We found 15483 price guide item(s) matching your search

A 9ct gold Carnelian Intaglio seal ring, with leaf design and script "I never change til death", setting height 19.6mm, size I, 6g

A 9ct gold Carnelion Intaglio seal ring, setting height 13.8mm, size T1/2, 6.3g

A 9ct gold Sardonyx Intaglio anchor ring, setting height 15mm, size O, 4.5g

A collection of assorted seals, to include a large gold cased Cornelian intaglio seal, two gold cased amethyst seals, a gilt metal desk seal and a silver example

An intaglio hematite signet ring, solitaire ring, sapphire and diamond wishbone ring, two pairs of earrings all hallmarked 9ct gold and a garnet and diamond ring, stamped 585, 10.64g

A Maori nephrite jade intaglio axe form pendant, of gently tapering form with curved base, having profile bust intaglio to one side, with engraved yellow metal mount, (yellow metal assessed as gold), drop 4.3cm. (gross weight 4.5g)

Lalique Pour Homme Eau de Toilette bottle with contents, frosted reverse intaglio horse head design to bottle, original sticker to base

John Onwar Lake for Ekenas Glasbruk: Swedish colourless and frosted glass vase of compressed ovoid form, intaglio frosted glass deer design to the front with intaglio frosted glass bare tree to reverse, engraved signature to base, numbered L.626, height approximately 7cm

A 9 carat gold onyx intaglio signet ring, finger size V1/2, a 9 carat tri-colour gold twisted band ring, finger size J and eight other rings, 20.3g gross (10)

Ian Chamberlain. 'Communication I', etching, image size 27 x 22cm. Framed. I am a printmaker who has been passionate about, and specialising in etching (intaglio) for several years. My work takes reference from an on-going interest in manmade technological forms of industrial structures - such as bridges, the scientific radio telescopes at Goonhilly Satellite Earth Station, or ex military structures such as the Acoustic sound mirrors in the UK. The majority of the subjects and locations I record were considered at the forefront of technology during their lifetime. Some of those technologies are now defunct or have been reconfigured for different uses. The subject matter therefore is echoed in the process used to record it. The etching process enables me to make a sustained enquiry into the subject’s structure, location and the effects of time passing. It becomes my own visual experience and a graphic equivalent to an observed moment in time. I begin each project with an intense enquiry through on site observation and drawing. In visiting these locations I can develop my own subjective emotional response; the artist is not seen but my physical intervention is paramount and my factual research and first hand experience evidence a sense of place. The subject itself is then removed from its surroundings and the familiar. The structures are shown devoid of the human figure so that architectural scale cannot be based on the physical measurements of the human body. This ambiguity adds to the sense of the monumental and projects a feeling of the iconic. I begin by finding my way around the subject, evaluating the form through the use of light and dark in quick charcoal studies. These are then taken into the studio where, if required, more sustained studies incorporating finer lines are made. The continuation of the drawing element is an integral part of my process. You can see evidence of the drawings within the etchings’ continually changing hierarchy and emphasis. Bringing into focus new elements and pushing others back. This evidences the recording and decision-making taking place. For me, the importance and value of the etching process is integral to both the making and the content of the work. Etching offers a unique means of working - inherent in its make up is the intervention upon the surface and the sculptural physicality of the process; layering and building-up information through cyclical reapplications of grounds, drawing, etching, burnishing and drypoint. My prints are not just an architectural study, they are evidence of me seeing and responding to a subject in a meaningful way. This is what etching allows me to do - to investigate place through an organic evolution of recording and insights into location through the interlinking processes of drawing and printmaking. Please note that final invoices will include buyers' premium at 27% (inclusive of VAT) added to the hammer price. Ewbank's are waiving all vendor commission for the charity. Transplant Links Community is a UK registered non-religious and non-political charity that saves the lives of children and adults in the developing world who suffer from life-threatening end stage kidney disease. Offering teaching and advice, and carrying out living kidney transplants, sharing their knowledge with local medical teams in a variety of countries - so that sustainable transplant programmes become a possibility for the future.

Ian Chamberlain. 'Sat Study I', etching, image size 22 x 18cm. Signed and numbered 3/30. Framed. I am a printmaker who has been passionate about, and specialising in etching (intaglio) for several years. My work takes reference from an on-going interest in manmade technological forms of industrial structures - such as bridges, the scientific radio telescopes at Goonhilly Satellite Earth Station, or ex military structures such as the Acoustic sound mirrors in the UK. The majority of the subjects and locations I record were considered at the forefront of technology during their lifetime. Some of those technologies are now defunct or have been reconfigured for different uses. The subject matter therefore is echoed in the process used to record it. The etching process enables me to make a sustained enquiry into the subject’s structure, location and the effects of time passing. It becomes my own visual experience and a graphic equivalent to an observed moment in time. I begin each project with an intense enquiry through on site observation and drawing. In visiting these locations I can develop my own subjective emotional response; the artist is not seen but my physical intervention is paramount and my factual research and first hand experience evidence a sense of place. The subject itself is then removed from its surroundings and the familiar. The structures are shown devoid of the human figure so that architectural scale cannot be based on the physical measurements of the human body. This ambiguity adds to the sense of the monumental and projects a feeling of the iconic. I begin by finding my way around the subject, evaluating the form through the use of light and dark in quick charcoal studies. These are then taken into the studio where, if required, more sustained studies incorporating finer lines are made. The continuation of the drawing element is an integral part of my process. You can see evidence of the drawings within the etchings’ continually changing hierarchy and emphasis. Bringing into focus new elements and pushing others back. This evidences the recording and decision-making taking place. For me, the importance and value of the etching process is integral to both the making and the content of the work. Etching offers a unique means of working - inherent in its make up is the intervention upon the surface and the sculptural physicality of the process; layering and building-up information through cyclical reapplications of grounds, drawing, etching, burnishing and drypoint. My prints are not just an architectural study, they are evidence of me seeing and responding to a subject in a meaningful way. This is what etching allows me to do - to investigate place through an organic evolution of recording and insights into location through the interlinking processes of drawing and printmaking. Please note that final invoices will include buyers' premium at 27% (inclusive of VAT) added to the hammer price. Ewbank's are waiving all vendor commission for the charity. Transplant Links Community is a UK registered non-religious and non-political charity that saves the lives of children and adults in the developing world who suffer from life-threatening end stage kidney disease. Offering teaching and advice, and carrying out living kidney transplants, sharing their knowledge with local medical teams in a variety of countries - so that sustainable transplant programmes become a possibility for the future.

Ian Chamberlain. 'Sat Study II', etching, signed and numbered 13/30. Image size 22 x 18cm. Framed. I am a printmaker who has been passionate about, and specialising in etching (intaglio) for several years. My work takes reference from an on-going interest in manmade technological forms of industrial structures - such as bridges, the scientific radio telescopes at Goonhilly Satellite Earth Station, or ex military structures such as the Acoustic sound mirrors in the UK. The majority of the subjects and locations I record were considered at the forefront of technology during their lifetime. Some of those technologies are now defunct or have been reconfigured for different uses. The subject matter therefore is echoed in the process used to record it. The etching process enables me to make a sustained enquiry into the subject’s structure, location and the effects of time passing. It becomes my own visual experience and a graphic equivalent to an observed moment in time. I begin each project with an intense enquiry through on site observation and drawing. In visiting these locations I can develop my own subjective emotional response; the artist is not seen but my physical intervention is paramount and my factual research and first hand experience evidence a sense of place. The subject itself is then removed from its surroundings and the familiar. The structures are shown devoid of the human figure so that architectural scale cannot be based on the physical measurements of the human body. This ambiguity adds to the sense of the monumental and projects a feeling of the iconic. Please note that final invoices will include buyers' premium at 27% (inclusive of VAT) added to the hammer price. Ewbank's are waiving all vendor commission for the charity. Transplant Links Community is a UK registered non-religious and non-political charity that saves the lives of children and adults in the developing world who suffer from life-threatening end stage kidney disease. Offering teaching and advice, and carrying out living kidney transplants, sharing their knowledge with local medical teams in a variety of countries - so that sustainable transplant programmes become a possibility for the future.I begin by finding my way around the subject, evaluating the form through the use of light and dark in quick charcoal studies. These are then taken into the studio where, if required, more sustained studies incorporating finer lines are made. The continuation of the drawing element is an integral part of my process. You can see evidence of the drawings within the etchings’ continually changing hierarchy and emphasis. Bringing into focus new elements and pushing others back. This evidences the recording and decision-making taking place. For me, the importance and value of the etching process is integral to both the making and the content of the work. Etching offers a unique means of working - inherent in its make up is the intervention upon the surface and the sculptural physicality of the process; layering and building-up information through cyclical reapplications of grounds, drawing, etching, burnishing and drypoint. My prints are not just an architectural study, they are evidence of me seeing and responding to a subject in a meaningful way. This is what etching allows me to do - to investigate place through an organic evolution of recording and insights into location through the interlinking processes of drawing and printmaking. Please note that final invoices will include buyers' premium at 27% (inclusive of VAT) added to the hammer price. Ewbank's are waiving all vendor commission for the charity. Transplant Links Community is a UK registered non-religious and non-political charity that saves the lives of children and adults in the developing world who suffer from life-threatening end stage kidney disease. Offering teaching and advice, and carrying out living kidney transplants, sharing their knowledge with local medical teams in a variety of countries - so that sustainable transplant programmes become a possibility for the future.

Ian Chamberlain. 'Sat Study IV', etching, signed and numbered 7/30. Image size 41 x 39cm. Framed. I am a printmaker who has been passionate about, and specialising in etching (intaglio) for several years. My work takes reference from an on-going interest in manmade technological forms of industrial structures - such as bridges, the scientific radio telescopes at Goonhilly Satellite Earth Station, or ex military structures such as the Acoustic sound mirrors in the UK. The majority of the subjects and locations I record were considered at the forefront of technology during their lifetime. Some of those technologies are now defunct or have been reconfigured for different uses. The subject matter therefore is echoed in the process used to record it. The etching process enables me to make a sustained enquiry into the subject’s structure, location and the effects of time passing. It becomes my own visual experience and a graphic equivalent to an observed moment in time. I begin each project with an intense enquiry through on site observation and drawing. In visiting these locations I can develop my own subjective emotional response; the artist is not seen but my physical intervention is paramount and my factual research and first hand experience evidence a sense of place. The subject itself is then removed from its surroundings and the familiar. The structures are shown devoid of the human figure so that architectural scale cannot be based on the physical measurements of the human body. This ambiguity adds to the sense of the monumental and projects a feeling of the iconic. Please note that final invoices will include buyers' premium at 27% (inclusive of VAT) added to the hammer price. Ewbank's are waiving all vendor commission for the charity. Transplant Links Community is a UK registered non-religious and non-political charity that saves the lives of children and adults in the developing world who suffer from life-threatening end stage kidney disease. Offering teaching and advice, and carrying out living kidney transplants, sharing their knowledge with local medical teams in a variety of countries - so that sustainable transplant programmes become a possibility for the future.I begin by finding my way around the subject, evaluating the form through the use of light and dark in quick charcoal studies. These are then taken into the studio where, if required, more sustained studies incorporating finer lines are made. The continuation of the drawing element is an integral part of my process. You can see evidence of the drawings within the etchings’ continually changing hierarchy and emphasis. Bringing into focus new elements and pushing others back. This evidences the recording and decision-making taking place. For me, the importance and value of the etching process is integral to both the making and the content of the work. Etching offers a unique means of working - inherent in its make up is the intervention upon the surface and the sculptural physicality of the process; layering and building-up information through cyclical reapplications of grounds, drawing, etching, burnishing and drypoint. My prints are not just an architectural study, they are evidence of me seeing and responding to a subject in a meaningful way. This is what etching allows me to do - to investigate place through an organic evolution of recording and insights into location through the interlinking processes of drawing and printmaking. Please note that final invoices will include buyers' premium at 27% (inclusive of VAT) added to the hammer price. Ewbank's are waiving all vendor commission for the charity. Transplant Links Community is a UK registered non-religious and non-political charity that saves the lives of children and adults in the developing world who suffer from life-threatening end stage kidney disease. Offering teaching and advice, and carrying out living kidney transplants, sharing their knowledge with local medical teams in a variety of countries - so that sustainable transplant programmes become a possibility for the future.

Ian Chamberlain. 'Dome II', etching, signed. Image size 21 x 20cm. Framed. I am a printmaker who has been passionate about, and specialising in etching (intaglio) for several years. My work takes reference from an on-going interest in manmade technological forms of industrial structures - such as bridges, the scientific radio telescopes at Goonhilly Satellite Earth Station, or ex military structures such as the Acoustic sound mirrors in the UK. The majority of the subjects and locations I record were considered at the forefront of technology during their lifetime. Some of those technologies are now defunct or have been reconfigured for different uses. The subject matter therefore is echoed in the process used to record it. The etching process enables me to make a sustained enquiry into the subject’s structure, location and the effects of time passing. It becomes my own visual experience and a graphic equivalent to an observed moment in time. I begin each project with an intense enquiry through on site observation and drawing. In visiting these locations I can develop my own subjective emotional response; the artist is not seen but my physical intervention is paramount and my factual research and first hand experience evidence a sense of place. The subject itself is then removed from its surroundings and the familiar. The structures are shown devoid of the human figure so that architectural scale cannot be based on the physical measurements of the human body. This ambiguity adds to the sense of the monumental and projects a feeling of the iconic. Please note that final invoices will include buyers' premium at 27% (inclusive of VAT) added to the hammer price. Ewbank's are waiving all vendor commission for the charity. Transplant Links Community is a UK registered non-religious and non-political charity that saves the lives of children and adults in the developing world who suffer from life-threatening end stage kidney disease. Offering teaching and advice, and carrying out living kidney transplants, sharing their knowledge with local medical teams in a variety of countries - so that sustainable transplant programmes become a possibility for the future.I begin by finding my way around the subject, evaluating the form through the use of light and dark in quick charcoal studies. These are then taken into the studio where, if required, more sustained studies incorporating finer lines are made. The continuation of the drawing element is an integral part of my process. You can see evidence of the drawings within the etchings’ continually changing hierarchy and emphasis. Bringing into focus new elements and pushing others back. This evidences the recording and decision-making taking place. For me, the importance and value of the etching process is integral to both the making and the content of the work. Etching offers a unique means of working - inherent in its make up is the intervention upon the surface and the sculptural physicality of the process; layering and building-up information through cyclical reapplications of grounds, drawing, etching, burnishing and drypoint. My prints are not just an architectural study, they are evidence of me seeing and responding to a subject in a meaningful way. This is what etching allows me to do - to investigate place through an organic evolution of recording and insights into location through the interlinking processes of drawing and printmaking. Please note that final invoices will include buyers' premium at 27% (inclusive of VAT) added to the hammer price. Ewbank's are waiving all vendor commission for the charity. Transplant Links Community is a UK registered non-religious and non-political charity that saves the lives of children and adults in the developing world who suffer from life-threatening end stage kidney disease. Offering teaching and advice, and carrying out living kidney transplants, sharing their knowledge with local medical teams in a variety of countries - so that sustainable transplant programmes become a possibility for the future.

Ian Chamberlain. 'Dome I', etching, signed and numbered 4/6. Image size 21 x 20cm. Framed. I am a printmaker who has been passionate about, and specialising in etching (intaglio) for several years. My work takes reference from an on-going interest in manmade technological forms of industrial structures - such as bridges, the scientific radio telescopes at Goonhilly Satellite Earth Station, or ex military structures such as the Acoustic sound mirrors in the UK. The majority of the subjects and locations I record were considered at the forefront of technology during their lifetime. Some of those technologies are now defunct or have been reconfigured for different uses. The subject matter therefore is echoed in the process used to record it. The etching process enables me to make a sustained enquiry into the subject’s structure, location and the effects of time passing. It becomes my own visual experience and a graphic equivalent to an observed moment in time. I begin each project with an intense enquiry through on site observation and drawing. In visiting these locations I can develop my own subjective emotional response; the artist is not seen but my physical intervention is paramount and my factual research and first hand experience evidence a sense of place. The subject itself is then removed from its surroundings and the familiar. The structures are shown devoid of the human figure so that architectural scale cannot be based on the physical measurements of the human body. This ambiguity adds to the sense of the monumental and projects a feeling of the iconic. Please note that final invoices will include buyers' premium at 27% (inclusive of VAT) added to the hammer price. Ewbank's are waiving all vendor commission for the charity. Transplant Links Community is a UK registered non-religious and non-political charity that saves the lives of children and adults in the developing world who suffer from life-threatening end stage kidney disease. Offering teaching and advice, and carrying out living kidney transplants, sharing their knowledge with local medical teams in a variety of countries - so that sustainable transplant programmes become a possibility for the future.I begin by finding my way around the subject, evaluating the form through the use of light and dark in quick charcoal studies. These are then taken into the studio where, if required, more sustained studies incorporating finer lines are made. The continuation of the drawing element is an integral part of my process. You can see evidence of the drawings within the etchings’ continually changing hierarchy and emphasis. Bringing into focus new elements and pushing others back. This evidences the recording and decision-making taking place. For me, the importance and value of the etching process is integral to both the making and the content of the work. Etching offers a unique means of working - inherent in its make up is the intervention upon the surface and the sculptural physicality of the process; layering and building-up information through cyclical reapplications of grounds, drawing, etching, burnishing and drypoint. My prints are not just an architectural study, they are evidence of me seeing and responding to a subject in a meaningful way. This is what etching allows me to do - to investigate place through an organic evolution of recording and insights into location through the interlinking processes of drawing and printmaking. Please note that final invoices will include buyers' premium at 27% (inclusive of VAT) added to the hammer price. Ewbank's are waiving all vendor commission for the charity. Transplant Links Community is a UK registered non-religious and non-political charity that saves the lives of children and adults in the developing world who suffer from life-threatening end stage kidney disease. Offering teaching and advice, and carrying out living kidney transplants, sharing their knowledge with local medical teams in a variety of countries - so that sustainable transplant programmes become a possibility for the future.

1950s DUNHILL AQUARIUM TABLE LIGHTER, Reg No. 737418, the lucite panels intaglio decorated with fish and aquatic plants, 10cm wide

Seven antique intaglio seals, various sizes and materials.

A HARDSTONE INTAGLIO RING depicting the head of a classical man, in 9ct. gold mount. Size F 1/2.

A QUANTITY OF JEWELLERY including a diamond solitaire ring, in ornate white gold mount, size R, a Victorian cabochon amethyst and gold mourning brooch, assorted loose intaglio seals, a shell cameo and gold pendant and various other items.

A orange agate oval intaglio ring, the intaglio possibly Roman, carved with gladiator style head, rub-over set in a later yellow gold mount and head with double wire shank circa 19th century, intaglio approx 24mm x 15mm, ring size O, gross weight 3.3gCondition: good, no obvious damage or repair

An Edwardian 18ct gold cased half hunter pocket watch, the white enamel Roman dial inscribed Joseph Penlington, Liverpool, the casework London 1907, on an 18ct gold Albert, suspending a fob set with a bloodstone intaglio seal of a unicorn, approximate weight all in 208gCondition: case with light surface wear, dial hairline, ticking, sold as seen, service advised

A TWO COLOUR GOLD AND TURQUOISE SET SEAL chalcedony intaglio, engraved "Erin Go Bragh" surrounding a harp and shamrock; 2.5 cms, c.1830

A REGENCY FACETED AGATE SEAL oval intaglio, engraved with crest of a hawk, 4 cms and a gold mounted seal with stone engraved with a fox and "Tally Ho"

A REGENCY GOLD SEAL with cornelian engraved with a coat of arms (Shand), 2.5 cms and another, the black intaglio engraved with a cherub casting a net over an owl and goose and motto "J'Attrape Sage Et Fou"; 2.25 cms (2)

A REGENCY GOLD SEAL CAST WITH ACORN SPRAYS cornelian intaglio, engraved "Je Sacrifirais Ma Vie Pour Ma Roi Et Ma Patrie", surrounding doves and a heart; 4 cms

A PRIVATE COLLECTION OF FOB SEALS A REGENCY GOLD & TURQUOISE SET SEAL, the amethyst intaglio engraved with a sailing ship and motto "Such Is Life"; 2.5 cms high

A THREE COLOUR GOLD AND GEM SET SEAL in the form of a basket of flowers, cornelian intaglio, engraved "Hurry up"; 2 cms

A 19TH CENTURY GOLD SEAL The bloodstone intaglio engraved with crest of a live bird, 3 cms and a small seal with stone engraved with a vulture attacking a rabbit (2)

A 19th century bloodstone intaglio fob seal: with foliate decoration, the rectangular bloodstone carved with armorial crest, 19.5gms gross weight.

A Lalique glass bowl 'Poissons': the exterior intaglio moulded with bubbles and encircling fish, the interior base embossed R. Lalique, 24 cm diameter.

A Lalique opalescent glass dish 'Poissons': the exterior intaglio moulded with bubbles and encircling fish, the interior base embossed R. Lalique, 29.5 cm diameter.

AN EARLY 20TH CENTURY CRYSTAL CLARET JUG by Williams and Stevens, Stourbridge, of ovoid form with polished intaglio cut and silver collar with marks for Thomas Wilkinson Birmingham hallmark to the lid 31cm high, a mid to late 19th century water pitcher 24cm high with gilt decoration and matching glass  16cm high (3)

An Edwardian brass car mascot, in the form of an eagle perched on a T bar with wings outstretched, 15cm high, a frog trinket box containing an intaglio seal and a cast metal crocodile. (3)

A silver ballerina desk seal with stone intaglio base - marked 925

An antique brass seal the carved stone intaglio with farmer sowing seed, and a copper dish made from ship's scrap

Collection of decorative 19th and early 20th Century glassware including three 'Bristol' green wines, a pink and white striped jug with trailed decoration, an amber glass plaque with intaglio portrait of Albert I etc Condition:

AN EARLY 19TH CENTURY SEAL FOB unmarked, the oval carnelian carved with an intaglio of the profile of a young classical male, 2.8cm long, 6.3g gross.

Leonardo Lasansky (b. 1946). Color intaglio print titled "Somnium." Signed along the lower right and titled and numbered 32/70.Provenance: Distinguished corporate collection, Minnesota.Sight; height: 21 1/4 in x width: 17 1/2 in. Framed; height: 30 1/4 in x width: 26 1/4 in.

An early 20th Century Stevens and Williams decanter of shouldered square form with an applied clear crystal hollow blown loop handle and hallmarked silver collar rising to a hollow blown stopper, cased in emerald green over clear with slice cut columns rising to band of intaglio cut scrolling floral motifs, Sheffield 1904, Hammond, Creak and Co, height 28cm, S/D.

Georgian high purity gold fob seal, foliate cast, the rectangular bloodstone matrix with armorial intaglio, weight 23g approx.

Intaglio cut agate of rectangular form with cockerel over monogram design, length 21mm approx.

AN EARLY GOLD AND INTAGLIO SET RING, possibly Roman, the oval inset stone, relief carved with a figure by a pillar.

AN INTERESTING COLLECTION OF VINTAGE AND RETRO WALLPAPER SAMPLES AND DESIGNS, MANY IDENTIFIED VERSO TO INCLUDE ERICA BY ELIZABETH GRIFFITHS, ZELDA BY ELS CALVETT, GYRO BY JUNE LYON, INTAGLIO BY ROGER NICHOLSON, ETC. UNFRAMED. LARGEST. 54 x 56cms.

[§] JULIAN TREVELYAN R.A. (BRITISH 1910-1988) CRETAN WITCHES FIGHTING Signed and inscribed with title in pencil to margin, numbered 1/30, intaglio print 40cm x 52cm (16.5in x 20.5in) and a further print by the same artist 'Moscow' (2)

George V 18ct intaglio ring with engraved crest, Birmingham 1918, maker 'HC & S', 12.7gm, ring size R/S

A 19th century carnelian rounded rectangular intaglio, carved in relief with a bust-length profile of a lady from Classical Antiquity, 2.3cm x 1.9cm, c. 1820 - 1840; an early 19th century brown glass rectangular intaglio, moulded in relief with Cupid and Psyche, 4.3cm wide, c. 1825; a Victorian yellow-metal mounted armorial intaglio seal, crested matrix, loop suspension, c. 1860; another, similar; etc

Lapis lazuli carved intaglio seal mounted into a ring, the stone possibly Babylonian, and as early as 2200BC, depicting a seated god and worshipper, the rectangular seal claw set into a modern 18ct white gold ring with baguette diamonds to the shoulders, the seal 20mm x 11mm, gross weight approx. 12.5g

British Commemorative Medals, Emma, Lady Hamilton (1765-1815), white glass paste cameo portrait, late-18th century, by James (1735-1799) or William (1777-1860) Tassie , after a gem by Filippo Rega, her head and shoulder bust to r., as ‘Hope’, her hair with single braid and wearing band, signed in Greek below ΡΕΓΑ, 52 x 43mm., the cameo 40 x 32mm. (cf. S. Comfort, Matthew Boulton’s Naval Medals, Wimbledon 2017, p. 94, a contemporary plaster cast illustrated), in a Victorian gold brooch mount with floral embellishments, a delightful and rare image, much as made In the portrait, Lady Hamilton’s hair is bound and braided in a self-conscious attempt at a Grecian coiffure, designed to complement Emma’s famous Grecian profile or here Elpis, the Goddess of Hope. The cameo is identical to that in the National Maritime Museum (JEW0338), there attributed to William Tassie, this in a gilt-metal mount and set in a black frame; the British Museum has a similar but intaglio image (1867,0708.1), in amber glass, set in gold frame with suspension loop attached, for use as a seal and supposed to have been owned by Lord Nelson. A left-facing hardstone cameo with a very similar image was sold at Sotheby’s, Trafalgar - Nelson and The Napoleonic Wars, including The Matcham Collection, 5 October, 2005, lot 154. Filippo Rega (1761– post 1833), born in Chieti on 26th August 1761, he was trained in Rome by the famous Pichler family between 1776 and 1787, before moving to Naples where he became director of the Laboratorio della Pietre Dure di Napoli, an institution founded by Carlo di Borbone in 1738.

3rdC AD Roman Centurion intaglio ring in 23ct gold size P / Q 4.6g

Four Intaglio hand carved crystal plates by Michael Yates with certificates and wall hangers

Chinese snuff bottle with painted intaglio winter hunting scene, signed

An 18ct gold and enamel mourning ring, the band reading 'IN MEMORIAM', with inscription to inner band 'Thomas Powell, 27 Jan 1878, aged 70' and glazed compartment enclosing lock of hair, set with agate intaglio depicting a turret, size O/P, 11g

A mixed lot of gold and yellow metal items to include a seed pearl brooch of interwoven design, a magnifier, 9ct swivel fob, two garnet encrusted brooches, unmounted carved intaglio depicting a classical gentleman, etc

Group of jewellery - to include a floral spray brooch set with rose cut diamonds, Eastern yellow metal ring, Victorian yellow metal seal with horse's head surmount and a 19th century armorial intaglio carved carnelian seal / brooch (4) CONDITION REPORT Intaglio brooch in very good condition, mount possibly gold but the pin is gilt, 22 x 20mm. The horse's head is badly damaged

A Georgian yellow metal and oval red intaglio foil backed? ring with old cut diamond set shoulders, carved with the bust of a Greek Goddess to dexter, (remnants of inscription below bust), size L.

A Grand Tour type intaglio set table cabinet

Nine unmounted cameos and one intaglio

An 18 Carat Gold Sardonyx Intaglio Signet Ring, an oval intaglio seal engraved with heraldic emblem and motto, finger size M . The ring is in good condition. It is hallmarked with maker's mark 'C.G', Birmingham, 1920. Gross weight 6.6 grams. Condition Report made 28th August 2018.

An Albertina with Three Intaglio Fob Seals, a multi-strand albertina, with a floral cast slider and clip, suspending three intaglio fob seals, length 26.5cm . The albertina and fobs are in good condition. It is not hallmarked or stamped, valued as gold. Gross weight 50.9 grams. Condition Report made 28th August 2018.

A Thick Curb Link Albert, with T-bar and Clip, Suspending Three Large Intaglio Fob Seals, length 23cm . The chain and seals are in good condition. The T-bar and clip are stamped '18ct', valued as gold. Gross weight 104.3 grams. Condition Report made 28th August 2018.