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Moderner Goldring mit Jaspis-Gemme. Ring modern, Gemme römisch, 1. - 2. Jh. n. Chr. 6,44g, Ringgröße 58. Moderner Goldring mit einer gleichmäßig breiten, geriefelten Bandschiene und einer mit Golddrahtvoluten, Granulatkügelchen und tordiertem Draht verzierten Fassung. Darin eine querovale Gemme aus rotem Jaspis, auf dem Intaglio eine Jagdszene, in der ein Hund zwei Hasen hetzt. Gold! Intakt. Provenienz: Ex Privatbesitz M. T., in München seit den 1980er Jahren.

Goldring mit Glasgemme. Ring modern (?), Gemme, hellenistisch, 2. - 1. Jh. v. Chr. 5,26g, Ringgröße 56-57. Schiene aus rundem Golddraht, darauf eine hochovale Fassung mit einer Gemme aus rotem Glas. Der Intaglio zeigt eine Büste des Herakles mit umgeknotetem Löwenfell. Schöne Heraklesdarstellung! Gold! Fragment der Gemme fehlt. Provenienz: Ex Sammlung M. B., Hessen, seit vor 1970.

Goldring mit männlichem Kopf. Römisch, 1. - 2. Jh. n. Chr. 1,98g. Ringgröße 49-50. Schmale, nach außen konvexe, nach oben breiter werdende Schiene mit einer ovalen Fassung. Darin ein gewölbter Granatstein, auf dem Intaglio ein männlicher Kopf. Gold! Kleiner Riss innen an der Schiene, Gemme wieder eingesetzt. Provenienz: Ex Gorny & Mosch, München Auktion 275, 2020, Los 223; ex Privatbesitz M. T., München, 1980er Jahre.

Karneolgemme mit Athena. Baktrisch, 2. Jh. v. Chr. H 2,7cm. Roter Karneol, auf dem hochovalen Intaglio stehende, behelmte Athena mit Rundschild und Lanze. Mit Abdruck! Intakt. Provenienz: Ex Sammlung K. G., Rheinland, erworben im deutschen Kunsthandel 1960er Jahre bis 2003. Athena wird in ähnlicher Weise auf baktrischen Münzen des Menander I. Soter (ca. 155 - 130 v. Chr.) dargestellt (s. zum Beispiel HGC 12, 182). Allerdings schleudert sie auf den Münzen ein Blitzbündel, während sie auf unserem Stück eine Lanze hält.

Jaspisgemme mit Gryllos. Römisch, 1. - 2. Jh. n. Chr. H 2,9cm. Aus rotem Jaspis mit schwarzen Adern, auf dem hochovalen Intaglio ein Gryllos bestehend aus einem Adlerkopf, einem Widderkopf und einem bärtigen, männlichen Kopf, alles auf zwei Vogelbeinen, dahinter zwei Pfeile, unten rechts ein Caduceus. Großes Exemplar! Intakt. Provenienz: Ex Sammlung M. B., Hessen, seit vor 1970.

Karneolgemme mit erotischer Szene. Römisch, 1. - 2. Jh. n. Chr. H 2,9cm. Aus rotorangem Karneol. Auf dem hochovalen Intaglio eine Szene mit Eros mit Eimer und Stab links, Priapos in einem Wasserbassin rechts und in der Mitte Venus, die zwei Ähren überkreuz über den Kopf hält. Intakt. Provenienz: Ex Sammlung M. B., Hessen, seit vor 1970.

Karneolgemme mit Porträt eines Bärtigen. Römisch, 3. Jh. n. Chr. H 13,2mm. Aus rotem Karneol, auf dem hochovalen Intaglio die drapierte Büste eines bärtigen Mannes nach links. Intakt, winzige Kratzer auf der Oberfläche. Provenienz: Aus der alten süddeutschen Sammlung D. L., vor 1980.

Sammlung Gemmen mit Kaiserporträts. Römisch, 1. - 3. Jh. n. Chr. a. H 2,2cm. Aus rotem Glas mit moderner Goldfassung mit Aufhänger. Auf dem hochovalen Intaglio drapierte Panzerbüste des Elagabal mit Lorbeerkranz. Intakt. Erworben im Mai 2004 beim MünzZentrum Rheinland, Solingen. Mit vergrößertem Abdruck der Staatlichen Münzsammlung, München. b. H 2,2cm. Aus rotem Glas mit moderner Goldfassung mit Aufhänger. Auf dem hochovalen Intaglio Kopf des Maximianus mit Lorbeerkranz. Intakt. Erworben im August 2015 bei London Ancient Coins Ltd. c. H 1,4cm. Aus brauner Glaspaste mit weißen Streifen, Intaglio auf fast quadratischer Platte. Auf dem runden Intaglio Kopf des Tiberius mit Lorbeerkranz. Intakt. Erworben im April 2015 bei Paul-Francis Jacquier, Kehl am Rhein. 3 Stück! Alle mit Kopie der Rechnung! Provenienz: Aus der bayerischen Privatsammlung H. W.

Amethystgemme mit Herrscherporträt. England, um 1800. H 1,6cm. Gewölbte Gemme, auf der flachen Seite der hochovale Intaglio mit dem Porträt des Kaisers Trajan mit Lorbeerkranz (98 - 117 n. Chr.). Winziges Randfragment fehlt. Provenienz: Ex Sammlung M. B., Hessen, seit vor 1970.

'Magische Gemme' aus braunem Karneol. 19. - 20. Jh. H 2,3cm. Hochoval, beidseitig Intaglio. A: Ein nackter Frauenkörper auf einer kleine Säule flankiert von Zweigen in Gefäßen sowie die Buchstaben Π - Υ. B: Ein Bewaffneter mit Schild und Standarte auf einem Baum in einer Mondsichel, auf der vorne ein Hund steht, links ein Helioskopf und ein Monogramm, rechts ein Pentagramm. Am Rand etwas bestoßen. Provenienz: Ex Sammlung M. B., Hessen, seit vor 1970.

Sog. Hippalectryon aus rotem Karneol. 19. - 20. Jh. H 1,8cm. Auf dem hochovalen Intaglio eine Kombination aus einem Pferdekopf und -hals, der auf den Beinen eines Hahnes steht, der Körper wird aus einer Silensmaske gebildet. Rechts und links die Buchstaben: I/N/L - A/K. Winziges Randfragment fehlt. Provenienz: Ex Sammlung M. B., Hessen, seit vor 1970. Vgl. M. Henig, Classical Gems. Ancient and modern intaglios and cameos in the Fitzwilliam Museum Cambridge (1994) S. 166 Nr. 352.

Lagenachat mit Philosophenporträt. 19. - 20. Jh. H 1,3cm. Mehrschichtiger Langenachat, auf dem hochovalen Intaglio Porträt eines bärtigen Philosophen, wahrscheinlich Sokrates. Intakt. Provenienz: Ex Sammlung M. B., Hessen, seit vor 1970.

Sammlung Goldschmuck. Römisch, 2. - 3. Jh. n. Chr. a. 2,50g, Ringgröße 42-43. Schmale, nach außen konvexe, hohle, nach oben breiter werdende Schiene, auf der Platte eine Gemme aus rotem Karneol mit der Inschrift ΨΥXΗ. In der Schiene eine kleines Loch. b. 3,14g, Ringgröße 42. Schmale, nach oben breiter werdende Schiene aus Goldblech, auf der Platte eine Gemme aus Nicolo. Auf dem Intaglio ein Stern, eine Mondsichel und ein Monogramm. c. 0,55g, hohle Schiene eines islamischen Ringes mit Gravuren. Ringstein fehlt. d. 2,03g, L 3cm. Bügelohrring mit Schild und Anhänger in Form einer Muschel mit Dreieck. Intakt. 4 Stück! Gold! Provenienz: Ex Sammlung M. B., Hessen, seit vor 1970.

Goldring mit Heliotrop-Gemme. Römisch, 1. - 3. Jh. n. Chr. 1,90g. Ringgröße 44. Kinderring. Schmale, nach oben breiter werdende Schiene aus verfülltem Goldblech und Schulterknick. Auf der Platte in einer kelchartigen Fassung eine querovale Gemme aus Heliotrop, auf dem Intaglio ein Stier unter einem Zweig. Schiene teilweise zerdrückt, mit Rissen. Provenienz: Ex Französische Privatsammlung E. G., erworben auf dem französischen und englischen Kunstmarkt. In Deutschland vor 2001.

Bronze- und Silberring mit Gemme. 2. - 3. Jh. n. Chr. a. Ringgröße 53. Schmale, nach außen konvexe, nach oben breiter werdende Schiene aus Silber mit Schulterknick. Auf der Platte oktogonale Gemme aus Achat, auf dem Intaglio Ameise. Ring intakt, Gemme modern wieder angeklebt, mit Sprüngen. Erworben 09.08.2013 bei London Ancient Coin Art Ltd. b. Ringgröße 50-51. Schmale, nach außen konvexe, nach oben breiter werdende Schiene aus Bronze mit Riefen, oben auf der Platte hochovale Gemme aus rotem Karneol, auf dem Intaglio thronender Jupiter mit Zepter. Intakt. Erworben bei Gorny & Mosch, München Auktion 239, 2016, Los 294 (ex Sammlung E. M., Deutschland, erworben in den 1990er Jahren). 2 Stück! Alle mit Kopie der Rechnung! Provenienz: Aus der bayerischen Privatsammlung H. W.

Gemme aus Lagenachat. Römisch, 1. - 2. Jh. n. Chr. H 1,5cm. Lagenachat, auf dem längsovalen Intaglio Venus Victrix, die einen Fuß auf einen Schemel gestellt hat und einen Helm in ihrer Hand betrachtet, zu ihren Füßen ein Schild. Reste der Metallfassung am Rand, intakt. Provenienz: Ex Privatsammlung S., Niederlande, erworben vor 1997, in Deutschland seit 1997.

Gemme aus Lagenachat. Römisch, 1. - 2. Jh. n. Chr. B 1,2cm. Zweischichtiger Lagenachat, auf dem querovalen Intaglio eine stehende Kuh. Intakt. Provenienz: Ex Privatsammlung S., Niederlande, erworben vor 1997, in Deutschland seit 1997.

Gemme aus Sardonyx. Römisch, 1. - 2. Jh. n. Chr. B 1,2cm. Auf dem querovalen Intaglio ein Pfau. Intakt. Provenienz: Ex Privatsammlung S., Niederlande, erworben vor 1997, in Deutschland seit 1997.

Sammlung römischer Gemmen. 2. - 3. Jh. n. Chr. a. H 1cm. Aus rotem Jaspis. Auf dem oktogonalen Intaglio Sol mit Strahlenkrone, erhobener Rechten und Peitsche in der Linken, davor Keule. Fragmente auf der Rückseite fehlen (ehemals gefasst). Erworben am 01.10.2015 beim Münzzentrum Rheinland, Solingen. b. ø 1,1cm. Aus orangem Karneol. Auf dem runden Intaglio sitzender Merkur mit Caduceus und Geldbeutel. Größeres Fragment der Rückseite fehlt. Erworben bei Gerhard Hirsch Nachf. München, Auktion 286-288, Los 1071. c. H 2,1cm. Aus rotem Jaspis. Auf dem hochovalen Intaglio auf Widder reitender Merkur mit Caduceus. Am oberen und unteren Rand fehlende Fragmente (ehemals gefasst). Erworben bei Gerhard Hirsch Nachf. München, Auktion 286-288, Los 907. 3 Stück! Alle mit Kopie der Rechnung! Provenienz: Aus der bayerischen Privatsammlung H. W.

Sammlung Gemmen. Römisch, 1. - 3. Jh. n. Chr. a. B 1,4cm. Aus Karneol. Achteckige Gemme, auf dem querovalen Intaglio bukolische Szene mit Hirte, Ziege und Zweig. Winzige Fragmente fehlen. b. H 1,5cm. Aus Karneol. Ovale Gemme, auf dem hochovalen Intaglio zwei sitzende Figuren und zwei Sterne. Intakt. c. H 1,1cm. Aus Nicolo. Ovale Gemme, auf dem hochovalen Intaglio eine männliche Figur vor zwei Zweigen. Winziges Fragment fehlt. d. B 1cm. Aus Karneol. Achteckige Gemme mit griechischer Inschrift in zwei Zeilen: ΗΛΙΟΔ/ΩΡΑΣ. Intakt. e. B 0,9cm. Aus Jaspis. Ovale Gemme mit griechischer Inschrift in zwei Zeilen: ΙΣΙΔ/ΩΡΟΥ. Winziges Fragment fehlt. 5 Stück! Provenienz: Ex Sammlung M. B., Hessen, seit vor 1970.

Sara Lee Revisit AP, 2021 Japanese Woodcut on Paper Signed on front and verso 10 x 15cm (3¾ x 5¾ in.) Sara Lee predominantly works with drawing, intaglio and relief prints, including etching and Japanese woodcut in the ukiyo-e tradition, within a studio and site specific practice. Born in Wales in 1956, Sara lives and works in London. She graduated in Fine Art Painting from Ravensbourne in 1979 and went on to take an MA in Fine Art Printmaking at Central School graduating in 1982. She spent most of the following year traveling in the United States, visiting studios and collections, culminating in working for Jay Street Gallery and Studios in NYC. Sara Lee has been part of the fine art print community for more than two decades. Working within Hugh Stoneman's studio for more than ten years, together they developed a gravure practice and co-published, under the imprint Print Centre Publications, including works by Terry Frost RA, Ian McKeever RA and Hamish Fulton. Over the past seven years she has worked on etching and woodcut projects with Eileen Cooper RA, with whom she shares a print studio space and imprint Blackbird Editions. She presently teaches at the Dulwich Picture Gallery, has written for Tate, and advised on print processes for various individuals and institutions including The Art Fund and Tate.   Key/ solo exhibitions   2019 Beckoning Lines, Rabley Gallery 2016 Isola (with Pru Ainslie & Meryl Setchell Ainslie), Rabley Drawing Centre 2014 Ley of the Land, Rabley Drawing Centre 2012 Peninsula, Stoneman Gallery, Penzance 2009 Confluence (with Eileen Cooper, Caroline Isgar, Fred Gatley, Annie Turner & Sarah Radstone), APT Gallery, London & Stoneman Gallery, Penzance  

Sara Lee Path, 2021 Japanese Woodcut on Paper Signed on front and verso 10 x 15cm (3¾ x 5¾ in.) Sara Lee predominantly works with drawing, intaglio and relief prints, including etching and Japanese woodcut in the ukiyo-e tradition, within a studio and site specific practice. Born in Wales in 1956, Sara lives and works in London. She graduated in Fine Art Painting from Ravensbourne in 1979 and went on to take an MA in Fine Art Printmaking at Central School graduating in 1982. She spent most of the following year traveling in the United States, visiting studios and collections, culminating in working for Jay Street Gallery and Studios in NYC. Sara Lee has been part of the fine art print community for more than two decades. Working within Hugh Stoneman's studio for more than ten years, together they developed a gravure practice and co-published, under the imprint Print Centre Publications, including works by Terry Frost RA, Ian McKeever RA and Hamish Fulton. Over the past seven years she has worked on etching and woodcut projects with Eileen Cooper RA, with whom she shares a print studio space and imprint Blackbird Editions. She presently teaches at the Dulwich Picture Gallery, has written for Tate, and advised on print processes for various individuals and institutions including The Art Fund and Tate.   Key/ solo exhibitions   2019 Beckoning Lines, Rabley Gallery 2016 Isola (with Pru Ainslie & Meryl Setchell Ainslie), Rabley Drawing Centre 2014 Ley of the Land, Rabley Drawing Centre 2012 Peninsula, Stoneman Gallery, Penzance 2009 Confluence (with Eileen Cooper, Caroline Isgar, Fred Gatley, Annie Turner & Sarah Radstone), APT Gallery, London & Stoneman Gallery, Penzance  

Cinthia Sifa Mulanga Intimate I, 2021 Acrylic and Collage on Fabriano Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Cinthia Sifa Mulanga was born in Lubumbashi, Democratic Republic of Congo in 1997. Sifa graduated her 3rd year In 2020 at Artist Proof Studio in printmaking combining techniques such as intaglio, Linocut and silk screening. Her third-year body of work explored the politics surrounding the domestic space and notions of beauty within an Afropolitan context. Sifa's works in many mediums including painting, collage, drawing, photography. In 2019, she was awarded first place for a work created for a tribute exhibition to Louis Khela Maqhubela & Douglas Portway presented by Artist Proof Studio in partnership with Strauss & Co at the Turbine Art Fair. Sifa was also a trainee in the Special Projects Unit at the Artist Proof Studio and had been part of numerous projects commissioned by Bidvest Bank and Hogan Lovell. In 2020 Sifa participated in The TLC Student Lockdown Collection, and exhibited her works on Latitudes Online. She currently lives and works in Johannesburg. Education Matriculated at New Nation School -2015 Graduated in Print making at Artist Proof Studio - 2020 Exhibitions 2018 Grahams fine art gallery "animal in distress" with The Little Artist JSE Duetche bank "animal in distress" with Little Artist 2019 Awarded 1st prize winner in group exhibition at Turbine Art Fair paying tribute to Louis Khela Maqubhela & Douglas Portway in collaboration with Artist Proof studio & Strauss&Co. 2020 Part of TLC student collection with Artist Proof Studio and The University of Johannesburg. Latitudes Online exhibition for Latitude artfair. The human experience group exhibition with. The Project Space South Africa Green recovery project for climate change student portfolio with Artist Proof studio Eclectic group exhibition with The Art room South Africa Liminality in infinite spaces group exhibition organised by African Artists foundation curated by Azu Ngwagbugo and Jana in Lagos Nigeria 3rd year Printmaking Graduation/exhibition presented by Artist Proof Studio London Art Fair EDITs 2021 represented by African Arty in partnership with Latitudes Online   Gallery Representation Agent - Latitudes.Online African Arty - africarty.com   About the postcard artwork   Art on a postcard has made me aware of the Hepatitis C virus, the causes , symptoms and the treatment with further and provided research. I captured intimate moments in intimate spaces, I choose that moment and space because of how HC virus is caught and passed on ,like a child born to a mom with HCV , sharing of needles and grooming gears , not researching tattoo parlors and unsafe sex. The colours are to evoke emotions of hope and calm which is what I believe reflects the Fundraise of The Trust for the people who do not know they have hepatitis C.    

Cinthia Sifa Mulanga Intimate II, 2021 Acrylic and Collage on Fabriano Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Cinthia Sifa Mulanga was born in Lubumbashi, Democratic Republic of Congo in 1997. Sifa graduated her 3rd year In 2020 at Artist Proof Studio in printmaking combining techniques such as intaglio, Linocut and silk screening. Her third-year body of work explored the politics surrounding the domestic space and notions of beauty within an Afropolitan context. Sifa's works in many mediums including painting, collage, drawing, photography. In 2019, she was awarded first place for a work created for a tribute exhibition to Louis Khela Maqhubela & Douglas Portway presented by Artist Proof Studio in partnership with Strauss & Co at the Turbine Art Fair. Sifa was also a trainee in the Special Projects Unit at the Artist Proof Studio and had been part of numerous projects commissioned by Bidvest Bank and Hogan Lovell. In 2020 Sifa participated in The TLC Student Lockdown Collection, and exhibited her works on Latitudes Online. She currently lives and works in Johannesburg. Education Matriculated at New Nation School -2015 Graduated in Print making at Artist Proof Studio - 2020 Exhibitions 2018 Grahams fine art gallery "animal in distress" with The Little Artist JSE Duetche bank "animal in distress" with Little Artist 2019 Awarded 1st prize winner in group exhibition at Turbine Art Fair paying tribute to Louis Khela Maqubhela & Douglas Portway in collaboration with Artist Proof studio & Strauss&Co. 2020 Part of TLC student collection with Artist Proof Studio and The University of Johannesburg. Latitudes Online exhibition for Latitude artfair. The human experience group exhibition with. The Project Space South Africa Green recovery project for climate change student portfolio with Artist Proof studio Eclectic group exhibition with The Art room South Africa Liminality in infinite spaces group exhibition organised by African Artists foundation curated by Azu Ngwagbugo and Jana in Lagos Nigeria 3rd year Printmaking Graduation/exhibition presented by Artist Proof Studio London Art Fair EDITs 2021 represented by African Arty in partnership with Latitudes Online   Gallery Representation Agent - Latitudes.Online African Arty - africarty.com   About the postcard artwork   Art on a postcard has made me aware of the Hepatitis C virus, the causes , symptoms and the treatment with further and provided research. I captured intimate moments in intimate spaces, I choose that moment and space because of how HC virus is caught and passed on ,like a child born to a mom with HCV , sharing of needles and grooming gears , not researching tattoo parlors and unsafe sex. The colours are to evoke emotions of hope and calm which is what I believe reflects the Fundraise of The Trust for the people who do not know they have hepatitis C.    

A silver and reverse painted intaglio crystal circular box by William & Son (William Rolls Asprey), London 2011, the cover with a rounded rectangular crystal painted with a Labrador with a hare in a Highland landscape, on a scroll foliate ground, the rest plain, the cover interior wood lined, the base gilt, 7.5cm (3in) diameter Condition Report: Ex new stock, clear marks, a white blemish to the dog's nose Condition Report Disclaimer

A mixed collection of Wedgwood items to include; Tri-colours, teal lidded box, base metal candlesticks with intaglio inserts etc.

A small jade pendant with intaglio in 9ct - 1.5 gms

A 19th century carnelian squirrel seal fob, unmarked yellow metal foliate settings with intaglio carved hardstone, seal length 15mm, fob height 27.5mm, 12gNo damage or repairs, seal has a few tiny nibbles and abrasions on edges, settings lightly abraded and worn on high points, unmarked

A 19th century unmarked gold quartz seal fob, 2-colour foliate settings with intaglio carved initial C quartz panel, panel length 12.8mm, fob height 20.7mm, 3.5gNo damage or repairs, stone has a couple of tiny surface chips and abrasions on edges, settings also lightly abraded, unmarked

A 19th century gilt-metal chalcedony seal fob, intaglio carved hardstone with garter motto "Virtus Vera Nobilitas" (Virtue Is True Nobility), seal length 16.3mm, fob height 32.7mm, 16.7gNo damage or repairs, seal panel has 1 large chip on bottom edge and a few nibbles around motto, with personalised initials in centre, settings lightly abraded all over and gilding worn on corners and edges

A framed set of plaster cameo and intaglio plaques, frame 29cm x 34cm

A cased Eastern white metal box rectangular with canted corners, the sides , front and back engraved with animals amid foliage, the hinged cover inset with a hard stone intaglio etched with Islamic script 5,5 cm x 4.5 cm Condition Report: Available upon request

Y A pair of reverse painted intaglio safari cufflinks by William & Son, the oval cufflinks carved and painted with a rhino, a water buffalo, a lion and an elephant, with a mother of pearl panel behind, 1.5cm long, with belcher link connectors, 18 carat gold Birmingham 2017 hallmark with WRA makers mark, 14.5g gross, with original William & Son box Condition Report: Minimal wear, as new conditionCondition Report Disclaimer

Y A pair of reverse painted intaglio horse racing cufflinks by William & Son, the oval panels carved and painted with a galloping bay horse and jockey wearing blue colours, with mother of pearl panel behind, 1.6cm long, belcher link connectors, 18 carat gold Birmingham 2017 hallmark with WRA maker's mark, 14.3g gross, in a William & Son boxCondition Report: Minimal wear, as new conditionCondition Report Disclaimer

A Russian Soviet era silver gilt and champleve enamel salt spoon, Sampson Morden and Company silver pencil holder, Victorian silver heart shaped ointment box, Birmingham 1899, and a white metal fob seal with an intaglio crest of a bird.

A gentlemen's vintage 9ct gold intaglio ring, the oval head inset with the head and shoulders of a gladiator/soldier, size T, approx 3.6g.

An oblong onyx intaglio, mounted in a gold brooch pendant, 5.1g

A Victorian stickpin, set with a reverse painted intaglio or Essex crystal of the had of a fox and a pair of silver cufflinks, each set with earthenware medallions of the head of a fox (3)

A Wedgwood black basalt intaglio and medal of the head of Pope John V, late 18th c, 31 x 22mm and 32mm diam, impressed Wedgwood, the second also impressed 87 [q in error for 81] and a pair of Wedgwood jasper rosettes, 18th or 19th c, impressed mark (4)

A gold signet ring, with black onyx intaglio, marked 10k, 5.4g, size I½

A Roman gold and carnelian intaglio ring of a maenad Circa 1st-2nd Century A.D.The hollow gold hoop set with an oval intaglio engraved with a standing maenad facing right, her hair bound in a chignon, wearing a long tunic with her right breast exposed, a ribboned thyrsos in her left hand, her drapery gathered in the crook of her right arm, intaglio 2.1cm long, ring size K, weight 14gFootnotes:Provenance:US art market, 1994.For further information on this lot please visit Bonhams.com

A Roman sardonyx intaglio Circa 1st-2nd Century A.D.Engraved with the figure of winged Eros riding a long-horned goat, in a modern gold setting, intaglio 1.3cm long, ring size R, weight 5.6gFootnotes:Provenance:Private collection, UK, acquired in the 1980s as a gift.Cf. a glass cameo of the popular subject of Eros on a goat dating to the 1st Century A.D. in the British Museum, acc. no. 1923,0401.1121, and another Roman glass intaglio example in the Getty Museum, acc. no. 83.AN.437.17.For further information on this lot please visit Bonhams.com

A Roman gold ring with carnelian intaglio of a sphinx Circa 1st Century A.D.The hollow gold hoop set with an oval intaglio carved with a sphinx, facing left with its right forepaw raised, intaglio 1.1cm long, ring size M, weight 2.1gFootnotes:Provenance: with Petit Musée, Montreal. Harry Toulch collection, Montreal, acquired from the above September 1998.For a closely related rendering of a sphinx see the British Museum, London, acc. no. 1923,0401.230.For further information on this lot please visit Bonhams.com

A Roman gold and carnelian intaglio ring with a bust of Artemis Circa 1st-2nd Century A.D.The hollow gold hoop set with an oval intaglio carved with Artemis facing left, a quiver behind her left shoulder and a bow behind the right, wearing a peplos, her wavy hair bound in a low chignon with loose tendrils, adorned with a wreath, intaglio 1.5cm high, ring size K, weight 3.1gFootnotes:Provenance:with Petit Musée, Montreal. Harry Toulch collection, Montreal, acquired from the above March 1997.For further information on this lot please visit Bonhams.com

White metal hinged bracelet, floral and foliage engraved front, 25mm width, 44mm internal diameter; a Sarah Coventry white metal bracelet, faux hematite intaglio with faceted border, leaf to either side, 25mm width, 47mm internal diameter; and other vintage metal hinged bracelets, some with paste stones to front.

A Royal Copenhagen Circular Intaglio Plaque, 13.5cm Diameter

A 14 karat gold agate intaglio pendant. A square shaped pendant depicting a lady en profil in elaborate mount. Gross weight: 8.9 g. 4 x 2.8 cm.

A 14 karat gold quartz fob swivle pendant. Three different intaglio sides. Gross weight: 8.3 g. ca. 30 x 20 mm.

A Roman style oval carnelian Intaglio,, carved with portrait of  the Roman goddess Egeria, approx. 2 cm, together with a Greek Hellenistic carnelian oval Intaglio, carved with portrait of Fortuna holding cornucopia, approx. 1.75cm

A single strand graduated cultured pearl necklace, together with a jade and yellow metal bar brooch initialled N Z with intaglio, 6cm

A 'Nelson Trafalgar' commemorative seal, in gilt brass, the intaglio a female head Ht 27.16 Condition: Worn, behind the intaglio, which we believe to be moulded, is a loose partially coloured glass wafer, this may have been used to give the appearance of carnelian UK Postage:£15.04

A high purity Roman gold ring set an intaglio carved with a running animal 4.4gm size J UK Postage: £15.04

A lady's dress ring having a rose intaglio cabouchon panel in a yellow metal collared mount and loop, no marks, tested as 9ct gold, size M & approx 2.8g

English sterling silver-gilt intaglio fob seal, unmarked, baroque revival style, bloodstone intaglio engraved with lions head motif c1880-1910 3.5 grams 2cm tall

English 14ct gold-mounted intaglio fob seal, unmarked, ovate bezel supported by ornate 4-armed suspension arch and suspension loop, orange coloured, ovate carnelian intaglio engraved with heraldic emblem within a shield, including 3 panther faces and various other motifs c. 1880-1910 2.5 cm tall

English sterling silver-gilt intaglio fob seal, baroque revival style, yellow intaglio (possibly a citrine), engraved with Vi et Virtvte (by strength and valour), c 1880-1910 3cm tall 5 .1 grams

English 9ct gold-mounted intaglio fob seal, single arch with suspension loop, engraved carnelian intaglio with heraldic emblem 3 stags caboshed with chevron between, legend below seal reads Aude et Praevalebis (dare and you will prevail) c. 1880-1910 17.1 grams 4cm tall

English 9ct gold-mounted intaglio fob seal, scallop-backed with ovoid, white coloured intaglio - possibly chalcedony, intaglio engraved with a lion and initials 'MR', suspension loop marked 9ct c 1880-1910 4 cm tall

Lalique for Rolls Royce, a Spirit of Ecstasy glass car mascot, after Charles Sykes model designed 1911, limited edition number 46 of 200, frosted and polished, incised Lalique France and intaglio etched number RR046, with Rapiditas certificate, 19.5cm high

Rene Lalique, a Tete de Belier glass car mascot, model 1136, designed circa 1928, frosted and polished, intaglio moulded mark R Lalique France, 10cm high