

ERTE. A LARGE ART DECO STYLE SIGNED SERIGRAPH. Dancing lady, signed lower right - mounted in a glazed metal frame75cm high, 49cm wide

ERTE. A LARGE ART DECO STYLE SIGNED SERIGRAPH. Titled 'Aphrodite', signed lower right - mounted in a glazed metal frame 75cm high, 49.5cm wide

ERTE. A LARGE LIMITED EDITION SIGNED ART DECO SERIGRAPH a dancing girl with raised gilt scarf and sandals, signed lower right - mounted in a glazed gilt and ebonised frame113cm high, 81cm wide including frame

Limited edition serigraph. Artist signed, titled, and numbered on bottom in pencil. Housed in ornate gold frame with custom cream colored matte. Sight size: 23"H x 17"W. Frame size: 40.5"H x 29.5"W. Artist: Gary BenfieldIssued: c. 1990sEdition Number: 400/650 Country of Origin: United StatesCondition: Age related wear.

Title: La Tela. Colorful serigraph depicting an abstracted geometric figure holding a vase of flowers. Kodra was an important post-war artist who exhibited alongside Picasso, Chagal, Roualt, and Matisse at the Venice International exhibition in 1953. Pencil signed by artist on lower right corner. Artist: Ibrahim KodraDimensions: 13.75"L 9.75"WEdition Number: 183 of 250 Condition: Age related wear.

Limited edition serigraph on paper. Artist signed and numbered on bottom. Housed in ornate gold frame with custom black colored matte. Sight size: 17.5"H x 29.5"W. Frame size: 33.5"H x 45"W. Artist: Janet TrebyIssued: c. 1990sEdition Number: 14/385 Country of Origin: United StatesCondition: Age related wear.

Daga RAMSEY (XX) Dunes Serigraph Edition 4/12 18cm x 16cm   Lay's Auctioneers are able to offer in-house postage on this lot from £25.22. For more information contact postage@davidlay.co.uk

Mackenzie Thorpe (b. 1956) British 'Leaning on Love', artist's proof serigraph in colour, limited edition 56/65, signed, numbered to the bottom in pencil, within a glazed frame, the reverse with Washington Green certificate of authenticity, the work 88 cm x 30 cmLocation: RWB

SENGL, PETER (geb. 1945), 2 Glückwunschkarten, "Weihnachtsgeschminkte" 1977 UND "Weihnachtskopf" 1978, je handkolorierte Serigraphie/Bütten, in der Platte bezeichnet und datiert, je mit Bleistift von Hand signiert und datiert, inseitig Widmung, HxB: gefaltetes Blatt je ca. 22x15 cm. Je Altersspuren, tlw. leicht berieben und fleckig.| SENGL, PETER (born 1945), 2 greeting cards, "Christmas makeup" 1977 AND "Christmas head" 1978, each hand-colored serigraph/laid paper, inscribed and dated in the plate, each signed and dated by hand in pencil, dedication on the inside, HxW: folded Sheet each approx. 22x15 cm. Each with signs of age, partly slightly rubbed and stained.

VASARELY, VICTOR (1906-1997) "Tri-Axo" Farbserigraphie, sig., Ex. 99/250, HxB: 82/76 cm. Leichte Altersspuren. | VASARELY, VICTOR (1906-1997) "Tri-Axo"Colour serigraph, signed, ex. 99/250, HxW: 82/76 cm. Slight signs of age.

MORANDINI, MARCELLO (1940) "Komposition" Serigraphie, Ex. 99/200, sig. HxB: 35/35 cm. Rahmen, HxB: 42/42 cm. | MORANDINI, MARCELLO (1940) "Composition".Serigraph, ex. 99/200, sig. HxW: 35/35 cm. Frame, HxW: 42/42 cm.

YVARAL, JEAN PIERRE (1934-2002) "Schwarz-Blau" 1966 Serigraphie, e. A., sig. und dat., HxB: 53/53 cm. Rahmen, HxB: 72/82 cm. Kleinere Falten.| YVARAL, JEAN PIERRE (1934-2002) "Black-Blue" 1966Serigraph, e. A., sig. and dat., HxW: 53/53 cm. Frame, HxW: 72/82 cm. Smaller folds.

GERSTNER, KARL (1930-2017) "Color Sounds" 1973 Serigraphie, Ed. 23/175, handsigniert unten rechts, HxB: 79/79 cm. Rahmen, HxB: 82/82 cm.| GERSTNER, KARL (1930-2017) "Color Sounds" 1973Serigraph, ed. 23/175, signed lower right, HxW: 79/79 cm. Frame, HxW: 82/82 cm.

GERSTNER, KARL (1930-2017) "Color Sounds" 1973 Serigraphie, Ed. 138/175, handsigniert unten rechts, HxB: 79/79 cm. Rahmen, HxB: 82/82 cm.| GERSTNER, KARL (1930-2017) "Color Sounds" 1973Serigraph, ed. 138/175, signed lower right, HxW: 79/79 cm. Frame, HxW: 82/82 cm.

GERSTNER, KARL (1930-2017) "Color Sounds" 1973 Serigraphie, Ed. 122/175, handsigniert unten rechts, HxB: 79/79 cm. Rahmen, HxB: 82/82 cm. Glas besch.| GERSTNER, KARL (1930-2017) "Color Sounds" 1973Serigraph, ed. 122/175, signed lower right, HxW: 79/79 cm. Frame, HxW: 82/82 cm.

BAYRLE, THOMAS (geb. 1937), "Brandenburger Tor", Berlin, 2005, Serigraphie nach Schwarz-Weiß-Foto auf Kartonstreifen, die zum 3D-Objekt verflochten sind, verso mit Bleistift von Hand num 98/100, signiert und datiert 'Bayrle 05', HxBxT: ca. 54x54x4 cm. Altersspuren, gebräunt und fleckig. Im Originalkarton mit entsprechender Num., Bezeichnung und Datierung (gebräunt, fleckig, Klebestreifen).| BAYRLE, THOMAS (born 1937), "Brandenburg Gate", Berlin, 2005, serigraph after a black and white photo on cardboard strips that are interwoven to form a 3D object, verso with pencil by hand num 98/100, signed and dated ' Bayrle 05', HxWxD: approx. 54x54x4 cm. Signs of age, browned and stained. In the original box with the corresponding number, designation and date (brown, stained, tape).

HAUSNER, RUDOLF (1914-1995) "Evas schönstes Kleid" Serigrafie, Ed. 542/1000, handsigniert unten rechts, 85/52 cm. Normale Altersspuren.| HAUSNER, RUDOLF (1914-1995) "Eva's most beautiful dress".Serigraph, ed. 542/1000, signed lower right, 85/52 cm. Normal signs of age.

HUNDERTWASSER, FRIEDENSREICH (1928-2000) „Good Morning City“, 1970, Farbserigraphie mit Metallprägung, HWG 42 phosphoreszierende Auflage (insg. 2000 St.) Farbversion UU, im unteren Teil vielfach Bezeichnet sign. und dat., Prägestempel von Verleger und Drucker, zwei japanische Rotstempel sowie der Prägestempel "686 Giudecca 1969". Nummeriert 7225/10000 (Gesamtauflage). Leichte Altersspuren, Leicht gelbstichig. | HUNDERTWASSER, FRIEDENSREICH (1928-2000) "Good Morning City", 1970, colour serigraph with metal embossing, HWG 42 phosphorescent edition (total 2000 copies) colour version UU, in the lower part signed and dated in many places, embossing stamps of publisher and printer, two Japanese red stamps as well as the embossing stamp "686 Giudecca 1969". Numbered 7225/10000 (total edition). Slight signs of age, slightly yellowish.

HUNDERTWASSER, FRIEDENSREICH (1928-2000) „10002 Nights Homo Humus Come Va How Do You Do“, Farbfotolithografie / Farbserigrafie mit Metallprägung, rechts unten signiert "dunkelbunt", nummeriert und zwei japanische Rotstempeln, verso typographische Beschreibung des Druckprozesses und der Farbvarianten. Exemplar 4863/10.000. Mit den Stempeln des Druckers, Spinea-Venedig und des Herausgebers, Die Galerie, Offenbach/Main. HxB (mit Rahmen): 73/53 cm. Leichte Altersspuren, leicht gelbstichig. | HUNDERTWASSER, FRIEDENSREICH (1928-2000) "10002 Nights Homo Humus Come Va How Do You Do", Colour photolithograph / colour serigraph with metal embossing, signed lower right "dunkelbunt", numbered and two inkan stamps, typographical description of the printing process and colour variations on verso. Copy 4863/10.000. With the stamps of the printer, Spinea-Venice and the publisher, Die Galerie, Offenbach/Main. HxW: (with frame): 73/53 cm. Slight signs of age, slightly yellowish.

HUNDERTWASSER, FRIEDENSREICH (1928-2000) „10002 Nights Homo Humus Come Va How Do You Do“, Farbfotolithografie / Farbserigrafie mit Metallprägung, rechts unten signiert "dunkelbunt", nummeriert und zwei japanische Rotstempeln, verso typographische Beschreibung des Druckprozesses und der Farbvarianten. Exemplar 5044/10.000. Mit den Stempeln des Druckers, Spinea-Venedig und des Herausgebers, Die Galerie, Offenbach/Main. HxB (mit Rahmen): 73/53 cm. Leichte Altersspuren, leicht gelbstichig.| HUNDERTWASSER, FRIEDENSREICH (1928-2000) "10002 Nights Homo Humus Come Va How Do You Do", Colour photolithograph / colour serigraph with metal stamping, signed "dunkelbunt" at lower right, numbered and two Japanese red stamps, typographical description of the printing process and colour variations on verso. Copy 5044/10.000. With the stamps of the printer, Spinea-Venice and the publisher, Die Galerie, Offenbach/Main. HxW (with frame): 73/53 cm. Slight signs of age, slightly yellowish.

PENCK, A.R. (1939-2017) "Ohne Titel" Farbserigraphie, Ed. 12/30, handsigniert, HxB: 29/24 (Motiv) Rahmen, HxB: 60/50 cm.| PENCK, A.R. (1939-2017) "Untitled".Colour serigraph, ed. 12/30, signed by hand, HxW: 29/24 (motif) frame, HxW: 60/50 cm.

RONNIE WOOD (BORN 1947) - 'Self Portrait II', serigraph, signed in pencil, numbered 4/150, framed, 56cm x 40.5cm, frame size 86cm x 69xm.

Allan D'Arcangelo (American, 1930-1998). Serigraph on paper titled "Smoking Blonde" depicting a blonde woman smoking a cigarette in the background with a butterfly. Three roads divided by grassy hillocks lead to her. Pencil signed and dated 1996 along the lower right; numbered 29/65 along the lower left. His works are often characterized by his combination of art styles such as Pop Art, Surrealism, and Minimalism.Sight; height: 37 in x width: 46 in. Framed; height: 51 1/4 in x width: 60 in.Condition: There are no visible rips, losses, or restorations. There are several small creases along the edges of the work, mostly along the upper left edge. There is one small crease along the signature. There is one small crease near the lower center of the grass second from the left. Framed under matboard. Light wear to the frame; framed under plexiglass; not inspected out of frame.

Romero Britto (Brazilian, b. 1963). Three-dimensional giclee construction in color with color serigraph cut-outs titled "Free" depicting the Statue of Liberty, 2007. Pencil signed and blindstamped along the lower left. From an edition of 750. With a certificate of authenticity from Park West Galleries.Sight; height: 29 in x width: 27 in. Framed; height: 38 in x width: 33 1/2 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.

Romero Britto (Brazilian, b. 1963). Three-dimensional giclee construction in color with color serigraph cut-outs titled "Follow Me Baby" depicting two colorful fish, 2015. Pencil signed and blindstamped along the lower left. With a certificate of authenticity from Park West Galleries.Sight; height: 21 3/4 in x width: 27 in. Framed; height: 28 in x width: 33 1/2 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.

Fred Grayson Sayre (American, 1879-1938). Serigraph depicting a mountainous landscape with a forest in the foreground. Signed in print along the lower left.Sight; height: 17 in x width: 19 1/4 in. Framed; height: 18 in x width: 21 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.

Yaacov Agam (Israeli, b. 1928). Serigraph on paper titled "Hole In Converging Bleu Space" depicting an abstract op-art geometric scene that vivid colors energetically interacting with each other. Pencil signed along the lower right; numbered 60/270 along the lower left. With a certificate of authenticity from Park West Galleries.Provenance: Park West Galleries, Missouri; Private collection, Minnesota.Sight; height: 20 in x width: 24 in. Framed; height: 29 in x width: 33 1/2 in.Condition: No visible tears, losses or creases. The surface appears to be stable. The colors are bold and bright. There is a minute light grey possibly graphite marks to the lower left quadrant; please see the listing image. There is another area with the same mark to the upper right corner. In the upper left quadrant, there is a minute area that has been possibly hand-painted afterward. There is a light surface scratch along the right center margin. There is a scattering of accretion to the upper right inner corner of the mat that does not affect the work. Framed under plexiglass. There are scuffs throughout the exterior of the plexiglass, which do not affect the artwork. There is light wear to the frame. Verso was not inspected out of frame. There are no visible signs of restoration under UV light.

Brook Temple (American, b. 1934). Op-art serigraph print on paper featuring a design of yellow, green, purple, and black, 1971. Signed, dated, and numbered 57/100 along the lower left.Sight; height: 27 1/2 in x width: 27 in. Framed; height: 29 in x width: 29 in.Condition: No visible creases or losses. There are two lines of tears to the upper layer of the print along the center right of the item, approximately 1 1/2 inches long each. There are several areas with surface scratches throughout the recto. There are minute white accretions along the lower left quadrant. Restoration is not visible under UV light. Framed under plexiglass; not inspected out of frame. Wear to frame.

Erte (Romain de Tirtoff) (French, 1892-1990). Serigraph on paper titled "The Flowered Cape" depicting a women in a rose-covered cape, 1981. Pencil signed along the lower right; numbered 200/300 along the lower left. This work is influenced by "Scheherezade," his first cover design for Harper's Bazaar in January 1915.Provenance: Circle Fine Art Corporation, Chicago, February 17, 1987; Private Arizona collection.Sight; height: 23 in x width: 17 1/4 in. Framed; height: 34 1/2 in x width: 28 1/2 in.Condition: No visible tears, creases, or losses. No visible signs of restoration under UV light. The color is bold and bright. Framed under plexiglass; not inspected out of frame. Very light wear to the frame.

David Roth (American, b. 1942). Serigraph on graph paper print depicting an Op-art range of colorful dots, 1974. Pencil signed, dated, and numbered 2/20 along the lower right.Unframed; height: 23 in x width: 53 in. Framed; height: 29 in x width: 59 1/2 in.Condition: The piece shows no visible tears, losses or signs of restoration under UV light. The color is bold and bright. The sheet appears to be very slightly toned and has undulation throughout. In the upper left corner, there is a minute crease. In the upper center of the right margin, there is a light handling mark. In the left of the lower margin, there is a light brown mark that is possibly transmitted from the verso. Framed under plexiglass; not inspected out of frame; very light wear to the frame.

MARCO SASSONE (American-Italian b.1942) 'Santa Cruz', serigraph on paper, pencil signed and numbered 33/200, 99cm x 89cm, framed, with certificate of authenticity and original purchase receipt from 1983.

David Schneuer - 'White Lady', serigraph on Arches wove paper, titled and editioned certificate verso, 76cm x 61cm, within a gilt frame, together with three similar serigraphs by the same hand.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Title: Models Talking. Framed original watercolor serigraph on paper. Signed by artist on bottom left corner. Certificate of Authenticity included on verso. Frame size: 36" x 44" x 2". Sight size: 21.5" x 29.5". Artist: Patricia GovenzenskyProvenance: Jimmy's Bronze and Art Auction LLC Condition: Age related wear.

Limited edition serigraph on paper. Artist signed and numbered on bottom. Housed in ornate gold frame with custom black colored matte. Sight size: 22.5"H x 17"W. Frame size: 38"H x 33"W. Artist: Janet TrebyIssued: c. 1990sEdition Number: 27/485 Country of Origin: United StatesCondition: Age related wear.

Servando Cabrera Moreno (Cuban, 20th century), serigraph on paper, limited edition (numbered 41) signed and dated '81,19x25ins, 28.5x22.5ins inclusive of frame, framed and glazed.Paper is not laid on board.Slight fading / yellowing to paper surface.White marks to lower right.

# David SCHLUSS (b. 1943) Still Life Vases On A Table Serigraph Framed Picture size 43 x 43cm Overall size 71 x 71cm

Mackenzie Thorpe (b. 1956) British 'Left', serigraph in colour, depicting a child in a pram, limited edition 32/50, signed, number and titled to the bottom in pencil, within a glazed frame, the reverse with Halcyon Gallery label, the work 40 cm x 35 cm

Postcards, Cowboys, approx. 75 cards, RPs, printed and artist drawn to include Frank Reilley, Cowboy's Kitchen on the Prairie, Original Serigraph, Montana Joe, Rex Allen, Monte Hale, Roy Rogers, rodeo etc. (gen gd)

Unclear signed, Composition with figures and snake, serigraph dated 1985, 10/14, 59x77 cm, outer size is 81x101 cm

YOEL BENHARROUCHE (B1961), 'Women with Flowers', acrylic and serigraph on board, 70cm x 57cm, signed and numbered in pencil, Framed. (studied and tutored at Academie Paganini, Nice, France).

Grafiker des 20. Jh."Ohne Titel", geometrische Farbkomposition, unten rechts von hand sign. Jenny Gilbert Nolte (?), unten links num. 27/144, in der Ecke Trockenstempel: Charles Cardinale Serigraph Fine Ceation, Serigrafie/Papier, HxB: 99/83 cm. Knickspuren.

Hard edge style color serigraph in the shape of a diamond in pink, black, metallic greys, and dark green colors by Richard (Joseph Samuel) Lacroix (Canadian, b. 1939). Artist: Richard (Joseph Samuel) LacroixIssued: 1970Dimensions: 26"W x 26"HEdition Number: 56 of 120Country of Origin: CanadaProvenance: The Bass Museum of Art Condition: Good condition.

Artist and theorist Josef Albers created this serigraph poster for the 1972 Munich Olympic Games. It represents a sky-blue rectangle with the illusion of superimposed recessed grey borders. Signed lower right.  Artist: Josef AlbersDimensions: 25.40""W x 34.50""HCountry of Origin: United StatesProvenance: The Bass Museum of Art Condition: Good condition.

Silver foil serigraph titled "Symphony In Black". Depicting a beautiful Art Deco style lady with her dog. Signed in plate lower right. Measures 34" x 30.5" including frame, 22" x 18" image only. Condition: Age related wear.

Silver foil serigraph from Mirage series titled "Soiree". Depicting a beautiful Art Deco style lady. Signed in plate lower right. Measures 39" x 32" including frame, 27" x 20" image only. Condition: Age related wear.

ODE TO THE INDIAN OCEAN - COLOURED SERIGRAPH - 39 X 24.5 CMS APPROX

Embossed Serigraph Titled "Water Edge". Numbered 47/500 lower left. Signed in pencil lower right. Measures 49" x 31" including frame, 41" x 24" image only. Gallery label attached to verso. Condition: Age related wear.

Michael Hannan (American contemporary) - Three limited edition signed serigraph colour prints, the subjects to include a deer (35/350), seascape (1/300) and rural thatched cottage (2/350), each framed & glazed, the largest approx 53cm x 40.5cm

BAUMEISTER, WILLI (1889-1955) "Gravour-Fries" 1952 Farbserigraphie, signiert unten rechts, nummeriert 30/90 unten links, HxB: 12/48 cm. (Bildmaß) Unter Passepartout und Glas gerahmt, HxB: 37/73 cm. Wvz. Spielmann/Baumeister Nr. 183. BAUMEISTER, WILLI (1889-1955) "Gravour Frieze" 1952Colour serigraph, signed lower right, numbered 30/90 lower left, HxW: 12/48 cm. (picture size) Framed under mount and glass, HxW: 37/73 cm. Wvz. Spielmann/Baumeister no. 183.

Günter Fruhtrunk. (1923 - 1982 München). Vertikale. 1968. Farbserigraphie auf leichtem Verlinkarton. 45 x 32 cm. Verso signiert und nummeriert. Lose in Doppelblatt, dieses typographisch bezeichnet. - Vereinzelt in den Kanten mit minimalem Farbabrieb. Insgesamt in sehr gutem Zustand. Ausgesprochen prachtvoller, samtener Druck in leuchtender Farbigkeit der formatfüllenden Darstellung. Nicht bei Kirchhoff. - Eines von 150 Exemplaren. Colour serigraph on light wove cardboard. Signed and numbered on the verso. Loose in double sheet (typographically inscribed). - Isolated minimal loss of colour in edges. All in all very good. Extremely splendod, velvety impression in bright colours of the format-filling depiction. - One of 150 copies.

Carlos Cruz-Diez. (1923 Caracas, Venezuela - 2019 Paris). o.T. (Abstrakte Komposition). 1969. Farbserigraphie auf BFK Rives-Velin (mit Wz.). 20 x 20 cm (56 x 38 cm). Signiert, datiert und nummeriert. - In sehr gutem Zustand. Prachtvoller, farbkräftiger Druck der in Bewegung versetzten Komposition mit breitem Rand, Schöpfrand an zwei Seiten. Eines von 100 Exemplaren. - Carlos Cruz-Diez Werke basieren auf dem Moiré-Effekt, einer Technik, bei der durch kontrastierende farbige Linien die Illusion von Bewegung erzeugt wird. Inspiriert von den pointillistischen Kompositionen Georges Seurats und den Gemälden von Josef Albers ist es Cruz-Diez' Intention, mit seinen Arbeiten die Wahrnehmung und Ästhetik zu erforschen. Colour serigraph on BFK Rives wove paper (with watermark). Signed, dated and numbered. - Very good condition. Splendid, colour-rich impression of the in motion set composition, with wide margin, deckle edge on two sides. - One of 100 copies. - Carlos Cruz-Diez's works are based on the moiré effect, a technique that uses contrasting coloured lines to create the illusion of movement. He was inspired by the pointillist compositions of Georges Seurat and the illusionist paintings of Josef Albers. Cruz-Diez's intention is to explore perception and aesthetics through his works.

Lothar Quinte. (1923 Neisse - 2000 Wintzenbach (Frankreich)). o.T. (Komposition in Gold, Silber und Schwarz). 1967. Farbserigraphie auf leichtem Velinkarton. 69 x 69 cm. Signiert, datiert und nummeriert. - Verso mit Spuren vorheriger Montierung, wenige Stellen minimal knickspurig. Insgesamt in sehr gutem Zustand. Ausgesprochen prachtvoller, farbsatter Druck, das Format füllend. Eines von 100 Exemplaren. Colour serigraph on light wove cardboard. Signed, dated and numbered. - On the verso with traces of previous mounting, occasionally minimally creased. Overall in a very well preserved condition. Extremely splendid, colour saturated impression, format-filling. - One of 100 copies.

Rupprecht Geiger. (1908 - 2009 München). orange auf blau (hell). 1967. Farbserigraphie auf Vélin. 40 x 37,5 cm (44 x 39 cm). Signiert und nummeriert. - Die Kanten nur minimal bestoßen. Insgesamt in sehr gutem Zustand. Prachvtoll, satter Druck in leuchtenden Farben. Geiger WVG 103-7. - Eines von 100 Exemplaren. - Herausgegeben von der Galerie Wildbrand, Köln. - Druck bei Mankopf-Siebdruck, Düsseldorf. Colour serigraph on wove paper. Signed and numbered. - The edges only minimally bumped. Overall in very good condition. Splendid, saturated print in bright colours. - One of 100 copies. - Published by the Wildbrand Gallery, Cologne. - Print by Mankopf-Siebdruck, Düsseldorf.

Rupprecht Geiger. (1908 - 2009 München). Gelber Kreis mit weißem Kranz auf Gelb. 1971. Farbserigraphie auf Bristolkarton. 59,5 x 59,5 cm. Verso signiert und nummeriert. Unter Glas gerahmt. - Im Blattrand vereinzelte leichte Knickspuren, kl. Einrisse. Kanten vereinzelt leicht bestoßen. Mit kleinem, blassbraunen Fleckchen. Insgesamt in sehr gutem Zustand. Prachtvoller, farbintensiver Druck der formatfüllenden Darstellung. Geiger WVG 139. - Eines von 250 Exemplaren. Colour serigraph on Bristol cardboard. Signed and numbered on the verso. Framed under glass. - Isolated light crease marks in margin, small tears. Edges isolated slightly bumped. With small, pale-brown spot. Overall in a very good condition. Superb, colour-intense impression of the format-filling depiction. - One of 250 copies.

Rupprecht Geiger. (1908 - 2009 München). rot - blau - schwarz. 1958/59. Farbserigraphie auf Velin. 78 x 58,5 cm (86 x 61 cm). Signiert und nummeriert. - Vereinzelt leicht oberflächliche Bereibungs-/Kratzspur. Insgesamt in gutem Zustand. Ausgezeichneter, farbintensiver und kontrastreicher Druck mit Rand. Geiger WVG 30. - Eines von nur 30 Exemplaren. - Herausgegeben von der Galerie Schmücking, Braunschweig. Gedruckt von Markgraf-Druck, München. - Die Edition erschien anlässlich der Ausstellung "Künstler der documenta II" in der Galerie Schmücking in Braunschweig, 1959. Colour serigraph on wove paper. Signed and numbered. - Isolated with light superficial abrasions/scuff marks. Overall in fine condition. Superb, colour-intense and contrast-rich impression with margin. - One of only 30 copies. - Published by Schmücking Gallery, Brunswick. Printed by Markgraf-Druck, Munich. - The edition was published on the occasion of the exhibition "Künstler der documenta II" which was held in Schmücking Gallery in Brunswick, 1959.

Otto Piene. (1928 Laasphe/Westf. - 2014 Berlin). Schwarzer Baum. 1972. Farbserigraphie auf Velinkarton. 39,5 x 26 cm. Signiert, datiert und nummeriert. - Verso mit Spuren vorheriger Montierung. Insgesamt in sehr gutem Zustand. Prachtvoller Druck in äußerst leuchtender Farbigkeit der formatfüllenden Darstellung. Eines von 100 Exemplaren. - Aus: Inventar: 5 Serigrafien zu Gedichten von Rose Ausländer. Colour serigraph on wove cardboard. Signed, dated and numbered. - On the verso with traces of previous mounting. Overall in a very good condition. Splendid impression in extremely bright colours of the format-filling depiction. - One of 100 copies.

Adolf Fleischmann. (1892 Esslingen - 1968 Stuttgart). Opus 601. 1967. Farbserigraphie auf leichten Velinkarton. 64 x 51 cm (88 x 60 cm). Monogrammiert und nummeriert. - Die Kanten unscheinbar bestoßen, wenige ganz leichte Oberflächenbereibungen. Insgesamt sehr gut. Ausgesprochen prachtvoller Druck in intensiver Farbigkeit der harmonisch austarierten Komposition mit Rand. Wedewer S 16. - Eines von 150 Exemplaren. - Gedruckt im Atelier Domberger, Bonlanden bei Stuttgart. - Ausgeführt nach einem Ölgemälde von 1967 (Vgl. Kat O 357). - Jahresgabe 1968 der Aldegrever-Gesellschaft und des Westfälischen Kunstvereins, Münster. - Das Spätwerk Fleischmanns war stark konstruktivistisch geprägt, weshalb er zu den Vorreitern der Op-Art gezählt werden kann. Colour serigraph on light wove cardboard. Monogrammed and numbered. - Edges very slightly bumped, few very superficial abrasions, altogether in a very good condition. Extremely splendid impression in bright colours of the harmoniously balanced composition, with margin. - One of 150 copies.

Rainer Fetting. (1949 Wilhelmshaven - lebt in Berlin u. New York). Selbst. 2001. Farbserigraphie auf Vélin. 83 x 59 cm (100 x 70 cm). Signiert, datiert, nummeriert und betitelt mit Bleistift. - Insgesamt sehr gut erhalten. Prachtvoller Druck mit dem vollen Rand. Eines von 100 Exemplaren. Colour serigraph on wove paper. Signed, dated, numbered and titled in pencil. - Very well-preserved. Splendid print with the full margins. - One of 100 copies.