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LUCAS VAN LEYDEN, OLD MASTER ENGRAVING "The Dance of St Mary Magdalen". THIS IMPRESSION WOULD DATE CIRCA 1600, PAPER WATERMARKED WITH THE ARMS OF BURGUNDY AND AUSTRIA WITH GOLDEN FLEECE, 11 1/2" x 15" TOGETHER WITH FURTHER ENGRAVING AFTER LUCAS VAN LEYDEN "The Fall of Man" BOTH UNFRAMED (2)

A large Luristan anthropomorphic tube finial c. 1000-1200 BC of Master of the Animals type with rams heads at the shoulders. Old repair, mounted. 7 1/2" including base

ROBERT LOUIS STEVENSON: AN INLAND VOYAGE, ill Knowle Rooke, 1908 orig cl gt teg + GIOVANNI BOCACCIO: THE DECAMERON trans J M RIGG [1921] 2 vols, orig cl + H M TOMLINSON: ALL OUR YESTERDAYS, 1930, 1st edn, bk plt and ownership signature of A P Warvell (1883-1950), orig cl gt + D H LAWRENCE: THE MAN WHO DIED, 1931 old cl worn + CHARLES MORGAN: THE FOUNTAIN, 1932 1st edn orig cl d/w + PHILIP WOODRUFF: CALL THE NEXT WITNESS, 1945, signed, orig cl d/w + MARGARETHE COETZE: TRUTH AND DREAMS, 1962, signed and inscrd, orig cl d/w + RICHARD E EARLY: APPRENTICE, 1977, signed and inscrib + MASTER WEAVER, 1980, signed and inscribed both orig cl d/w + RICHARD ADAMS: THE GIRL IN A SWING, 1980, 1st edn, 1st iss, orig cl d/w, (11)

A copy Oil Painting on Canvas of an old master picture of two figures. 12" (30cms) x 13" (34cms).

*A Folder containing a Collection of Old Master and English portrait engravings, including portrait, mythological and classical subjects, 5 1/2 x 7 3/4 in and smaller (qty)

Unframed Old Master copy oils on canvas, annotated verso P Rimmer.

AN OLD MASTER STUDY OF ANGELS (LABEL ATTRIBUTES TO FRACESCO ALMANI) 1781

AN OLD MASTER INK AND WASH DRAWING WITH ATTRIBUTION TO BARTOLOMEO PINELLI

An Imperial Family Bible, published by Blackie & Son, 1867, including steel engraved plates after Old Master and 19th Century artists including Titian, J. Martin, Vernet, Thomas and others.

After Jean Pillement (1728-1808) French. ‘Le Midi’, Engraved by ‘Norton’, Unframed, overall 15.5” x 17.75”, and a large quantity of Old Master engravings, (24).

DUNHILL OLD MASTER Blended Scotch Whisky. Cellar master no. J 04172. 750ml, 43% volume. JOHN O'GROAT'S Blended Scotch whisky bottled by The Drambuie Liqueur Co. Ltd. 26 2/3 fl.ozs, 75cl, 70°proof, 40 % volume. SCOTTISH DAILY NEWS Blended Scotch whisky bottled by Wm. Teacher & Sons Ltd, Glasgow. 26 2/3 fl.ozs, 70°proof. 3 bottles CONDITION REPORT: Labels are slightly weathered

Royal Doulton, England. A porcelain figural study, 'The Old Balloon Seller' H.18cm, together with 'The Master'

19TH CENTURY CONTINENTAL SCHOOL IN THE OLD MASTER MANNER "Woman and two children", oil o canvas, unsigned

An oil on board, indistinctly signed, still life study of rummer, coffee pot, fruit and flowers in the Old Master style, 23.5ins x 20ins

After the old master, religious study, coloured print, framed and glazed.

Volumes I, II and V - "Nuovo Testimento Del Signor Nostro Jesu Cristo Secondo La Volgata Tradotto in Lingua Italiana...", first Neopolitan edition, published Napoli, 1772, marbled paper boards with tooled and gilded leather spines, together with WILLIAM HOLWELL "Selecti Dionysii Halicarnassensis De Priscis Scriptoribus Tractatus Graece Et Latine", published J F & C Ribbington, London, 1778, calf bound with tooled and gilded spine, LUDOVICUS PRATEUS "D Junii Juvenalis Et A Persii Flacci Satirae...", published J F & C Ribbington, London, 1783, calf bound with tooled and gilded spine, J LEMPRIERE "A Classical Dictionary Containing a Copious Account of all the Proper Names Mentioned in Ancient Authors with the Value of Coins, Weights and Measures used amongst the Greeks and Romans and a Chronological Table", 7th edition, published T Cadell & W Davies, London, 1809, calf bound with tooled and gilded spine, one volume "The Linguist or Weekly Instructions in the French and German Languages.... without the Assistance of a Master, the First Half Year or Volume 1" published T Boosey & Sons, London, 1825, marbled paper boards with tooled and gilded spine and corners and one volume "The Sporting Magazine or Monthly Calendar of the Transactions of the Turf, the Chase and Every Other Diversion Interesting to the Man of Pleasure, Enterprise and Spirit", volume 18, new series or volume 68, old Series, published J Pittman, London, 1826, marbled paper boards with tooled and gilded leather spine

DUNHILL OLD MASTER blended scotch whisky bottle number P16775, boxed, 75cl, 43% vol, THE CULLODEN Old Highland malt whisky in ceramic decanter, boxed, 70cl, 40% vol, and CABRACH millenium malt whisky, flagon number 35 of 506, boxed, 70cl 40% vol

Omega sea master gentleman`s watch. Condition report: Speidel bracelet 18cm at max adjustment; textured Omega Automatic Seamaster De Ville dial good, very slight speckling of hands, acrylic scratched, marked with a crown and "18" on one of the lugs but we have not removed the back to see the full hallmark; the back has some scratches and gouges consistent with attempts to remove the back; case diameter 34mm, gross weight of case and movement 37.4g; the movement winds and ticks but the date doesn`t advance.; Omega red box fairly good; together with an old leather strap and Omega 9ct gold buckle, Birmingham 1963.All clocks and watches are sold without warranty. Comments regarding the going condition of clocks and watches relate to their state at the time of cataloguing and those comments may no-longer be correct at the time of sale or delivery. Buyers should assume that all lots will require servicing to be useable and reliable. Clocks and watches are not tested for accuracy, duration or water tightness.

VIEW MASTER STEREO VIEW, WITH SLIDES, KODAK BROWNIE CAMERA, AN OLD METAL ELECTRIC TOASTER, AN ELVIS PRESELY SCAP BOOK AND TWO ROYAL SOUVENIR BOOKS

Dublin: The Panter Collections, 1929. Catalogue of The Superb Collection of Early Irish Silver.. Miniatures, etc. of Irish Interest, The Property of the late G.W. Panter, Esq. The Bawn, Foxrock, Dublin. To be Sold by Sotheby & Co. London on Thursday 18th July, 1929. 14 full page plates, some items priced; also Catalogue of Important Old Master Paintings and Several XIXth Century Masters,... Sold by auction, Wednesday Nov. 9th, 1960 by Town & Country Estates, Dublin. 51 illus., both orig. ptd. boards, v. good. Scarce. (2)

'Bridge on Island of Burano, Venice', signed Dealtry lower left, oil on board, framed; and a facial study in the style of an Old Master, framed (2)

George Condo 1957 Concord/New Hampshire - lebt und arbeitet in New YorkMulticolored woman. 2007.Öl auf Leinwand. Verso signiert und datiert. 61 x 76,3 cm (24 x 30 in). [JS]. PROVENIENZ: Galerie Andrea Caratsch, St. Moritz/Zürich (auf dem Keilrahmen mit dem Etikett)Privatsammlung Nordrhein-Westfalen. George Condo, der mit seinen figurativ-grotesken Werken zu einem der einflussreichsten Gegenwartskünstler der USA aufgestiegen ist, kommt im Jahr 1957 in Concord, New Hampshire, zur Welt. Seine Ausbildung - Musiktheorie und Kunstgeschichte - absolviert er zwischen 1976 und 1978 an der Lowell University in Massachusetts. Virtuos spielt er klassische Gitarre und ist später Mitglied in der Band `The Girls`. Er ist befreundet mit Jean-Michel Basquiat, der ihn zur Übersiedlung nach New York überredet. In der dortigen Kunstszene macht sich George Condo schnell einen Namen. Nach einigen Monaten in Andy Warhols berühmter `Factory` und künstlerischem Austausch mit Allen Ginsberg und Keith Haring zieht es ihn dennoch nach Europa. Für ein Jahrzehnt wird er hauptsächlich in Paris arbeiten (1985-1995). Die Werke von George Condo, Malereien ebenso wie Skulpturen und Papierarbeiten, sind von großem Wiedererkennungswert: Satirische, groteske Bilder zwischen Neosurrealismus, Appropriation Art und (Neo-)Pop-Art befragen den Menschen, seine Physiognomie und auch seine bizarren Geisteszustände. `Artificial Realism` nennt der Maler seinen Stil. George Condo, der unter anderem 1999 mit dem Academy Award der American Academy of Arts and Letters geehrt wird, schafft es sogar in die Klatschpresse: Im Auftrag des Musikers Kayne West bemalt er für dessen Ehefrau, das Starlet Kim Kardashian, eine Hermès Birkin Bag mit drei Akten und einem Monster.Dem Porträt kommt in der Malerei George Condos eine herausragende Rolle zu. Gleich über mehrere Jahrzehnte hat sich der Künstler mit dieser traditionsreichen Gattung künstlerisch auseinandergesetzt und dabei zu seinem ganz eigenen, zwischen kunsthistorischer Traditionsbewältigung und Groteske oszillierenden Stil gefunden, für welchen `Multicolored woman` ein herausragendes Beispiel liefert. Seit seinen `Fake Old Master`-Paintings der 1980er Jahre hat Condo die intensive Auseinandersetzung mit künstlerischen Traditionen gesucht und begonnen, sich an den Epochen der Kunstgeschichte - von Renaissance über Barock bis hin zu Kubismus, Surrealismus, Abstraktem Expressionismus und der Nachkriegskunst - abzuarbeiten. Hinsichtlich der Vielzahl der Quellen und kunsthistorischen Stimuli, welche er in seinem Werk vereint und erfolgreich zu nutzen weiß, hat der Künstler festgehalten: `The only way for me to feel the difference between every other artist and me is to use every artist to become me`. In `Multicolored Woman` hat Condo formale Bezüge des Gesellschaftsporträts des Biedermeiers mit fauvistischen und kubistischen, teils entfernt an Picasso erinnernden Elementen sowie einer horrorfilmartigen Physiognomie zu einer einzigartigen künstlerischen Schöpfung verwoben.2011/12 werden Condos Arbeiten in einer umfassenden Retrospektive versammelt, die im New Museum in New York, dem Museum Boijmans Van Beuningen in Rotterdam, der Londoner Hayward Gallery und der Schirn Kunsthalle in Frankfurt Station macht. George Condo ist u.a. vertreten in:Simon Lee Gallery, LondonSprüth Magers, LondonGalerie Bruno Bischofberger, ZürichGalerie Andrea Caratsch, ZürichMark Borghi Fine Art - New York, New York CityMuseu d´Art Contemporani de Barcelona - MACBA, BarcelonaCentro Atlántico de Arte Moderno, Las Palmas de Gran CanariaMuseum of Contemporary Art, Los AngelesMuseum of Modern Art, New York CityWhitney Museum of American Art, New York City ca. 18.59 h +/- 20 Min.ENGLISH VERSIONGeorge Condo 1957 Concord/New Hampshire - lebt und arbeitet in

Antique Old Master School Saintly Figures Oil on Tin 24 Inches High x 17 Inches Wide Approximately

Fine Old Master Painting of The Madonna And Christ Child With The Three Wise Men Oil on Canvas 5ft 4 Inches High x 4ft 3 Inches Wide

A Meissen reticulated cabinet plate titled 'Die Clavierspielerin von Caspar Netscher', finely painted to the centre with figures in an interior and lady playing a harpsichord after the Dutch Old Master painter Netscher, the border pierced with arches within a shaped gilt rim, 19th century, underglaze blue crossed swords to verso, 23.4 cm Condition Report Good condition overall. Appearance of a knife mark across the white dress but under a glass this is just a highlight.

Old Master woodcut print of figures after a battle scene, 21ins x 17ins

William Speakman, London, a double basket top three train bracket clock, the ebonised case with 4 turned finials above and repousse gilt metal mounts, the 7inch (18cm) dial with winged mask spandrels, mock pendulum and date aperture, silvered chapter ring, signed to a rectangular brass strip above the dial, having verge escapement, chime silent lever, the well engraved backplate signed `Wm Speakman London`, chiming and quarter repeating on a nest of 5 bells, the upper left backplate corner cut to accommodate the hammers, pierced heart-shaped pallet cock, all upon 4 disc feet. *William Speakman was apprenticed in 1654, and free of the Clockmakers Company in 1661, and Master in 1701 43cm (17in) Condition report: Some alterations / work have taken place on this clock. It has been suggested that the clock may originally have been a simple timepiece, later adapted to a three train movement and dial. The engraving of the signature above the dial is not of the same quality as the backplate signature, and may be later added. The striking and chiming needs some attention, but was working quite recently. The case looks to be old. The clock is therefore being offered `as seen`. Provenance: According to a hand written note, this clock was bought at Sothebys, lot 65, sale 4 October 1968. Note: for a clock by Speakman of similar design, see Skinner, Boston, sale of November 2, 2013, lot 284

A folio of Dutch Old Master prints, "Hollandische, Handzeichnungen"

A late 17th Century Walnut cased Verge 30-hour Wall mounted Clock with pull repeat, Christopher Gould, circa 1695, the lift-off hood with overhanging cornice, surmounted by a moulded caddy top and fitted with a gilt Brass pine cone finial, to a glazed dial and side panels, mounted on a carved floral and foliate bracket to a 6? engraved square Brass dial, signed ?C H R Gould Londini Fecit?, with cast and applied cherub spandrels enclosing a silvered Roman and Arabic chapter ring with outside minute track and inside quarters track, to a matted centre and fitted with carved pierced and blued steel hands, to a movement with plates united by four baluster columns and a verge escapement and short bob pendulum and with strike on two graduated bells and also a self- powering pull repeat to the base, height 16? (published ?Old English Master Clockmakers ? Cescinski? page 85) Condition:Hood - Missing finial. Some lifting to veneer/knocks to woodwork and may have some replacement veneer to right side, crack to left hand side seat mount.Movement - Requires cleaning. Bell appears replaced. (please see attached images)*****Viewing Recommended*****Please note: Keys Fine Art Auctioneers take great care to ensure that any statements as to attribution, age, date, origin, provenance and condition are reliable and accurate but it should be noted that all such statements are skilled opinions, if provenance (written or historical fact) cannot be produced. However, Keys Fine Art Auctioneers do not guarantee that condition reports, whether included in the catalogue, or given at a later time; cover all aspects of an item(s) condition. All clocks, watches and mechanical items are sold on behalf of vendors by Keys Fine Art Auctioneers strictly on an “As Found” basis.No guarantee or warranty is issued or given in anyway, either written or verbal and therefore refunds will not be issued on the basis of the Lot not being “in working order”, “incomplete”, or “not in original condition”.Keys Fine Art Auctioneers would respectfully ask that prospective buyers view Lots in person, wherever issues regarding condition are seen as important to them, satisfying themselves as to the condition, completeness and originality of any Lot on which they intend to bid.

CHARLES DICKENS: MASTER HUMPHREY?S CLOCK, Ill George Cattermole and Hablot Browne, 1840-41, 1st edn in book form, 3 Vols in 2, Vol 2 lacking ttl pg, old hf cf worn, (2)

CHARLES DICKENS: MASTER HUMPHREY?S CLOCK, Ill George Cattermole and Hablot Browne, 1840-41, 1st edn in book form, 3 Vols, old blind stp cf gt, spines gt in compartments, ex Hudson Gurney Library, (3)

Kaart van de Sandwich Eilanden Although the first printed map of Hawaii is credited to Captain James Cook, it was prepared for publication by Lieutenant Henry Roberts, who prepared all of the maps for the three-volume narrative of Cook`s final voyage. Roberts drew the map from a now-missing survey by William Bligh (of Mutiny on the Bounty fame) who was Sailing Master on the HMS Resolution. The map is a landmark in Hawaiian cartography and provided the basis for all subsequent mapping of the islands. The routes of the Resolution and the Discovery around the islands are carefully traced with nice topographical detail on each island. A large inset of La Baye de Karakakooa (Kealakekua Bay) is featured with details of soundings, navigational hazards and the anchorages of the two ships, and quaint depictions of houses, palm trees, and fields inland. Cook spent his last few weeks in Kealakekua Bay before dying in a confrontation with natives on February 14, 1779. This is a Dutch edition of Henry`s chart, engraved by Cornelius van Baarsel. An excellent impression on watermarked paper. Issued folding, with a binding trim at left that has been replaced with old paper, and an associated binding tear that just enters the neatline and has been archivally repaired. 10.5"" W x 17.8"" H Cook, James (Capt.) 1785

Neunte deutsche Bibel. Biblia germanica. - 2 Tle. in 1 Bd. Mit 109 meist drittelseitigen Holzschnitten, davon diejenigen des zweiten Teils (insges. 21) in leuchtendem Verlagskolorit , sowie mit zahlreichen eingemalten Lombarden in Rot oder Blau und 2 großen farbigen Schmuck-Initialen auf Goldgrund mit Randausläufern. Nürnberg, Anton Koberger, 17. Februar 1483. Prächtiger blindgeprägter Schweinslederband des frühen 17. Jahrhunderts über Holzdeckeln mit 8 ziselierten und durchbrochenen Messing-Eckbeschlägen und 2 Messingschließen. Groß-Folio (40 : 28 cm). 582 röm. num. Bll. (st. 583). Gotische Type. 2 Spalten. 50 Zeilen. Rubriziert.Insgesamt prachtvoll erhaltenes und sauberes Exemplar auf kräftigem Papier . - Ohne das erste Bl. des zweiten Teils (Bl. 296; durch unauffälliges stilgerechtes Faksimile ersetzt) und die 4 weißen Schlußbll. Ca. 5 Bll. wasserrandig und 8 Bll. gleichmäßig gebräunt, sonst nur wenige Bll. unbedeutend fleckig oder gering wasserrandig, 1 Bl. mit kl. Ausschnitt (ca. 4 : 4 cm, Textverlust von alter Hand ergänzt). Einbd. mit wenigen kl. Kratzspuren. Ungewöhnlich schönes Exemplar, beide Teile vereinzelt mit sauberen Marginalien von einer Hand des 17. Jahrhunderts, wohl der frühere Vorbesitzer, der das ganze Werk mit dem barocken Schweinslederband einbinden ließ.GW 4303. - Hain 3137. - Goff B 632. - BMC II, 424. - BSB B-490 - Schramm XVII, S. 3 und 8 sowie Abb. in Bd. VIII (Köln), 358-472. - Schreiber 3461. - Bibl. Schäfer 52. - Fairfax Murray 63. - Bibelslg. Württ. Landesbibl. E 22. - Eichenberger/Wendland S. 91-96. - Wendland, Eine fünfhunderjährige Inkunabel: Anton Kobergers deutsche Bibel , in: Philobiblon 28 (1984), S. 30-37.2 parts in 1 volume. A magnificent copy of the Ninth German Bible. The only printed German Bible edition by Koberger, one of the most beautifully illustrated bibles of the 15th century. The series of fine woodcuts influenced later Bible illustration, including those by Dürer for Koberger`s 1498 Apocalypse. They had first appeared in two Low-German Bible editions printed at Cologne in 1478/79 and are attributed to the eponymous `Master of the Cologne Bibles`. For his Bible Kobeger commissioned two new German types and is said to have run 24 presses to print it. It was available in 3 forms: completely uncolored, rubricated and colored simply in green, ochre and purple, or rubricated and colored in a wide variety of colors and gold leaf. The second part of our copy has the deluxe illumination while the first part of the present copy is uncolored but with painted lombards, 2 large initials in gold and 21 contemp. mounted handcolored woodcut Maiblumen initials (cf. the copy sold at Christie`s, 14 Dec. 2001 which has also this contemp. mounted initials) at the beginning of each biblical book. Altogether with 109 woodcuts (of which the 21 of the 2nd part are colored), numerous painted lombards in red or blue and 2 large initials in gold with tendrils. 17th cent. blindstamped pigksin over wooden boards with fine brass fittings and 2 brass clasps. 582 Rom. numb. leaves (of 583). Lacking the first leaf of the 2nd part (fol. 296, replaced by a skilful facsimile) and the 4 blanks. - Ca. 5 leaves waterstained, 8 leaves evenly browned, else only few leaves negligibly stained, 1 leaf with small cut-out (about 4 : 4 cm, replaced by old hand). Binding with few small scratches. Exceptionally fine copy, both parts here and there with neat marginalia by a 17th cent. hand.

Theodoretus, Opera, in duos tomos distincta, nunc iterum excusa et locupletata .. 2 Bde. Jew. mit 2 Holzschnitt-Druckermarken sowie mehreren gr. Holzschnitt-Initialen. Köln, Joh. Birckmann 1573. Zeitgenöss. Schweinslederband auf 4 Bünden mit schöner mehrfacher Rollenprägung (Allegorien Justitia, Prudentia und Lucretia sowie Humanistenköpfe), sign. `HK` in einem Wappenschildchen. Folio. 16 Bl., 791 S.; 14 Bll., 634 S.Zweite Ausgabe der Werke Theodorets, erstmals 1567 erschienen. - Gleichmäßig schwach gebräunt, Titel und Vorsatz mit altem Stempel, Vorsätze etw. fleckig. Einbd. bestoßen, Gelenke brüchig (ausgebessert) und dort etw. fleckig. - Exemplar aus dem Besitz des Statthalters von Tirol Christoph Baron von Wolkenstein und Rodnegg (vgl. Wurzbach LVIII, 56), Innendeckel jew. mit dessen gr. Holzschnitt-Wappenexlibris mit Datum 1594 (Warnecke 2509), Titel jew. mit dessen eigh. Besitzvermerk, datiert 1575.VD 16, ZV 14915. - Adams T 480. - Nicht im BM STC.Second edition of Theodoret`s works. 2 vols., each 2 woodcut printer`s devices and woodcut initials. Contemp. pigskin on raised bands, richly rollstamped by the master `HK` (allegories Justitia, Prudentia & Lucretia, humanist heads, floral ornaments). - Evenly slight browning, old stamp on title and pastedown, endpapers somewhat spotted. Binding bumped, joints cracking (restored) and there somewhat stained. Large heraldic bookplate of baron Christoph von Wolkenstein und Rodnegg, governor of Tyrol, dated 1594, title with his signature and date 1575.

Folder containing a large selection of Italian Old Master Classical Portrait Images

OLD MASTER OIL ON CANVAS, C. 18TH C., H 54"" W 31 1/2"", MADONNA & CHILD: Unsigned, oil on canvas stretched to board, depicting a seated Madonna with child, with a darkened background. Measuring H. 54"" x 31 1/2"" visible, displayed in a carved gilt wood and gesso frame. Circa 18th Century.

A 17TH CENTURY ITALIAN (POSSIBLY FLORENCE?) OLD MASTER DRAWING HEIGHTENED WITH WATERCOLOUR A head and shoulders portrait of a woman, contained in a gilt wood frame with shell carved corners. (21cm x 25cm) Condition: stained

DUNHILL OLD MASTER Blended Scotch Whisky. 70cl, 40% volume HOUSE OF LORDS Blended Scotch Whisky. 70cl, 40% volume in carton CHIVAS REGAL 12 YEAR OLD Blended Scotch Whisky. 1 Litre, 40% volume in carton CHIVAS REGAL 12 YEAR OLD Blended Scotch Whisky. 70cl, 40% volume 4 bottles

10 ASSORTED SINGLE MALT MINIATURES James MacArthur`s Old Master`s 30y/o (53.2%vol); Cadenhead`s Glenlochy 16y/o (59%vol,hsf); James MacArthur`s Teaninich 18y/o (58.4%vol); Cadenhead`s Cambus 31y/o (53.2%vol, bs); Signatory Vintage Bunnahalhain 25y/o (46%vol, msf); Glen Scotia Campbeltown 1979 (55.6%vol); James MacArthur`s Ledaig 18y/o (54.4%vol); Cadenhead`s Bowmore 11y/o (58.4% vol, msf); Ardbeg 17y/o (40%vol); Cadenhead`s Mortlach 22y/o (50.5%vol, msf). Viewing recommended. lsf= Low shoulder fill, msf= mid-shoulder fill, hsf= high shoulder fill, bs= below shoulder fill.

DUNHILL OLD MASTER Blended Scotch Whisky. Cellar master no. J 04172. 750ml, 43% volume. JOHN O`GROAT`S Blended Scotch whisky bottled by The Drambuie Liqueur Co. Ltd. 26 2/3 fl.ozs, 75cl, 70°proof, 40 % volume. SCOTTISH DAILY NEWS Blended Scotch whisky bottled by Wm. Teacher & Sons Ltd, Glasgow. 26 2/3 fl.ozs, 70°proof. 3bottles Labels are slightly weathered

DUNHILL OLD MASTER Blended Scotch Whisky. Cellar master no. J 04172. 750ml, 43% volume. JOHN O`GROAT`S Blended Scotch whisky bottled by The Drambuie Liqueur Co. Ltd. 26 2/3 fl.ozs, 75cl, 70°proof, 40 % volume. SCOTTISH DAILY NEWS Blended Scotch whisky bottled by Wm. Teacher & Sons Ltd, Glasgow. 26 2/3 fl.ozs, 70°proof. 3bottles Labels are slightly weathered

DUNHILL OLD MASTER Blended Scotch Whisky. 70cl, 40% volume HOUSE OF LORDS Blended Scotch Whisky. 70cl, 40% volume in carton CHIVAS REGAL 12 YEAR OLD Blended Scotch Whisky. 1 Litre, 40% volume in carton CHIVAS REGAL 12 YEAR OLD Blended Scotch Whisky. 70cl, 40% volume 4 bottles

10 ASSORTED SINGLE MALT MINIATURES James MacArthur`s Old Master`s 30y/o (53.2%vol); Cadenhead`s Glenlochy 16y/o (59%vol,hsf); James MacArthur`s Teaninich 18y/o (58.4%vol); Cadenhead`s Cambus 31y/o (53.2%vol, bs); Signatory Vintage Bunnahalhain 25y/o (46%vol, msf); Glen Scotia Campbeltown 1979 (55.6%vol); James MacArthur`s Ledaig 18y/o (54.4%vol); Cadenhead`s Bowmore 11y/o (58.4% vol, msf); Ardbeg 17y/o (40%vol); Cadenhead`s Mortlach 22y/o (50.5%vol, msf). Viewing recommended. lsf= Low shoulder fill, msf= mid-shoulder fill, hsf= high shoulder fill, bs= below shoulder fill.

A collection of twenty Royal Doulton Bunnykins figures, comprising International Collectors` Club `Collector`, DB54 and `Partners in Collecting`, DB151, `Detective`, DB193 with certificate, `Judge` DB188, `Fireman`, DB183, two `Fisherman`, `DB84 and 178, `Cook`, DB85, `Doctor`, DB81, `Artist`, DB13, `Airman`, DB199, `School Master`, DB60, `School Days`, DB57, `Be Prepared`, DB56, `Brownie`, DB61, `Mr Bunnykins`, DB5, `Bunnykins`, DB14, `Rainy Day`, DB147, `School Boy`, DB66, and `Old Balloon Seller`, DB217, with thirteen boxes.

Martin 'Cynicus' Anderson (1854-1932): Portrait of a man in the Old Master manner, pencil drawing, inscribed verso

Martin 'Cynicus' Anderson (1854-1932): Portrait of a man in the Old Master manner, pencil drawing, inscribed verso

Pair of "Old masters" oileographs on metal - 1) Gainsborough 'Blue Boy' RA 1727 - 1788 & 2) Lawrence PRA 1769 - 1830, 'Red Boy - Master Lambton'

An 18th Century old master oil, Christ healing in the temple. 30cm x 35cm

AN OLD MASTER CHALK AND BROWN INK STUDY of a female with baby in arms, she having billowing dress, 20cm x 14.5cm in modern glazed frame

TWENTY THREE BOTTLES OF WINE INCLUDING CHARDONNAY VIN DE PAYS (2) ST EMILION, CHABLIS 2005, COCKBURNS SPECIAL RESERVE PORT, DRY SILVANER, TAYLORS VINTAGE PORT 1981, MALBEC/SYRAH 1996, CHATEAU HAUT BAGES AVEROUS, OLD MASTER SUPERIOR TAWYN PORT (2), VOUVRAY 1997, CHARDONNAY 1998 (3) THE AUDITORS PORT, VOLNAY, CHARDONNAY 2007, CHATEAU LES SABLINES MONBAZILLAC 1998, LOMMARD 1996 AND LA CHABLISIENNE

TWENTY THREE BOTTLES OF WINE INCLUDING CHARDONNAY VIN DE PAYS (2) ST EMILION, CHABLIS 2005, COCKBURNS SPECIAL RESERVE PORT, DRY SILVANER, TAYLORS VINTAGE PORT 1981, MALBEC/SYRAH 1996, CHATEAU HAUT BAGES AVEROUS, OLD MASTER SUPERIOR TAWYN PORT (2), VOUVRAY 1997, CHARDONNAY 1998 (3) THE AUDITORS PORT, VOLNAY, CHARDONNAY 2007, CHATEAU LES SABLINES MONBAZILLAC 1998, LOMMARD 1996 AND LA CHABLISIENNE

Italian Old Master School Eighteen Century Figures by a Waterfall Oil on Canvas 34 Inches High x 43 Inches Wide

Old Master School Dramatic Scene Possibly French Oil on Canvas 19 Inches High x 22 Inches Wide

Antique Gilt Framed Wall Mirror with Inset Old Master School Oil on Canvas of River 56 Inches High x 29 Inches Wide

ALEXANDRE BENOIS (RUSSIAN 1870-1960)House in Cassis (Possibly the Ida Brown Residence), 1932gouache and watercolor on paper 46 x 61.5 cm (18 1/8 x 24 1/4 in.)signed and dated lower rightLOT NOTESAlexandre Benois was born into the celebrated Benois family and initially gained recognition as one of the founding members of the widely influential artist group Mir Iskusstva. Over the years his extremely prolific career took him from book illustration and costume design for the Ballets Russes to a curatorship at the Hermitage Museum. In 1927, shortly after leaving his post as the curator of Old Master paintings at the Hermitage, Benois settled in France and continued to work primarily as a set designer. This painting, executed in September of 1932, was created while Benois was traveling through the French countryside. A very similar view of analogous dimensions, dated to August of 1932, and inscribed as depicting the House of Ida Brown in Cassis, was sold at Sotheby`s London, on June 9, 2010 as lot 255. The dimensions, strong similarity of subject matter, and close proximity of date suggest that the present lot may depict a different view of the same location.

OLD MASTER AFTER BERNARDO STROZZI IL CAPPUCCINO (ITALIAN 1581-1644) Portrait of a Nobleman, oil on canvas53.3 x 42.6 cm (21 x 16 3/4 in.)

A mixed lot of pictures, Madonna and child in the manner of an old master, oil on board and fourteen other sketches, oils etc mostly portraits (15).

A mixed lot of pictures, Madonna and child in the manner of an old master, oil on board and fourteen other sketches, oils etc mostly portraits (15).

§ Gilbert Spencer (British, 1892-1979) Frontispiece to the Ten Commandments pencil 55 x 38cm (21 x 15in) Provenance: The Goupil Gallery Ltd., 5 Regent Street, London, SW1. The Hon. Robert Gathorne-Hardy, The Mill House, Stanford Dingley, Berkshire, and by descent. Exhibited: The Museum and Art Gallery, Reading (according to an old label to the reverse). Gilbert Spencer, younger son of Stanley Spencer, was born in Cookham, Berkshire and throughout his career, like his brother, returned to painting the landscapes of his home town, as well as Oxfordshire, Dorset and the Lake District.. Spencer studied at the Camberwell School, and wood carving at the RCA from 1911-1912, before studying under the greatly influential Henry Tonks at the Slade School from 1913-1915 and again from 1919-1920, serving in the war in the intervening years. Spencer became involved in the Carline group after the war; Sydney Carline employing him at Oxford where he held the position of Master of Drawing, after Spencer met Hilda Carline who was later to be Stanley Spencer`s wife. His first one man show was held at the Goupil Gallery, London, in 1923; it was during this period of his career that he started to further his social circle of rising and successful artists, as well as meeting members of high society. As well as painting rural landscapes and vistas, Spencer was commissioned to paint many murals, such as for the Royal Academy restaurant in 1958, for which he painted `An Artist`s Progress`; depicting his journey from Cookham into the Slade through to election to the Royal Academy. He was also commissioned to create murals for Holywell Manor, Balliol College, Oxford in 1936, and `The Scholar Gypsy` for the students` union of University College, London, c.1956. Spencer`s teaching posts proved his great success; he was appointed Professor of Painting at the Royal College of Art 1932-48; Official War Artist 1940-43; Head of Painting at Glasgow School of Art 1948-1950 and at Camberwell School 1950-1957.

§ Augustus Edwin John, OM, RA (British, 1878-1961) Portrait of Alexandra (Alick) Schepeler red chalk 35 x 25cm (14 x 10in) Provenance: Private collection, Cambridge. Exhibited: Folio Spring Exhibition, English and French Master Drawings, No.9a. Rebecca John dates the present exceptional portrait of Alick Schepeler to 1906-1907. It is one of an important group of drawings of Alick Schepeler by Augustus John, and from his best period. Three studies of the sitter are in the Fitzwilliam Museum, Cambridge, the Manchester City Art Gallery, and there are several in the USA. Alexandra (Alick) Schepeler was the embodiment of John?s romantic ideal; she was part Irish and part German and had been born in Minsk, Russia, in March 1882, making her way to England as a child through Poland. She was employed as a secretary by the Illustrated London News; hard-working and also hard partying at night, she lived for passion, both physical and romantic love. Alick met Augustus John through her friend Frieda Bloch who was studying at the Slade. John and Schepeler kept up a secret correspondence for many years, and throughout many of his other relationships. In 1907, John lived in London for a year and during this time she became his muse. John thought of Alick as an enigma and often compared her to mythological women, most often a water nymph, in his many letters - his ""rose of my soul"" and ""jeune fille mysterieuse et gaie"". He called her ""Undine"" after the female water sprites. We are grateful to Rebecca John for her assistance with the catalogue entry. Under glass and the corners look to be stuck down, with some discolouration and old glue visible and with a little crinkling.