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Charles Tattershall Dodd (1815-1878) - Pair of watercolours - "The Old Palace, Mayfield", each 11.25ins x 10.25ins, apparently unsigned but titled and dated 1833 in pencil to both lower right, in gilt frames and glazed Note: Dodd was drawing master at Tonbridge School from 1837. He apparently published lithographs of local views and historic buildings
A small collection of assorted 19th Century Staffordshire pot lids comprising The Master of the Hounds, Herring Fishing; Landing the Catch and The Lovers (each with a base), War (framed), larger circular plaque A Fix, two cigarette box lids A Sea Shore Study and The Donkey's Foal and a trinket box and cover with The Old Watermill to the top (7)
*Elgar (Edward, 1857-1934). Autograph letter initialled 'E.E.', 4 December 1930, on a pre-printed sheet of memorandum notepaper from Elgar as Master of the King's Musick, to the composer [Edward] German, noting that their letters crossed and that German's had been sent to his old address, identifying Marl Bank as his current address with a cross, and ending 'I quite thought I had sent you a card at Christmas - Here it is! [not present]', a little creasing and rusted pin holes at head, one page, 4to (1)
Freemasonry. Rules, Orders, & By-Laws, of the most Ancient and Honourable Fraternity of Free and Accepted Masons of England, according to the old constitutions, His Grace the Duke of Atholl, Grand Master. To which are added the Laws and Regulations of the Holy Royal Arch, Published by Order of the Grand Lodge, London: Printed by Brother Thomas Harper, Jun., 1813, engraved frontispiece titled 'In the Year of Masonry, 5813' with last numeral entered in manuscript, two additional names of Archibald Herron S.G.W. & Jeremiah Cranfield J.G.W. also entered in manuscript, engraved 'Rules and Orders' leaf for Lodge no. 136 (with lodge number 136 entered in manuscript), three pages of manuscript lists of members of the Lodge, text printed to one side only, manuscript signature of Edw[ards] Harper G[rand] Scribe to lower margin of final leaf (leaf slightly loose), offsetting to frontispiece and leaf of engraved Rules, occasional spotting and marginal browning, contemporary half calf, gilt decorated spine with masonic emblems in gilt, extremities slightly rubbed, small slim folio The first page of Rules and Orders provides the address of the Lodge inserted in manuscript as 'the Queen's Head - Little Pulteney Street, Soho, Couty of Middlesex' which met on the first Monday of each month. (1)
Ramsden (E.H.). The Letters of Michelangelo..., volumes 1 & 2, 1st edition, 1963, black and white illustrations, uniform original gilt decorated cloth, spines slightly faded, 4to, together with Wilenski (R.H.), Flemish Painters 1430-1830, volumes 1 & 2, 1st edition, 1960, numerous colour and black and white illustrations, uniform original red cloth, spines lightly faded, 4to, and Heyerdahl (Thor), The Art of Easter Island, 1st edition, 1976, numerous colour and black and white illustrations, original cloth in dust jacket, covers rubbed with tears to head and foot, 4to, plus Vasari (Giorgio), Lives of the Most Eminent Painters, Sculptors and Architects, volumes 1-3, New York, 1979, numerous colour and black and white illustrations, publisher's uniform original gilt decorated faux quarter morocco in slipcase, 8vo, and other modern Old Master and Renaissance art reference and related, mostly original cloth in dust jackets, some paperback editions, G/VG, 8vo/folio (4 shelves)
Victory Jigsaws, Model Kits and Others, Boxed Victory Jigsaws including Flying Scotsman, Good Companion examples including The Master Cutler, vintage model kits including Aurora Old Timers, Revell Highway Pioneers, Scalecraft Jaguar E Type and similar packaged example, other kits and reference books, P-G, Boxes P-G, (Qty)
PUNK/HARDCORE - RARE COMPS - Having a riot with these 2 fiendishly hard to find comps! Titles are The Master Tape Vol. II, featuring No Labels, Zero Boys, Idiot Savants, Front Line, Sacred Order, Violent Apathy, Poison Center and more! (Affirmation 003, record 1 VG+ with some light surface marks/scuffs, record 2 VG due to a light scratch on track B3, with newspaper style booklet in clean condition/VG+ sleeve with some light discolouration, no rips or tears) and Why March When You Can Riot? (An aberrant collection of old and new, ABBERANT NUMBA 3 - Ex+ or archive quality record with few markings/clean Ex poster design sleeve with only very light wear to the edges).
Old British stamped envelopes (x31).Q.Victoria (25) & Edward 7th (6). Same addressee: Charles Carter (a Master Mariner) on many different coal /cargo ships at a variety of locations inc: Argentine,USA,Russia,Brazil,Mexico,Ceylon,St Lucia,Singapore,Egypt,Dakar,Turkey & various European. All postally used from Bristol (some Kingswood). Some have been forwarded. Interesting array of postmarks .Also Cabinet photo of Carter . Fantastic original hoard.
A FOLIO OF OLD MASTER PRINTS principally Netherlandish, to comprise examples by or after Nicolaes van Berchem, Rembrandt (later impressions), Adriaen van Ostade, Christian Dietrich, Cornelis Dusart, Jakob Hackaert, Jan van Aken, Stefano della Bella, Karel Dujardin and others, some trimmed scraps, unframed (approx 57 leaves) * Examples by/after Dietrich, Ostade and Dusart illustrated ++ Mixed condition; some trimmed; many later impressions; overall good
FOUR OLD MASTER DRAWINGS comprising a wash drawing of a goat, ascribed to Johannes Lingelbach, bears signature, 21 x 27.5cm.; an ink drawing of fishermen in boats at sea, style of Bonaventura Peeters, bears initials, 14.5 x 27.5cm.; a red crayon drawing of an Italianate landscape, style of Francisque Millet, 19.5 x 30.5cm.; and a black crayon drawing of a putto feeding a leopard, 18 x 23cm., the last two unframed (4) ++ The first two each a little worn and in need of a clean; the third laid down; the last satisfactory
H.L. Grace (late 19th century) The Master of the Hunt Rests after the Chase, he sits at the fireside smoking his church warden pipe, a pewter mug and Toby Jug within his grasp signed, oil on canvas, 75cm x 60cm, fragmentary London Art Agency label to verso Condition Report: Four old patches to verso. Some scuffs and wear to the canvas, however nominal and displaying well overall.
Old British stamped envelopes (x31).Q.Victoria (25) & Edward 7th (6). Same addressee: Charles Carter (a Master Mariner) on many different coal /cargo ships at a variety of locations inc: Argentine,USA,Russia,Brazil,Mexico,Ceylon,St Lucia,Singapore,Egypt,Dakar,Turkey & various European. All postally used from Bristol (some Kingswood). Some have been forwarded. Interesting array of postmarks .Also Cabinet photo of Carter . Fantastic original hoard.
Anne (1702-14), gold Pre-Union Half-Guinea, 1703. VIGO. below draped bust left, Latin legend and toothed border surrounding, ANNA.DEI. GRATIA. rev. Pre-Union crowned cruciform shields, scepters in angles, rose at center, date either side of top crown.MAG BR. FRA ET. HIB REG. weight 4.13g (Schneider 527; MCE 228; S 3565; Fr 324; KM 510.2). Light red tone, some tiny nicks and marks, with a good clear face, reverse better, in PCGS holder graded XF 40, Pop 1; 1 finer in AU-55 at PCGS. There are only 3 exmples graded at both services, together with another AU-55 at NGC. extremely rare. Estimated Value $40,000 Ex A H Baldwin, Hong Kong Auction 42, 25th February 2010, lot 1098 This coin was consigned to the auction above from an old family collection that was formed through A H Baldwin of London in the 1920s and 1930s. PCGS certification 34313454. The Vigo gold coinage represents the pinnacle of provenance mark currency coin collecting rarities, not just in the reign of Queen Anne but across the whole range of British coins showing a mark or word of where the metal was sourced to strike the coinage. The most intrepid of stories is behind the capture of the Vigo treasure as opposed to the other companies or privateers who had their mark placed upon the coins. The Battle of Vigo Bay occurred on 23rd October 1702 and it was after the Battle that the treasure largely of silver, with a tiny proportion of gold was captured and transported back to Southampton on the south coast of England. From there the treasure was brought with great pomp and ceremony to London, overseen by the Mint Master himself, one Mr Isaac Newton, to then be turned into coinage at the Royal Mint in the Tower of London. The treasure consisted of absolutely thousands of pounds in weight of silver, but a mere seven pounds and eight ounces of gold meaning the coinage of gold Five Guineas, Guineas and Half-Guineas was very small. The Five Guinea piece turns up most often, with the Guinea being the rarest denomination of all. We are only aware of seven example of the gold Half-Guinea in private collections today.
Twenty Six Mid-20th Century Coloured Prints of Great and Old Master Paintings, including works by Monet, Cezanne, Manet, Terborsh, Seurat, Turner, Picasso, Corot, Holbein, Bucher, Chagall, various European publishers, unframed together with a small number of U.N.E.S.C.O World Art Series Prints incl. Iran Persian Miniatures, India Paintings from the Ajanta Caves, Egypt Paintings from Tombs and Temples x 2, Norway Paintings from the Stave Churches published by New York Graphics Publishing House.
BENRINNES AGED 15 YEARS FLORA & FAUNAActive. Aberlour, Banffshire.70cl, 43% volume. MASTER OF MALT 12 YEAR OLD SHERRY WOODUnknown distillery, Speyside. Distilled 21st August 1980, matured in cask nos. 10659, 61, 62, 74 and 75 and bottled October 1992. Natural colour, NCF. 70cl, 43% volume. 2 bottles. CONDITION REPORT: Both good condition.
Keys (John). The Practical Bee-Master: in which will be Shewn how to Manage Bees either in Straw Hives or in Boxes, without Destroying Them, and with More Ease, Safety and Profit, than by any Method Hitherto made Public..., Interspersed with occasional Strictures on Mr Thomas Wildman's Treatise on Bees: with Several New Discoveries and Improvements... by John Keys, 1st edition, published for the author, [1780], folding engraved frontispiece, postscript/errata leaf at rear (browned), some spotting and a little soiling throughout, old ownership name erased from head of title, contemporary quarter calf over marbled boards, joints cracked, some edge wear, 8vo British Bee Books 135, noting that later copies have a second leaf with additional errata at rear. (1)
Italy, The Marriage of the Virgin, bronze plaquette, after Raphael’s painting, 86mm x 114mm, probably 17th century, very fine, with old red wax adhering to the back; The Coronation of the Virgin, gilt metal plaquette, after the bronze by the Master of the Barbarigo Reliefs (in the Ca d’Oro), 85mm x 109mm, sometime cleaned, also probably 17th century, extremely fine (2)
BOX 100 - MIXED SPIRITSMarauda Rum SteelpanSkotlander Agricole RumLicor de Cereza - Valle del JerteSPEY from Speyside Distillery, 18 Years Old Single Malt Scotch WhiskySPEY from Speyside Distillery "Trutina" Single Malt Scotch WhiskyAguardiente de Cereza - Kirish Valle del JerteLiqueur de ViolotteTorres 15Magdala Orange Bundaberg Rum : Master Distillers' Collection - Bundaberg BlackMartine Honeysuckle LiqueurAll Seasons (Connoisseur's Collection Reserve Whisky)
GIOVANNI GIACOMO DE ROSSI (1627-1691) AFTER ADAMO SCULTORI (C1530-1585) SERVUS EO LAETIOR QUO PATIENTIOR engraving with narrow margins, hinged to mount, 21 x 15cm, collector's stamp of Henri, Baron de Triqueti (L.1304), Ferdinand Landerer after Martin Johaan Schimidt, A Witch, etching, trimmed to within platemark, hinged on old mount, 31.5cm and eleven other various Old Master prints, sold in portfolio

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5655 item(s)/page