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A pair of Baccarat clear glass decanters and stoppers, 20th century, fitted in a leather and brass basket, marked 'Hermes Paris', 21cm wide17cm high, together with a Baccarat glass dish, etched mark, 25cm diameter, and a pair of cut glass decanters and stoppers, 32.5cm high (5)Condition ReportDish - chip to the edge. Lether - with some wear. Decanters worn to the bases.
A very large collection of designer boxes, packaging, dust bags and carrier bags suitable for display to include a large CHANEL black cardboard, handbag box, CHANEL bags x 7, CHANEL perfume box, a large GUCCI paper bag, a large BURBERRY paper bag, a quantity of other designer paper bags to include BOTTEGA VENETA x 3, COACH, BALENCIAGA x 2, SONIA RYKIEL, (including 2 plastic bags) MIU MIU x 2, NINA RICCI, GEORGIO ARMANI, PRADA, DIOR x 5, HARRODS, JO MALONE, MARNI, a large PRADA plastic bag, a PRADA shoe box, a MULBERRY handbag and gift catalogue from 2013, various other product cards and documents including CHANEL. A small HERMES scarf box and two HERMES catalogues from 2014 & 2015.Also many handbag and shoe dust bags to include YSL, BOTTEGA VENETA x 2, D&G x 3, PRADA x 3, BURBERRY, BRUNO MAGLI, COMME des GARCONS, PUCCI, GIVENCHY, MOSCHINO, CHURCH'S, LK BENNETT, CHLOE, MAX MARA, RUSSELL & BROMLEY and a very large VIVIENNE WESTWOOD dust bag. Too many to clearly show in photographs.Condition Report: All in good used condition.
An HERMES Sac à Dépêches (Kelly) bag 35cm. Retourne in black box-calf leather. A top handle handbag bearing a significantly early heat stamp "A" signifying manufacture in 1945 (the first year that HERMES authenticated their bags with serial numbers was 1945 and the "A" stamped items are scarce). Gold coloured hardware. Very desirable black leather interior. With black leather clochette. (33cm x 25cm x 13cm). The clochette which is the leather loop, padlock and key may be replacements, see condition report Condition Report: Condition and patina is good, commensurate with age and use. The bag is nearly 80 years old.Small good professional repair to left side of flap and professional restoration to all four corners. Age and use-related damage to the one side of flap. Repairable.Would benefit from leather treatment as leather is a little "thirsty" but robust and un-faded. Some use marks under the handle. The clochette which is the leather loop, padlock and key may be replacements as may the flap hardware. This would be consistent with use and age of the bag. There is an odour of cigarettes from the leather which could be resolved by cleaning. .
Lima, Trix & Arnold. Group of Mainly unboxed loco's. To include Lima 213 BR Blue Class 17 Centre Cab Diesel, Lima BR Blue / White Class 81 Bo-Bo Overhead Electric loco, Trix BR Blue D823 Hermes Warship Class, Arnold 2-6-4 Tank loco (paint has been removed from body) plus others. Conditions: Fair to Excellent with Good rigid case. (9)
§ Gertrude Hermes OBE, RA (1901-1983) Welcome to the Avocetssigned and dated 'Gertrude Hermes 1948.' (lower right); artist's prooflithograph38.5cm diameterExhibited:London, Gertrude Hermes: Wood Engravings, Colour Prints, Drawings, and Sculpture 1924-1970, 12 January-11 February, 1993, cat. no.44Not examined out of the frame, outermost margins are obscured by the mount and are, therefore, not available for inspection. The paper support has an overall undulating appearance which should be corrected by reframing. There is some very negligible foxing noted in the lower margin. There is some possible fading to the palest values in the print, otherwise appears in nice condition overall.
§ Gertrude Hermes OBE, RA (1901-1983) Stonehenge - 2nd Editsigned and dated 'Gertrude Hermes 1959' (lower right); further inscribed, titled and dated 'Stonehenge, 2nd Edit, 29/30 1967' (lower centre)linocut62 x 92.5cmNot examined out of the frame, the outermost margins being obscured by the mount and, therefore, not available for inspection. There appears to be light overall toning and fading to the page, this is largely even and uniform in appearance but darkening as the margins hit the mount board. The paper support demonstrates some undulation and there appears to be some debris trapped beneath glass. In overall presentable condition.
MARCKS, Gerhard(1889 Berlin - 1981 Burgbrohl) "Orpheus, Euridike, Hermes"Holzschnitt. Bleistiftsignatur unten rechts. Blatt: ca. 39 x 46 cm; Platte: 32,5 x 36,5 cm. Gerahmt & hinter Glas : 42,5 x 52,5 cm. Wohl aus dem Mappenwerk "Orpheus". Rechts unten Blindstempel "6". Moderne Darstellung des klassischen Themas. Blattrand rechts leicht schräg beschnitten. Deutscher Bildhauer und Grafiker, 1919 bis 1924 Lehrer am Staatlichen Bauhaus in Weimar, ab 1925 Leiter der Bildhauerklasse an der Kunstschule Burg Giebichenstein Halle, unter nationalsozialistischer Diktatur als "entartet" diffamiert. Sein künstlerischer Nachlass wird im Gerhard-Marcks-Haus Bremen verwaltet: www.marcks.de. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 10:49 Uhr (CET) MARCKS, Gerhard(1889 Berlin - 1981 Burgbrohl) "Orpheus, Euridike, Hermes"Woodcut. Pencil signature lower right. Sheet: approx. 39 x 46 cm; plate: 32.5 x 36.5 cm. Framed & behind glass : 42.5 x 52.5 cm. Probably from the portfolio "Orpheus". Blindstamp "6" lower right. Modern depiction of the classical theme. Margins slightly trimmed at an angle on the right. German sculptor and graphic artist, teacher at the Staatliches Bauhaus in Weimar from 1919 to 1924, head of the sculpture class at the Burg Giebichenstein art school in Halle from 1925, defamed as "degenerate" under the National Socialist dictatorship. His artistic estate is administered at the Gerhard-Marcks-Haus Bremen: www.marcks.de. Aufrufzeit 26. | Oct. 2024 | probably 10:49 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
KAUFMANN, Karl(1843 Neuplachowitz - 1905 Wien) Romantische HafenansichtÖl auf Leinwand. Pseudonym-Signatur: L. van Howe. 69 x 105 cm. Gerahmt : 84 x 120 cm. Originaler Keilrahmen mit altem Klebezettel: Kunst Salon Hermes, profilierter Goldrahmen mit weiß gefasster Leiste. Rückseitig ein Flicken. Kaufmann (Carl): Landschafts- und Architekturmaler, studierte an der Akademie in Wien, bereiste Europa, signierte mit diversen Pseudonymen * Partnerauktion Bergmann. Literatur : Benezit (2006), Thieme-Becker (1907-1950), Fuchs (1973, 1978). Aufrufzeit 26. | Okt. 2024 | voraussichtlich 16:52 Uhr (CET) KAUFMANN, Karl(1843 Neuplachowitz - 1905 Vienna) Romantic harbour viewOil on canvas. Signed under the pseudonym: L. van Howe. 69 x 105 cm. Framed : 84 x 120 cm. Original stretcher with old adhesive label: Kunst Salon Hermes, profiled gold frame with white border. Patch on the reverse. Kaufmann (Carl): Landscape and architectural painter, studied at the Academy in Vienna, traveled Europe, signed with various pseudonyms * Partnerauktion Bergmann. Literature : Benezit (2006), Thieme-Becker (1907-1950), Fuchs (1973, 1978). Aufrufzeit 26. | Oct. 2024 | probably 16:52 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
A collection of five porcelain ashtrays, of recent manufacture, each of rectangular form, comprising:three Hermès examples, featuring 'Chasse en Inde', 'Couvertures et Tenues de Jour' and double horse head designs, stamped and marked to the base 'Hermes Paris Made in France',together with two other examples by Elie Saab and Limoges,largest 17.5 x 21.5cm (5)Condition ReportAll in good overall condition. Some minor rubbing to decoration on the Limoges example. The Hermes 'Chasse en Inde' example with tarnishing to the gilding.
HERMÈS, LES CAVALIERS D'OR, A PLISSÉ SILK SCARF The white ground with navy blue border, with ochre tone detail, signed Hermès, designed by Vladimir Rybaltchenko, hand rolled and stitched edges, in Hermes orange card box Dimensions: 88 x 87cm Condition Report: Minimal wear, some signs of storage to the box Condition Report Disclaimer
HERMÈS, 'UNI', THREE ENAMELLED BANGLES The first with blue enamelled ground with applied Hermes insignia, signed Hermès Paris Made in Austria +L; together with a pale pink example, signed Hermès Paris Made in Austria +I; and a cream example, signed Hermès Paris Made in Austria +I Size/dimensions: 0.9cm broad, inner widths 6.2cm Gross weight: 58.4 grams Condition Report: showing signs of use and wear, some dinks and knocks to borders, some scratches to the enamel, except the blue which doesn't have any noticeable scratches to the enamel Condition Report Disclaimer
HERMÈS, CARROUSEL, A SILK SCARF The green ground with grey border with a central beige tone horse within a surround of blue tone horses, designed by Christiane Vauzelles, signed Hermès, hand rolled edges, with Hermes How to tie a scarf booklet, in an orange card Hermès box Dimensions: 89 x 89cm Condition Report: Some marks and fading, it will benefit from a dry clean. Some signs of storage to the box. The booklet has some marks Condition Report Disclaimer
Hermes - Three silk scarves, to include a Carre 90 Pourvu qu'on ait l'ivresse Perfume Bottle silk scarf, in navy blue, together with a Hermes Astrologie Forever silk scarf in blue, white, gold and a La Ronde des Heures silk scarf in yellow, purple and blue, includes one box, all measure 90cm x 90cm. (3)
A GEORGE III CASED CHATELAINE CIRCA 1780 The gilt brass chatelaine with Hermes and Aphrodite and depictions of Cupid, scrolled and foliate decoration, suspending an etui with similar decoration and the figures of two female goddesses containing a spoon, knife, scissors and a pencil holder, two smaller hinged box drops, in fitted later red leather case, stamped William Boore 54. Strand London Dimensions: 20.4cm long Condition Report: Lead solder repair at the top of the Etui, some rubbing to the gilding. The box with signs of use, but in good condition considering age. Condition Report Disclaimer
An Hermes Cabas En Biasis 27 black and ecru swift canvas handbagblack and ecru canvas with H design, black leather shoulder strap and handles, contained in an outer canvas dust bag, original Hermes box and carrier baglength 24cm., height 24cmCondition:In new unused condition. The item was given as an unwanted gift.
A pair of Victorian silver two handled pedestal cups, each figural stem modelled as Hermes upon a globe, by Edward Charles Brown, with engraved decoration, inscription and armorial, on domed bases, the handles with wing terminals, London, 1873, height 25.5cm, 31oz. Decoration, inscription and armorial, all a little tired, otherwise in good order. Hallmarks clear, but with some slight rubbing.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Ca. 1-200 AD. A Roman garnet intaglio set into a later gold ring (Byzantine, 9th-12th century AD). The intaglio is meticulously adorned with a plethora of symbolic elements, embodies the profound artistic expression found in Roman glyptic art. The centerpiece of this exquisite artifact showcases a delicately engraved hand clasping a bundle of ears of grain, a caduceus, a poppy seed head, and a wreath. Collectively, these motifs evoke notions of abundance and prosperity, encapsulating the aspirations and beliefs of Roman society. The depiction of the hand holding ears of grain serves as a potent symbol of fertility, agricultural abundance, and nourishment. In Roman culture, grain was not only a vital staple but also represented the bountiful harvests necessary for the sustenance and prosperity of the empire. The hand, a universal symbol of human agency and dexterity, further reinforces the human connection to the cultivation of crops and the subsequent rewards of abundance. The inclusion of the caduceus adds another layer of significance to the composition. As a symbol associated with the Greek god Hermes and later adopted by the Romans, the caduceus embodies messages of commerce, diplomacy, and transcendent power. Its presence within this glyptic scene suggests the influence of trade and prosperity, emphasizing the interconnectedness between economic success and the broader societal fabric. Size: D: 17.32mm / US: 7 / UK: N 1/2; 9.45g Provenance: Private UK collection; Ex. old Swiss family collection formed in the 1990s.
A collection of Vintage French designer catalogues & Louis Vuitton display box ; Hommage A L'Afrique Hermes 1997 speech by Mr. Robert Dumas, chairman of Hermes from 1959 to 1976, son in law to Mr. Emile Hermes, with whom he worked from 1929-1959. Hermes & Saint Laurent together with country life magazines dating from 1980s

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11416 item(s)/page