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Albrecht Dürer, The lamentation. / Description: The lamentation. Large woodcut from the large passion made by Albrecht Durer (1471-1528) ca 1510. An early impression (Meder 122 A after the Latin text edition of 1511), with the watermark mentioned by Meder 122 for this state ( Gothic P with coat of arms and letter A = Meder watermark 325). / Dimensions: 39,8 cm x 28,9 cm / Condition: A very good evenly printed impression in almost excellent condition. Some restorations in the middle and below, not visible in front. With a watermark: Gothic P with coat of arms and the letter A. All lot's are listed with several high resolution images, which is the best way to give a clear and objective idea of the general very good condition. Textual description is limited, so please examine the images carefully and ask for more info if needed. / Literature: Meder 122 A after the Latin text edition of 1511: A of C, Bartsch / Le Peintre graveur (VII.117.13) Dogson 1903, 1911 / Catalogue of Early German and Flemish Woodcuts in the BM, 2 vols (I.274.20), Schoch 2001-04 / Albrecht Dürer, das druckgraphische Werk. 3 vols I Intaglio, II Woodcuts, III Book illustrations (II.162) / Medium: woodcut /Circa: 1497-1500

Albrecht Dürer, Christ carrying the cross. / Description: Christ carrying the cross. Large woodcut from the large passion made by Albrecht Durer (1471-1528) ca 1497-1500. An early impression (Meder 119, A or very early B, after the text edition of 1511), with the watermark mentioned by Meder for this state ( Gothic P with coat of arms and letter A = Meder watermark 325). / Dimensions: 39,6 cm x 28,9 cm / Condition: A very good evenly printed impression in almost excellent condition. Some restorations in the right below, not visible in front. Printed on laid paper with 1-2 mm margins. With a watermark: Gothic P with coat of arms and the letter A. All lot's are listed with several high resolution images, which is the best way to give a clear and objective idea of the general very good condition. Textual description is limited, so please examine the images carefully and ask for more info if needed. / Literature: Meder 119, A or very early B, after the text edition of 1511, Bartsch / Le Peintre graveur VII.117.10). Dogson 1903, 1911 / Catalogue of Early German and Flemish Woodcuts in the BM, 2 vols(I.274.18), Schoch 2001-04 / Albrecht Dürer, das druckgraphische Werk. 3 vols I Intaglio, II Woodcuts, III Book illustrations (II.160) / Medium: woodcut /Circa: 1497-1500

Anni Albers (1899-1994)Triangulated Intaglio IEtching with aquatint, 1976, signed and dated in pencil, numbered from the edition of 20, printed and published by Tyler Graphics Ltd., Bedford Village, with their blindstamp, on Arches paper, with full margins, sheet 605 x 500mm (23 3/4 x 19 3/4in)

A set of four Val St Lambert glass plates, intaglio moulded game birds to the centre of each, incised marks, 20cm diameter (4)

A French slate and marble mantle clock with gilt intaglio detailing and an enamel face, 31cm high (1)

A collection of loose intaglio seals together with a high relief cameo, mixed metalware, a cast satyr brass escutcheon, rock and crystal specimens, a Japanese parasol handle carved with a rabbit, inset red eyes perched on rocks and another leaping down the handle, lace bobbins and tortoiseshell handles etc (1 box)

A group of four small/miniature dolls to include Heubach boy doll with intaglio eyes, painted and moulded hair and features, on articulated wood and composition body, 21.5cm tall, bisque head girl doll with blonde wig, fixed glass eyes and painted features, impressed marks "12/0", 22cm tall, and two smaller all bisque examples (4)

An early 20th Century Gebruder Heubach bisque head boy doll with Intaglio eyes, closed mouth, moulded hair and painted features, on jointed composition body, 21cm tall. Together with a similar baby doll, 24cm tall. (2)

A collection of three seals to include a gilt metal 19th century seal set with an intaglio green hard stone, engraved with flower motif and script, seal approx 10mm, height approx 20mm, together with a smaller gold seal with initials stamp, height approx 15mm, assessed as 18ct gold, suspended from an engraved 19th century suspension loop, together with a later rose metal carnelian intaglio with script, suspended from a yellow metal swivel clasp and a yellow metal mounted watch key (5) Further details: plate wear, wear and tear commensuarte with age 

THREE ANTIQUE FOB SEALSin chased gold, two set with carved smoky quartz intaglio seals, the other set with a blank carnelian seal, (c.48.1g gross weight)

A VINTAGE ST. GEORGE & THE DRAGON CHRYSOPRASE FOB PENDANTin 9ct gold, depicting a scene of St. George and the dragon, set with a carved chrysoprase intaglio seal of a centurion's head, full British hallmarks for London, 1972, c.3.0cm, (c.8.3g)

Two fobs and watch keys, both fobs set with carnelian intaglio, each approx. 16mm long, on repousse decorative ring set with two watch keys, 11.4g gross

Three fobs: to include a marquise carnelian intaglio fob in unmarked yellow metal; a round carnelian intaglio fob in unmarked yellow metal and a plain rectangular carnelian fob in unmarked rose metal, 25.3g gross, (3)

GEORGIAN INTAGLIO SWIVEL FOB PENDANT. Set with three seal intaglios. A jasper seal intaglio carved with a French motto in a scroll 'N'Oubliez' translates to 'Don't forget'. A chalcedony seal intaglio carved with 'I MACCABEES XII XVIII' (Book 1 Maccabees chapter 12 vers 18 - 'Wherefore now ye shall do well to give us an answer thereto.') A mottled red agate seal intaglio carving depicting a man in profile. An ornate unmarked yellow metal mounting. *CR Wear commensurate with age.

GEORGIAN INTAGLIO SEAL FOB WITH NEEDLE CASE (2). A Georgian intaglio seal fob pendant set with an onyx base carved with a turtle with 'Excuse haste' motto. Base measures 13 x 10mm. Unmarked yellow metal mounted. An antique embossed needle case, unmarked yellow metal mounted. Length 38mm. Both suspended from a faceted yellow metal split ring. Gross weight 5.5g. *CR General wear, commensurate with age.The needle case has a smashed stone located at the lid. The case has also split at the join.

Krishna Reddy (1925-2018)Woman & her reflection edition 38/100 lower left and signed 'Krishna Reddy' lower rightprint in colours49 x 48.6cm (19 5/16 x 19 1/8in).Footnotes:ProvenanceProperty from a private collection, USA. Reddy was an internationally renowned Indian printmaker and sculptor, best known for his innovative contributions to intaglio printmaking. Born in Andhra Pradesh, Reddy studied art in India, London, and Paris, where he collaborated with artists like Henry Moore and Constantin Brâncuși. His artistic journey led him to the Atelier 17 in Paris, a famous printmaking studio founded by Stanley William Hayter, where he developed ground-breaking techniques in viscosity printing. Reddy's prints are celebrated for their complex use of multiple layers of colour, texture, and abstract forms, often reflecting themes of organic growth, movement, and transformation.For further information on this lot please visit Bonhams.com

Krishna Reddy (1925-2018)Violence & Sorrow 'Imp. by the artist 19/25' lower left, 'Violence & Sorrow' centre and signed Krishna Reddy lower rightintaglio print on arches paper, framed50 x 65.8cm (19 11/16 x 25 7/8in).Footnotes:ProvenanceProperty from a private collection, USA.Reddy was an internationally renowned Indian printmaker and sculptor, best known for his innovative contributions to intaglio printmaking. Born in Andhra Pradesh, Reddy studied art in India, London, and Paris, where he collaborated with artists like Henry Moore and Constantin Brâncuși. His artistic journey led him to the Atelier 17 in Paris, a famous printmaking studio founded by Stanley William Hayter, where he developed ground-breaking techniques in viscosity printing. Reddy's prints are celebrated for their complex use of multiple layers of colour, texture, and abstract forms, often reflecting themes of organic growth, movement, and transformation.For further information on this lot please visit Bonhams.com

TIFFANY INTAGLIO REF. M0830 IN GOLD, 2000S Case: signed, n. 12-006 in 18K gold, caseback with screws, reeded caseband. Bracelet/Strap: signed, buckle in gold plated. Dial: signed, anodized blue, applied Roman numerals, centre seconds. Movement: signed, quartz caliber 955.414. Accessories: – Diameter Ø: 35 mm Note:

A 9ct gold intaglio ring, the intaglio carved as a deer's head, size O, approx 2.5g.

19th century gold-coloured metal and cornelian seal ring, the elliptical top intaglio engraved with portrait head and shoulders of a man, finger size M1/2 

A Victorian banded agate intaglio fob seal pendant necklace, with Latin motto "In Adversis Etiam Fida" translating to "In adversity, still loyal", in yellow gold mount, unmarked, surface tests as approximately 14ct, on a yellow gold belcher link chain necklace, unmarked, surface tests as approximately 9ct gold, approximately 78cms long, 46.9g gross.

Whitefriars intaglio cut emerald green vase 1938, pattern No 9085 Height 21.5cm

A MULTI STORAGE JEWELLERY BOX WITH CONTENTS, to include a white metal gate bracelet missing clasp, six white metal curb link bracelets, six with charms, some with marks to indicate silver, three white metal pendants with chains, stamped 925, a 'Ruskin' blue and white ceramic oval plaque, two white metal rings, a small box of assorted charms and pendants, most pieces with marks to indicate silver, a vintage rubber 'Combex' doll and two more pendants with chains, two large faceted pastes, RAF sweetheart brooches, loose cabochon stones, school 'Rounders' pin badge, buttons, and two carved intaglio onyx plaques, a silver hinged bangle hallmarked Birmingham etc

Herbert Zangs. (1924 - 2003 Krefeld). o.T. (Scheibenwischerbild). 1997. Blauvioletter Tiefdruck in Acryl. (Handdruck mit unikatärem Charakter). 18,5 x 14 cm (25,2 x 18,4 cm). Signiert, datiert, sowie mit einem Stempel der Edition Mirais versehen. - Mit geringen Atelierspuren. - Ausgezeichneter Druck mit einer kraftvoller alternierender Tonalität mit dem Schöpfrand. Exemplar H.C., neben der Auflage von 7 Exemplaren. Blue-violet intaglio print in acrylic. (Handprint with unique character). Signed, dated and with a stamp of Edition Mirais.b Copy Hors Commerce (H.C.), next to the edition of 7 copies. - With minor studio traces. - Excellent impression with powerful alternating tonality with the scoop margin.

Herbert Zangs. (1924 - 2003 Krefeld). o.T. (Blaue Flächenformation). 1997. Hell- und Dunkelblauer Tiefdruck in Acryl. (Handdruck mit unikatärem Charakter). 17,5 x 24,8 cm (24,3 x 29,6 cm). Signiert, datiert, sowie mit einem Stempel der Edition Mirais versehen. - Mit geringen Atelierspuren. - Ausgezeichneter Druck mit akzentuierten Plattenrand und einer kraftvoller alternierender Tonalität. Exemplar H.C. Untitled. (Blue surface formation). 1997. light and dark blue intaglio print in acrylic. (Handprint with unique character). 17.5 x 24.8 cm (24.3 x 29.6 cm). Signed, dated and with Edition Mirais stamp. - With minor studio traces. - Excellent impression with accentuated platemark and a powerful alternating tonality.

Josef Albers. (1888 Bottrop - 1976 New Haven). Intaglio Duo K. 1958. Farbloser Tiefdruck auf Arches-Velin (m. Wz.). 13 x 35 cm (56,5 x 76 cm). Signiert, datiert, betitelt und nummeriert. - In Außenrändern Papier leicht gewellt und gegilbt, ganz punktuell winziger Braunfleck, sehr vereinzelte, sehr leichte Griffspur, verso sehr wenige blasse braune Fingerflecken, am rechten Rand vereinzelt leicht unfrisch, insgesamt sehr gut. Prachtvoller, klarer Druck mit blind mitdruckender Facette und deutlich eingeprägter Plattenkante, nach verso gemeinsam mit der Darstellung ein herrliches Relief erzeugend, mit sehr breitem Rand, an zwei Seiten mit dem Schöpfrand. Danilowtz 139 a. - Eines von 30 Exemplaren. - Unermüdlich untersucht Albers in seinem künstlerischen Schaffen Farben, Formen, Linien und Flächen und ihre Wechselwirkung auf die kognitive sowie visuelle Wahrnehmung. In experimenteller Stringenz verschreibt er sich der geometrischen Ordnung, mal farbig, mal farblos. Unser Blatt fordert die taktile Wahrnehmung des Betrachters heraus, kehrt Albers in ihm den klassischen Tiefdruck in eine Blindprägung meisterhaft um. Inkless intaglio on Arches wove paper (with watermark). Signed, dated, titled and numbered. - Paper in outer margins slightly buckled and yellowed, very isolated tiny brown stain, very isolated, very slight handling tracem verso very few faint brown finger stains, slightly unfresh in places on right margin, all in all very good. Splendid, clear impression with blindly impressed facet and clear plate mark, showing onto verso a wonderful relief together with the depiction, with very wide margin, deckle edge on two sides. - One of 30 copies. - In his artistic work, Albers tirelessly explores colours, shapes, lines and surfaces and their interaction with cognitive and visual perception. With experimental stringency, he devotes himself to geometric order, sometimes colourful, sometimes colourless. Our sheet challenges the viewer's tactile perception in which Albers masterfully reverses the classic intaglio print into a blind embossing.

A Lalique clear and frosted glass Naiade intaglio pendant - produced to commemorate the Lalique Exhibition in Japan, 2000, depicting a naiade water sprite, 4.3cm long, with original black cord, pale grey pouch and grey snakeskin style box with outer white card sleeve.

GROUP OF 9CT GOLD JEWELLERY comprising 9ct gold band, 9ct gold emerald and diamond chip ring, 9ct gold carnelian intaglio ring, 9ct gold peridot brooch, 10.2gms gross, together with yellow metal tie clip (5)Provenance: private collection CardiffComments: wear overall, inclusions, misshapen in places, viewing recommended

Collection Of Five Early 19th Century Intaglio Fob Seals 3 Gold Plated And 2 Yellow Metal Varied Testing. Yellow Metal Fobs Weight: 29g

A 9ct gold seal ring, set Cornelian intaglio, 6gms, ring size U

DECORATIVE FOB SEALS malachite seal made in yellow metal, embossed with shells and flowers, length to top of bail, 3.4cm. White agate hand engraved intaglio, of a monogram in a floral frame, also in a yellow metal mount embossed with shells, scrolls and flowers, length 3.2cm. both seals together with a large floral carved split ring, weight combined 49.2gms Condition Report:Available upon request

A COLLECTION OF SEALS to include a white agate intaglio carved seal, of the Ker Family crest and motto (Pro Christo et patria dulce periculum -For Christ and our country danger is sweet.) with Unicorn and monogram; in a yellow metal locket back mount with foliate engraving, 2cm x 1.7cm. Weight 7.7gms. A rolled gold example with intaglio carved carnelian engraved 'Memorias' 3cm, a gold plated seal with green glass stone engraved 'Anne' and a white metal mounted example set with a purple cast glass intaglio of Dante Condition Report:Available upon request

A SIGNET RING made in 18ct gold and set with a bloodstone intaglio carved with a 'D', hallmarked Birmingham 1891, made by Henry Griffin & Sons Ltd, finger size R1/2, weight 12.7gms Condition Report:Very light wear if any, good clear hallmarks

Siegelring. 14 kt. GG, geprüft, brutto 7,4 g. Ovaler Ringkopf mit Lapislazuli-Tafelstein, darin Allianzwappen als Intaglio. Tragespuren. Um 1900. RW 56.

Siegelring. 585/000 GG, brutto 7,3 g. Ovaler Ringkopf mit hellgrauem Lagenstein, darin Wappen mit Helmzier als Intaglio. Tragespuren. Anf. 20. Jh. RW 56.

TIFFANY: ANCIENT GARNET INTAGLIO STICK PIN, CIRCA 1890The ancient Roman domed garnet intaglio, circa 1st-2nd century AD, carved to depict a seated Cupid, reaching out to touch Psyche who rests on his foot, mounted in gold, signed Tiffany & Co., intaglio later faceted to reverse, length 8.0cmFor further information on this lot please visit Bonhams.com

HARDSTONE INTAGLIO RING, 19TH CENTURYThe sard intaglio, possibly depicting a scene with Hector and Achilles, between trifurcated foliate scrolling shoulders, mounted in gold, ring size approximately I (hoop off round)Saleroom notices:Please note, this intaglio is a copy of the 'Gemma Stosch' - an Etruscan carnelian scarab intaglio, engraved with five heroes from The Seven against Thebes legend, dating to the early 5th century BC. This gem was discovered in Perugia, Italy sometime before 1742. It entered the collection of Philip von Stosch (1691-1757) in 1755 (a gift from Count Vicenzio Ansidei of Perugia) and is today held by the Antikensammlung in Berlin. The ancient engraved gem featured as the frontispiece of Winckelmann's 'Art History' (1764) and Mario Guarnacci's 'Origini Italiche' (1767). See Hansson, U. R., 'Stosch, Wincklemann, and the Allure of the Engraved Gems of the Ancients', 2014, ill. p.23, fig. III.7.For further information on this lot please visit Bonhams.com

AN ANCIENT ROMAN GOLD AND AGATE INTAGLIO RING 2nd - 3rd Century AD The oval agate panel with a central dolphin intaglio within a script surround, within a beaded setting to tapering shoulders Size: inner measurements 1.8 x 1.4cm Gross weight: 4.7 grams Provenance: Ex Rupert Wace Ltd. London Condition Report: marks, scratches and abrasions commensurate with age, use and wear. The band of the ring is slightly mishapenCondition Report Disclaimer

A CORNELIAN INTAGLIO RING POSSIBLY 3-5TH CENTURY The intaglio possibly Roman or further East, with an ibex like beast within a later collet setting, to trifurcated shoulders and reeded shank Size: ring size K Gross weight: 3.5 grams Provenance: Purchased from a UK auction in 1980s Mounted into current gold fitting in early 1993 Condition Report: marks, scratches and abrasions commensurate with age, wear and use. Condition Report Disclaimer

An antique yellow metal mounted, intaglio bracelet, set in various colours with a series of eight cameo head and shoulder portraits

Moser, a Bohemian Secessionist intaglio cut glass vase, circa 1900, waisted form, deep purple draining to colourless, decorated with a flowering lily, 13cm high

John Orchard for Stevens and Williams, an Arts and Crafts silver mounted intaglio cut rock crystal glass decanter, John Charles Grinsell, Birmingham 1906, square section dimpled form with applied vertical trails, decorated with a daisy design throughout, the spherical stopper similarly decorated with wrythen foliate panels, 25.5cm high

A late 19th Century Continental white metal Art Nouveau hand seal, with ivory intaglio and carved matrix, with coat of arms, possibly French, length 11.2cm. Note: Ivory Exemption Certificate No.XPEBAHUB

A 18ct Georgian seal ring with intaglio carved white agate stone depicting a seated Roman soldier, weight 3.3g, ring size L 1/2, damaged.

Wappen-Intaglio. Carneol. 2 x 1,5 cm

LUBBOCK, J. G. Perceptions of the Earth, SIGNED limited edition, unnumbered/out of series [one of 70], a presentation copy inscribed & signed by the artist, illustrated with 11 plates produced by engraving, etching, aquatint, and soft-ground etching, the colours applied from intaglio and relief, some with hand-colouring, the typography and printing of the text by Sebastian Carter at the Rampant Lions Press, Cambridge, large quarto, full crushed morocco lettered in gilt, 20pp. text, in fine condition, very well-preserved, clean & bright, vibrant colours, housed in a marbled slipcase, London: Bertram Rota, 1977. Together with Aspects of Art & Science, 4pp. prospectus, [1969], housing two SIGNED etchings, [one of which matches the final plate in Perceptions of the Earth], 33cm x 51cm, one very good & bright, one marked

A 9ct yellow gold and carved hematite intaglio ring (4.3g). M

A carved wooden panel depicting three birds together with an intaglio. PROVENANCE: NOEL CHANAN. Est. £20 - £30.

Large collection of detectorists finds including glass intaglio seal in bronze mount with traces of gilding, hallmarked silver vesta, fox head mount, bronze artefacts including Roman items to include brooches, birds head, mount with traces of gilding, studs, buckles and adornments etc, largest item 6cm

A 15ct gold signet ring set with a carved agate intaglio depicting a Masonic symbol, 6.4g, size L

A 19th century gold, bloodstone and agate desk seal, the bloodstone matrix intaglio engraved 'Belton House', in gold mount with reeded decoration, to tapering facetted banded agate handle, length 6.0cmCondition Report: Some general wear and scratches to mount, small area of discolouration indicating possible previous repair, bloodstone intaglio in good condition, agate with minor surface reaching fracture to top, in fairly good condition. 

A 19th century gold and carnelian desk seal, the carnelian matrix intaglio engraved with the arms and crest of Gaynsford/Gainsford, in gold mount with chased decoration, with tapering waisted carnelian handle, length 8.0cm

A group of jewellery, comprising: two 9ct gold, amethyst and single cut diamond cluster rings; a 9ct gold single cut diamond seven stone half hoop ring; a single cut diamond lozenge cluster ring; a 9ct gold gate link bracelet, 6.2g; an early 20th century gold garnet ring; a 9ct gold hematite intaglio signet ring; a 9ct gold band ring, 1.6g; a cultured pearl single row necklace, length, 44cm; a rolled gold bangle; a silver bangle; a silver ingot pendant and neckchain; and a paste ring (a lot) 

Two early 19th century seal fobs, the first with foiled quartz matrix intaglio engraved depicting Apollo with lyre, to lion head mount within ouroboros surround, to split ring, height 2.2cm; the other with a foiled quartz matrix intaglio engraved with the Lowry crest, two laurel branches, and motto 'floreant lauri', to hinged locket mount set with an emerald and ruby, height 2.6cm (2)Condition Report: Some areas of surface wear and areas of discolouration. Second fob with hinged/openable section, interior with visible scratches/marks and glue residue. Foiled quartzes with areas of abrasion to facet edges. Ruby appears bright pinkish red hue, well saturated, some abrasion to facet edges. Emerald medium bluish green hue, well saturated, abrasion to facet edges, set at a slight angle.   

A group of rings, comprising: a plain signet ring, the hoop stamped 18K; a single-cut diamond and bloodstone signet ring; an intaglio hematite signet ring; an oval black onyx single stone ring; and a knot design ring, the hoop stamped 9ct (5)Condition Report: gross weight 26.5g

An early 20th century, gold mounted glass reverse painted intaglio brooch, the oval panel depicting two pheasants in woodland scene, width 4cm

A mid 20th century gold mounted hardstone intaglio ring, the oval intaglio engraved to depict the simplified head profile of Athena, in collet mount to plain hoop with worn engraved decoration, ring size OCondition Report: gross weight 10.6g

A yellow metal ring set with an oval carved agate intaglio depicting Athena, with indistinct lettering to the edges, intaglio approx. 1.3 x 1cm, size T, unmarked. Condition Report: Approx. 5.7g.mino scratches to the stoneSplit in the bezelCannot confirm gold as no marks and unfortunately no means to test it

Roman copper alloy ring missing what would likely have been an intaglio stone. W6g.20mm x 16mm. Ring has a central raised double ridge running all the way around the finger loop.

A small 19th Century rectangular sewing box with fitted interior, the lid and sides covered in red wax intaglio seals, with a hand written note to the interior - Given to my grandmother by her godmother (possibly Aunt as well) ...Sophia Fleury - 4cm high 11cm wide