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Ca. AD 1 - 300.A bronze ring composed of a rounded hoop with a D-section profile and expanded shoulders. The bezel is set with a nicolo intaglio, characterised by its layered blue-black tones. The intaglio is engraved with a standing rooster in an upright pose, positioned on a short baseline. The rooster's comb is distinctly outlined, with straight legs and a curved tail.For similar see: The Harvard Art Museums, Object Number 1952.71.109.Size: D:15.49mm / US: 4 3/4 / UK: J; Weight: 7gProvenance: Private UK collection; formerly with R. A.; since the 1990s.

Ca. AD 100 - 300.A gold ring with a round, twisted hoop connected to a round bezel, upon which is secured a round banded agate intaglio depicting a profile of Sabina.Size: D:16.31mm / US: 5 3/4 / UK: L; Weight: 4.55gProvenance: Private UK collection; From an old British collection formed in the 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. AD 50 - 200 .A circular carnelian intaglio depicting Neptune, the god of the sea, standing and turned to his right. He is portrayed robed against a baseline, holding a trident in his left hand, a symbol of his authority over the waters. The intaglio is set in a round band of a gold ring with a D-section hoop that widens gradually towards the bezel.For similar see: The British Museum, Museum number 1923,0401.368; 1917,0501.456.Size: D:18.14mm / US: 8 / UK: P 1/2; Weight: 4gProvenance: Private UK collection; previously acquired on the Swiss art market in the 1990s.

Ca. AD 1 - 200.An oval-shaped carnelian intaglio engraved with a standing figure of the god Apollo. The god is shown with his head turned to the left, his body slightly swayed, and standing on a baseline. He holds a laurel branch in one hand. The intaglio is set in a protruding bezel of a Guiraud Type 1b gold ring with a slender D-section hoop.Size: D:17.32mm / US: 7 / UK: N 1/2; Weight: 3.6gProvenance: Private UK collection; formerly with R. A.; since the 1990s.

Ca. AD 1 - 200.A carnelian intaglio with the engraved profile of a noblewoman facing left. The portrait displays a finely carved head with a detailed coiffure consisting of layered, wavy strands extending downwards. The facial features include a rounded forehead, a straight nose, a small, closed mouth, and a slightly pointed chin. The neck is slender, with visible carved lines suggesting draped clothing at the neckline. The intaglio is oval in shape, with a smooth, polished surface. It is set in a gold ring with a plain band.Size: D:15.29mm / US: 4 1/4 / UK: I; Weight: 4.7gProvenance: Private UK collection; formerly with R. A.; since the 1990s.

Ca. AD 1 - 200.A slightly convex, oval-shaped green jasper intaglio engraved with a standing female figure identified as Fortuna. She is depicted swaying to the side, standing atop a baseline, holding a cornucopia, and with a rudder positioned to her side. The intaglio is set in a raised bezel cell of a gold ring with broad, sloped shoulders transitioning into a D-shaped hoop with pronounced edges and a central ridge. For similar see: Thorvaldsens Museum, Inventory Number I588.Size: D:14.68mm / US: 3 1/2 / UK: G 1/2; Weight: 8gProvenance: Private UK collection; formerly with R. A.; since the 1990s.

Ca. AD 180 - 235.A carnelian intaglio with a left profile portrait of an empress, possibly Julia Mamaea. The hair is styled in rows of finely engraved waves, swept back and secured into a low bun at the nape of the neck, with additional detailing suggesting a braided element. The forehead is smooth and proportionate, leading into a straight nose. The eye is almond-shaped, with a defined brow ridge and a small, delicately incised eyebrow above. The lips are thin and slightly curved, with the chin rounded and subtly projecting. The neck is slender and lightly tapered, transitioning into drapery carved in smooth folds to indicate the garment. The intaglio is set in a gold ring with a flat, oval bezel. The shank is plain and slightly widening towards the shoulders, with a polished surface and smooth edges. The bezel frames the intaglio with a raised rim, ensuring its secure placement within the setting.For similar see: Bagot J., El legado de Hefesto: A Memorial to a Private Collection of Ancient Rings and Glyptics, n. 344, p. 145.Size: D:17.53mm / US: 7 1/4 / UK: O; Weight: 5gProvenance: Private UK collection; previously acquired on the German art market in the 1990s.

Ca. AD 50 - 200.A bronze ring formed from a flattened rod, tapering at the back and widening at the bezel. The bezel is set with a protruding oval carnelian intaglio engraved with the figure of the god Mercury, facing left, standing on a baseline. He holds a money bag in his right hand, while a cloak drapes around his left arm, which holds a caduceus staff. Mercury is shown with a petasos hat and winged sandals.For similar see: The Princeton University Art Museum, Object Number: y1952-133.Size: D:15.49mm / US: 4 3/4 / UK: J; Weight: 8gProvenance: Private UK collection; formerly with R. A.; since the 1990s.

Ca. AD 50 - 300.An oval-shaped carnelian intaglio engraved with a simplified image of Minerva standing in profile. The figure is robed in a vertically pleated garment, with her right hand holding a long spear and her left hand extended forward. She is depicted wearing her iconic helmet. The intaglio is set into a bezel of a gold ring with a slender, carinated hoop.For similar see: The British Museum, Museum number 1986,0401.180; Amgueddfa Cymru, Item number 81.79H/4.1.Size: D:13.3mm / US: 2 / UK: D; Weight: 4.5gProvenance: Property of a London Ancient Art Gallery; formerly in the famous Alison Barker collection, a retired London barrister; acquired between the early1960s to 1990s.

Ca. AD 200 - 300 .A banded agate intaglio, oval-shaped and convex, depicting the standing figure of Mercury, the messenger god. He is shown slightly turned, holding a long staff in his left hand, while his right hand is outstretched, grasping a money bag. The intaglio centres in a bezel cell of a gold ring with faceted shoulders and a tapered hoop.For similar see: Amgueddfa Cymru, Item Number 81.79H/4.10.Size: D:20.37mm / US: 10 5/8 / UK: V; Weight: 14gProvenance: Private UK collection; previously acquired on the Swiss art market in the 1990s.

Ca. AD 50 - 200 .An oval-shaped carnelian intaglio engraved with the figure of winged Victory, depicted in her left profile. She is shown standing and wearing a long robe, facing a worshipper who has their hands outstretched, reaching up to her. The intaglio is housed in a gold ring with a D-section hoop, tapering towards its back.For similar see: The British Museum, Museum number 1917,0501.564.Size: D:18.95mm / US: 9 / UK: R 1/2; Weight: 6gProvenance: Private UK collection; previously acquired on the Swiss art market in the 1990s.

Ca. AD 200.An oval-shaped intaglio with a flat underside and a slightly convex base engraved with a depiction of a god seated on a throne featuring horizontal slats for support. The god is shown facing his right, with his right hand outstretched and his left hand raised to his head. He is depicted in a state of nudity. The throne is placed above the inscription "CSTA." This intaglio is set within a rotating element of a gold swivel ring, which consists of a gold frame encircling the intaglio, connected to a round-section tapering D-shaped hoop.Size: D:18.54mm / US: 8 1/2 / UK: Q 1/2; Weight: 9gProvenance: Property of a London gallery; previously acquired at the art market in Vienna; formerly in an Austrian collection formed prior to 2000.

Ca. AD 200 - 400.An oval-shaped carnelian intaglio depicting a youthful warrior standing with his left leg raised on a rock. The figure is nude, with a circular shield positioned before him and a war trophy carried on his back. The intaglio is set within a gold ring with an oval bezel framed by a twisted gold rope border. The ring features a slender hoop adorned with symmetrical granules at the shoulders and twisted ropework along the hoop.For similar see: The British Museum, Museum number 1917,0501.863.Size: D:19.56mm / US: 9 3/4 / UK: T; Weight: 5gProvenance: Private UK collection; previously acquired on the German art market in the 1990s.

Ca. AD 1 - 100.An oval-shaped carnelian intaglio engraved with a crouching mouse positioned on a baseline. The mouse has a rounded body, a small head, and a tail raised in an arch. The intaglio is housed in a protruding bezel of a gold ring with a D-section profile.For similar see: The Harvard Art Museums, Object Number 1952.71.20.Size: D:16.31mm / US: 5 3/4 / UK: L; Weight: 3.5gProvenance: Property of a London Ancient Art Gallery; formerly in the famous Alison Barker collection, a retired London barrister; acquired between the early1960s to 1990s.

Ca. AD 100 - 200.A rare oval-shaped sapphire intaglio engraved with the image of a butterfly in flight, shown in left profile. The butterfly features detailed antennae, a rounded abdomen, and large pointed wings angled upwards. The intaglio is inlaid into a gold ring with a rounded hoop, slightly carinated shoulders, and gently expanding towards the bezel. For similar see: Bagot J., El legado de Hefesto: A Memorial to a Private Collection of Ancient Rings and Glyptics, n. 393, p. 159.Size: D:17.53mm / US: 7 1/4 / UK: O; Weight: 5.5gProvenance: Private UK collection; previously acquired on the German art market in the 1990s.

Ca. AD 50 - 100.A carnelian intaglio with a portrait of Emperor Nero. The intaglio depicts a profile facing left. The head shows tightly curled hair rendered in a series of well-defined, rounded locks. The forehead is broad, leading into a straight nose with a slightly rounded tip. The lips are full, and the chin is rounded, with a subtle curve beneath. The neck is proportionate, tapering gracefully towards the shoulders. The intaglio is set in a gold ring with a wide, tapering shank. The bezel is oval-shaped with a raised border that gently slopes inward to hold the intaglio securely in place. The gold surface is smooth and plain.For similar see: Thorvaldsens Museum, Inventory Number I1001; The British Museum, Museum Number 1917,0501.440.Size: D:19.56mm / US: 9 3/4 / UK: T; Weight: 4gProvenance: Private UK collection; previously acquired on the Swiss art market in the 1990s.

Ca. AD 200 - 300.A gold ring with a D-section round hoop with heart-shaped shoulders connected to a round bezel securing a carnelian intaglio depicting a Roman Emperor in profile, crowned with the sun wreath and a long beard. For similar see: Ancient Gem and Finger rings, Cataloguee of the collection, The J. Paul Getty Museum, 1992, n. 267, Carnelian f1; Christie's, Live Auction 6060, Antiquities, Lot. 362.Size: D:19.76mm / US: 10 / UK: T 1/2; Weight: 8.47gProvenance: Private UK collection; From an old British collection formed in the 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. AD 200 - 300 .An oval-shaped red garnet intaglio, convex in profile, depicting a peacock standing on a lightly defined baseline. The peacock's head is turned and tilted. This intaglio is set in a gold ring featuring a round-shaped hoop that broadens towards angular shoulders.For similar see: El Legado de Hefesto n. 495, 370, 496, The British Museum, Museum number 1917,0501.201.Size: D:19.96mm / US: 10 1/4 / UK: U; Weight: 15gProvenance: Private UK collection; previously acquired on the Swiss art market in the 1990s.

Ca. AD 500 - 600. A gold ring with a round band and round bezel securing a carnelian intaglio depicting a rooster. For similar see: Byzantine Jewellery of the Hungarian Conquest Period: a View from the Balkans, Ádám Bollók, Plate 8. Size: D:18.34mm / US: 8 1/4 / UK: Q; Weight: 6.7g Provenance: Private UK collection; previously acquired on the German art market in the 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. AD 1 - 100.An oval-shaped red garnet intaglio, finely engraved with the image of the imperial eagle taking centre stage. The majestic bird is portrayed in right profile, with its wings folded alongside its body and its prominent claws grasping the baseline. The eagle’s head is extended forward; it is flanked by two olive branches, with an eight-pointed star positioned above. This intaglio is housed within a gold bezel cell that has an incised base, connected to a D-section hoop, creating a simple yet elegant ring.For similar see: Entwistle Ch., Adams N., Gems of Heaven: Recent Research on Engraved Gemstones in Late Antiquity, c. AD 200–600, Plate 10, Ringstone of carnelian, London, British Museum, (eagle in the centre); PE G109; "Ancient Greek, Roman and Byzantine engraved gems in the eastern Mediterranean and Black Sea area" Fig. 1, pg. 30.Size: 8mm x P 1/2mm; Weight: 5gProvenance: Private UK collection; From an old British collection formed in the 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter

Ca. AD 1 - 200.A carnelian intaglio depicting a gryllos motif, featuring two conjoined heads facing opposite directions. The intaglio is oval in shape, slightly convex and polished to a glossy surface. One head appears youthful and with a headdress or cap, while the other is elderly, characterized by a prominent beard and furrowed facial features. Both heads are oriented in a way that emphasizes their contrasting characteristics. The intaglio is mounted in a gold ring. The bezel is framed by a raised border of small, evenly spaced granulated spheres forming a decorative halo around the gemstone. The hoop of the ring is broad and consists of grooved design.For similar see: Bagot J., El legado de Hefesto: A Memorial to a Private Collection of Ancient Rings and Glyptics, n. 322, p.135.Size: D:19.76mm / US: 10 / UK: T 1/2; Weight: 7gProvenance: Private UK collection; previously acquired on the Swiss art market in the 1990s.

Ca. AD 300 - 400.An oval-shaped carnelian intaglio engraved with a standing goddess. The figure is depicted slightly turned, wearing a long, draped garment that falls in vertical folds. The right hand holds a spear, while the other extends downward, holding an attribute. The facial features are rendered in a simplified manner, with a faintly outlined head. The intaglio is set in a plain gold frame within a ring. The shoulders are decorated with symmetrical volute-like scrolls terminating in rounded finials and further embellished with fine gold granules. The hoop is composed of a thin band with a twisted wire detail running along the outer edge.Size: D:18.95mm / US: 9 / UK: R 1/2; Weight: 6.4gProvenance: Private UK collection; formerly with R. A.; since the 1990s.

Ca. AD 200 - 300.A carnelian intaglio depicting the portrait of an empress. The intaglio is oval in shape with a smooth, polished surface. The engraving presents a profile facing left, featuring a finely detailed hairstyle or diadem suggesting imperial status. The neck is elongated and slender, while the facial features are rather simplified. Linear detailing suggests the folds of a draped garment below the neck. The intaglio is set in a gold ring with wide shoulders and ornamented with raised, leaf-like motifs extending along their length. The band tapers at the back and is slightly rounded, with a textured surface that follows the decorative elements of the shoulders.For similar see: The British Museum, Museum number 1872,0604.121.Size: D:15.29mm / US: 4 1/4 / UK: I; Weight: 6gProvenance: Private UK collection; previously acquired on the UK art market in the 1990s.

Ca. AD 1 - 300.A pair of rings, each with a flat-section thin hoop that gently flares towards the bezel. Each bezel is set with an oval red jasper intaglio. One intaglio depicts a central krater vessel flanked by two cornucopias. The other features a standing Minerva facing right, wearing a helmet and a long, vertically pleated garment, holding a spear in her left hand and resting her right hand on a shield.Size: 20-20mm x 15-15mm; Weight: 2.4gProvenance: Private UK collection; formerly with R. A.; since the 1990s.

Ca. AD 50 - 100.An amethyst intaglio depicting a portrait of an empress, possibly Agrippina the Younger, mother of Emperor Nero and a prominent figure in the Julio-Claudian dynasty. The intaglio is oval in shape and presents a detailed left-facing profile of Agrippina, showcasing her distinctive hairstyle, which includes waves and locks gathered at the back. The facial features are finely rendered, including a straight nose, small lips, and a rounded chin. The neck is elongated, with faint incisions suggesting drapery or attire. The intaglio is mounted in a gold ring. The bezel is plain and smoothly contoured, closely following the oval shape of the gemstone. The shoulders of the ring are wide and gradually taper into the band, which is undecorated and rounded.Size: D:17.53mm / US: 7 1/4 / UK: O; Weight: 6gProvenance: Private UK collection; previously acquired on the Swiss art market in the 1990s.

Ca. AD 50 - 100.An oval-shaped intaglio with a portrait of Antonia. The engraved gem depicts a left-facing profile. The hair is intricately arranged, featuring fine parallel engravings to depict a central parting and hair swept back into a braided or coiled bun at the rear, with strands subtly incised to suggest texture. The forehead is slightly rounded, transitioning into a straight, prominent nose. The eye is almond-shaped, with a faintly arched brow above and a defined upper eyelid. The lips are thin and closed, with a small chin that appears rounded. The neck is slender and leads into the faintly engraved outline of drapery, suggesting a garment. The intaglio is set in a gold ring with a flat, oval bezel. The bezel has a thin raised edge surrounding the intaglio, ensuring a secure fit. The shank is plain and circular, gently tapering at the shoulders to meet the bezel.For similar see: Bagot J., El legado de Hefesto: A Memorial to a Private Collection of Ancient Rings and Glyptics, n. 314, 341.Size: D:17.73mm / US: 7 1/2 / UK: O 1/2; Weight: 1.6gProvenance: Private UK collection; previously acquired on the UK art market in the 1990s.

Ca. AD 1 - 300.A carnelian intaglio, oval-shaped, engraved with a depiction of a donkey seen in left profile. The features of its body are simplified. This intaglio is housed within a silver ring, which is composed of a D-section hoop with flaring shoulders.Size: D:14.68mm / US: 3 1/2 / UK: G 1/2; Weight: 6.8gProvenance: Property of a London Ancient Art Gallery; formerly in the famous Alison Barker collection, a retired London barrister; acquired between the early1960s to 1990s.

Ca. AD 200 - 300 .An oval-shaped carnelian intaglio featuring a portrait of a laurel-wreathed head of an emperor, facing left. The intaglio displays distinct facial features, including large eyes, clearly outlined lips, and intricately rendered coiffure. The lower edge includes an inscription. This intaglio is set in a gold ring with expanded shoulders and a D-section hoop.For similar see: The British Museum, Museum number 1917,0501.1179.Size: D:19.96mm / US: 10 1/4 / UK: U; Weight: 5gProvenance: Private UK collection; previously acquired on the Swiss art market in the 1990s.

Ca. AD 100 - 300.A carnelian intaglio depicting a seated crowned god resting on a podium, holding a long tool in his right. Behind him a tall tree with leaves. The intaglio is set in a gold ring composed of a flat-section round hoop with column or flower-shaped shoulders connected to a bezel adorned with knots. For similar see: British Museum, Museum number 1917,0501.268; 1917,0501.1440.Size: D:18.14mm / US: 8 / UK: P 1/2; Weight: 9.75gProvenance: Private UK collection; From an old British collection formed in the 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

TWO PORCELAIN BOWLS AND A BRUSH POT A famille rose bowl decorated with rams and trees, Daoguang mark to base (but likely Guanxu period), a famille rose yellow-ground intaglio bowl with red four character mark to base, and an imitation bamboo porcelain brush pot with bamboo leaves and Buddhist lion holding rope, apocryphal six character Ming mark to base 6.5cm to 14cm diameter, 6cm to 11cm high From the collection of Philip Ng Fook Leong Condition Information: The brush pot has been broken into pieces and partially repaired, the ram decorated bowl has a section of repair at the rim, and a there are two large chips missing from the yellow ground bowl (these are not present). Ownership Statement: This item is offered for sale in the name of the owner, Philip Ng. For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

Ca. AD 1 -100.An oval-shaped intaglio finely engraved with the image of an eagle, its wings spread wide in a majestic pose. The eagle is depicted standing atop a branch. The intaglio is set in a possibly later silver ring.Size: D: 19.76mm; US: 10; UK: T 1/2; weight 9gProvenance: Private UK collection; From an old British collection formed in the 1990s.

Ca. AD 1 -200.A round intaglio engraved with a bucolic scene depicting the god Pan sitting under a tree, playing a flute. In front of him, a goat rears up on its back legs. The intaglio is set in a possibly later silver ring.Size: D: 18.34mm; US: 8 1/4; UK: Q; weight 9gProvenance: Private UK collection; From an old British collection formed in the 1990s.

Ca. AD 100 - 200.A silver ring with a flat, slender hoop that transitions smoothly to a flat oval-shaped bezel. The bezel is set with a translucent intaglio, engraved with the depiction of a standing elephant facing to the right, its trunk upturned, and set against a baseline.Size: D: 18.75mm; US: 8 3/4; UK: R; weight 5gProvenance: Private UK collection; acquired on the UK art market, pre-2000.

Ca. AD 1 -300.A silver ring with a flaring hoop that broadens towards a raised bezel cell set with a nicolo intaglio, intricately engraved with a depiction of a ship, complete with rows of oars and a raised sail.For similar see: The British Museum, Museum number 1814,0704.2684.Size: D: 18.34mm; US: 8 1/4; UK: Q; weight 8gProvenance: Private UK collection; From an old British collection formed in the 1990s.

Ca. AD 1500.A ring with a rectangular octagonal bezel set with a carnelian intaglio engraved with a central shield flanked by symmetrical ornamental motifs. The bezel is surrounded by a bronze frame, structured in multiple concentric layers that mirror the octagonal shape.Size: D: 19.56mm; US: 9 3/4; UK: T; weight 6gProvenance: Private UK collection; From an old British collection formed in the 1990s.

Ca. AD 300 - 600.A bronze ring composed of a round hoop with a smooth, rounded exterior. The ring is crowned with a prominent bezel, which is set with a red stone intaglio. The intaglio is finely engraved with the image of a reclining ibex, its graceful horns beautifully curving upwards, and its body facing right.For similar see: The British Museum, Museum number 1880.3585.Size: D: 17.53mm; US: 7 1/4; UK: O; weight 8gProvenance: Private UK collection; From an old British collection formed in the 1990s.

Ca. AD 1 -100.A carnelian intaglio, intricately carved to depict a war trophy - a display of captured enemy weapons and armour, arranged on a cross-like structure. The intaglio is set in a possibly later silver ring.Size: D: 18.54mm; US: 8 1/2; UK: Q 1/2; weight 12gProvenance: Private UK collection; From an old British collection formed in the 1990s.

Ca. AD 1 - 300.A silver finger ring with a plain hoop and slightly expanded shoulders supporting a raised bezel cell. The bezel houses a circular carnelian intaglio engraved with a depiction of a winged Eros holding a whip in his right hand and seated atop a large shrimp, both facing to the left.Size: D: 17.93mm; US: 7 3/4; UK: P; weight 6.5gProvenance: Private UK collection; acquired on the UK art market, pre-2000.

Ca. AD 1 - 300 (intaglio), Ca. AD 1800 - 1900 (ring).A gold finger ring composed of three rods joined together to form a hoop of openwork design with a circular cell to accept a carnelian intaglio engraved with a depiction of the god Mars (Greek Ares). He is depicted standing on the baseline, holding a long spear and a shield. Mars was revered as the patron god of soldiers, guardian of Rome, and an embodiment of the state's military might. As the divine progenitor of the Roman people, Mars symbolized the virtues of courage, discipline, and strategic prowess on the battlefield.Size: D: 18.14mm / US: 8 / UK: P 1/2; Weight: 3.6gProvenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s.

Ca. AD 300 - 500.A silver ring composed of a round-section hoop, with clusters of three fine granules adorning each shoulder. The circular bezel cell houses a red intaglio, engraved with the celestial imagery of a crescent moon and an eight-pointed star.For similar see: Bagot J., El legado de Hefesto: A Memorial to a Private Collection of Ancient Rings and Glyptics, n. 275, p. 117.Size: D: 17.53mm; US: 7 1/4; UK: O; weight 3gProvenance: Private UK collection; From an old British collection formed in the 1990s.

Ca. AD 1 - 100.A gold finger ring with a flat-section hoop that is slightly expanded at the shoulders. The almond-shaped bezel of the ring is adorned with a rich red convex intaglio portraying the goddess Minerva, robed and facing left, wearing her iconic helmet. She holds a short staff in her right hand and appears to master a snake that winds itself in front of her. For similar see: The Harvard Art Museums, Object Number: 1952.71.32.Size: D: 17.93mm; US: 7 3/4 ; UK: P; Weight: 4gProvenance: Private London collection, UK art market before 2000. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. AD 700 - 800.An intaglio gold ring composed of a slender hoop with narrow shoulders. These shoulders are decorated with stylised flowers and are connected to a bezel with a chalcedony intaglio. The intaglio is engraved with a stylised inscription.Size: D: 15.09mm / US: 4 / UK: H 1/2; Weight: 2gProvenance: Property of a London Islamic art specialist collector; previously in a collection formed since the 1980s.

Ca. AD 1 - 300.A silver finger ring with a flat-section hoop transitioning into amphora-shaped shoulders. These shoulders support the bezel cell set with a hexagonal carnelian intaglio engraved with a kalathos, depicted as filled with ears of corn and poppy flowers, symbolising good luck and agricultural wealth.Size: D: 17.73mm; US: 7 1/2; UK: O 1/2; weight 5gProvenance: Private UK collection; acquired on the UK art market, pre-2000.

Ca. AD 100 - 200.A silver ring composed of a hoop with a carinated profile, dramatically expanding into wide shoulders that showcase a pelta design. The bezel features a raised cell housing a round carnelian intaglio, intricately engraved with an image of a winged Eros. Eros is depicted as a chubby boy, with his left leg raised and right hand outstretched, positioned upon a baseline.Size: D: 17.93mm; US: 7 3/4; UK: P; weight 12gProvenance: Private UK collection; acquired on the UK art market, pre-2000.

Ca. AD 300.A silver ring featuring an ornate hoop with a carinated back section. Volutes are present where the carinated back section ends, transitioning into flared shoulders. The volutes reappear at the point where the shoulders meet the bezel section, which houses a nearly circular red jasper intaglio. The intaglio is engraved with a crown above a laurel wreath, symbolising victory and honour.Size: D: 18.34mm; US: 8 1/4; UK: Q; weight 6gProvenance: Private UK collection; acquired on the UK art market, pre-2000.

Smith Stopwatch: a silver-plated pocket watch with key and a silver hallmarked (faint marks) watch fob seal - black onyx intaglio

A VICTORIAN SILVER NOVELTY CREEL FORM VESTA CASE THOMAS JOHNSON II, LONDON 1882 With basket weave decoration, the cover with a worn inscription, opening to a reverse carved intaglio crystal oval plaque of two trout 5.5cm (2 1/4in) long Provenance: Private CollectionSale: Sotheby's, New York, Important English & Continental Silver & Objects of Vertu, Part Lot 95 Condition Report: Marks are clearHinge goodEngraving wornSome light rubbing to the weave decorationStands wellCrystal plaque goodLight scratches and wear commensurate with age and useCondition Report Disclaimer

Antique Tested 9ct Gold Intaglio Initialled Signet Ring, the ring has a rectangular shaped with round corners piece of polished carnelian set in the ring that measures approx. 1.7cm x 1.3cm that either has one or two initials etched into the carnelian, ring size O, total gross weight of the ring is approx. 6 grams

COLLECTION OF FOURTEEN WEDGWOOD AND BENTLEY BLACK BASALT INTAGLIOS LATE 18TH CENTURY within a double-sided frame, each intaglio depicting various busts, classical figures, Venus, a cow etc; marked either Wedgwood & Bentley or W & B, all with an impressed catalogue number including 39, 73, 128, 184, 84, 147, 130, 165, 119, 217, 251, 248, 247, 222 largest 25mm, frame 24.2cm wide x 20cm high The Maisels Collection of British Ceramics

Two Victorian gilt metal fob seals, one with Forget Me Not intaglio, together with a miniature silver bear, churn, bowl and mug

A Roman gold ring, formed from a round hoop with a D section and a bezel that secures a carnelian intaglio. The intaglio depicts a feather in the wind most likely a symbol of a God, with previous auction certificate.Finger size D/E, but ring is not round. 

18th /early 19th century signet ring with an oval intaglio possibly of a much earlier date, the intaglio depicting a classical Roman bust in profile, the oval gold mount on tapered gold shank, the bezel measuring approximately 19mm x 17mm.Good condition, surface scratches and minor abrasions commensurate with age. The shoulder has a small area of damage to the surface of the gold. Weighs approximately 6.3 grams. Ring size very approximately M/N.

Antique carved intaglio depicting a classical male bust in profile, signed, 24mm x 19mm.Excellent condition, no damage, weighs approximately 2.7 grams

Georgian gold seal with an oval intaglio carved carnelian depicting a young classical Roman male bust in profile, in a gold mount, 34mm.Excellent condition, weighs 10.9 grams

Good quality Regency gold seal, the finely carved intaglio bloodstone seal with armorial crest 'Consilio non Impetu' and 'Be Faithful' in gold mount with foliate decoration, 38mm.Perfect condition, weighs approximately 19.1 grams

Regency gold seal with a finely carved intaglio quartz armorial and motto 'Be Faithful', in a rose gold mount, 30mm.Excellent condition commensurate with age. Weighs approximately 12.7 grams

Three good quality early 19th century seals, one with an intaglio carved citrine with ducal coronet and initials, one other with intaglio coronet and one with family crest and motto (3)All three are in excellent condition, gross weight approximately 20.7 grams

Four Georgian gold mounted seals, each containing an intaglio carved stone depicting Roman subjects, the largest 24mm high.All in very good condition commensurate with age, some signs of solder around the edge of the bezels, gross weight approximately 11.9 grams

George III gold signet ring with an intaglio carved carnelian seal depicting a portrait bust of a gentleman in profile, in rose gold ring mount, approximately L½.3.5 grams gross weight, some old solder repairs and the ring has been sized, weighs approximately 3.5 grams

Unusual George III gold mourning seal, the concealed compartment revealing a double lock of plaited hair and inscription 'J.S. ob. 17th June. P.S. ob. 30th March 1816', the intaglio carved carnelian seal reads 'Not lost but gone before', 26mm.