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Lot 2032
SWEDISH OLD MASTER OIL ON WOOD PANEL, 19" X 14" PORTRAIT OF GENTLEMANAntique painting and frame. Seated Gentleman with ink Pen. (frame back " Larsson - Stockholm 1946). Mahogany Frame or Rosewood. 19" x 14" is image only panel not including frame.Condition Report; Smoke and Heat Damage, Needs Cleaning.Njd. Frame Size; 26" H x 21" W.- For High Resolution Photos visit Dumouchelles website.
Lot 718
FOLLOWER OF ABRAHAM BLOEMAERT A SOLDIER AND ANOTHER MAN IN CONVERSATION WATCHED BY THREE OTHERS pen, ink and grey wash, 19.5 x 14.5cm, a drawing of a physician and group of men by a follower of Adriaen Brouwer and another Old Master drawing of two beggers, all unframed (3) ++Surface dirt, stains and handling marks
Lot 280
Trials. The History of the Most Remarkable Tryals in Great Britain and Ireland, in Capital Cases, viz Heresy, Treason, Felony, Incest, Poisoning, Adultery, Rapes, Sodomy, Witchcraft, Pyracy, Murder, Robbery, etc..., Faithfully Extracted from Records, and other Authentick Authorities, as well Manuscript as Printed, London: A. Bell, J. Pemberton & J. Brown, 1715, occasional marginal dampstaining and few marks, later endpapers frayed at foot, contemporary blind panelled calf, old reback, joints cracked, worn, 8vo, together with [Pyron du Martre, Antoine], The Elements of Heraldry, containing a clear definition, and concise historical account of that ancient, useful, and entertaining science..., To which is annexed, a dictionary of the technical terms made use of in heraldry. By Mr. Porny, French-Master at Eyon-College, 2nd edition, 1771, engraved frontispiece, twenty-four engraved plates, contemporary sheep, joints cracked and slight wear, 8vo, plus Heraldic Anomalies; or, Rank Confusion in our Orders of Precedence..., by it matters not who, 2 vols., 1823, titles in red & black, occasional spotting and light dust-soiling, near contemporary dark green half morocco gilt, joints and extremities rubbed, 8vo (4)
Lot 117
A 19TH CENTURY DERBY PAINTED PORCELAIN PANEL, depicting The Deposition, oil on porcelain panel, 19 x 15.5cm, signed in red Painted by John Hancock Jnr, 1824, Mark Chapter 15 verso, contained in a giltwood frame. 19 x 15.5cmThree generations of artists named John Hancock worked as porcelain painters at the Derby Porcelain factory. John Hancock Junior (1804-1839) was the final member to continue the family tradition and worked at Derby between 1823 and 1836. He was primarily known for his works as a floral, fruit and ornithological painter.The Deposition is a rare example, not only due to the unusual subject matter but also because of the signature inscription verso. This inscribed panel depicts a carefully considered and recomposed illustration of the original painting 'The Descent from the Cross' by Peter Paul Rubens (Antwerp c.1612-1614). The artist has - while maintaining the Old Master technique and use of rich, striking pigment tones - adapted each figure, dressing them in costumes contemporary to the period of execution.
Lot 721
BOX 121 - SPIRITSVery Old Tom Gin (Batshit Mental Ideas) Limoncello Rossi D'AsiagoThe Girvan Patent Still Proof Strength1897 Quinine GinMcAfee's Benchmark Kentucky Straight Bourbon WhiskeyThe Glenlivet Master Distiller's ReserveJameson Cooper's CrozeThe BotanistTrois Rivieres VSOP Reserve SpecialeJameson CaskmatesFeeney's Irish CreamSIERRA TEQUILA MILENARIO REPOSADO
Lot 712
BOX 112 - SPIRITSBundaberg Rum Master Distillers' Collection - Blender's Edition 2015Sainsbury's Taste the Difference Golden Rum 8 YOFlannigan's Blended Irish WhiskeyGosling HaselnussKWV 12 Year Old Potstill BrandyHOGS 3 BourbonNegrita Rum Cream Majestät WeinbrandBarska Premium VodkaBeehive Brandy Premium Reserve VSOP Stalinskaya VodkaTiffin Tea Liqueur
Lot 554
An Early Bottle of Jameson Irish Velvet along with Two Bottles of Murphys Irish Stout, a Bottle of Master Brew Bitter, a Bottle of Old Growler Porter and a Bottle of Bishops Finger Strong Ale, also A Bottle of Amerotto along with a Bottle of Lagosta Vinho Verde, A Bottle of Hierbas Secas and a Bottle of Bols Triple Sec also A Bardinet Napoleon Brandy along with a Bottle of Botrys Brandy, 40%proof.
Lot 2584
Published 1978 AD. Sotheby's, The Robert von Hirsch Collection, London, auction sale, 1978; part 1 (Old Master drawings, paintings and medieval miniatures), part 2 (works of art), part 3 (furniture and porcelain"). and part 4 (Impressionists and modern art), with prices realised. 3.71 kg total, 27 x 19cm (10 1/2 x 7 1/2"). Property of a Hertfordshire, UK collector. Fine condition; some wear to dustwrappers. [4, No Reserve]
Lot 128
TULLIBARDINE 1987 19 year old Highland single malt Scotch whisky, distilled 1987, bottled June 2006 from cash 664, bottle 100/287, selected by master distiller John Black, 70cl, 57.2% vol, boxed, and matching miniature.Also a photograph of John Black with valinch in hand filling a Glencairn glass straight from the cash in Tullibardine's warehouse.
Lot 47
Foskett (Daphne). A Dictionary of British Miniature Painters, volumes 1 & 2, 1st edition, 1972, numerous colour illustrations, original blue cloth in price-clipped dust jackets, spines lightly rubbed to head and foot, 4to, together with Baron (Wendy), The Camden Town Group, 1st edition, 1979, numerous colour and black and white illustrations, original brown cloth in dust jacket, covers slightly rubbed to head and foot, 8vo, and Reitlinger (Henry Scipio), Old Master Drawings, a handbook for amateurs and collectors, 1922, 72 black and white plates including frontispiece with tissue guard, original red boards to cream cloth spine in dust jacket, covers slightly toned and rubbed with minor loss to head and foot, large 4to, plus other modern art and artist reference, including publications by the Antique Collectors' Club, all original cloth, many in dust jackets, G/VG, 8vo/folio (3 shelves)
Lot 528
This Oil on Panel Painting by Old Master Cornelis Christiaan Dommersen depicts a vibrant and lively view of a Dutch city. Signed "CC Dommershuizen" (Lower right)CIRCA: 19thORIGIN: NetherlandsDIMENSIONS: 31 1/2" x 27 1/2"CONDITION: Great condition. Further condition reports avaible upon request. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS (305) 333-4134. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
Lot 1466
CAMDEN (Wm.) Britannia: or, a Chorographical Description of Great Britain and Ireland. 3rd Bishop Gibson edition, 2 vols. revised, digested, and published, with large additions. engraved portrait & 51 folded maps (42 of English counties), some other plates & text illus.; old half leather & marbled boards (distressed), folio. 1753. * the maps by Robt. Morden; with the A.W. Ward (Master of Peterhouse) & the Hampton Lodge, Hurstpierpoint, Sussex (Cynthia & John Barnes) bookplates.
Lot 281
Diehl (Gaston). Nicolas Tarkhoff, France, 1982, numerous colour and black and white illustrations, original black cloth in dust jacket and slipcase, folio, together with Sysoyev (Vladimir), Alexander Deineka, paintings, graphic works, sculptures, mosaics, excerpts from the Artist's writings, Russia, 1982, numerous colour illustrations, original cream cloth in dust jacket and slipcase, spine slightly rubbed to head and foot, folio, plus Cattaneo (Enrico & Dell'Acqua, Gian Alberto), Immagini di Castiglione Olona, Italy, 1976, numerous colour and black and white illustrations, original green cloth in dust jacket and slipcase, folio, plus other modern Old Master & 19th-century art reference, including botanical and French art, mostly original cloth in dust jackets, G/VG, 8vo/folio (78)
![* Raymond Campbell [b.1956]-
A still life of wine and cheese:-
signed bottom left
oil on board
41 x 30cms.
*Provenance. Wi](https://cdn.globalauctionplatform.com/38b3133c-3f62-40e1-bc30-a62e00a16728/6b4130f7-9525-4363-9b8b-40798b48b195/468x382.jpg)
Lot 422
* Raymond Campbell [b.1956]- A still life of wine and cheese:- signed bottom left oil on board 41 x 30cms. *Provenance. With the original receipt from Whitgift Gallery Croydon In 2002. * Notes. The artist is self-taught. The strongest influence on his work being the Old Master still life painters. His work is widely known through gallery outlets in Britain. The artist has also exhibited in Australia and the U.S.A.
Lot 56
- Supplied new in France and converted for race use by Ferrari specialist Kerry McSwann during the late 1980s - Finished 3rd overall in the 1991 FIA European Historic Touring Car Championship - Recommissioned since entering the current ownership in 2014 including a thorough engine overhaul Styled by Sergio Sartorelli and previewed on the Ghia stand at the 1960 Turin Salon whilst the Italian carrozzeria was toying with the idea of in-house production, the Fiat Ghia 2300 Coupe was officially unveiled in 1961 and hit showrooms the following year. Based on a modified Fiat 2300 Saloon platform, the Coupe's construction was outsourced to OSI. Designed by Ferrari's former powerplant maestro Aurelio Lampredi, the model's 2279cc OHV straight-six engine developed an unstressed 105bhp / 136lbft in standard tune. Abarth liberated a further 31bhp and 9lbft for the 'S' variant via the use of a higher compression ratio, hotter camshaft and two twin-choke weber carburetors. Equipped with four-wheel disc brakes, the 2300S Coupe was among the fastest and most attractive GTs of the early 1960s, outperforming the Lancia Flaminia and the Alfa Romeo 2600. Renowned for his tuning prowess, Carlo Abarth developed a competition version that thanks to its enlarged 2323cc capacity, triple (40 DCOE) twin-choke Weber carburetors, 9.8:1 compression ratio, more aggressive camshaft and re-routed exhaust etc developed some 210bhp. Capable of over 130mph, Fiat commissioned three such cars for the 1963 season. Paul Frere / Lucian Bianchi drove one to 2nd overall (and 1st-in-class) at the Nurburgring 12-hour race, while Rudi Golderner / Karl von Kothen piloted another to 9th overall during the same event and also managed 12th overall on the Tour de France. This particular example was supplied new by Fiat-France as a road car in April 1965. Twenty-three years later it was purchased by Patrick Mersch with a view to entering the European Endurance and FIA Historic Race Series. Kerry McSwann was tasked with the conversion to racing specification. A Ferrari specialist who looked after Tom Walduck's collection at the time, he managed to source various original and scarce Abarth competition parts (such as an aluminium bonnet and competition sump). Campaigned during the late 1980s / early 1990s at the likes of Paul Ricard, Zandvoort, Silverstone, Ísterreichring, Vallelunga and Monza etc, the 2300S also contested the Historic Grand Prix de Provence (1992), N³rburgring Old Timer Grand Prix (1990, 1991) and indeed placed 3rd overall in the 1991 FIA European Historic Touring Car Championship. Turned over regularly and treated to oil changes / general maintenance, the Coupe was otherwise little used for twenty-two years up until 2014 when it left Mr Mersch's custody. Recommissioned thereafter and having covered less than 1,000km since its engine was extensively overhauled during winter 2015, more recent work has seen the Fiat Abarth treated to new clutch and brake master cylinders. The specification of the car comprises: Koni / Spax shock absorbers, stiffer springs, strengthened rear bulkhead, roll bar, new seat harnesses, competition AB Tunaverken alloy wheels shod with Avon CR6ZZ's and harder suspension bushes. A dyno sheet on file charts engine power at 145bhp. As presented today, the car is potentially well-suited to FIA Historic Racing Series (having previously been registered 'F. Historic B'), not to mention the Tour de France Auto, Coppa Dolomiti and other long distance events. The roll cage can be removed and the car reverted to normal road use (the rear seat accompanies the car). Performance wise the Coupe is equivalent to a Jaguar XK120 or Aston Martin DB2/4, so ideal for fast road / competition use, as verified by recent competition times when testing the car. A quantity of new and used spare parts including a second engine with Abarth stamped sump are available by separate negotiation. The accompanying history file contains a French Carte Gris, UK V5C Registration Document, expired FIA HVIF papers, engine performance reports, invoices, manuals, part lists, and period racing reports for the Fiat 2300S.
Lot 52
The very smartly-presented, right-hand drive 'home market' example on offer was subject to a ground up restoration some two years ago, at a cost well in excess of £25,000 for parts and labour. The work included a bare metal body and chassis repaint; new boot floor, passenger area rear panel, fuel tank, chassis brace, body mounts, axle brackets, engine and gearbox mounts, steering rack and bushes, wiring loom and brake and fuel lines. The braking system was completely overhauled with new master and slave cylinders and handbrake cables. The radiator, dynamo and propshaft were all reconditioned at a cost of £500. The four-cylinder OHV engine was overhauled and the cast iron cylinder head converted to function safely on unleaded fuel. A new four-into-one stainless exhaust system was also installed. During the restoration, close attention was paid to the cosmetic aspects of the car, which resulted in the fitting of new: chrome wire wheels, interior trim and carpets, windscreen and rubbers, hood, full tonneau cover, stainless steel bumpers, and front and rear lights. The body trims were all replaced with fresh items and a new Moto-Lita steering wheel and boss installed. According to the Triumph's British Motor Industry Heritage Certificate, this TR was manufactured at the company's Coventry factory on April 29th 1964 and dispatched to Triumph dealers Beadle and Company of Mayfair, London on June 1st. The car still carries its original London registration number, while the Heritage Certificate confirms it to have left the factory equipped with the desirable overdrive transmission and finished in White, exactly as it's presented for sale today. It comes with a very substantial history file that includes: invoices; photographic record of the restoration; DVLA list of previous owners; the aforementioned Heritage Certificate; workshop manual; a valuation certificate dated July 2014 for the sum of £30,000; and 23 old MOT certificates, plus one valid to August 15th this year. The odometer currently displays an unwarranted 49,000 miles and the vendor classes the two-seater bodywork, paintwork, Red interior trim, 2.1-litre engine and four-speed manual gearbox as all being in 'excellent' order. What's not to like?!
Lot 28
A mixed lot containing one bottle Glenfiddich Special Old Reserve Pure Malt Whisky in Clan Sutherland Clans of The Highlands of Scotland metal tin, a bottle of Glenfiddich Single Malt Scotch Whisky 12 Year Old in original cardboard container, one bottle Bell's 8 Year Old 1 litre, one bottle Bell's 8 Year Old .7 litre, one bottle Dow's Late Bottled Vintage 2001 Port Master Blend and one bottle Cockburn's Special Reserve Port
Lot 544
MACKINLAY'S SHAKLETON REPLICA 1ST EDITION Blended Rare Old Malt Whisky. A replica of the whisky "Specially prepared for the British Antarctic Expedition, 1907 ship 'Endurance'" Recreated by Master Blender, Richard Paterson of Whyte & MacKay.70cl, 47.3% volume. In wooden box with reproduction letter of order. CONDITION REPORT: Capsule: Very good. Fill: Well in the neck. Labels: Good but neck label wrinkled. Box: Very good.
Lot 668
IMPERIAL 16 YEARS OLD - HOGMANAY DRAM Speyside Single Malt Scotch Whisky. Limited edition, bottled exclusively in Scotland for members of The Malt Whisky Association. Bottle No. 103 of 150. Bottled by The Master of Malt Ltd. 70cl, 43% volume. BRAES OF GLENLIVET 1987 10 YEAR OLD Speyside Single Malt Scotch Whisky. Bottled at cask strength by The Master of Malt Ltd. Bottle No. 12 of 278. 70cl, 59.8% volume. LOCH INDAAL (BRUICHLADDICH) 17 YEARS OLD - HOGMANAY DRAM Islay Single Malt Scotch Whisky. Limited edition, bottled exclusively in Scotland for members of The Malt Whisky Association. Bottle No. 80 of 100. Bottled by The Master of Malt Ltd. 70cl, 43% volume. 3 bottles.
Lot 665
BALMENACH 21 YEARS OLD - HOGMANAY DRAM Speyside Single Malt Scotch Whisky. Bottled exclusively in Scotland for members of The Malt Whisky Association. Bottled by The Master of Malt, bottle No. 8 of 60. 70cl, 43% volume. BALMENACH 1980 - HOGMANAY DRAM Speyside Single Malt Scotch Whisky. Bottled exclusively in Scotland for members of The Malt Whisky Association. Bottled by The Master of Malt, bottle No. 89 of 100. 70cl, 43% volume. BALMENACH 15 YEARS OLD Speyside Single Malt Scotch Whisky. Bottled by The Master of Malt. 70cl, 43% volume. 3 bottles.
Lot 667
TOMINTOUL 17 YEARS OLD - HOGMANAY DRAM Speyside Single Malt Scotch Whisky. Limited edition, bottled exclusively in Scotland for members of The Malt Whisky Association. Distilled 8th October 1976. Matured in cask No. 7353. Bottled December 1993, bottle No. 115 of 150. Bottled by The Master of Malt Ltd. 70cl, 43% volume. LINKWOOD 1988 - HOGMANAY DRAM Speyside Single Malt Scotch Whisky. Limited edition, bottled exclusively in Scotland for members of The Malt Whisky Association. Bottle No. 56 of 100. 70cl, 43% volume. MORTLACH 1984 12 YEARS OLD - HOGMANAY DRAM Speyside Single Malt Scotch Whisky. Limited edition, bottled exclusively in Scotland for members of The Malt Whisky Association. Bottle No. 68 of 100. Bottled by The Master of Malt Ltd. 70cl, 43% volume. 3 bottles.
Lot 666
CRAIGELLACHIE 15 YEARS OLD - HOGMANAY DRAM Speyside Single Malt Scotch Whisky. Limited edition, bottled exclusively for members of The Malt Whisky Association. Bottle No. 44 of 100. 70cl, 43% volume. ROYAL BRACKLA 11 YEARS OLD Highland Single Malt Scotch Whisky. Bottled for The Master of Malt. 70cl, 43% volume. AULTMORE 11 YEARS OLD Highland Single Malt Scotch Whisky. Bottled for The Master of Malt. 70cl, 43% volume. 3 bottles.
Lot 452
*Rossini (Luigi, 1790-1857). Veduta dell'Arco di Settimo Severo ne Foro Boario, 1821, etching on wove paper, some spotting and staining, largely confined to margins, plate mark 41 x 49 cm (16 x 19.25 in), together with Ghisi (Georgio Mantovano), Classical deities, circa 1580, oval engraving, 18.5 x 24 cm (7.25 x 9.5 in), framed and glazed, plus Waterloo (Anthonie), Scenes in the low countries, circa 1680, two etchings on laid paper, each approximately 12.5 x 21 cm (5 x8.25 in), mounted, and Earlom (Richard), Marine scene, published John Boydell, 1775, etching on laid paper after Claude le Lorrain, plate size 20.5 x 26 cm (8 x 10.25 in), mounted, with another 58 Old Master etchings and engravings, mostly 18th century, with examples by Pretner, Zingg, Boissieux and Eichler, various sizes and condition (62)
Lot 436
*Attributed to Eugene Delacroix (1798-1863). Seated man chastised by a woman, surrounded by Roman soldiers, pen & black ink with grey wash on laid paper, signed with initials, and dated '54 to lower left corner, 220 x 270 mm (8.7 x 10.6 ins), with later card mount, with printed and inscribed note underneath 'Bought at Sotheby & Co. Sale date 28.1.1965 Lot No. 135 ex collection Prof John Isaacs', mounted Provenance: Professor John Isaacs, London. Sold Sotheby & Co., Old Master drawings including the Property of Professor John Isaacs, Thursday 28th January 1965, Lot 135. (1)
Lot 432
*Both (Jan, 1615-1652). The Large Tree (from the set of Upright Italian Landscapes), etching on laid paper, trimmed to plate margins, sheet size 260 x 204 mm (10.25 x 8.05 ins), together with a collection of 350 various Old Master prints and engravings, mostly 17th and 18th century, mainly Dutch and Flemish Schools, including Hollar, Jan Collaert, Ostade, Crispijn de Passe, Sadeler, Saenredam, Christoffel van Sichem, Lucas Vorsterman, Esaias van de Velde, Ruisdale, Coryn Boel, Callot, Waterloo, etc., many with signs of removal from previous albums, condition variable, all loosely contained in 2 modern ring binders (approx. 350)
Lot 451
*Couche (Jacques). Mort D'Acteon, circa 1750, engraving on laid paper after Titian, with printed text below image, slight toning to margins, plate size 42 x 30 cm (16.5 x 11.75 in), with wide margins, mounted, together with Hubner (Barthelemaus), La Pharmacie Rustique, 1775, engraving on laid paper, after G.Locher, descriptive text below image, trimmed to image along upper margin, several marginal closed tears affecting text, slight dust soiling, sheet size 34.5 x 35.5 cm (13.5 x 14 in), plus Faithorne (William), Tityre tu patulae recubans sub tegmine fagi silvestrem tenui musam meditaris aevena, circa 1680, engraving on laid paper after Francis Cleyn, thread margins, slight dust soiling and creasing, tipped on to later paper, plate size 31 x 19.5 cm (12 x 7.75 in), and Cunego (Domenico), Juno, 1767, engraving on laid paper after Gavin Hamilton, slight spotting and dust soiling largely confined to margins, some marginal fraying, plate size 39.5 x 28 cm (15.5 x 11 in), with wide margins, together with 57 other Old Master engravings, mostly 17th & 18th century, including examples by Haid, Dorigny, Bolswert, Sadeler, Moreau, Major, Perelle, Vivares, Lucien and Heckenauer, various sizes and condition (61)
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