Rupprecht Geiger. (1908 - 2009 München). silber und gelb auf weiß. Serigraphie in Farbe auf leichtem Velinkarton. Oval 32 x 35 cm cm (43 x 40 cm). Signiert und nummeriert. - Recto vereinzelt minimal sowie verso gleichmäßig braunfleckig. Insgesamt wohlerhalten. Ausgezeichneter, farbleuchtender Druck, das Format nahezu füllend. Geiger 118. - Eines von 150 Exemplaren. - Erschienen als Jahresgaben der Kestner-Gesellschaft, Hannover, 1968. Serigraph in colours on light wove card. Signed and numbered. - On recto isolated minimally and on verso evenly with pale brown spots. Altogether very well preserved. Superb impression in bright colours, almost format-filling. - One of 150 copies. - Published as an annual offering of the Kestner Society, Hanover, 1968.
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Robert Filliou. (1926 Sauve - 1987 Les Eyzies). Serie von 7 Farbserigraphien. In: Childlike uses of Warlike Material. 1971. Je Farbserigraphie auf leichtem Karton. Je 49,5 x 69,5 cm. Je signiert. Lose eingelegt in Orig. Flügelmappe mit serigraphiertem Titel. Maße 55,5 x 75 cm. - Die Flügelmappe in den Ecken etw. bestoßen und im Rand zart gebräunt sowie leicht gebrauchsspurig. Insgesamt in sehr gutem Zustand. Prachtvoll, samtige Drucke in leuchtenden Farben, je das Format füllend. Eines von 100 Exemplaren. Vom Künstler auf einem Etikett auf dem Vorderdeckel signiert und nummeriert. - Jede Serigraphie zudem einzeln signiert. - In seiner Arbeit formt Filliou anhand mehrerer Bildebenen vielschichtige Bedeutungsebenen heraus und fordert den Betrachter auf diese Weise dazu heraus, sich mit der eigenen Wahrnehmung auseinanderzusetzen. Hierzu ist jede Serigraphie dieser Mappe mit je einer in den Hintergrund gestellten photographischen Reproduktion sowie je darüber gesetzten, kurzen Texten gearbeitet. Die Texte verweisen jeweils auf die Möglichkeit, das der Betrachter entweder Waffen sieht, oder eben den Ozean, Berge, Wüste, den Mond, die Sterne. (Vgl. Sylvie Jouval: Robert Filliou. Catalogue raisonne des editions & multiples, livres et videos. Nummer 43, mit Abbildung). - Herausgegeben durch Hartmut Kaminski, Düsseldorf. Series of 7 colour serigraphs. In: Childlike uses of Warlike Material. Each colour serigraph on light cardboard. Each signed. Loosely inserted in orig. wing folder with serigraphed title on cover. - The wing-folder with slightly bumped corners and delicately browned in the margins, with slight traces of use. Altogether very well preserved. Splendid, velvety prints in bright colours and full-format. - One of 100 copies. Signed and numbered by the artist on a label on the front cover. - Each serigraph also individually signed. - In his work, Filliou uses several image levels to create complex levels of meaning and in this way challenges the viewer to confront themselves with their own perception. For this purpose, each serigraph in this portfolio is created with a photographic reproduction placed in the background and short texts placed above it. The texts point to the possibility that the viewer either sees weapons or the ocean, mountains, desert, the moon, the stars. (See Sylvie Jouval: Robert Filliou. Catalog raisonne des editions & multiples, livres et videos. Number 43, with illustration). - Published by Hartmut Kaminski, Düsseldorf.
Otto Piene. (1928 Laasphe/Westf. - 2014 Berlin). Telegrün. 1969. Farbserigraphie auf leichtem Velin Karton. 40 x 40 cm (60,5 x 44 cm). Signiert, datiert und bezeichnet mit "épreuve d'artiste". In Punkten auf Unterlage sowie unter Glas gerahmt. Maße mit Rahmen 66 x 51 cm. - Verso mit Annotationen in Bleistift sowie Spuren vorheriger Montierung. - Insgesamt äußerst wohlerhalten. Prachtvoll, samtiger Druck in leuchtender Farbigkeit mit Rand. Rottloff 72 - Exemplar "Épreuve d' Artiste" außerhalb der Auflage von 100. Colour serigraph on light wove card. Signed, dated and inscribed with "épreuve d'artiste". Mounted in spots on backing, framed under glass. - On verso with annotations in pencil and traces of previous mounting. Altogether exceptionally well preserved. Splendid, velvety print in bright colours with margin. - Copy "Épreuve d' Artist" off the edition of 100.
Günther Uecker. (1930 Wendorf). o.T., aus: Das Buch Hiob. 2006. Serigraphie auf leicht chamoisfarbenen Velinkarton im Doppelblatt. 55 x 47 cm (59 x 100 cm, aufgefaltet). Signiert, datiert und nummeriert. Die rechte Blatthälfte mit typographischem Text in deutscher und hebräischer Sprache. - Die Kanten etw. bestoßen. Insgesamt sehr gut erhalten. Ausgezeichneter, satter Druck mit Rand. Eines von 99 Exemplaren. - Herausgegeben von Har-El, Jaffa, Israel. - Für die Mappe "Das Buch Hiob" gestaltete Günther Uecker 47 Originalgraphiken, welche je auf einer Doppelseite einer Textseite mit Bibelauszügen in Hebräisch sowie der deutschen Übersetzung nach Martin Luther gegenübergestellt wurden. Serigraph on slightly buff wove card as double sheet. Signed, dated and numbered. The right sheet part with typographical text in German and Hebrew. - The corners slightly bumped. Altogether very well preserved. Superb, saturated impression with margin. - One of 99 copies. - Published by Har-El, Jaffa, Israel. - For the portfolio Günther Uecker designed 47 original graphics, each of which was paired on a double page with Bible excerpts in Hebrew and the German translation.
Günther Uecker. (1930 Wendorf). o.T., aus: Das Buch Hiob. 2006. Serigraphie auf leicht chamoisfarbenen Velinkarton im Doppelblatt. 52,5 x 49,5 cm (52,5 x 100 cm, aufgefaltet). Signiert, datiert und nummeriert. Die rechte Blatthälfte mit typographischem Text in deutscher und hebräischer Sprache. - Die Kanten nur minimal bestoßen. Insgesamt sehr gut erhalten. Ausgezeichneter, expressiver Druck mit Rand. Eines von 99 Exemplaren. - Herausgegeben von Har-El, Jaffa, Israel. - Für die Mappe "Das Buch Hiob" gestaltete Günther Uecker 47 Originalgraphiken, welche je auf einer Doppelseite einer Textseite mit Bibelauszügen in Hebräisch sowie der deutschen Übersetzung nach Martin Luther gegenübergestellt wurden. Serigraph on slightly buff wove card as double sheet. Signed, dated and numbered. The right sheet part with typographical text in German and Hebrew. - The corners only slightly bumped. Altogether very well preserved. Superb, expressive impression with margin. - One of 99 copies. - Published by Har-El, Jaffa, Israel. - For the portfolio Günther Uecker designed 47 original graphics, each of which was paired on a double page with Bible excerpts in Hebrew and the German translation.
Rupprecht Geiger. (1908 - 2009 München). gelber Kreis auf silber. 1968. Farbserigraphie auf leichtem Velinkarton. 40,5 x 37 cm (45,5 x 41,5 cm). Signiert und nummeriert. Im Passepartout freigestellt sowie unter Glas gerahmt. - Im weißen Rand etwas fleckig, teils zart gebräunt, die Ecken leicht bestoßen. Etwas knickspurig, vereinzelt mit oberflächlichen Bereibungen. Insgesamt in gutem Zustand. Prachtvoller, farbleuchtender Druck mit schmalem Rand. WVG 106. - Eines von 100 Exemplaren. Colour serigraph on wove cardboard. Signed and numbered. Mounted free-standing on mat, framed under glass. - In white margin slightly spotted, partly delicately browned, corners slightly bumped. Slightly creased, isolated with superficial surface abrasions. Overall in very condition. Splendid, colour-intense impression with narrow margin. - One of 100 copies.
Geometrische Abstraktion - Op Art Imre Kocsis (1937 Karcag, Ungarn - 1991 Kaltherberg)o.T. 1972. Serigraphie auf leichtem Velinkarton. Signiert, datiert und nummeriert. 60 x 37,5 cm (70,5 x 50 cm). - Vereinzelt mit kl. oberflächlichen Bereibungsspuren sowie wenigen leichten Griffspuren. Insgesamt sehr gut erhalten. Prachtvoller und samtig, schwarzer Druck mit Rand. Eines von 40 Exemplaren. Serigraph on light wove card. Signed, dated and numbered. - Isolated with small surface abrasion as well as grip trace. Altogether very well preserved. Splendid impression in velvety black with margin. - One of 40 copies.
Rupprecht Geiger. (1908 - 2009 München). orange auf gelb. 1968. Serigraphie in Farbe auf leichtem Velinkarton. 40,5 x 37,5 cm (43 x 40 cm). Signiert und nummeriert. - Äußerst wohlerhalten. Ausgezeichneter, farbleuchtender Druck, das Format nahezu füllend. WVG 117. - Eines von 150 Exemplaren. - Erschienen als Jahresgaben der Kestner-Gesellschaft, Hannover, 1968. Serigraph in colours on light wove card. Signed and numbered. - Very well preserved. Superb impression in bright colours, almost format-filling. - One of 150 copies. - Published as an annual offering of the Kestner Society, Hanover, 1968.
Klassische Moderne Joan Miró (1893 Barcelona - 1983 Mallorca)o.T. (Abstrakte Komposition). 1964. Farbserigraphie auf Velin, ganzflächig kaschiert auf Unterlage. 66 x 50 cm (84 x 57 cm). Signiert und nummeriert. - Papierbedingt zart gebräunt, die Kanten bestoßen und mit kl. Feuchtigkeitsflecken, im Rand mit kl. Stoßspuren, leicht braunfleckig (recht unscheinbar), wenige oberflächliche Knick- bzw. Kratzspuren mit leichtem Farbverlust. Insgesamt in noch gutem Zustand. Sehr guter, farbkräftiger Druck mit Rand. Vgl. Tate gallery P05474. - Eines von 100 Exemplaren. - Motiv nach einer Zeichnung in Aquarell und Gouache (Sotheby's London, 06. Februar 2008, Los 231). Colour serigraph on wove paper, fully mounted on underlying mat. Signed and numbered. - Delicately browned due to the paper, the edges bumped and with small moisture stains, in the edge with tiny pressure holes, slightly brown stained (quite inconspicuous), a few superficial creases or scratches with slight loss of color. Overall in a still good condition. Very good, colour-saturated impression with margin. - One of 100 copies. - Motif based on a drawing in watercolor and gouache (Sotheby's London February 6, 2008 lot 231).
Rupprecht Geiger. (1908 - 2009 München). o.T. 1972. Serigraphie in Farbe auf leichtem Velin-Karton. 29,5 x 27,5 cm. Verso signiert. - In den Ecken und teils in den Kanten leicht bestoßen, hier vereinzelt mit minimalem Farbverlust, oberflächlich teils minimal und äußerst unscheinbar berieben und knickspurig. Insgesamt sehr gut erhalten. Prachtvoller, samtiger und leuchtender Druck, das Format füllend. WVG 150-7. - Eines von wohl nur 35 signierten Exemplaren. - Druck bei Laube in München. - Geplant waren in dieser Reihe insgesamt zehn Varianten als Beilagen zur Vorzugsausgabe des WVG von 1972. Serigraph in colours on light wove card. - Signed on verso. - In the corners and partly in the edges slightly bumped, here isolated with loss of pigment, superficially partly minimally and highly inconspicuously rubbed and creased. At all in very well preserved condition. Splendid, velvety and bright impression, filling the format. - One of probably only 35 signed copies. - Printed by Laube in Munich. - A total of ten variants were planned in this series as supplements to the WVG special edition of 1972.
Konkrete Kunst Max Bill (1908 Winterthur - 1994 Berlin)2 Arbeiten. 1971/76. Je Farbserigraphie auf Velin. Blattmaß bis 84 x 59,5 cm. Je typographisch beschriftet. - Ein Blatt papierbedingt zart und sehr gleichmäßig gebräunt, die Ecken leicht bestoßen und etwas knickspurig, im Rand wenige kurze Randeinrisse. Ein Blatt vereinzelt mit oberflächlichen Bereibungsspuren. Insgesamt sehr gut erhalten. Ausgezeichnete, samtige Drucke mit Rand, die Farben leuchtend. Enthält: Galerie Suzanne Bollag Zürich. Max Bill 10. Juni - 10. August 1971. - Max Bill. Württembergischer Kunstverein Stuttgart, Kunsthaus am Schlossplatz. 3. Juni bis 17. August 1976". Siebdruck der Firma Domberger Siebdruck, Stuttgart. 2 works. Each colour serigraph on wove paper. Each typographically inscribed. - One sheet due to paper very evenly and tender browned, die corners somehwat bumped and creased, one sheet in the margins with few short tears. One sheet with few superficial scratch marks. Altogether very well preserved. Splendid, velvety prints with margin, colours intense. - Contains: as listed above.
Konkrete Kunst Georg Karl Pfahler (1926 - 2002 Emetzheim/Bayern)2 Arbeiten. Je Farbserigraphie auf glattem, leichtem Velin Karton. Je ca. 65 x 50 cm. Je signiert und als "epr. d'artist" (Épreuve d'artiste) bezeichnet. - Vornehmlich in den Randbereichen sowie verso teils leicht braunfleckig. Insgesamt ausgezeichnet, farbfrische Drucke im vollen Format. 2 works. Each colour serigraph on smooth light cardboard. Each signed and inscribed as "epr. d'artist" (Épreuve d'artiste). - Mainly in the margins and on the verso partly slightly brown-stained. Overall splendid prints in bright colours in full format.
Günter Fruhtrunk. (1923 - 1982 München). Rote Horizontale. 1969. Farbserigraphie auf leichtem Karton. Verso mit Gelegenheitssignatur. 39,8 x 39,8 cm (40,8 x 40,6 cm). Oberflächlich mit minimalen Anschmutzungen und Bereibungen. Insgesamt sehr gut erhalten.Kirchhoff 39. Serigraph in colours on light card. With occasional signature on the verso. - Superficially with minimal soiling and rubbing. Overall very well preserved.
Pop Art Keith Haring (1958 Reading, Pennsylvania - 1990 New York)Lucky Strike. 1987. Farbserigraphie auf Velin. 96 x 64,5 cm (100 x 70 cm). Im Druck signiert und datiert. Mit typographischen Angaben zum Druck im Blattrand. Unter Glas gerahmt. - Im weißen Rand teils minimal bestoßen oder knickspurig. Vereinzelt mit kl. und unscheinbaren oberflächlichen Bereibungen. Insgesamt sehr gut. Prachtvoller, samtener und farbsatter Druck mit schmalem Rand. Gundel 51. - Druck bei Albin Uldry, Bern. - Entstanden als Auftrag für die Zigarettenmarke Lucky Strike. Serigraph in colours on wove paper. Signed and dated in the print. With typographical inscription in the margin. Framed under glass. - In the white margin partly minimally bumped or creased. Occasionally with inconspicuous superficial rubbings. Altogether very well preserved. Splendid, velvety impression in vivid colours, with narrow margin. - Printed by Albin Uldry, Bern. - Produced as a commission for the cigarette brand Lucky Strike.
Pop Art Keith Haring (1958 Reading, Pennsylvania - 1990 New York)Lucky Strike (gelb). 1987. Farbserigraphie auf Velin. 96,5 x 67 cm (100 x 70 cm). Im Druck signiert und datiert. Mit typographischen Angaben zum Druck im Blattrand. Unter Glas gerahmt. - Mit kl. Feuchtigkeitsfleck im weißen Rand, teils minimal bestoßen oder knickspurig. Vereinzelt mit kl. und unscheinbaren oberflächlichen Bereibungen. Insgesamt sehr gut erhalten. Prachtvoller, samtiger und farbsatter Druck mit schmalem Rand. Littmann S. 78. - Gundel 52. - Eines von 80 Exemplaren. - Druck bei Albin Uldry, Bern. - Entstanden als Auftrag für die Zigarettenmarke Lucky Strike. Serigraph in colours on wove paper. Signed and dated in the print. With typographical inscription in the margin. Framed under glass. - In the white margin with small moisture stain, partly minimally bumped or creased. Occasionally with inconspicuous superficial rubbings. Altogether very well preserved. Splendid, velvety impression in vivid colours, with narrow margins. - Printed by Albin Uldry, Bern. - Produced as a commission for the cigarette brand Lucky Strike.
ZERO Otto Piene (1928 Laasphe/Westf. - 2014 Berlin)5 Serigraphien. In: Bilder, Feuergouachen und Graphik 1957-67. 'Sky Art' Portfolio 1969. Bilddokumentation 1967-71. (1971). Je Farbserigraphie als Klapptafel auf leichten Karton (hiervon 1 Umschlagserigraphie). 29 x 39,5 cm (Klapptafeln aufgefaltet). Illustrierte Orig. Broschur - Der Umschlag etw. lichtrandig. Teils im Blattrand sehr zart gebräunt. Die Serigraphien Werkbedingt mit horizontaler Mittelfalz. Insgesamt sehr gut erhalten. Prachtvoll, samtige Drucke in leuchtender Farbigkeit. Für die Serigraphie Elmsfeuer siehe Rottloff 98. - Eines von 1000 nummerierten Exemplaren, das Titelblatt von Piene signiert. - Herausgegeben durch die Galerie Heseler, München. 5 works. Each colour serigraph as folded plate on light cardboard (of which 1 serigraph on the wrapper). Ill. orig. paperback. - The wrapper somewhat light margined. Partly very tenderly browned in the margins. The serigraphs immanent to work with horizontal centre fold. Altogether in very well preserved condition. Splendid, velvety prints in bright colors. - For the serigraph "Elmsfeuer" cf. Rottloff 98. - One of 1000 copies signed by Piene on the title. - Published by Gallery Heseler, Munich.
Walt Disney's 'Pinocchio', Serigraphie nach der Zeichnung von 1940, Serigraphie mit aufgelegter Folie, die Folie mit Copyright-Stempel der Walt Sisney Company, limitierte Druckauflage von 9.500 Exemplaren, HxB: Darstellung ca. 27 x 34,5cm (36 x 45,5 cm mit Rahmen). Altersspuren, Folie leicht verrutscht. Mit verglastem Rahmen. ZERTIFIKAT anbei.| Walt Disney's 'Pinocchio', serigraph based on the drawing from 1940, serigraph with applied foil, the foil with copyright stamp of the Walt Sisney Company, limited print run of 9,500 copies, HxW: representation approx. 27 x 34.5cm (36 x 45, 5 cm with frame). Signs of age, foil slightly slipped. With glazed frame. CERTIFICATE attached.
WALT DISNEY "Serigraph-Cels 3 Stück" limitierte Produktion von 1990, (9500 Stück), 1x "How to Fish", 1x "Donald´s Golf Game", 1x "Tennis Racquet", alle in Original Plexiglasrahmung (Plexiglas, Tennis Racquet vorne besch.) Außenmaße ca. 44,5 x 52 cm.| WALT DISNEY "Serigraph-Cels 3 pieces"limited production from 1990, (9500 pieces), 1x "How to Fish", 1x "Donald's Golf Game", 1x "Tennis Racquet", all in original plexiglass frame (plexiglass, Tennis Racquet front dam.) Outer dimensions approx. 44,5 x 52 cm.
Marco Sassone OMRI, American/Italian b.1942- Venezia XXXVI, 1998; serigraph in colours on rag paper, signed and inscribed 'AP' in pencil, printed at Kato Art Studio, Los Angeles, with their blind stamp,published by Kennebeck Editions, Laguna Beach, California,sheet: 103.7 x 73.5 cm, (unframed)(ARR)
Splendid color serigraph on paper entitled The French Rooster by Neo-Art Deco artist Erte. It depicts a woman dressed with rows of red beads that partially cover her nudity and a transparent purple veil that flows in controlled curves. She looks into a black void where deep yellow and orange flames emanate near an erect rooster crowing at her. Pencil signature on lower right: Erte. Numbered on lower left: AP 12/50. Housed in an incised gold tone and black frame and a cream color mat. Sight size: 21.15"L x 29.50"H. Frame size: 29"L x 38"H x 1.50"W. Artist: Erte, Romain de Tirtoff (Russian/French 1892-1990)Issued: c. 1980Edition Number: Artist Proof 12of 50 Country of Origin: Russia/FranceCondition: Age related wear.
Textured color serigraph on wove paper entitled In Bloom that depicts a woman in an armchair sitting by an abstracted still life done in bold colors by Post Impressionist Itzchak Tarkay. Signature in pencil on lower right: Tarkay. Numbered on lower left: EA (Artist Proof) 8/50. Housed in a marbleized gilded frame with light cream matting. Sight size: 15.60""L x 19.50""H. Frame size: 25.50""L x 29""H x 1.25""W. Certificate of Authenticity included. Artist: Itzchak Tarkay (Israeli 1935-2012)Issued: 2000Edition Number: EA. 8 of 50 Country of Origin: IsraelCondition: Age related wear.
Splendid serigraph entitled Loge de Theatre from Neo-Art Deco artist and designer Erte's Folies Bergere series. It depicts three women in extravagantly ornate evening wear. Erte used a palette of soft pinks, reds, blue, grey and gold that are highlighted by the ultra black in the composition and the border. Housed in a thick gilded frame with a black linen mat. Sight size: 23"L x 29"H. Frame size: 31"L x 37"H x 1.50"W. Signed in pencil on lower right: Erte. Numbered on lower left: LXXI/CL. Certificate of Authenticity included. Artist: Erte, Romain de Tirtoff (Russian/French 1892-1990)Issued: c. 1980Edition Number: 71 of 150 Country of Origin: Russia/FranceCondition: Age related wear.
Large color serigraph entitled Galaxy that plays with optical illusions by artist Jack Brusca who used geometric forms and bold colors to bend our perceptions. Signed and dated in pencil on lower right: Jack Brusca, 1978. Numbered on lower left: 187/200. Housed in a black frame and a white mat. Sight sizes: 25.50"L x 27.10"H. Frame size: 33"L x 35"H x 1.60"W. Artist: Jack Brusca (American, 1939-1993)Issued: 1978Edition Number: 187 of 200 Country of Origin: United StatesCondition: Age related wear.
Serigraph on wove paper showing an abstracted female figure in a purple hat and dress over a colorful geometric background. Signed by artist in lower right corner. Gold tone ornate frame with acrylic glazing. Certificate of authenticity on verso. Linda Le Kinff is a well-traveled artist influenced by Paul Gauguin, Pablo Picasso, and Gustav Klimt. She is known for her work on the 1998 Soccer World Cup, which resulted in her having a commemorative coin struck in her honor by the French government, and her work on the 2010 Kentucky Derby. Sight size: 8.75"W x 10.5"H; frame: 10.25"W x 12"H x 0.5"D. Artist: Linda Le KinffCondition: Age related wear.
Artist hand signed lower right in pencil on arches paper.A large serigraph print on arches paper, a limited unnumbered edition of an original Modernist work by Russian born artist Igor Galanin (b. 1937) whose work has been featured in Vanity Fair, The Christian Science Monitor, Penthouse Magazine, and The New York Times, and been exhibited at the Rose Art Museum in Boston, the London Gallery in Montreal, and Museum of Contemporary Art, La Jolla, CA. Artist signed in pencil lower right. Artist: Igor GalaninIssued: 1985Dimensions: 42.5"H x 35.25"WCountry of Origin: United StatesCondition: Few minor tears to edges otherwise good.
Color serigraph on paper entitled Beauty and Beast from The Twenties Remembered series by Neo-Art Deco artist Erte. It depicts an elongated woman with an extravagant feather headdress and wrapped in an outfit resembling a black panther made with curvilinear lines covered with silvery dots. Erte placed the Beauty on a set of horizontal blue lines that recede in the bare background. Pencil signature on lower right: Erte. Numbered on lower left: 206/300. Housed in a splendid incised silver tone and black frame and a white mat with a silver border. Sight size: 15.50"L x 20.50"H. Frame size: 23"L x 28"H x 1.50"W. Artist: Erte, Romain de Tirtoff (Russian/French 1892-1990)Issued: 1977Edition Number: 206 of 300 Country of Origin: Russia/FranceCondition: Age related wear.
Large color serigraph on wove paper of two nude women in sparkling ""Blue Waters"" made with ultramarines and specs of gold colors. Quan Sun is influenced by Western traditions of Impressionism and Classicism that she combines to form abstracted artworks in all media. Signature in pencil on lower right: Quan Sun. On lower left: 223/385. Housed in a gilded frame double mounted with an off-white mat. Sight size: 50.25""L x 37.25""H. Frame size: 57""L x 44""H x 1.50""W. Artist: Quan SunIssued: c. 1990Edition Number: 223 of 385 Condition: Age related wear.
Original color serigraph on cotton paper by Alejandro Santiago who has depicted a human face and an animal hauntingly looking at the viewer. Santiago used an Expressionist style in the application of colors that bleed off the shapes throughout this stunning abstraction. Signed and dated in white crayon on lower right: Charles Magistro, 10. Numbered on lower left: 82/100. Housed in a handsome black frame with an off-white linen recessed mat. Sight sizes: 27.50"L x 19.60"H. Frame size: 36"L x 28"H x 1.50"W. Artist: Alejandro Santiago (Mexican, 1964-2013)Issued: 2010Edition Number: 82 of 100 Country of Origin: MexicoCondition: Age related wear.
Graphic USA, Edition Plus, Baden-Baden. Complete set of eight serigraph prints, 1967-68. Each numbered 99/100, pencil signed, and dated. Distributed by Trois Anges, Inc., New York. Published by Edition Plus, Suzanne L. Fischer, Baden-Baden. Including:Allan D'Arcangelo (American, 1930-1998). Serigraph depicting two red and yellow striped lines crossing on a blue background with two small trees.Robert Indiana (American, 1928-2018). Serigraph titled "German Love" depicting the artist's iconic "Love" symbol in the national colors of Germany.Mario Yrisarry (American, b. 1933). Serigraph titled "Stern 1967" depicting a series of black lines in a grid-like pattern.Marvin Israel (American, 1924-1984). Serigraph titled "Handiwork" depicting a face with a hand and a grid of red dots.Alfred Jensen (Guatemalan/American, 1903-1981). Serigraph titled "Squaring of the 260-Day Calendar" depicting a grid of colors with annotations throughout.Richard Lindner (German/American, 1901-1978). Serigraph titled "1+1=2" depicting two brightly dressed figures.Ad Reinhart (American, 1913-1967). Serigraph depicting a black square in three shades of black. As noted along the verso of this print, Reinhardt died during the production of the portfolio but approved of the proof in a letter dated shortly before his death.Tom Wesselmann (American, 1931-2004). Serigraph titled "Seascape (Tit)" depicting a nude breast in front of an ocean.(Folio) Height: 31 in x width: 25 in. (Sheet, each) height: 29 1/2 in x width: 23 1/2 in. />Condition: The portfolio is in overall good condition. There are no rips, losses, or restorations. A few of the prints have very light surface marks. The "Love" print has a slight smudge to the graphite signature. Some of the prints have extremely light wear along the extreme edges, possibly from minimal handling. The front sheet containing all the artist's names has a few small marks to the surface in the upper half. Some very light wear to the cloth-bound portfolio.
Brook Temple (American, b. 1934). Op-art serigraph print on paper featuring a design of yellow, green, purple, and black, 1971. Signed, dated, and numbered 57/100 along the lower left.Sight; height: 27 1/2 in x width: 27 in. Framed; height: 29 in x width: 29 in. />Condition: No visible creases or losses. There are two lines of tears to the upper layer of the print along the center right of the item, approximately 1 1/2 inches long each. There are several areas with surface scratches throughout the recto. There are minute white accretions along the lower left quadrant. Restoration is not visible under UV light. Framed under plexiglass; not inspected out of frame. Wear to frame.
David Roth (American, b. 1942). Serigraph on graph paper print depicting an Op-art range of colorful dots, 1974. Pencil signed, dated, and numbered 2/20 along the lower right.Unframed; height: 23 in x width: 53 in. Framed; height: 29 in x width: 59 1/2 in. />Condition: The piece shows no visible tears, losses or signs of restoration under UV light. The color is bold and bright. The sheet appears to be very slightly toned and has undulation throughout. In the upper left corner, there is a minute crease. In the upper center of the right margin, there is a light handling mark. In the left of the lower margin, there is a light brown mark that is possibly transmitted from the verso. Framed under plexiglass; not inspected out of frame; very light wear to the frame.
Jean Dubuffet (French, 1901-1985). Serigraph on paper titled "Le Libre Echange" depicting figures rendered in Dubuffet's signature abstract style, 1974.Sight; height: 23 3/4 in x width: 46 1/2 in. Framed; height: 29 1/2 in x width: 52 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Tiefeng Jiang (Chinese, b. 1938). Serigraph titled "Royal Couple" depicting two black lions with pops of bright color surrounded by flowers, 1995. Signed along the lower right; numbered 236/300 along the lower left.Sight; height: 35 1/2 in x width: 35 in. Framed; height: 47 in x width: 47 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
DON ROTH (Southern Californian artist); a limited edition serigraph titled 'Tiger's Wood Shot', from the 'Kool-Kat Kollection', depicting a cat and mouse playing a game of golf, signed and numbered in border, limited edition no.81/395, publication year 2004, 45 x 44cm, framed and glazed, with certificate of authenticity.Condition Report: - Frame size 66 x 66cm.
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2225 item(s)/page