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Unframed, unsigned oil on canvas 18th/19th Century old master style study of a huntsman trying to reach a goat on a steep rock face 13 1/2" x 17 1/2".

Old Master style pen and ink on blue paper, religious family group study, unsigned, 10`` x 7.25``, unframed.

Old Master School 17/18th century oil on oak panel, Rebecca in the temple, unsigned, 6.75`` x 9.75``, framed.

A pencil sketch of two dogs, an ink wash study of two children and a print after an Old Master

ITALIAN SCHOOL A study of a probably religious scene by an unknown Italian Old Master circa 1750, Pen and Ink, bearing the collector`s mark of Sir Joshua Reynolds, 12cm x 10cm in decorative multi mount and moulded wood effect frame

Charles Dickens, `Master Humphrey`s Clock`, published by Chapman & Hall, first edition 1840, also contains `The Old Curiosity Shop` and `Barnaby Rudge`, three volumes with three-quarter leather marbled board covers

A COLLECTION OF OLD MASTER PRINTS comprising examples after Carracci, Cignani, Claude, Michelangelo, Poussin, Rembrandt, Van Bloemen, Van Dyck, Vouet and many others; principally engravings, unframed ++ Generally fair condition

A COLLECTION OF OLD MASTER PRINTS comprising examples after Berchem, Callot, Castiglione, Carracci, Durer, Goltzius, Guercino, Maratta and many others; principally engravings and etchings, unframed ++ Generally fair condition

1982 Triumph TR7 Convertible Car Year: 1982 Car Manufacturer: Triumph Car Model: TR7 Convertible Car Reg No.: TPG129X Car Chassis No.: TPADJ7AA402930 Car Colour: Red The Harris Mann-penned TR7 was a major departure from the original TR line, which had steadily evolved from the TR2 launched way back in 1953. Its overtly wedge-shaped monocoque body was initially only available in Coupe guise, the Convertible variant not being launched until 1980. Power came from a front-mounted 1998cc four-cylinder engine that was effectively an 8-valve version of the proven Dolomite Sprint unit. Its output was 105bhp, which was enough to accelerate the newcomer to 60mph in 9.6 seconds and on to a terminal speed of some 112mph. The powerplant initially drove through a four-speed manual gearbox, though by 1976 this had been replaced with a five-speed one and there was also the option of three-speed automatic transmission. Suspension was by MacPherson struts and coil springs at the front and a live axle and coil springs at the rear, while braking was by discs/drums and steering by rack and pinion. This right-hand drive, home market TR7 Convertible sports Red bodywork teamed with a predominantly Tan-coloured leatherette and cloth interior, and is equipped with the five-speed manual gearbox. According to the vendor it has had just two keepers from new and the indicated mileage of 42,700 is correct. He considers the bodywork, paintwork, interior trim, engine and gearbox to be in "excellent" order and is selling `TPG 129X` complete with: full tonneau and hood cover; tow bar and accessories; spare wheel and tyre; Haynes manual; TR7 manuals; Rover radio; luggage rack; V5; sundry invoices for work done; most old MOTs from 1987 and one valid into April of next year. The following spares also form part of the lot: fan belt; oil filter; locking wheel nuts; petrol cap; wiper delay unit; distributor cap and points; used clutch master cylinder; used washer pump; and various electrical components. Click Here to view this item on www.i-bidder.com

BOX 1 - MIXED SPIRITS, Label 5 Classic Black, Sainsbury`s taste The Difference Speyside Single Malt Scotch Whisky, ASDA 12 YO Speyside Single Malt Scotch Whisky, The Glenlivet Master Distillers Reserve Single Malt, Glen Orrin Malt Whisky, Distillers Reserve Cassidy`s Irish Whiskey 5 Years Old, Kavalan Solist Vinho Single Cask Strength, Black Ram Whisky, Richelieu Brandy, Mellow Wood 5 YO Grape Brandy, KWV Brandy, KWV 5 YO brandy

Harvey (William). Recentiorum disceptationes de motu cordis, sanguinis, et chyli, in animalibus, 5 parts in one volume, Leiden: Jean Maire, 1647, printer`s woodcut device to title, six engraved plates (two in De motu cordis and four in Aselli`s work), three woodcuts in the text to Walaeus (two full-page and one half-page), some old dampstaining throughout and with some discolouration to text at gutter margins, a little resultant sporadic paper loss and very small holes affecting the letterpress of a number of pages in part three (DuRoy, Spongia; and Drake, Contra animadversiones), library cloth, upper joint partly split and tender, 4to (177 x 138mm) The fourth printing of De motu cordis. Before the publication of this small tract there was no understanding of the circulatory movement of the blood; instead it was thought that the blood `irrigated` the tissues in a kind of tidal action. Harvey, whose teacher Fabricius at Padua had discovered the semi-lunar valves in the veins, demonstrated what his master had failed to observe the continuous circulation of the blood impelled in a circle by the beat of the heart. Harvey demonstrated quantitatively the volume of blood flow, which, from the hearts capacity and rate of beat, he determined to be three times the weight of the body per hour. Thus Galen`s notion that blood was continually produced by ingested food and the hearts porous septum, was swept aside` (Dibner, Heralds of Science, 123). Together with Vesalius`s Fabrica (1543), Harvey`s De motu cordis (1628) shares the honour as the greatest book in the history of medicine. By fundamentally changing our conceptions of the functions of the heart and blood vessels, Harvey pointed the way to reform of all of physiology and medicine. During the mid 17th century new mechanical and chemical systems of physiology incorporated the circulation as a basic assumption in the explanation of a wide range of vital phenomena, and while subsequent developments in physiology have led to great changes in thinking about the functions of the circulation, they have abundantly confirmed the importance of Harvey`s discovery as the cornerstone of modern physiology and medicine` (G-M 758). Harvey received a mixture of support and resistance as evident from these texts on the circulation debate. This is the reissue of the second complete edition of the De motu cordis using the sheets of the 1639 printing which comprised Harvey`s work,Primerose`s Animadversiones against Harvey, and Asellis De Lactibus. Thisreissue is augmented with Walaeus` Theses de circulatione naturali,Primerose`s refutations of Walaeus and Drake, and DuRoy`s and Drake`s refutations of Primerose, making this the most complete collection of texts on the circulation debate. For collation of this copy see Keynes 6; Krivatsy 5331; not in Wellcome. (1)

JOHN H. GLOVER, BRITISH/AUSTRALIAN (1769-1849) View of Chester Watercolour over pencil heightened with gum Arabic 40.5 x 60.5cm This watercolour presents a view of Chester looking south-east. The River Dee can be seen meandering around the city and in the foreground of the composition a small boat is in full sail. A young man sits on the banks of the river sketching the surrounding landscape. The Castle can be seen in the distance on the far right hand side and the most prominent tower in the watercolour is that of St. Nerburgh’s Church. The tower and spires in the far distance belong to other towns. Glover exhibited ‘Chester at Sun-rise’ at the Royal Society of British Artists in 1829, no. 277. A view of Chester by Glover was sold at Sotheby’s, Beresford Adams, 19th March 1981, lot 147 and another was sold in these Rooms, 26th November 1998, lot 58 for £7,000. Glover, the son of a farmer, was born at Houghton-on-the-Hill in Leicestershire and, despite recovering some lessons from William Payne, was largely self-taught as an artist. Despite having two club feet he worked in the fields as a young boy and developed a great attachment to nature. He later became a writing master at a school in Appleby and in 1794 established himself as a drawing teacher in Lichfield. A year later he started exhibiting at the Royal Academy and became a founder member of the Old Water-Colour Society. In 1805 he moved to London and in 1815 became President of the Oil and Watercolour Society. After retiring from the society in 1817 and trying, unsuccessfully, to become a member at the Royal Academy, he held a series of one-man exhibitions. In 1831 he moved to Tasmania with his family and sent pictures of local scenery for exhibition in London until his death in 1849.

Bernard (Thomas). The Advantages of Learning. A Sermon Preached at Felstead-Church in Essex, August 12th, 1736. On occasion of the Annual Meeting of the Gentlemen Educated at the Free-School there, 1st ed., printed for B. Motte and C. Bathurst, 1736, pp.[2]+34, half-title inscribed ‘To ye Honble Charles Maynard Esq’, dedication leaf with two of the printed names crossed through and altered in early ms., final leaf with closed tear repaired with old archive tape, 8vo in 4s, (ESTC entry only in COPAC), bound with [P., R.], A Sermon Preached on the 27th of January, 1673/4. Before Several Persons who Formerly have had their Education in St. Paul’s School, London, n.p., 1674, pp.[viii]+21+[1](blank), title-page inscribed ‘For L. Blomly Esqr.’, sm. 4to, (ESTC entry only on COPAC), and [H., D.], A Letter to the Scholars of Eaton: Occasioned by their Master Dr. Snape’s Letter to the Bishop of Bangor, 1st ed., printed, and sold by J. Roberts, 1717, pp.40, first and final page dusty, 8vo in 4s, and thirteen other late 17th/early 18th c. sermons on or related to education, occn. soiling, library buckram with gilt lettered spine, partially faded, label removed from upper cover, 4to. (1)

AN OLD MASTER PEN AND INK DRAWING, The Battle of The Centaurs after Perina del Naga, on paper, inscribed verso, 9 1/2" x 16"

Framed bookplate of a Flemish Old Master, signed to reverse by Sir Frederick Grant Banting, dated 1927 accompanied with the book; ``Banting as an Artist`` by A.Y. Jackson, Group of Seven artist, published in 1943 containing a catalogue of his paintings (2)

W… Seville & Sons (fl.1818-1845): Portrait Silhouette of a Young Boy, wearing period costume, facing left (a cut-out), inscribed on an old label verso Cut with common scissors by Mr W Seville without either drawing or machine, numbered 26 on a separate label together with further inscriptions relating to pages in a book, Ex the Abbott Collection, black ink highlighted with gold, oval, 8cm by 6cm; Another Cut-Out Portrait Silhouette of a Lady, facing right, inscribed on an old label verso Cut with common scissors by Master Hubard (aged 13 years) without drawing or machine; and Four Further Examples, two of ladies and two of gentlemen, some highlighted with gold, all oval, various sizes (6)

Gallienne-Robin, E. `Where Deep Seas Moan`, pub. Frederick Clarke, Guernsey 1907; together with two others by the same author, comprising `The Old Harpsichord, A Sark Story` and `Michelle`s Master / Profit and Loss` bound in one volume. (3)

A Go Ahead School Girl, Elsie Oxenham, The School of Moscow, May Baldwin and 17 other volumes Little Lord Fauntleroy, Frances Hodgson Burnett, 13th edition,1888 The Little Mermaid and other tales, Hans Christian Anderson, 1893 Poems by Jean Ingelow, Illustrated, 1863 Miss Fenwick`s Failures, Esme Stuart John Ploughman`s Pictures, C.H Spurgeon, 1900 Hampshire painted by Wilfrid Ball described by Rev. Telford Varley, 1909 Jan of the Windmill, Juliana Horatia Ewing, 1917 The Mystery of Alton Grange, E.Everett-Green The Dog Crusoe and his Master, R.M.Ballantyne, 1875 Steady and Strong, R.M. Freeman,1889 Eric: A golden Heart, Cecilia Selby Lowndes Only a Lad, Margaret Keston A Sweet Girl Graduate, L.T. Meade Alice; or, The Mysteries, Lord Lytton Submarine U 93, Captain Charles Gilson The Old Forest Ranger, Major Walter Campbell, third edition 1853The Cuckoo Clock, Mrs. Molesworth, 1877

A quantity of pre war black and white photographs depicting old master paintings etc, formerly the property of an old master picture dealer in the pre war years.

A Collection of Four Books Pertaining to Old Master Artists, Including El Greco, Rembrandt, Valazques and Goya. Minimum shipping costs apply, please request quote before bidding.

A Collection of 28 Sotheby`s Auction Catalogues Pertaining to Old Master, 19th and 20th Century and Contemporary Prints, Includes London, Los Angeles, Tokyo and Zurich catalogues, various auctions 1990-2000. Minimum shipping costs apply, please request quote before bidding.

A Collection of 40 Sotheby`s New York Auction Catalogues Pertaining to Old Master, 19th and 20th Century and Contemporary Prints, Various auctions 1988-2001. Minimum shipping costs apply, please request quote before bidding.

* Arthur Pond, British 1701-1758 and Charles Knapton, British 1698-1778- "Pond And Knapton`s Imitations of Drawings" Album of Engravings and Chiaroscuros, after Annibale Carracci, Rembrandt, Guercino and others, 52x35cm Note: In 1735 and 1736 the artist and printseller Arthur Pond and publisher Charles Knapton began to reproduce seventy prints in chiaroscuro of old-master drawings in the most important of British collections. The selection of drawings representing fashionable taste among British collectors in the 1730`s and significantly indicates the ownership of each drawing in accompanying engraved captions. Collectors include Jonathan Richardson, Arthur Pond, Richard Houlditch, Hugh Howard, Dr. Richard Mead, Lord James Cavendish, Thomas Hammer, and one each from Robert Dingley, John Guise, Capt. John Campbell, Sir Hans Sloane and others. The drawings chosen are predominantly Italian in the taste of the Grand Tour, by such artists as Guercino, Agosto and Annibale Carracci, Parmigiano, Panini, G. J. Grimaldi and Bolognese, Raphael, Mantegna and others. No title and list of the drawings was included by Pond and Knapton in 1735-1736 and very few complete sets issued by them have remained together. There is strong evidence in Pond`s journals and accounts that the prints were mostly sold in singles or distributed to other print dealers in England.

Crescenzi (Pietro de). Opera di Agricoltura. Nelaqual si contiene a che modi si debbe coltivar la terra: seminare, inserire li alberi, governar gli giardini e gli horti: la proprieta de tutti e frutti e herbe: la natura de tutti gli animali: & uccelli ..., Venice, Bernardino de Viano de Lexona Vercellese, 1536, title within woodcut border, single full page woodcut of a master and three pupils at their desks to verso of A3, woodcut initials, occ. old underlining, remains of circular inkstamp to lower outer corner of title and first leaf of preface, contemp. limp vellum with yapp fore-edges, rubbed and marked, without ties, 8vo. Adams B2931. Sander 2240. An early Venetian edition of Crescenzi`s classic work on agriculture which had a wide influence on agricultural practice in Europe. The founder of modern agronomy, Crescenzi was the first modern author to write on the subject of soil erosion and conservation. (1)

Exhibition catalogues. British Institution for Promoting the Fine Arts in thr United Kingdom, 37 issues, 1806-19, 1822-28, 1831, 1834, 1836, 1841, 1846-47, 1849, 1852, 1856, pub. W. Bulmar & Co., some years with two catalogues divided into Old Master and Contemporary works, each issue bound without wrappers as issued, circular library blindstamp to front endpaper and initial title, 19th century half morocco, rubbed and scuffed, 4to & 8vo. Exhibition catalogues from this period are very scarce and an invaluable tool for art historians. The rather lengthy-titled British Institution for Promoting the Fine Arts in the United Kingdom formed in 1805 and disbanded in 1867. (1)

A GOOD COLLECTION OF OLD MASTER PRINTS by or after Rembrandt, Durer, Ostade etc.

AN OLD MASTER, for restoration. 27 x 21ins. Modern Still Life verso.

[OLD MASTER PRINTS] a coll’n of engravings etc., after Arnoud Van Halen et alia, 23 x 20 inches et infra., 17th c & later. (6) [see illustration]

Cescinsky (Herbert) The Old English Master Clockmakers and their Clocks, contemporary tan morocco ruled in gilt with title and initials ÒE.B.Ó in gilt on upper cover, spine gilt, g.e., a little rubbed and stained, [1938] § Cescinsky (H.) and Malcolm R.Webster. English Domestic Clocks, water-stained, some leaves stuck together at foot, prospectus loosely inserted, modern half morocco, spine gilt, t.e.g., 1913 § Baillie (G.H.) Watchmakers and Clockmakers of the World, original cloth, spine gilt, recased, new endpapers, 1929 § Britten`s Old Clocks and Watches and their Makers...Seventh Edition by G.H.Baillie, C.Clutton and C.A.Ilbert, original cloth, spine faded, 1956 § Lloyd (H.Alan) The Collector`s Dictionary of Clocks, modern cloth, 1964, illustrations; and 4 others on clocks, 4to & 8vo (9)

A folder of prints and drawings, including Prout lithographs, `old master` drawings, watercolours, etc (qty)

Eleven Coalport bone china houses, comprising `The Village School`, `The Master`s House`, `Elizabethan Cottage`, The Coaching Inn` (faults), `Country Railway Station`, `The Crooked Cottage`, `The Parasol House`, `The Old Curiosity Shop`, `Keeper`s Cottage`, `The Watermill` and `The Windmill`.

An antique Rembrandt print of Christ driving out the money lenders, another of Rembrandt and his wife (laid down) and a third old master Print, 16th c.

William Hogarth engraving - Credulity, Superstition and Fanaticism - A Medley 1762, together with four other Old Master engravings, all framed and glazed (5)Further images and condition reports are available at www.reemandansie.com

Circle of Giovanni Battista Ciprianni, Italian 1727-1785- A mother and two infants and an old man; red chalk on laid, 20x26cm: together with two further Old Master drawings by the same or related hand, one composite studies mother and child and the other two studies in profile of an old man, 14x15 and 11x13cm., (3)

Italian Old Master School (18th/19th Century) Portrait of a Saint, Oil on board, gilt wood and mirror, Frame: 24.5 x 9.25 inches. h: 7.75 x w: 5.50 in."

Nine Coalport bone china pastille burners, comprising `The Toll House`, `The Gate House`, `The Old Curiosity Shop`, `The Umbrella House`, `Tyrolean Castle`, `The Master`s House`, `The Crooked Cottage`, `The Country Cottage` and `Christmas Cottage`, printed and impressed factory marks to bases (minor faults).

A Quantity of Paintings Auction Catalogues from Christie`s, Sotheby`s, Bonhams and Phillips from the late 1980s to the present day, including Old Master Pictures, Orientalist, Sporting, 19th Century, British, South African and other sales, (a lot) (3 boxes)

Unsigned, unframed crayon on paper, 18th/19th Century Old Master style portrait study of a Cardinal, indistinctly inscribed. 17" x 11.1/4"

Six 19th century treen or ivory items, comprising: a treen circular box, probably French, the cover carved with twin hearts pierced by crossed arrows beneath a coronet within scroll foliage, 11.5cm diameter; a box formed from a gourd, probably English, foil lined and with a brass hinge and lock, 9.5cm high; a black papier mache circular snuff box, the cover painted with two topers in a tavern after a Dutch Old Master, 9cm diameter; a French ivory circular snuff box, the cover inset with a scene of a couple in an amorous embrace, tortoiseshell lined, 8cm diameter (cover detached); an ivory and steel scent corkscrew; and a tortoiseshell and inlaid wallet, leather lined

DOBUZHINSKY, MSTISLAV 1875-1957 Group of Six Studies after Old Master Paintings , variously signed and stamped with a monogram, one dated 1918, another "26 VII 1954". All ink and wash on paper, one heightened with white, the largest measuring 25 by 16.5 cm, the smallest 13 by 14.5 cm. Provenance: Important private collection, Germany

* A TRIPTYCH OF THE MOTHER OF GOD WITH SAINTS SERAPHIM OF SAROV AND SERGEI OF RADONEZH IN A WOODEN FRAME OLOVYANISHNIKOV & SONS MANUFACTORY, 1908-1911, OKLAD STAMPED WITH MAKER`S MARK OF IVAN BUTUZOV IN CYRILLIC, MOSCOW, 84 STANDARD Extended 40.5 by 49 cm, closed 40.5 by 27.5 cm. "Related literature: For similar icons, see A.K. Lazuko, Victor Mikhailovich Vasnetsov, Leningrad, 1990, p. 55.Museum Catalogue, Russkiy Stil’: Sobranie Gosudarstvennogo Istoricheskogo Muzeya (Russian Style: Collection of the State History Museum), Moscow, 1998, p. 103, cat. 225.The folding triptych is an outstanding early 20th century work in the Art Nouveau style, and associated with three names that brought about a revolution in Russian ecclesiastical art.The icon of the Mother of God at the centre of the triptych reproduces an image painted in 1887 by the renowned Russian artist V.M. Vasnetsov (1848-1926) for the apse of St. Vladimir’s athedral, Kiev. The depiction of Sergei of Radonezh on the right-hand panel also reproduces an 1882 icon by Vasnetsov for the Church of the Vernicle on S.I. Mamontov’s Abramtsevo estate. The “Venerable Sergei of Radonezh” icon in the Sovereign tier referred both to Abramtsevo’s geographical proximity to the Trinity Sergiev Lavra and the aesthetic preferences of artists in Mamontov’s circle. The icons at Abramtsevo were the first in the history of the Orthodox Church to be painted in a realist manner and anticipated Vasnetsov’s work at St. Vladimir’s Cathedral in Kiev. The third panel depicts the Venerable Seraphim of Sarov, canonised in 1903.The carved oak frame was designed by S.I. Vashkov, chief artist at the firm of “P.I. Olovyanishnikov & Sons”. The closest comparable carved oak frame is that of the “Mother of God of the Sign” icon from the 1900s collection in the State History Museum. Sergei Ivanovich Vashkov (1879-1914) was an architect, artist and famous master of applied decorative religious art. His work attracted the attention of the well-known Moscow church plate manufacturers, Olovyanishnikov & Sons.From 1910 to 1914, Vashkov was the artistic manager at the Olovyanishnikov factory, devoting himself to creating genuinely artistic church plate. The role played in his creative development by Vasnetsov was huge, and the young artist regarded himself as Vasnetsov’s pupil. Combining old Russian and early Christian motifs, the artist developed his own distinctive threedimensional language to give medieval forms a new interpretation and link Vashkov’s name with a genuine revival in Russian ecclesiastical art. Through the Olovyanishnikovs’ close cooperation with the eminent artist, their firm became one of the early 20th century’s leading producers of decorative and applied art.The folding triptych, whose story involves Vasnetsov, Vashkov and the Olovyanishnikovs, is a unique, vibrant work, exemplifying the diverse facets of the Art Nouveau era in Russia."

Selection of Trade Catalogues and china related books: To include 2 copies of Artes Etrvriae Renascvntvr record of the Wedgwood Works, Marks and Monograms on Pottery and Porcelain by W Chaffers, General History of Porcelain by William Burton, History of Old English Pottery M.L. Solon, Cup and Saucer Land by Graham, Antique Blue & White Spode by S B Williams, Wedgwood Catalogue of bodies glazes and shapes 1940-50, Josiah Wedgwood Smiles 1894, Pottery and Porcelain by Marryat, Making True Porcelain Dinnerware, Josiah Wedgwood by Anthony Burton, Master Potters of the Industrial Revolution by Bevis Hillier, Williams Adams edited by William Turner and 2 Richard Tiles Ltd catalogues (1 box)

WWII – Heinrich Himmler – ephemera a printed communion certificate issued by the Roman Catholic Church with ms insertions for Himmler when he was received into the Church in 1911 when he was 11 years old. The certificate features a reproduction of an old master painting showing Christ at the Last Supper. Fraying to edges of the paper close tears and small portions torn from edges and aged creasing. Himmler’s mother was a devote Catholic throughout her life.

A GROUP OF TWENTY SIX OLD MASTER MONOCHROME PRINTS, principally military and historical subjects, uniformly framed, 11" x 7 1/2"

DUNHILL OLD MASTER Blended Whisky in brown bottle. Labelled for the Thai market. 750ml 43% volume. In carton

ROSEBANK 18 YEAR OLD Single Lowland Malt Whisky. Distilled 30/11/1974. Bottled 10.93 by The Master of Malt Co., 70cl 43% volume

DUNHILL GENTLEMAN`S SPEYSIDE BLEND x 3 Blended Scotch Whisky. 700ml 43% volume. In carton DUNHILL OLD MASTER Blended Scotch Whisky. 700ml 43% volume. In carton 4 Bottles

After The Old Master, portrait of a young boy, red ground print. Framed & glazed.

"The Book of the Poll at the General Election of Representatives to Serve in Parliament for the Borough of Cirencester, Taken 16th, 17th & 18th June 1790 - Candidates Lord Apsley, Richard Master Esq., Robert Preston Esq." printed by S. Rudder, Cirencester, price 6d, pen annotations, paper cover, "Report of Commissioners Appointed by Government for Inquiring into Charities. Cirencester. Taken in the year 1829, Cirencester", printed and sold by Philip Watkins 1830, paper cover, some annotations, The Cirencester Parish Magazine for January 1896, the sales brochure for "The Edgeworth Manor Estate..." for sale by auction Friday 1st October 1937, auctioneers Messrs. Jackson Stops, Old Council Chambers, Cirencester, Solicitors Messrs. Shoosmiths & Harrison, black and white photographs and details, paper covers, Ditchfield (ed.) "Memorials of Old Gloucestershire" ills., George Allen & Co. 1911, red cloth, gilt titles Beecham, K. J. "History of Cirencester and the Roman City Corinium", Cirencester (1886), folding maps, front board and back strip detached, green cloth, gilt titles and pictorial cover and two other volumes

Hans Sebald Beham Christ Bearing the Cross from the Passion, woodcut, 127 x 86mm., trimmed to the borderline, mounted at corners onto support, [B.89; P.823], c.1520; with a mixed group of 6 other old master engravings, by or after Hans Baldung Grien, Rembrandt, Callot and others, etchings and engravings, some trimmed on or just within the platemark, various dates (7). Condition report:

After Crispin van den Broeck The Presentation of Christ at the Temple from a series of twenty plates showing the life of the Virgin, engraving, by Jan Collaert, 1576 or later, published by Adriaen Huberti, 24.5 x 18.5cm (9 3/4 x 7 1/4 in); with a group of old master prints, including plates 1 and 6 from The story of Ahab, Jezebel and Naboth, by Philip Galle, after van Heemskerck, and others after van Ostade, Paul Bril, van Leyden, and Sadeler, v.s., all unframed. (11) Condition report: Presentation of Christ at the Temple has been rebacked, with surface loss and dirt, and browning. The others have occassional spotting, browning and surface stains.

A mixed group of old master prints with The quill-cutter, after Dou, mezzotint, by Captain William Baillie, Romani Pontificis publica et solennes actiones, engraving, published by Giovanni Giacomo de` Rossi, 17th century, and others after Barlow, Strutt, Parmigianino, Veronese, Sadeler, with woodcut and engraved book illustrations, v.s., 18th and 19th century, all unframed (c.50). Condition report: Occassional browning and spotting, with minor tears.

A disbound album of Old Master, 18th and 19th century prints including the engraved dedication and 15 plates from Marco Sadeler`s Vestigi delle Antichita di Roma Tivoli Pozzuolo et altri Luochi, 1660, others by or after Chatelain, Chauveau, Pierre le Pautre, Wierx, and several landscape etchings by Paul Sandby, other religious, historical, romantic and caricature subjects, etchings, engravings and lithographs, one or two original drawings, v.s., mounted on album leaves (Qty) Condition report: Occasional damp-staining and surface dust, a few partially detached or creased, a few repairs, the folio album disbound into gatherings, lacking boards.

AN OLD MASTER STUDY Of the flight into Egypt, pen and sepia inks, indistinctly signed, 30 1/2" x 9"

AFTER THE OLD MASTER (18TH/19TH CENTURY) Oil on Canvas Religious Group around a Table 29” x 24” Provenance: Ex Alton Manor

BOX 7 - SPIRITS MIXED Armais Armenika 6 YO Kawar 53 Black Label Le Reviseur VSOP The Balvenie Golden Cask Aged 14 YO Single Malt Scotch Whisky Cognac Chevalier VSOP Royal Lochnagar Distillers Edition Bundaberg Rum Master Distillers Collection 10 YO Small Oak Finish Pisco Fundo Los Nichos Especial Sainsburys Taste the Difference Irish Cream Liqueur Ollmann Spirit of Apricot Marille Grappa Bandarossa Prosecco Tyrconnell 10 Year Old Anima Negra Finish Irish Whiskey

ITALIAN SCHOOL, GROUP OF SIX COLOURED PRINTS, Portraits of Old Master Italian Artists, 10” x 6” (6).

GROUP OF FIVE BLACK AND WHITE PRINTS, Old Master Portraits; together with AFTER MEISSONIER, INDISTINCTLY SIGNED IN PENCIL TO MARGIN BY ETCHER, BLACK AND WHITE ETCHING (PUBLISHED BY ALFRED BELL 1926), Cavaliers on Horseback Drinking Before a Tavern, assorted sizes (6)

FOLDER: OLD MASTER PRINTS AND ENGRAVINGS, INCLUDING CHALON.

FOLDER: OLD MASTER ENGRAVINGS ETC.