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ATTRIBUTED TO THE MASTER OF THE FEMALE HALF LENGTHS (Fl.circa 1525-1550) THE MAGDALENE Half length, seated at a desk in an interior, writing a letter, oil on panel 42 x 30.5cm. ++ Craquelure consistent with age; old retouching and canvas strip to verso to strengthen panel on left; old thick varnish; scattered minor faults.

Victor Jean Nicolle (1754-1826): Old Master study of figures before a continental stone archway, brown ink and watercolour, 10cm x 7cm: five similar watercolours/drawings (6)

AN OLD MASTER DRAWING of a nude, pencil and charcoal heightened in white, 17" x 10" ; and four others various, unframed. (5)

John Elias Ridinger- 'Der wilde Enten-Fall'; etching, 30.4x23cm: together with four other etchings of stag hunting, etc. from the same suite, 30.4x23cm., ea: After Karel Dujardin- Seated man putting on his boots; etching, signed and dated 1802: together with a mixed folio of prints by different hands, both European, Old Master and English schools, various sizes, (a lot), (unframed)

A portfolio containing a large collection of Old Master engravings by various hands.

REITLINGER H. Old Master Drawings 1922 cream spine, maroon boards, illus, teg. and ten other art vols. 11 vols

Flemish School, 17th century - Figures on a wooded hillside track with a town in the distance; pen and black ink on laid, 22.7x35.4cm: English School 18th century- Arcadian scene with figures by a tomb; pen and brown ink and wash on laid: together with four other Old Master drawings in pen and ink by different hands, various subjects and sizes, (6), (unframed)

Vienna style porcelain cabinet plate handpainted with an old Austrian cellar master holding a lidded tankard, wearing a leather apron and standing in front of a large barrel, smiling, with cobalt blue and raised gilt border, signed A. Ulbrich, the base bears underglaze blue Vienna style beehive factory mark, red circular Schutzmarke printed mark and inscribed in red 'Bruder Kellermeister nach E. Grutzmez', 23.5cm.

Percy Macquiod, R.I. A History of English Furniture, 4 vols. 1919; Herbert Cescinsky. English Furniture From Gothic to Sheraton, 1929; Thomas A. Strange. English Furniture Decoration Woodwork and Allied Arts, 1950; H. Cescinsky. The Old English Master Clockmakers, 1938 and The English Chair by M. Harris and Sons, 1946. (8)

19th Century. A collection of sepia facsimile prints of Old Master Works, folio, approx 57 in total, (unframed).

WALTER GEIKIE, RSA (1795-1837) LITHOGRAPHIC SKETCHES Two volumes, each comprising six lithographs, by R. H. Nimmo, published by D. Brown, 1826; with "Six Etchings" (bound); seven loose etchings from the same series (with duplicates); 29 loose etchings after Old Master subjects and others; and 29 sundry other prints by other hands (a lot) ++ All worn; damp stains

Serullaz, Maurice, Rosaline Bacou & others, Drawings in the Louvre, London, Cassell, 1968, large 4o (290 x 210mm.), three volumes, half titles, illustrations, many full-page, original cloth, and decorative dust-jacket. Jaffe, Michael, The Devonshire Collection of Italian Drawings - Bolognese and Emilian Schools, London, Phaidon Press Limited, 1994, folio (290 x 245mm.), half title, title vignette, plates and illustrations, original black cloth, and decorative dust-jacket. With a quantity of other works on old master and fine drawings.

CESCINSKY, HERBERT. The Old English Master Clockmakers and Their Clocks, 1670-1820. 1938. With 5 others (6)

English School (mid-19th Century) - Portrait Of Master Martin Henry E. P. Cottrell, aged seven, his fair hair in ringlets, wearing lace collar and red velvet jacket, oval, 20in x 15in, old label verso inscribed 'Henry E. P. Cottrell at age of 7, 1858, portrait given to Brian and Valerie Ackerman by Margaret S. C. S.'

Two Old Master Portrait Prints mounted on panels, modern, 12" x 8", and A Print - sketch of a wellknown Tory Colonel. (3)