We found 2225 price guide item(s) matching your search

Fluxus Robert Filliou (1926 Sauve - 1987 Les Eyzies)Sammlung aus 2 Arbeiten. Musical Economy No.1 und No.3. 1980/84. Jeweils eine Serigraphie und Farboffsetlithographie auf verschiedenen Papieren. Jeweils loese in einem typographisch beschrifteten originalen Briefumschlag liegend. Blattmaße von 54,5 x 41 cm bis 31 x 44,8 cm. 1 Arbeit signiert und nummeriert mit Bleistift auf Umschlag. - Blätter jeweils zweifach gefaltet und leicht angegilbt, 1 Blatt verso und recto mit leichen Anschmutzungen, Umschläge jeweils gebrauchsspurig, angeschmutzt und mit leichten Knickspuren. Hervorragende Drucke. Jeweils eines von 150 Exemplaren. - Hg. von Exempla, Firenze 6 Exit, Lugo und Verlag Zeitschrift. Collection of 2 works. One serigraph and one colour offset lithograph each on different papers. Each loese in a typographically inscribed original envelope. 1 work signed and numbered in pencil on envelope. - Sheets each folded twice and slightly yellowed, 1 sheet with slight soiling on verso and recto, envelopes each with traces of use, soiled and with slight creases. Excellent impressions. - Each one of 150 copies. - Published by Exempla, Firenze 6 Exit, Lugo and Verlag Zeitschrift.

Adolf Fleischmann. (1892 Esslingen - 1968 Stuttgart). o.T. Farbserigraphie auf chamoisfarbenem Vélin. 64 x 45 cm (86 x 59,5 cm). In Bleistift monogrammiert und nummeriert. Mit Blindstempel der Domberger Werkstätten Stuttgart. Verso mit Galeriestempel und Annotationen in Bleistift. - Im unteren Rand mit kaum sichtbarer Knickspur, im rechten Rand mit unscheinbarem Braunfleck. Verso mit unwesentlichen Anschmutzungen. Prachtvoller und samtiger Druck mit kräftigem Kolorit und vollem Rand, Schöpfrand an einer Seite. Eines von 150 nummerierten Exemplaren. Color serigraph on buff vélin. Monogrammed and numbered in pencil. With blind stamp of the Domberger Werkstätten Stuttgart. Verso with gallery stamp and annotations in pencil. - In lower margin with barely visible crease, in right margin with inconspicuous brown spot. Verso with insignificant soiling. Splendid and velvety impression with strong coloring and full margins. - One of 150 numbered copies.

Otto Piene. (1928 Laasphe/Westf. - 2014 Berlin). Regenbogen für Hering. 1966. Farbserigraphie auf festem schwarzen Vélin. 21 x 65 cm (49,5 x 70 cm). In Bleistift signiert, datiert und nummeriert. Obere linke Ecke minimal bestoßen. Vereinzelt leicht berieben. Verso unauffällig angeschmutzt. Ausgezeichneter und farbintensiver Druck. Eines von 120 nummerierten Exemplaren. Color serigraph on solid black vélin. Signed, dated and numbered in pencil. Upper left corner minimally bumped. Sporadically somewhat rubbed . Verso inconspicuously soiled. Excellent and color-intensive print. - One of 120 numbered copies.

Rupprecht Geiger. (1908 - 2009 München). leuchtrot warm und kalt mit orange. (1965). Farbserigraphie auf Arches (mit Wasserzeichen). 40 x 36 cm (56 x 45 cm). In Bleistift signiert und nummeriert. Verso mit Galeriestempel und Annotationen in Bleistift. - In den Rändern unscheinbar gebräunt. Prachtvoller und samtiger Druck von leuchtender Farbigkeit, mit vollem Rand. Geiger 80-1. - Eines von 100 nummerierten Exemplaren. Color serigraph on Arches (with watermark). Signed and numbered in pencil. Verso with gallery stamp and annotations in pencil. - Inconspicuously browned in the margins. Splendid and velvety impression of bright colors, with full margins. - One of 100 numbered copies.

Donald Sultan. (1951 North Carolina). Matisse Flowers and Vase. 1998. Farbserigraphie auf Bütten. 36 x 36 cm (41 x 41 cm). Monogrammiert und nummeriert. - In gutem Zustand. Der Abzug prachtvoll und sehr leuchtstark. Eines von 395 Exemplaren. - Hg. v. Marco Fine Art Atelier, Kalifornien (mit dem Blindstempel). Colour serigraph on laid paper. Monogrammed and numbered. - The print is magnificent and very luminous. - One of 395 copies. - Pub. by Marco Fine Art Atelier, California (with their blindstemp).

Karin Kneffel. (1957 Marl). Sammlung aus 4 Graphiken. Je Vierfarben-Serigraphie auf festem Velin. Je 92 x 92 cm (96 x 96 cm). Jeweils links unten mit näheren Werksangaben im Druck. - 1 Bl. verso mit einer kleinen Anschmutzung. Jeweils prachtvolle und farbintensive Drucke. Jeweils eines von 500 Exemplaren. - Hg. v. Kunstverlag Schumacher - Edition Fils, Düsseldorf. - Enthält: - Pfirsiche I - Trauben I - Äpfel I - Kirschen I. - Die Malerin Kneffel studierte an der Kunstakademie Düsseldorf bei Johannes Brus, Norbert Tadeusz und schloss als ihre Ausbildung als Meisterschülerin bei Gerhard Richter ab. Sie gilt zu den ". wichtigen Vertreterinnen des Neorealismus. Ihre fotorealistisch anmutenden Bilder verbinden Realismus und Surrealismus. In ihren Bildern zeigt sie Alltägliches, das durch Spiegelungen und Überlagerungen eine zweite Ebene erhalten. Wie flüchtige Momente erinnern ihre Szenerien an Traumartiges." Ralph Goertz, Institut für Kunstdokumentation und Szenographie. Collection of 4 prints. Each four-colour serigraph on strong wove paper. Each with further details of the work in print lower left. - 1 sheet with a small soiling on verso. Each a splendid and colour-intensive print. - Each one of 500 copies. - Published by Kunstverlag Schumacher - Edition Fils, Düsseldorf. - Contains: As described above. - The painter Kneffel studied at the Düsseldorf Art Academy under Johannes Brus and Norbert Tadeusz and completed her training as a master student of Gerhard Richter. She is considered one of the "... important representatives of Neorealism. Her photorealistic pictures combine realism and surrealism. In her pictures, she shows everyday things that are given a second level through reflections and superimpositions. Like fleeting moments, her sceneries remind us of dreamlike things." Ralph Goertz, Institute for Art Documentation and Scenography.

Geometrische Abstraktion - Op Art Lothar Quinte (1923 Neisse - 2000 Wintzenbach (Frankreich))o.T. 1972. Farbserigraphie auf festem Vélin. 70 x 50 cm. Mit Bleistift signiert, datiert und nummeriert. Hinter Glas auf Spiegel liegend gerahmt (ungeöffnet). - Prachtvoller farbfrischer Druck. Eines von 250 Exemplaren. Colour serigraph on strong wove paper. Signed, dated and numbered in pencil. Framed behind glass on mirror (unopened). - Splendid freshly coloured print. - One of 250 copies.

Geometrische Abstraktion - Op Art Victor Vasarely (1906 Pécs - 1997 Paris)o.T. Serigraphie auf schwarzem Vélin. 56,5 x 37,5 cm (70,5 x 50 cm). In Bleistift signiert und nummeriert. Mit dem Blindstempel der Guilde internationale de la Sérigraphie. Verso mit Galeriestempel und Annotationen in Bleistift. - Ecken etwas bestoßen, unten rechts stärker. Unscheinbar berieben. Verso mit Spuren früherer Montierung. Ausgezeichneter Druck mit kraftvollem Hell-Dunkel-Kontrast und vollem Rand. Eines von 100 nummerierten Exemplaren. Serigraph on black vélin. Signed and numbered in pencil. With the blind stamp of the Guilde internationale de la Sérigraphie. Verso with gallery stamp and annotations in pencil. - Corners somewhat bumped, stronger at lower right. Insignificantly rubbed. With traces of former mounting on verso. Excellent impression with powerful light-dark contrast and full margins. - One of 100 numbered copies.

Konkrete Kunst Günter Fruhtrunk (1923 - 1982 München)Blaue Partikel. 1971. Farbserigraphie auf glattem festem Velin. 28,5 x 30 cm (32 x 32 cm). Verso mit Kugelschreiber monogrammiert. - Kleiner Braunfleck im oberen weißen Rand. Prachtvoller, farbintensiver Druck mit dem vollen Rand. Kirchhoff, 5.3. - Nicht nummeriertes Exemplar. Colour serigraph on smooth strong wove paper. Monogrammed with a ballpoint pen on verso. - Small brown spot in upper white margin. Splendid, colour-intensive print with the full margin. - Not signed copy.

Andy Warhol, 1928 Pittsburgh – 1987 New YorkBlack Marylin Monroe, 1972 – Reihe von fünf schwarzen SerigrafienSerigrafie auf Papier.Blattgröße jeweils: 40 x 32 cm. Mappenmaß: 41,5 x 34,5 cm.Im Passepartout, hinter Glas in hochwertigem teilvergoldetem Rahmen.Die Serigrafien entnommen aus dem gleichnamigen Mappenwerk, diese schwarze Mappe auf der Vorderseite mit Prägedruck „MM“ für Marilyn Monroe. Printed at Styra Studio Inc., herausgegeben von Fujiguchi I Shii Tokyo Art Gallery im Oktober 1972. (13404718) (1) (18)Andy Warhol,1928 Pittsburgh – 1987 New YorkBLACK MARYLIN MONROE, 1972 – SERIES OF FIVE BLACK SERIGRAPHS Serigraph on paper. Sheet size: 40 x 32 cm each. Portfolio dimensions: 41.5 x 34.5 cm.The serigraphs are taken from the eponymous portfolio, the front of this black portfolio with embossed monogram “MM” for Marilyn Monroe. Printed at Styra Studio Inc., published by Fujiguchi I Shii Tokyo Art Gallery in October 1972.

Publication of the Dutch ZERO group featuring new tendencies in art. First issue edited by Armando, Henk Peeters and herman de vries, later issues edited by de vries. Published by Nul-Verlag, Arnhem, in an edition of 500 (Nos.1-2) and 300 (Nos.3-4). Stapled copies, 27.6 x 21.8 cm, ca. 16-22 pp. each. Text in German, French and English. Super rare complete set in good condition.Comprises: (1) No.1 (1961) with silver metallic cover, contributions by Aubertin, Mack, Uecker et al. Creasing and small irregularities on the covers, interior near mint with some toning to extremities of the pages. Tiny tear (1 cm) in page 1/2. (2) No.2 (April 1963) dedicated to the then recently deceased Yves Klein and Piero Manzoni. Cover features Manzoni's enlarged fingerprints, contributions by Schoonhoven, Aubertin, Haacke, Castellani et al. Very good copy, minimal irregularities on front cover, interior mint. (3) No.3 (1963). Includes original collage (signed) and paper works ‘Relief’ and ‘Reflection’ by de vries. Regular age-soiling on covers, interior very good. (4) No.4 (1964). Includes original works by Bischoffshausen, de vries and a serigraph by Calderara. Very good copy, cover has usual age-soiling.

(1) One Year Production, Kunsthalle Bern, 1974. Extra large serigraph poster, 128 x 90 cm, folded to 32 x 23 cm. Printed bright yellow, featuring a 100 day calendar printed on glossy white font.Copyright The Letter Edged in Black Press 1968, printed by Albin Uldry, Bern. Pronounced folds, small tear (1 cm) at fold on lower edge, generally a fine rare copy. (2) On Kawara, Telegramme. Kabinett für aktuelle Kunst, Bremerhaven 1980. 50 x 48 cm, pinholes and some edge wear. (total 2)

Roy Fairchild Woodard (British b. 1953) - A limited edition mixed media serigraph entitled A Favoured Land, signed lower right and numbered LXXXIV / C, framed under glass, approximately 63 cm x 77 cm.

Roy Fairchild Woodard (British b. 1953) - A limited edition mixed media serigraph entitled Santa Maria Della Salute, signed lower right and numbered 137/465, framed under glass, approximately 69 cm x 88 cm.

Victor Vasarely (Hungarian, 1906 - 1997) "Domb-B-Red" Color Serigraph Pencil signed lower right, numbered (EA IX/L) lower left. Image Size:23 x 23 in. Overall Framed Size: 30.25 x 26.25 in. Framed behind plexi.

Neil Doty (American, 1941 - 2016) "Shades of Love" Printers Proof Color Serigraph. Pencil signed lower right, pencil numbered (PP 8/10) lower left. Austin Galleries COA verso. Image Size:33 x 25.5 in. Overall Framed Size: 47.5 x 39.5 in. Framed behind plexi.

Keith Haring (1958-1990) The Bayer Suite No. 3 & No.4, 2 serigraph prints,Serigrafie/Papier, im Stein signiert und datiert K. Haring Aug 1982, Serie The Bayer Suite, enthaltene Exemplare # 3 & #4 aus einer 6er Serie, die durch die Bayer AG kommissioniert wurde, Anlass war die Einführung des Blutdruckmedikamentes 'Sali-Adalat' 1982, limitierte Auflage von 70 Exemplaren, 2x H 29 cm x B 23 cm, Rahmen 30,5 x 24,5 cm

(1927 Rom - 2005 Perugia)Abstrakte Komposition mit LiniennetzFarbserigraphie/C. M. Fabriano (mit Wasserzeichen), 1965. Sign., dat. u. nummeriert 81/300. Darstellung 44 cm x 63 cm. Blatt 56,5 cm x 76 cm.Serigraph (screensprint) in colours on C. M. Fabriano wove paper (with water mark), 1965. Hand-signed, dated and numbered 81/300.

(1926 Emetzheim - 2002 ebenda)Abstrakte KompositionFarbserigrafie/Velin, 1964. Sign. und nummeriert 84/100. Ger. knickfaltig. Blatt 76,6 cm x 64,6 cm.Serigraph (screenprint) in colours on wove paper, 1964. Hand-signed and numbered 84/100.

Banksy, British b.1974- Keep Left, 2006; serigraph in colours with adhesive, image: 41.3 x 28.9 cm, (framed) (ARR) Please refer to department for condition report

Josef Albers GB1. Orig.-Farbserigrafie. Monogrammiert, datiert, bezeichnet und numeriert. 1969. Auf festem Vélin. 34,8 : 34, 8 cm. Papierformat 54,5 : 54,5 cm. Sehr farbkräftiger, leuchtender Druck in kleiner Auflage. 1 von 125 numerierten Exemplaren. Farbvariante. Hrsg. von Ives-Sillman, Inc., New Haven für die Galerie Brusberg, Hannover. Mit Trockenstempel. - In mehr als 1000 Gemälden, Drucken, Zeichnungen und Wandteppichen untersuchte Albers die Wirkung, die benachbarte Farben aufeinander haben, und die räumlichen Illusionen, die solche Gegenüberstellungen hervorrufen. Alle Kompositionen weisen Quadrate auf, die - wie in diesem Siebdruck - gestapelt oder verschachtelt erscheinen. Obwohl Albers wissenschaftliche Ziele für seine Arbeit hatte, beruhte seine große Popularität auf seine Verwandtschaft mit der scharfkantigen Abstraktion und Op-Art. - PROVENIENZ: Seit 2005 in hessischem Privatbesitz. LITERATUR: Danilowitz 187. Very colorful, bright print in 1 of 125 numb. copies. Orig. color serigraph on firm vélin. Monogrammed, dated, inscribed and numbered. Published by Ives-Sillman, Inc., New Haven for Galerie Brusberg, Hanover, with dry stamp. - 1 small brown spot and 2 unobtrusive creases in the white margins. Dieses Objekt wird differenzbesteuert angeboten, Folgerechtsvergütung fällt an.

Jose Royo (Spain b.1941-)- 'Prima Vera' serigraph, 85/225, 77cm x 102cm inclusive of frame.

▴ Ludwig Wilding (German, 1927-2010)Untitledserigraph, signed and dated '67' in pencil60 x 50cmCondition ReportFramed size 64 x 54cm, slight rippling, but otherwise presents well and ready to hang.

Heinz Mack (1931 Lollar) (F)'September', Farbserigrafie auf Velin, 125 cm x 95 cm Blattmaß, 107 cm × 78 cm Plattenmaß, signiert, 90 datiert, 35/75 nummeriert, montiert, an den Rändern minimal aufgeworfen, Provenienz: ARTAX Kunsthandel, Düsseldorf (verso Galerieetikett)."Ich liebe die Farbe als Medium, in dem das Licht zum Ausdruck kommt. Wie schön ist es, dass wir in einer farbigen Welt leben. Wäre die Welt grau, wäre ich wohl nie Künstler geworden." - Heinz Mack.Die zentrale Frage der ZERO-Gruppe, die aus Heinz Mack, Otto Piene und Günther Uecker bestand, ist die der Kunst selbst. Ist Kunst nur zur Abbildung gedacht? Eben diese Frage gilt es zu überwinden! Die genannten Künstler haben damit revolutionäre Arbeit geleistet, die bis heute in der zeitgenössischen Kunst nachhallt. Mack folgt dabei dem Prinzip "ein Element zu nehmen und dieses dann in eine Struktur aus Rhythmus und Wiederholung zu bringen. Diese Wiederholungen haben alle eine eigene Sensibilität und Bedeutung für die gesamte Struktur des Werks." Die Naturgesetze folgen ähnlichen Prinzipien, denn auch der Tag-Nacht-Rhythmus oder die Jahreszeiten kehren immer wieder. Nach ihnen richtet sich das Leben. Heinz Mack beschäftigt sehr, wie Kunst und Natur miteinander in direkter Verbindung stehen. Als Künstler strebt er die Überwindung der traditionellen Malerei an, indem er die Intensität des Lichts und die des Raums erarbeiten möchte. Er schafft es gerade diese entstehende Energie auf einen bestimmten Platz zu konzentrieren und zum Beispiel ein Farbfeld in ein Spannungsfeld zu verwandeln. Die Darstellung des Herbstes mit seiner farbintensiven Natur ist ein beliebtes Sujet. Mack übersetzt den Herbst in eine Farbchromatik, sodass sie vor farbprächtiger Energie zu vibrieren beginnt. 1990 wurde "September", ein senkrecht aufgebauter Farbverlauf, aus Orange-, Grün- und Gelbtönen als Farbserigrafie angefertigt. Von sattem Grün bis leuchtendem Citrusgelb, über ein intensives Orange entfacht Mack eine faszinierende Farbskala vor schwarzem Grund.Heinz Mack (1931 Lollar) (F)'September', colour serigraph on velin paper, 125 cm x 95 cm sheet dimension, 107 cm × 78 cm plate dimension, signed, dated 90, numbered 35/75, mounted, minimally raised at the edges, Provenance: ARTAX Kunsthandel, Düsseldorf (gallery label verso).''I love colour as a medium in which light is expressed. How beautiful it is that we live in a colourful world. If the world were grey, I don't think I would ever have become an artist.'' - Heinz MackThe central question of the ZERO group, which consisted of Heinz Mack, Otto Piene and Günther Uecker, is the question of art itself. Is art only meant to be depicted? It is precisely this question that must be overcome! The aforementioned artists have done revolutionary work that continues to reverberate in contemporary art to this day. Mack follows the principle of ''taking one element and then putting it into a structure of rhythm and repetition. These repetitions all have their own sensibility and significance to the overall structure of the work.'' The laws of nature follow similar principles, for the day-night rhythm or the seasons of the year. Life is guided by them. Heinz Mack is very concerned to how art and nature are directly connected. As an artist, he strives to overcome traditional painting by working out the intensity of light and space. He manages to concentrate precisely this emerging energy in a specific place and, for example, to transform a colour field into a field of tension. The depiction of autumn with its colour-intensive nature is a popular subject. Mack translates autumn into a chromaticity of colour so that it begins to vibrate with colourful energy. In 1990, ''September'', a vertically constructed colour gradient, was made from orange, green and yellow tones as a colour serigraph. From rich green to bright citrus yellow, via an intense orange, Mack unleashes a fascinating range of colours against a black background.

Andy Warhol (1928 Pittsburgh - 1987 New York)'Campbell's soup can on shopping bag', Farbserigrafie auf Papiertasche, 42 cm x 24 cm Plattenmaß, 61 cm x 43,5 cm Tütenmaß, im Druck Institute of Contemporary Art, Boston October 1966 ortsbezeichnet und datiert, schwache oberflächliche Bereibungen, im unteren Bereich durchgehender horizontaler Falz, partiell leicht knickfaltig, montiert, Literatur: Wvz. Feldman/Schellmann 4 AAndy Warhol (1928 Pittsburgh - 1987 New York)'Campbell's soup can on shopping bag', colour serigraph on paperbag, 42 cm x 24 cm plate dimension, 61 cm x 43,5 cm paperbag dimension, in print Institute of Contemporary Art, Boston October 1966, place-inscribed and dated, faint superficial rubbing, horizontal fold running through the lower part, partly slightly creased, mounted, literature: Wvz. Feldman/Schellmann 4 A

HOELZEL, Adolf, ATTRIBUIERT (1853-1934), "Figürliche Komposition", Kohlezeichnung/Papier, o.re. bezeichnet 'A. Hoelzel', HxB: ca. 12x14,5 cm (26,5x29 cm mit Rahmen). Gebräunt und berieben. Mit verglastem Rahmen. DAZU: Serigraphie nach einem Original von Adolf Hölzel, num. 141/160, verso Etikett mit Bezeichnung und Unterschrift von Doris Dieckmann-Hölzel, HxB: Darstellung ca. 48x28 cm, Außenmaße Rahmen ca. 74x52 cm. Im Passepartout hinter Glas gerahmt. Altersspuren.| HOELZEL, Adolf, ATTRIBUTED (1853-1934), "Figural composition", charcoal drawing/paper, inscribed 'A. Hoelzel', HxW: approx. 12x14.5 cm (26.5x29 cm with frame). Browned and rubbed. With glazed frame. ALSO: Serigraph after an original by Adolf Hölzel, num. 141/160, label on the reverse with the designation and signature of Doris Dieckmann-Hölzel, HxW: depiction approx. 48x28 cm, outer dimensions of the frame approx. 74x52 cm. Framed behind glass in a passe-partout. signs of age.

Roy Fairchild Woodard (British b. 1953) - An artist's proof mixed media serigraph entitled A Song For Molly, signed lower right and numbered AP 7/15, framed, approximately 68 cm x 50 cm.

Roy Fairchild Woodard (British b. 1953) - A limited edition mixed media serigraph entitled Letters And Blue Flowers, signed lower right and numbered 10/385, framed under glass, approximately 56 cm x 78 cm.

After Picasso. Las Meninas, limited edition serigraph, 247/500, with Augusto Gomes-Martinho Faerna stamp, hand signature and stamped 7 May 1985 and titled verso, 24cm x 42cm. and Jaffe (Hans Ludwig C) Picasso, hardback with dust wrapper.

Full title: Salvador Dali (1904-1989, after): 'Don Quichotte', serigraph on silk, ed. 1753/2000, dated 1989Description:Work: ca. 39 x 31,5 cm Frame: 80,5 x 72,5 cm The silkscreen with the 'Demart' copyright. In 1957, the eminent publisher Joseph Foret commissioned Dali to create an extraordinary composition of illustrations based on Miguel Cervantes' famous book 'Don Quixote'. Dali used an unusual technique: instead of using a brush and paint, Dali used an air gun that shot balls of ink. The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

Full title: Salvador Dali (1904-1989, after): The Trojan horse, serigraph on silk, ed. 495/2000, dated 1990Description:Work: ca. 88 x 83 cm Frame: 112,5 x 107,5 cm The silkscreen with the 'Demart' copyright. The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

Full title: Keith Haring (1958-1990, after): 'Acrobat', serigraph, 102/200Description:Work: ca. 82,5 x 82 cm Paper: ca. 90 x 88 cm Frame: 100,7 x 98,7 cm The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

Full title: Keith Haring (1958-1990, after): 'Party of life invitation', serigraph, 122/200Description:Work: ca. 58 x 56,5 cm Paper: ca. 71,5 x 70,5 cm Frame: 95 x 94,2 cm The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

Seema Kohli (Indian, B.1960)Yogini signed 'Seema '14' in Devanagiri and edition 8/10 lower leftserigraph on archies paper, framed52 x 47cm (20 1/2 x 18 1/2in).Footnotes:Excerpt from Narrative Performance by Seema KohliI move in a circular motion, Like time As does life and death itselfEnergy passing from one space to another So is the idea of circumambulation across all faithsA gesture profound to the feminine Signifying the never-ending loop of creation The continuation of The life-rhythmThe drumming skies and roaming dakinisDragons splitting the skies with a wondering speedAnd behold, oozing fire crackling the path of lightLending a silver lining to that darkest cloudOh, you the rider of the skies and the controller of three roots l watch you O Sky-conqueror, in awe, gripping the soul beneath my feet.How gracefully you balance the stars, which left the palm of your hand.I wait for the darkest night to watch you Like an eager doe with earnest eyesFor further information on this lot please visit Bonhams.com

Seema Kohli (Indian, B.1960)Ardhanareshwar 1145signed and dated in Devanagiri Seema Kohli '13 lower right and edition 9/10 lower leftserigraph on Archie's paper, framed47.2 x 52cm (18 9/16 x 20 1/2in).Footnotes:ProvenanceThe Artist's Collection.Note: This is one of 10 prints. There are no AP prints.'Siva, the only householder God of the Trinity, merges into union with Shakti on Mahashivratri; celebrating the night of enlightenment in spiritual terms. A night according to Advaita's philosophy, is the removal of Dwaita, it is a night of union of Shiva and Shakti, that space, a time where the opposites merge, a space of no contradiction, a space of no gender, a space of Pure Consciousness. A night of merging of Shunya with Shakti, thereby giving a form to this Pure Consciousness, the Siva. Mahashivratri, the darkest night or the no moon night, Amavasya, that celebrates the union of Shiv and Parvati. A night of destruction, a night of creation, that night of dance of ecstasy, abandon, by the ultimate yogi along with his Ganas, a celebration of light, of darkness, of shunya-emptiness and wholeness of Maya, of inclusivity. As Shiva reflects omnipresence, a night of internal reflection and introspection through external sources of senses. A night which sanctifies all beings of creation and all paths to reach him, as they are all within him, the pure consciousness, in Siva-the truth, the conscious, and the one who is beauty itself. I am truly overwhelmed by the concept of Siva.' Seema Kohli, September 2022.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Jamini Roy (Indian, 1887-1972), 2003(Untitled) Cat holding a lobster printed lower rightserigraph on paper, framed44 x 32.9cm (17 5/16 x 12 15/16in).image size (in) 15 x 12Footnotes:ProvenanceArcher Graphic Studio, Ahmedabad.Note: Edition size 500.Lot to be sold without reserve.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Jamini Roy (Indian, 1887-1972)Gopini printed sign lower rightserigraph on paper, framed33 x 47.5cm (13 x 18 11/16in).Footnotes:ProvenanceArcher Graphic Studio, Ahmedabad.Note: Edition size 500.To see a similar style of work sold on these premises see Bonhams, Islamic and Indian Art including Modern and Contemporary South Asian Art, London, 24th April 2018, lot 358.Lot to be sold without reserve.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Sayed Haider Raza (Indian, 1922-2016)Aavartan signed and dated Raza '07 lower right and edition 36/100serigraph in 66 colours on paper, framed151 x 151.5cm (59 7/16 x 59 5/8in).Footnotes:CELEBRATING 75 YEARS OF THE PROGRESSIVE ARTISTSProvenanceArcher Graphic Studio, Ahmedabad.Translation of Avartan: Rotation.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Sayed Haider Raza (Indian, 1922-2016)Sapta Ras signed and dated Raza '07 lower right and edition 56/100 lower leftserigraph in 38 colours on paper, framed151.4 x 151.4cm (59 5/8 x 59 5/8in).Image size (in) 53 x 53.5Footnotes:CELEBRATING 75 YEARS OF THE PROGRESSIVE ARTISTSProvenanceArcher Graphic Studio, Ahmedabad.Blazing vermilions, pulsating yellows, verdant greens, azure blues and inky blacks testify to Raza's confidence in colour. Combined with an interest in geometry, the result is a body of chromatically balanced, elegant abstractions. Each painting can be better understood by its title - inspired by Hindu cosmology, Indian poetry...(Amrita Jhaveri, A Guide to 101 Modern and Contemporary Indian Artists, Mumbai, 2005, p 74).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Sayed Haider Raza (Indian, 1922-2016)Pooja signed and dated Raza '06 lower right and edition 15/100 lower leftserigraph in 58 colours on paper, framed135.2 x 74.5cm (53 1/4 x 29 5/16in).Footnotes:CELEBRATING 75 YEARS OF THE PROGRESSIVE ARTISTSProvenanceArcher Graphic Studio, Ahmedabad.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Sayed Haider Raza (Indian, 1922-2016)Shanti Bindu signed Raza '06 lower right and edition 43/100 lower leftserigraph in 23 colours on paper, framed85.5 x 69cm (33 11/16 x 27 3/16in).Footnotes:CELEBRATING 75 YEARS OF THE PROGRESSIVE ARTISTSProvenanceArcher Graphic Studio, Ahmedabad.'In 1999, Raza broke ground with a series of works in shades of white. Restrained and elegant, the paintings signal a period of quiet introspection in an otherwise colourful career.' (Amrita Jhaveri, A Guide to 101 Modern and Contemporary Indian Artists, Mumbai, 2005, p 75).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Sayed Haider Raza (Indian, 1922-2016)Beej signed 'Raza '06' lower right and edition number 22/100 lower leftserigraph in 16 colours on paper, framed43.5 x 43cm (17 1/8 x 16 15/16in).Footnotes:CELEBRATING 75 YEARS OF THE PROGRESSIVE ARTISTSProvenanceArcher Graphic Studio, Ahmedabad.By the 1970s Raza grew increasingly restless with his work and wanted to give it a new direction which led to the invention of the bindu or beej in his work. Beej, means seed and symbolises the bearer of life or the source of space, time and consciousness in Indian philosophy. This black dot or beej became the epicentre of the canvas and gave birth to other geometric forms such as horizontal and vertical lines, squares and the downward and upward triangles that signified the complementary forces of male (purush) and female (prakriti) energy. His fascination with spirituality and nature were reflected through his symbolic shapes as well as the use of colour. An adept colourist, Raza was able to use black, and absence of colour to denote the impact of primary colours.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Maqbool Fida Husain (Indian, 1915-2011), 2002Mahabharat signed 'Husain' lower right and edition 121/125serigraph in 28 colours on paper164.1 x 99.6cm (64 5/8 x 39 3/16in).Image size (in) 33 x 59.75Footnotes:CELEBRATING 75 YEARS OF THE PROGRESSIVE ARTISTSProvenanceArcher Graphic Studio, Ahmedabad.The Mahabharata is one of the Hindu epics, most widely known which details the war between the warring factions of the Kuru lineage: the Pandava and Kaurava cousins. It contains devotional and philosophical material, including the discussion of the four 'goals of life,' and incorporates themes of duty and morality. The epic prefaced the founding of ancient India, and includes the Bhagavad Gita, one of Hinduism's sacred texts. In this serigraph, Husain has fused key scenes and characters from the Epic, including the blind Maharajah Dhritarashtra, the Kuru king and father of the Kauravas on the lower left, the yudh or war in the top right corner with the chakra used by Krishna as a weapon, directly beneath it in the lower right corner.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Maqbool Fida Husain (Indian, 1915-2011)Guru Granth Saheb signed 'Husain' lower right and edition A/P lower leftserigraph in 15 colours on paper, framed59.5 x 88.6cm (23 7/16 x 34 7/8in).Footnotes:CELEBRATING 75 YEARS OF THE PROGRESSIVE ARTISTSProvenanceArcher Graphic Studio, Ahmedabad.The Guru Granth Sahib is the holy religious scripture of Sikhism, considered to be the sovereign and eternal Guru following the lineage of the ten human gurus. Upon completion it was installed inside the Golden Temple in Amritsar on 1st September 1604. The text consists of 1,430 pages and 5,894 shabads or compositions, poetically rendered and set to ancient north Indian music. It contains the teachings of the six Sikh Gurus, who were the main contributors, the Muslim Sufi saint, Sheikh Farid and fourteen Hindu Bhakti movement saints, including Namdev, Kabir and Ramananda.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Maqbool Fida Husain (Indian, 1915-2011), 2002Untitled (Folklore Kerala-I) signed 'Husain' lower right and edition 15/125 lower leftserigraph in 16 colours on paper, framed40.64 x 71.12cm (16 x 28in).Footnotes:CELEBRATING 75 YEARS OF THE PROGRESSIVE ARTISTSProvenanceArcher Graphic Studio, Ahmedabad. Note: Edition size 125.Husain toured the state of Kerala and captured its essence in 30 paintings. He was brought in by the State tourism department to illustrate Kerala's scenic splendour and beauty to encourage tourism. Given Husain's open-minded willingness to absorb diverse influences, it is unsurprising that he continued to depict the subject long after he had left the state.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Madhvi Parekh (Indian, B. 1942)Last Supper signed and dated in Devanagiri 'Madhvi 2011' lower right and edition 20/60reverse serigraph in 17 colours on acrylic, framed181 x 100cm (71 1/4 x 39 3/8in).image size (in) 40 x 72Footnotes:ProvenanceArcher Graphic Studio, Ahmedabad.Often described as a 'folk' artist, Madhvi Parekh is recognised as a master and one of the most influential Modernist artists not only in South Asia, but also globally. Born in the village of Sanjaya, India in 1942, her journey in the art world began in the early 1960s, inspired by the work of her husband, Manu Parekh (B.1939), also a painter. The fact that she received her education during her first pregnancy deeply influenced her approach to the canvas. Her focus lies on the process of creation, rather than the result, which cannot be foreseen or known beforehand. Hence, her starting point is an idea, or better a feeling. She paints what she feels, without paying too much attention to critics and subsequent discussions of her work. Parekh creates art because she is drawn to it, regardless the external comments, the result, or the fame. It is the need to express herself, her story, and traditions.Undoubtedly, her personal background is visible in the subjects of her works, which often depicts the life in her village, festivities, and traditions, often through the perspective of a child. therefore, painting represents a sort of reminiscing and meditative process, where the artist's memories and the feelings she experienced during her childhood come to life. Her style represents the apparent simplicity of youth. Usually compared with Paul Klee (1879-1940) and Joan Miró (1893-1983), her technique consists of an instinctive and creative use of simple lines and shapes, such as triangles and squares. Parekh succeeds in combining flat surfaces, pictorial decorative elements of Indian art tradition together with a modern deconstruction of the forms and of the subject matter. Parekh unmistakable style jumps out of the canvas in her version of The Last Supper (2011). Her work represents an intelligent and original appropriation of Christianity most celebrated event, reinterpreted through a laic and modernist sensibility. Parekh's painting refers to Leonardo da Vinci (1452-1519) homonymous work painted between 1495-1498. The basic structure of da Vinci's work is maintained. Even the apostles appear in the same poses and order. The composition of the background is also preserved, with the three windows that open on a generic city landscape. However, the lack of perspective and the reduced pictorial depth, the flat surface, and the geometric forms of the figures typical of Parekh and modernist style debunk the divine aura of the subject. In fact, although the iconography of this subject matter is universally known and recognisable, it is not part of Parekh's tradition. The fact that the artist does not identify herself as a Christian, together with Parekh's style turns this classic and sacred motif into a secular tale of friendship and betrayal, themes that are shared in many myths and legends across the globe. In this work, the artist succeeds in synthesizing cultural differences, shared topics, and her own responses to da Vinci's work in primis, and to this alien tradition.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Jyoti Bhatt (Indian, B.1934)Jal-Thal-Nabh signed and dated Jyoti Bhatt 2009 and edition 46/125 lower leftserigraph in 88 colours on paper, framed99.7 x 125cm (39 1/4 x 49 3/16in).Image size (in) 11.5 x 16.25Footnotes:ProvenanceArcher Graphic Studio, Ahmedabad.Jyoti Bhatt studied at the Faculty of Fine Arts, Maharaja Sayajirao University, Baroda under N.S Bendre and K.G Subramanyan, and subsequently studied fresco and mural painting at Banasthali Vidyapith in Rajasthan. In the early 1960s he studied at both the Academia di Belle Arti in Italy and the Pratt Institute in New York. He is most well known for his modernist work in painting and printmaking, and his photographic documentation of rural Indian culture, as seen in one of the three lots on offer in this auction. A lot his works are playful and colourful and have elements of Pop Art, as seen in the other two lots on offer in this auction. He derives his inspiration from traditional Indian folk designs and symbols that include tribal and village designs, stylized Indian Gods and Goddesses, the peacock, parrot and the lotus. His works are held in numerous collections including the Museum of Modern Art, New York, The Smithsonian Institute, Washington, D.C, The British Museum, London and the Museum of Art & Photography, Bangalore. He is the recipient of the Padma Shri, 2019 and was elected as a Fellow of the Lalit Kala Akademi in 2022.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Jyoti Bhatt (Indian, B.1934)Villayatea Table signed Jyoti Bhatt 2010 lower right and edition size 24/100 lower leftserigraph in 21 colours on metallic film pasted on paper, framed32.2 x 42.5cm (12 11/16 x 16 3/4in).Footnotes:ProvenanceArcher Graphic Studio, Ahmedabad.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Anjolie Ela Menon (India, B.1940)Crow signed Anjolie Ela Menon '20 lower right and edition 24/100 lower leftserigraph in 12 colours on paper, framed33.6 x 26.4cm (13 1/4 x 10 3/8in).image size (in) 12 x 9.5Footnotes:ProvenanceArcher Graphic Studio, Ahmedabad.Born in Burnpur, Bengal, Menon studied at the Sir JJ. School of Art in Bombay, obtained a degree in English literature from Delhi University, and subsequently went to Paris where she studied Frescos at the École des Beaux-Arts. Influenced by Modigliani, Husain and Shergil, she is known primarily for her figurative works, in which she developed the distinctive features of early Christian art, in particular that of the frontal perspective, the slight body elongation and the averted head, but focussed on the female nude as her protagonist. In her later works she features black crows, as in the present lot, hidden figures, empty chairs and windows. These symbols that she has come to be known for arise from the mundane rather than the heroic. The repetition of these motifs have elevated them to a symbolic status, and these every day objects or in this case bird, contextualised or used as an embellishment tells its on story, which is Menon's story. Her works have been exhibited worldwide are kept as part of the collections of the Peabody Essex Museum, Massachusetts, the Asian Art Museum, San Francisco and the National Gallery of Modern Art. Her most recent retrospective titled, Anjolie Ela Menon: A Retrospective was held in 2017 at Aicon Gallery. Prior to that the National Gallery of Modern Art, Mumbai held her retrospective in 2002 which then travelled to Bangalore, Chennai and Delhi. She is the recipient of the Padma Shree (2000), India's fourth highest civilian honour.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Balkrishna Vithaldas Doshi (Indian, B. 1927)Encounters signed 'Doshi 2014' lower right and edition 17/25 lower leftserigraph in 7 colours on paper, framed77.5 x 108cm (30 1/2 x 42 1/2in).Footnotes:ProvenanceArcher Graphic Studio, Ahmedabad.Born in Pune, B.V Doshi OAL studied architecture at the Sir J.J School of Architecture in Mumbai. He worked under Le Corbusier and Louis Kahn, and is considered to be a pioneer of modernist and brutalist architecture in India. In a career spanning seven decades, he has completed over 100 projects. Some notable constructions include, the National Institute of Fashion technology, New Delhi, the Indian Institute of Management, Bangalore, Amdavad ni Gufa, Ahmedabad and the IFFCO township in Kalol, Gujarat. His drawings and paintings have been exhibited at museums worldwide, and in 2014, the National Gallery of Modern Art, New Delhi held a retrospective of his works, titled Celebrating Habitat: The Real, the Virtual and the Imaginary: Retrospective Exhibition on B.V. Doshi. He is the recipient of numerous awards some of which include the Padma Shri, 1976, the Officer of the Order of Arts and Letters; France, 2011, the Padma Bhushan, 2020 and recently, the Royal Gold Medal; UK, 2022.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Haku Vajubhai Shah (Indian, 1934-2019)Sakhi signed lower right and edition 31/120 lower leftserigraph on paper, framed68.5 x 98cm (26 15/16 x 38 9/16in).Footnotes:ProvenanceArcher Graphic Studio, Ahmedabad.Haku Vajubhai Shah was born in Valod, Gujrat. He received his Bachelors and Masters degrees in Fine Arts from the Maharaja Sayajirao University of Baroda. He was a figurative painter hailing from the Baroda School of Art and his works were influenced by tribal art and culture as is evident in the present lot, Gandhian philosophy and the Bhakti movement. In addition to having published several books on traditional Indian pottery, he was also the curator of the Museum for Tribal Cultures at the Gujarat Vidhyapeth (University), and a consultant of the National Institute of Design in Ahmedabad. He exhibited widely throughout his career and some exhibitions include, the Jehangir Art Gallery, Mumbai in 1963 ad 1964, at the International House, Philadelphia, Pennsylvania in 1968, Gallery One, New York in 1976, Bade Museum, Berkeley in 1991, Durban Art Gallery, Cape Town, South Africa, 1998 and Visual Art Gallery, India Habitat Centre, New Delhi in 2007. He has received several awards, notably the John D. Rockefeller 3rd Fellow in 1968, the Nehru Fellowship Award in 1971, the Padma Shri in 1989 and the Kala Ratna from the All India Fine Arts and Crafts Society (AIFACS) in 1997.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

FLINTSTONES (1994) - Hanna Barbera's iconic cartoon series comes to life in this original serigraph animation cel 13.25" x 10.75" featuring Fred, Wilma, Pebbles and Dino - framed and glazed - 21.25" x 18.5" approx overall size

He Deguang (Chinese, b. 1945). Serigraph on paper titled "Mountain Spirit" depicting a cat-like creature surrounded by three figures on a red background. Signed along the lower right. Similar to works by Tiefeng Jiang and others of the Yunnan Art School Artists.Unframed; height: 35 in x width: 36 1/8 in. Framed; height: 42 in x width: 24 3/8 in.

Tremayne, pair of serigraph prints, reclining nudes, signed in ink, image 32cm x 53cm, framedGood condition

* Erté (Romain de Tirtoff, 1892-1990). Le Choix du Matin, & Le Choix du Soir, colour serigraph on two panels, signed in pencil by the artist to the lower right, limited edition signed 'AP 31/60' to the lower left, overall size 510 x 940 mm, framed and glazed, together with Ninon (Max). Il Dolce Biglietto [and] Il Ritorno dal Ballo, circa 1920, a pair of pochoir prints, illustrating scenes from the opera 'Rigoletto', each image approximately 270 x 190 mm, mounted, framed and glazed, with the titles in silver gilt on the mountQTY: (3)

Valerio Adami (1935-) Interior with Golf Playersigned 'Adami' (lower right); numbered xiv/xxvserigraph68.5 x 79cm;together with Saunasigned and dated 'Adami 71' (lower right); numbered 66/75serigraph68.5 x 79cm (2)

Pierre SOULAGES Silkscreen n°25 Original serigraph, 1999 On vellum 119 x 84 cm REFERENCES: Catalog raisonné BNF #117 INFORMATION: Printer Michel Caza. This serigraph is the largest original print made by Pierre Soulages. It was made for the exhibition Die Farben Schwarz’ at the LandesMuseum Joanneum (Austria) in 1999. Excellent condition Height : 119 cm / Width : 84 cm The shipping costs will be 15 € incl. VAT for Belgium and France / 22 € incl. VAT Europe EEC / 45 € incl. VAT for European countries outside outside the EEC / 60 € incl. VAT for Japan and the United States (this fixes rates apply only to works that can be shipped in tubes and without insurance). For other countries, and for paintings and other works of art, a reasonable shipping charge will be added to your invoice. The shipment of grouped lots is possible, depending on the case, by sale, with an extra of 3 €incl. VAT per object.

Walter DEXEL (1890 - 1973). "Scheibe senkrecht halbgeteilt"Circa 36 cm x 36 cm die Abbildung. Circa 69 cm x 55,5 cm mit Rahmen. Farbserigraphie. Rechts unten signiert. Links unten nummeriert: 68 / 100.- Kein Versand durch das Auktionshaus möglich -Walter DEXEL (1890 - 1973). "Scheibe senkrecht halbgeteilt"Approx. 36 cm x 36 cm the illustration. Approx. 69 cm x 55,5 cm with frame. Colour serigraph. Signed lower right. Numbered lower left: 68 / 100.- No shipping possible by the auction house -

AFTER FERNAND LEGER (1881-1955), 'Composition avec formes jaune et rouge', original serigraph, 35cm x 27.5cm, Framed.

§ Rupprecht Geiger (1908-2009) Colour in the Round: Blue on Neonsigned to the reverse; numbered 6/150serigraph, unframed60 x 60cm;together with two indistinctly signed op-art prints, 62 x 62cm and 57 x 66cm(3)Geiger - surface tear top right, lower right and to the left hand side. Scratches to the blue circle and creases, especially to the left. Multi coloured print - slight discolouration, faint crease bottom left Black and white print - has been stuck down to card at the corners,