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Alfred Jensen (Guatemalan/American, 1903-1981). Serigraph titled "Squaring of the 260-Day Calendar" depicting a grid of colors with annotations throughout. Numbered 99/100, pencil signed, and dated. From Graphic (Graphik) USA, Edition Plus, Baden-Baden. Distributed by Trois Anges, Inc., New York. Published by Edition Plus, Suzanne L. Fischer, Baden-Baden.Height: 29 1/2 in x width: 23 1/2 in.br/>Condition:The colors are bold and bright. There are no visible tears, losses, or creases. There are a few minute scuffs along the left edge of the lower left quadrant. There are no signs of restoration under UV light.

Ad Reinhart (American, 1913-1967). Serigraph depicting a black square in three shades of black. As noted along the verso of this print, Reinhardt died during the production of the portfolio but approved of the proof in a letter dated shortly before his death. From Graphic (Graphik) USA, Edition Plus, Baden-Baden. Distributed by Trois Anges, Inc., New York. Published by Edition Plus, Suzanne L. Fischer, Baden-Baden.Height: 29 1/2 in x width: 23 1/2 in.br/>Condition:The colors are dark and deep. There are no visible tears or creases. There are several faint scuffs throughout the image. There is a minute white spot in the lower right quadrant. There are no signs of restoration under UV light.

Fred Grayson Sayre (American, 1879-1938). Serigraph depicting a covered wagon pulled by a team of oxen through a mountainous landscape. Signed in print along the lower left.Sight; height: 13 in x width: 16 1/4 in. Framed; height: 16 in x width: 19 1/4 in.br/>Condition:The colors are bold and bright. There are no major tears, creases, or losses. There is heavy craquelure throughout the upper half of the work. There are minute losses throughout the craquelured areas. In the upper right quadrant there is a line of loss measuring approximately 2 1/2 in long. No signs of restoration under UV light. Framed under glass, not inspected out of frame. Wear to the frame.

Eyvind Earle (American, 1916-2000). Serigraph on paper titled "Softening Shades of Twilight" depicting a forest, 1993. Signed in blue ink along the lower right; numbered PP 2/6 along the lower left. Eyvind Earle is well-known for his work on Disney's "Sleeping Beauty" (1959) animated film.Sight; height: 20 3/4 in x width: 27 1/2 in. Framed; height: 36 in x width: 42 3/4 in.br/>Condition:Along the lower left tree there is an approx. 2.5 inch long area of inpainting which fluoresces under UV light. No other visible areas of inpainting. No visible rips or losses. Framed under an acidic mat. Not inspected out of frame. Light wear to the frame; framed under plexiglass.

Rupprecht Geiger. (1908 - 2009 München). 3 Publikationen zum Künstler. Mit insgesamt 7 OSerigraphien. 1999-2007. Versch. Formate. Je im OEinband. WVG 200, 236. - Enthält: Rupprecht Geiger. Katalog Galerie im Rathausfletz. Mit 5 eingebundenen Farbserigraphien. Neuburg an der Donau, 1999. 4°. OLwd. in OUmschlag. Eines von 300 Exemplaren, im Impressum signiert und nummeriert. - Texte zu Rupprecht Geiger. Mit je 1 Serigraphie. Städtische Galerie im Lenbachhaus, 2007. Gr.-8°. OLwd. (Ex. mit Dublette bzw. Variante d. Serigraphie). - Die Serigraphie je ein Fragment des sechsfarbigen Siebdruckplakates "Rot zu Gelb". Das das Plakat erschien anlässlich der Ausstellung "Rupprecht Geiger. Malerei, Serigrafien, Modelle und Collagen aus Sieben Jahrzehnten. Die Ausstellung zum 100. Geburtstag des Künstlers" vom 15.12.2007 - 30.3.2008 im Lenbachhaus München und vom 1.6.2008 - 21.9.2008 im Museum für Gegenwartskunst Siegen in einer Auflage von 1.100 Exemplaren, 100 Exemplare waren von Geiger signiert. - Tadellos erhaltene Exemplare mit durchweg prachtvollen, samtigen und farbkräftigen Serigraphien. 3 publications on the artist. With 7 orig. serigraphs. Various formats. Each in orig. binding. - Contains: as listed above. - With 5 bound-in colour serigraphs. - One of 300 copies, signed and numbered in the imprint. - As well as each 1 bound in colour serigraph in variant. - Each of these serigraphs a fragment of the six-colour silkscreen poster "Rot zu Gelb". - Very well preserved copies with splendid, velvety and vivid colour serigraphs throughout.

Jose Royo (Spanish, b.1941) Limited edition serigraph, signed and numbered 113/225 in pencil, 48x69cm, framed and glazed.

A contemporary surrealist art limited edition serigraph, depicting a maritime themed figural scene with fishermen, pencil numbered and titled below the work, 58 cm x 49 cm within a glazed giltwood frame

THE JIM DAVIS STUDIO, 'PLAYFUL' FROM GARFIELD, LIMITED EDITION SERIGRAPH CEL mounted, framed and under glass, with Park West Gallery paperwork41cm x 52cm overall

YAAKOV AGAM - LTD EDITION SERIGRAPH ENTITLED ''ZEBULUN'' SIGNED & NUMBERED

Itzchak Tarkay (Israeli 1935-2012)Ursulia and IsabelSerigraph print 28/35070 x 56cmPark West Gallery Michigan label versotogether with two modern rural landscapes, mixed media, both signed 30 x 43cm(3)

Margaret Layton (American, mid-20th century) Abstract study of an owlserigraph print31.5cm x 24cm

SLAVA BRODINSKY, TUSCAN LANDSCAPE signed limited edition lithographmounted, framed and under glass, along with Itzchak Tarkay signed limited edition serigraph on paper (this with paperwork)the first 58cm x 63cm overall

LeRoy Neiman (American, 1921-2012), artist proof colour serigraph, 'Ascot Paddock', signed in pencil, 73 x 88cm

Vibrant serigraph with hand-embellished colorful border set in a shadowbox by Neo-Pop artist Britto. This joyous composition entitled Angel depicts a smiling figure with curled wings set on geometric and curvilinear shapes filled with Britto's iconic use of bold colors encased in black borders that crisscross. Signed in the print and with a black marker on lower center: Britto. On verso: Britto's biographical information and the Britto Central's gallery address. Housed in a flat black frame with a recessed mat lined with Britto designs. Sight size: 13.50"L x 13.50"H. Frame size: 20"L x 20"H x 2"W. Artist: Romero Britto (Brazilian/American b.1963)Issued: c. 2000Country of Origin: Brazil/United StatesCondition: Age related wear.

Jennifer Joan DICKSON (1936) Journey both inward and out Original etching and serigraph Artist's proof Signed and titled, Image 50.5cm x 77.5cm Jennifer Dickson CM RA, a South African-born British photographer, was born in Piet Retief, South Africa, on September 17, 1936. She studied at Goldsmiths College in England from 1954 to 1959 and later apprenticed under Stanley William Hayter at Atelier 17 in Paris, France, from 1960 to 1965. In 1962, she held her first solo exhibition in London. Afterward, she taught at the Brighton College of Art, where she established a graduate program in printmaking and photography. In 1968, she became a visiting fellow at the University of the West Indies in Jamaica, and in 1969, she emigrated to Canada. In Montreal, Quebec, she became the director of the graphics program at the Saidye Bronfman Centre. She became a Royal Academician in 1976 and currently resides in Ottawa, Ontario, Canada and her work is featured in the collections of the Musée national des beaux-arts du Québec and the National Gallery of Canada. Additionally, she was honoured as a Member of the Order of Canada in 1995. Postage for this lot is available to the UK for £42.50.

Roy Lichtenstein (1923 - 1997), Woman In Bath (1963), colour serigraph/screen print, unsigned, numbered 15/50, with Certificate of Authenticity, 91cm x 91cm, aluminium and glass frame, overall frame dimensions 109cm x 109cm. Provenance: purchased by the present vendor from ExhibitionVery good condition, colours all bright, no paper damage creases or tears, frame also in good condition

Charley Harper (American, 1922-2007), 'Hexit', serigraph, signed and numbered 907/1500, 40x40cm

Liudmila Kondakova (Russian-American, b.1956) ‘Quai de Deconti’ serigraph in colours on board, signed 'Kondakova' in pen l.r. and numbered '125/295' l.l. 85 x 84cm visibleProvenance: The Collection of Sir Rod Stewart;purchased by the above from Martin Lawrence Galleries.Condition ReportOverall: 118 x 118cmAppears to be in good condition. Well presented and ready to hang.

Pablo Picasso (Spanish, 1881-1973) Three black and white serigraph prints Signed in plate 59cm x 44.5cm (23" x 17.5") Each unframed, unglazed and previously stored flat. 

Pablo Picasso (Spanish, 1881-1973) Two black and white serigraph prints Signed in plate 59cm x 44.5cm (23" x 17.5") Each unframed, unglazed and previously stored flat. 

Juan Miro (Spanish 1887-1995) Les Fauves 1960 Serigraph, signed in plate 59cm x 44.5cm (23" x 17.5") Marc Chagall (Spanish 1893-1985) Charlot Chaplin Lithograph, signed in plate 59cm x 44.5cm (23" x 17.5") Presented unframed, unglazed and previously stored flat.

Henri Matisse (French, 1869-1954) Blue Nude I, 1952 Serigraph, signed in plate 59cm x 44.5cm (23" x 17.5") Presented unframed, unglazed and previously stored flat.

Henri Matisse (French, 1869-1954) Blue Nude II, 1952 Serigraph, signed in plate 59cm x 44.5cm (23" x 17.5") Presented unframed, unglazed and previously stored flat.

Pablo Picasso (Spanish, 1881-1973) The Round Dance & one other Two serigraph prints in colour Signed in plate 59cm x 44.5cm (23" x 17.5") Each unframed, unglazed and previously stored flat. 

Henri Matisse (French, 1869-1954) Three black and white serigraph prints Signed in plate 59cm x 44.5cm (23" x 17.5") Each unframed, unglazed and previously stored flat. 

Henri Matisse (French, 1881-1973) Three black and white serigraph prints of nude women Signed in plate 59cm x 44.5cm (23" x 17.5") Each unframed, unglazed and previously stored flat. 

Pablo Picasso (Spanish, 1869-1954) Three black and white serigraph prints Signed in plate 59cm x 44.5cm (23" x 17.5") Each unframed, unglazed and previously stored flat. 

Henri Matisse (French, 1869-1954) Icarus, from Jazz Serigraph print Signed in plate 59cm x 44.5cm (23" x 17.5") Each unframed, unglazed and previously stored flat. 

Pablo Picasso (Spanish, 1881-1973) Two black and white serigraph prints Signed in plate 59cm x 44.5cm (23" x 17.5") Each unframed, unglazed and previously stored flat. 

Pablo Picasso (Spanish, 1881-1973) Three black and white serigraph prints Signed in plate 59cm x 44.5cm (23" x 17.5") Each unframed, unglazed and previously stored flat. 

Serigraph, 15 x 10 cm, printed black on cream paper, with hand-made pencil drawing in the shape of a heart. Monogram signed and dated in lower right corner DR 62 in pencil. Unobstrusive horizontal fold 1 cm from top, very good copy.

Serigraph and pencil on paper, 39 x 39 cm. Signed and dated 27.1.99 in pencil on vers. Printed in orange with hand added drawings in pencil. Curiously the work is printed on the back of a silkscreen by Robert Barry, with white printed lettering along the margins, almost invisible. The work derives from the private collection of Paul and Helene Panhuysen, who ran the Apollohuis in Eindhoven (NL), a space for experimental music and art. Rudolf exhibited there in 1991, in a groupshow 'Rules of the Game' curated by Jiri Valoch. Pavel Rudolf (1943) is an important representative of Czech geometric abstraction, conceptual art and visual poetry.

Friedensreich Hundertwasser (1928 Wien - 2000 Brisbane) (F)'Testament in Gelb', Farbserigrafie mit Metallprägungen auf festem Karton, 50,5 cm x 72 cm Passepartoutinnenmaß, signiert, 24. Mai 1971 Lengmoos datiert und ortsbezeichnet, 218/475 nummeriert, verso mit dem nummerierten Textblatt-Fragment aufmontiert, Literatur: Wvz. Koschatzky 43Friedensreich Hundertwasser (1928 Vienna - 2000 Brisbane) (F)'Testament in Yellow', color serigraph with metal embossing on strong cardboard, 50,5 cm x 72 cm inside mount, signed, May 24, 1971 Lengmoos dated and place-noted, 218/475 numbered mounted on verso with the numbered text leaf fragment, literature: Cat. rais. Koschatzky 43

Corneille (1922 Liège/Belgien - 2010 Auvers-sur-Oise/Frankreich)Komposition mit weiblichem Akt und VogelBlattgroße Farbserigraphie/Velin, 1991. Sign., dat. u. nummeriert 131/200. 21 cm x 21 cm. Beigefügt: Corneille-Monographie von Michel Ragon "Corneille toujours en route", Malmö 1991, im Schuber.Corneille gehörte mit Pierre Alechinsky, Karel Appel, Constant, Asger Jorn und K. O. Götz zur Avantgarde-Künstlergruppe "CoBrA"; 1959 und 1964 nahm er an der documenta teil.Serigraph in colours on wove paper, 1991. Hand-signed, dated and numbered 131/200. Accompanied by the book from Michel Ragon "Corneille toujours en route" (1991).

Günther Uecker (Geb. 1930 Wendorf/Mecklenburg. Ansässig in Düsseldorf)"Verletzungen". OriginaltitelSerigraphie/Schoellershammer-Karton, 1998. Sign., dat. (19)98 u. nummeriert 47/70. Blatt ca. 84 cm x 60,8 cm. Rahmen.Serigraph on Schoellershammer cardboard, 1998. Hand-signed, dated and numbered 46/70.

Günther Uecker (Geb. 1930 Wendorf/Mecklenburg. Ansässig in Düsseldorf)"Spuren". OriginaltitelSerigraphie/Bütten, 1994. Sign., dat. (19)94 u. nummeriert 15/100. Blatt aus dem Mappenwerk "Wattenmeer", 1994. Blatt 80 cm x 60 cm. Rahmen.Serigraph on laid paper, 1994. Hand-signed, dated and numbered 15/100. From the portfolio "Wattenmeer".

Andy Warhol (1928 Pittsburgh - 1987 New York) nach "Goethe". OriginaltitelFarboffset/Papier, 1993. Nach der gleichnamigen Farbserigraphie Warhols von 1983. Copyright Andy Warhol Foundation for the Visual Arts, Inc.; Hrsg. teNeues Publishing Company, New York, und Achenbach Art Edition, Düsseldorf. Blatt 66 cm x 66 cm. Rahmen.After Andy Warhol (1928 - 1987). Offset print in colours, 1993. After the serigraph (screenprint) by Warhol (1983).

Andy Warhol (1928 Pittsburgh - 1987 New York) nach "Marilyn". OriginaltitelFarboffset/Papier, 1993. Nach der gleichnamigen Farbserigraphie Warhols von 1967. Copyright Andy Warhol Foundation for the Visual Arts, Inc.; Hrsg. teNeues Publishing Company, New York, und Achenbach Art Edition, Düsseldorf. Blatt 96 cm x 96 cm. Rahmen.After Andy Warhol (1928 - 1987). Offset print in colours, 1993. After the serigraph (screenprint) by Warhol (1967).

Andy Warhol (1928 Pittsburgh - 1987 New York) nach"Orange Marilyn". OriginaltitelFarboffset/Papier, 1999. Nach der gleichnamigen Farbserigraphie Warhols von 1964. Copyright The Estate of Marilyn Monroe und Andy Warhol Foundation for the Visual Arts, Inc.; Hrsg. teNeues. Blatt 80 cm x 60 cm. Rahmen.After Andy Warhol (1928 - 1987). Offset print in colours, 1998. After the serigraph (screenprint) by Warhol (1964).

Andy Warhol (1928 Pittsburgh - 1987 New York) nachDollar-Zeichen "$ (4)". OriginaltitelFarboffset/Papier, 2000. Nach der gleichnamigen Farbserigraphie Warhols von 1982. Copyright Andy Warhol Foundation for the Visual Arts, Inc.; Hrsg. teNeues Publishing Company, New York, und teNeues Verlag, Kempen. Blatt 80 cm x 60 cm. Rahmen.After Andy Warhol (1928 - 1987). Offset print in colours, 2000. After the serigraph (screenprint) by Warhol (1982).

Doze Green ( American, b 1964) Taking Liberty - 2008 2 color serigraph on vellum bristol paper Limited edition numbered 120/150 Hand signed and numbered by the artist Framed 68 x 48cm Doze Green (American b 1964) Growing up in the '70s, his art was inspired by newspaper cartoons like Shoe, Saturday morning cartoons on TV and Superhero comics. He began to create his own characters when he was about seven years old. By the time he was twelve he was able to draw sophisticated characters in complete artistic settings. His family encouraged not only his artistic endeavours but also his songwriting.   He attended the High School of Art and Design in New York. The school encouraged artistic expression and even graffiti, which Green did in and around the city. One of his mentors was Donald Joseph White, who signed his graffiti art as DONDI. Green credits DONDI with helping him to create a cleaner, more careful and more sophisticated style than he had been doing before they met.   Green's cousins, who lived in the Bronx, introduced him to  Hip-Hop culture and breaking dancing. He became a member of one of the earliest break dancing groups: the Rock Steady Crew. The group watched a lot of Bruce Lee and Kung Fu movies and emulated the characters and the movements. Green said he adopted a 'gangsta’ persona in both his music and his art. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Color serigraph on deluxe paper of a partially nude girl seating in an interior and posing for the artist who has represented her in oranges, blues, and shades of pinks with black contour lines. Signed in pencil on lower right: Anna Thornhill. Numbered on lower left: 93/300. Housed in a black and gild frame with a white mat. Sight size: 9.50"L x 14.50"H. Frame size: 17.50"L x 20.50"H x 1.40"W. Certificate of Authenticity included. Artist: Anna Thornhill (German/American b. 1940)Issued: c. 1990Edition Number: 93 of 300

Serigraph on unstretched canvas titled Thoughts. Signed bottom right numbered 68/94. Sight size 14.25" x 15"

Color serigraph of a Greco-Roman inspired composition with three graces and Roman lettering on a stele with Classical buildings made by Martin Broadbent. Signature in pencil on lower right: Broadbent. Title on lower center: "Etudes." Numbered on lower left side: 81/350. Sight size: 20"L x 27.50"H. Frame size: 31.50"L x 39.50"H x 1"W. Artist: Martin BroadbentIssued: c. 1995Edition Number: 81 of 350 Country of Origin: England

Rare original color serigraph poster for the Boston Symphony Orchestra Summer program in Tanglewood, Mass. Abstract Expressionist sculptor and poster designer John Stritch created a Modernist depiction of a grand piano by simplifying shapes in black and brown, and yellow and blue accents on a white background. Signature on lower right: John Stritch. Housed in a black frame. Sight size: 25.50"L x 35.50"H. Frame size: 26.10"L x 36"H x 0.80"W. Artist: John Stritch (1926-2014)Issued: 1985

Artist hand signed lower right in pencil on arches paper. A large serigraph print on arches paper, a limited unnumbered edition of an original Modernist work by Russian born artist Igor Galanin (b. 1937) whose work has been featured in Vanity Fair, The Christian Science Monitor, Penthouse Magazine, and The New York Times, and been exhibited at the Rose Art Museum in Boston, the London Gallery in Montreal, and Museum of Contemporary Art, La Jolla, CA. Artist signed in pencil lower right. Artist: Igor GalaninIssued: 1985Dimensions: 42.5"H x 35.25"WCountry of Origin: United States

Serigraph on canvas titled Lady’s Man. Signed on the bottom left from the edition of 75. Sight size 26" x 31"

Serigraph on canvas titled Renaissance. Signed on the bottom left numbered 98/195. Sight size 26" x 30"

Beautiful serigraph on paper of the Liberty Head in brilliant pink, yellow, blue and colorful blended hues. Pop artist Peter Max started to paint the iconic sculpture in the early 1980s to help raise funds for its restoration. This particular version is set in a black shadowbox frame and three tiered matting with two bands of curved color papers that surround the head of the statue. Sight size: 11"L x 14"H. Frame size: 22"L x 24.75"H x 2"W. Issued: c. 2000

Beautiful embossed serigraph on off-white paper entitled Diva II from the Diva Suite by Art Deco artist Erte. It depicts a dark skinned woman who looks seductively at the audience. She wears a beige and silver embossed sequin dress and headdress. One arm is covered by a sleeve formed from a peacock with feathers made of silver and gold foil stamping in wave-like patterns. Pencil signature on lower right: Erte. Numbered on lower left: 37/300. Housed in a gold toned frame with an elaborate matting of cream, black and a gold border. Sight size: 25.50"L x 33"H. Frame size: 38"L x 45.50"H x 1.25"W. Certificate of Authenticity included. Artist: Erte, Romain de Tirtoff (Russian/French 1892-1990)Issued: 1984Edition Number: 37 of 300 Country of Origin: Russia/France

Beautiful color serigraph entitled Ebony and White that depicts a Black female dressed in an extravagantly simple white evening dress and headwear with fur shawl wraps falling from her arm extended to hold a white whippet. Housed in a white frame with a black and white mat set in rows. Sight size: 19"L x 25"H. Frame size: 29.10"L x 35.10"H x 0.50"W. Signed in pencil on lower right: Erte. On lower left: AP (Artist Proof). Certificate of Authenticity included. Artist: Erte, Romain de Tirtoff (Russian/French 1892-1990)Issued: c. 1980Edition Number: Artist Proof Country of Origin: Russia/France

Beautiful color serigraph entitled Symphony in Black that depicts a light pink skin woman with closed eyes dressed in a gorgeous black evening dress with a train that falls behind her. Her black and grey fan-shaped headwear matches the fur shawl wraps that fall from her bare arm as she holds a black whippet. Housed in a black frame with a white and black mat set in rows. Sight size: 19"L x 25"H. Frame size: 29.10"L x 35.10"H x 0.60"W. Signed in pencil on lower right: Erte. On lower left: AP (Artist Proof). Artist: Erte, Romain de Tirtoff (Russian/French 1892-1990)Issued: 1983Edition Number: Artist Proof Country of Origin: Russia/France

Outstanding color serigraph on Fabriano paper entitled Three Woman by Post Impressionist Itzchak Tarkay. The scene depicts red lipped women scantily dressed while they are waiting for clients. Tarkay set them in an hermetic interior made of bold color fields of blood red and orange, bright greens and neutral tones that results in abstractions. Signature in pencil on lower right: Tarkay. Numbered on lower left: 67/250. Housed in an elaborate gilded frame with a white mat. Sight size: 39"L x 28"H. Frame size: 52"L x 40.50"H x 1.75"W. Certificate of Authenticity included. Artist: Itzchak Tarkay (Israeli 1935-2012)Issued: c. 1987Edition Number: 67 of 250 Country of Origin: Israel

Romain de Tirtoff (Erte) (Russian/French, 1892-1990) "Sisters" - 1987Pencil signed and numbered (270/300) lower margin. Serigraph. A semi nude figural work with Art Deco Neo-Egyptian style human figures mirroring each other. Sight Size: 22 x 28 in. Overall Framed Size: 33.5 x 39.5 in. Framed behind glass.

Nassos Daphnis (1914-2010) "SS K-80" Color Serigraph Pencil signed, titled and numbered (151-235) lower margin. Provenance: commissioned by The Kennedy for President Campaign Committee to raise funds. This piece was obtained by a employee of the campaign Image Size: 22 x 34 in. Sheet Size: 30.5 x 42 in. Unframed.

Ronnie Wood (British, born 1947): Eric Clapton,1988,an original limited edition serigraph print by Ronnie Wood of Eric Clapton playing the guitar, with edition number marked c/c (100/100), commissioned by Clapton for the design of his 1988 Crossroads boxset, signed in pencil by both Clapton and Ronnie to the lower margin, framed and glazed, 27in x 34.5in (68.5cm x 87.5cm)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Royo, Jose Mateu San Hilario, 'Entre Azules', an elegant female figure, serigraph, signed in pencil and numbered 120 of 275, 29" x 23.5" (74 x 60cm).

Full title: Salvador Dali (1904-1989, after): 'Don Quichotte', serigraph on silk, ed. 1755/2000, dated 1989Description:Work: ca. 39 x 31 cm Frame: 80 x 72 cm The silkscreen with the 'Demart' copyright. In 1957, the eminent publisher Joseph Foret commissioned Dali to create an extraordinary composition of illustrations based on Miguel Cervantes' famous book 'Don Quixote'. Dali used an unusual technique: instead of using a brush and paint, Dali used an air gun that shot balls of ink. Condition reports and high resolution pictures are available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.comPlease note that external links are available on our website www.coronariauctions.com

Rupprecht Geiger. (1908 - 2009 München). silber und gelb auf weiß. Serigraphie in Farbe auf leichtem Velinkarton. Oval 32 x 35 cm cm (43 x 40 cm). Signiert und nummeriert. - Recto vereinzelt minimal sowie verso gleichmäßig braunfleckig. Insgesamt wohlerhalten. Ausgezeichneter, farbleuchtender Druck, das Format nahezu füllend. Geiger 118. - Eines von 150 Exemplaren. - Erschienen als Jahresgaben der Kestner-Gesellschaft, Hannover, 1968. Serigraph in colours on light wove card. Signed and numbered. - On recto isolated minimally and on verso evenly with pale brown spots. Altogether very well preserved. Superb impression in bright colours, almost format-filling. - One of 150 copies. - Published as an annual offering of the Kestner Society, Hanover, 1968.

Robert Filliou. (1926 Sauve - 1987 Les Eyzies). Serie von 7 Farbserigraphien. In: Childlike uses of Warlike Material. 1971. Je Farbserigraphie auf leichtem Karton. Je 49,5 x 69,5 cm. Je signiert. Lose eingelegt in Orig. Flügelmappe mit serigraphiertem Titel. Maße 55,5 x 75 cm. - Die Flügelmappe in den Ecken etw. bestoßen und im Rand zart gebräunt sowie leicht gebrauchsspurig. Insgesamt in sehr gutem Zustand. Prachtvoll, samtige Drucke in leuchtenden Farben, je das Format füllend. Eines von 100 Exemplaren. Vom Künstler auf einem Etikett auf dem Vorderdeckel signiert und nummeriert. - Jede Serigraphie zudem einzeln signiert. - In seiner Arbeit formt Filliou anhand mehrerer Bildebenen vielschichtige Bedeutungsebenen heraus und fordert den Betrachter auf diese Weise dazu heraus, sich mit der eigenen Wahrnehmung auseinanderzusetzen. Hierzu ist jede Serigraphie dieser Mappe mit je einer in den Hintergrund gestellten photographischen Reproduktion sowie je darüber gesetzten, kurzen Texten gearbeitet. Die Texte verweisen jeweils auf die Möglichkeit, das der Betrachter entweder Waffen sieht, oder eben den Ozean, Berge, Wüste, den Mond, die Sterne. (Vgl. Sylvie Jouval: Robert Filliou. Catalogue raisonne des editions & multiples, livres et videos. Nummer 43, mit Abbildung). - Herausgegeben durch Hartmut Kaminski, Düsseldorf. Series of 7 colour serigraphs. In: Childlike uses of Warlike Material. Each colour serigraph on light cardboard. Each signed. Loosely inserted in orig. wing folder with serigraphed title on cover. - The wing-folder with slightly bumped corners and delicately browned in the margins, with slight traces of use. Altogether very well preserved. Splendid, velvety prints in bright colours and full-format. - One of 100 copies. Signed and numbered by the artist on a label on the front cover. - Each serigraph also individually signed. - In his work, Filliou uses several image levels to create complex levels of meaning and in this way challenges the viewer to confront themselves with their own perception. For this purpose, each serigraph in this portfolio is created with a photographic reproduction placed in the background and short texts placed above it. The texts point to the possibility that the viewer either sees weapons or the ocean, mountains, desert, the moon, the stars. (See Sylvie Jouval: Robert Filliou. Catalog raisonne des editions & multiples, livres et videos. Number 43, with illustration). - Published by Hartmut Kaminski, Düsseldorf.